Homer Iliad 11.368

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.368 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.384 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.368 focus
As he spoke he began stripping the spoils from the spear-famed son of Paion, but Alexandros husband of lovely-haired Helen [370] aimed an arrow at him, leaning against a pillar of the monument which men had raised to Ilos, son of Dardanos, a ruler in days of old. Diomedes had taken the cuirass from off the breast of strong Agastrophos, his heavy helmet also, and the shield from off his shoulders, [375] when Paris drew his bow and let fly an arrow that sped not from his hand in vain, but pierced the flat of Diomedes’ right foot, going right through it and fixing itself in the ground. Then Paris with a hearty laugh sprang forward from his hiding-place, and taunted him saying, [380] “You are wounded—my arrow has not been shot in vain; would that it had hit you in the belly and killed you, for thus the Trojans, who fear you as goats fear a lion, would have had a truce from evil.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 11.368 focus
He spake, and struck the son of Pæon down,
Skilful to wield the spear. But now the spouse
Of fair-haired Helen - Alexander - stood
445
Leaning against a pillar by the tomb
Of the Dardanian Ilus, who had been
An elder of the people; and he bent
His bow against the monarch Diomed,
Who at that moment knelt to strip the slain
450
Of the rich breastplate, and the shield that hung
Upon his shoulders, and the massive casque.
The Trojan drew the bow's elastic horn,
And sent an arrow that not vainly flew,
But, striking the right foot, pierced through, and reached
455
The ground beneath. Then Paris, with a laugh,
Sprang from his ambush, shouting boastfully: -
"Lo, thou art smitten! Not in vain my shaft
Has flown; and would that it had pierced thy groin
And slain thee! Then the Trojans had obtained
460
Reprieve from slaughter, they who dread thee now
As bleating goats a lion." Undismayed,
The valiant Diomed made answer thus:-
"Archer and railer! proud of thy smart bow,
And ogler of the women! wouldst thou make
465
Trial of valor hand to hand with me,
Thy bow should not avail thee, nor thy sheaf
Of many arrows. Thou dost idly boast
That thou hast hit my foot. I heed it not.
It is as if a woman or a child
470
Had struck me. Lightly falls the weapon-stroke
Of an unwarlike weakling. 'Tis not so
With me, for when one feels my weapon's touch,
It passes through him, and he dies; his wife
Tears with her hands her cheeks; his little ones
475
Are orphans; earth is crimsoned with his blood;
And flocking round his carcass in decay,
More numerous than women, are the birds."
He spake. Ulysses, mighty with the spear,
Came near and stood before him while he sat
480
Concealed, and drew the arrow from his foot.
Keen was the agony that suddenly
Shot through his frame: he leaped into his car,
And bade his charioteer make haste to reach
The roomy ships: the pain had reached his heart.
485
Ulysses, the great spearman, now was left
Alone, no Greek remaining by his side;
For fear had seized them all. With inward grief
The hero thus addressed his mighty soul: -
"What will become of me? A great disgrace
490
Will overtake me if I flee in fear
Before this multitude; and worse will be
My fate if I am taken here alone,
While Jove has driven away the other Greeks
In terror. Why these questions, since I know
495
That cowards skulk from combat, while the brave,
Wounded or wounding others, keeps his ground?"
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.368 focus
Him, while he triumph'd, Paris ey'd from far,
(The spouse of Helen, the fair cause of war:)
Around the fields his feather'd shafts he sent,
475
From ancient Ilus' ruin'd monument;
Behind the column plac'd, he bent his bow,
And wing'd an arrow at th' unwary foe:
Just as he stoop'd, Agastrophus's crest
To seize, and draw the corslet from his breast,
480
The bow-string twang'd; nor flew the shaft in vain,
But pierc'd his foot, and nail'd it to the plain.
The laughing Trojan, with a joyful spring,
Leaps from his ambush, and insults the king:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.368 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.368 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.368 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

Notes on the current edition

Iliad

1. 509.1

New Alexandria Commentaries

Douglas Frame

analysis of Odysseus’ characterization in the Iliad, with this passage interpreted as counterbalancing his less heroic representation in e.g. I.08.090-098

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Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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Leonard Muellner

in a list of secular eukhesthai indicating direct speech (introducing speech, p. 89), and analysis of this verse as the exception to the restriction that speeches framed by (X) || kai eukhomenos epos ēuda or (Y) hōs ephat’ Argeioisi d’akhos genet’ euxamenoio are spoken by a warrior immediately after killing his enemy in single combat and for the particular formula in this verse that it is not spoken by a Greek (Paris on wounding Diomedes)

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in a list of occurrences of the figura etymologica ‘eukhomenos epos ēuda’ in Homeric Greek (in comparison of the figure in Indo-Iranian)

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analysis of eukhesthai as proud, contentious, and accurate statement about its speaker and how Paris’ use of it here is ironic and contrary to the heroic code

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analysis of I.11.379 as the exception to the restriction that speeches framed by (X) || kai eukhomenos epos ēuda or (Y) hōs ephat’ Argeioisi d’akhos genet’ euxamenoio are spoken by a warrior immediately after killing his enemy in single combat and for the particular formula in this verse that it is not spoken by a Greek (Paris on wounding Diomedes)

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analysis of I.11.379 as the exception to the restriction that speeches framed by (X) || kai eukhomenos epos ēuda or (Y) hōs ephat’ Argeioisi d’akhos genet’ euxamenoio are spoken by a warrior immediately after killing his enemy in single combat and for the particular formula in this verse that it is not spoken by a Greek (Paris on wounding Diomedes)

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analysis of section II attestations, i.e. secular eukhesthai reporting speech (absolute usage)

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in a list of secular eukhesthai reporting speech (absolute usage)

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