Homer Iliad 11.368

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He spake, and struck the son of Pæon down,
Skilful to wield the spear. But now the spouse
Of fair-haired Helen - Alexander - stood
445
Leaning against a pillar by the tomb
Of the Dardanian Ilus, who had been
An elder of the people; and he bent
His bow against the monarch Diomed,
Who at that moment knelt to strip the slain
450
Of the rich breastplate, and the shield that hung
Upon his shoulders, and the massive casque.
The Trojan drew the bow's elastic horn,
And sent an arrow that not vainly flew,
But, striking the right foot, pierced through, and reached
455
The ground beneath. Then Paris, with a laugh,
Sprang from his ambush, shouting boastfully: -
"Lo, thou art smitten! Not in vain my shaft
Has flown; and would that it had pierced thy groin
And slain thee! Then the Trojans had obtained
460
Reprieve from slaughter, they who dread thee now
As bleating goats a lion." Undismayed,
The valiant Diomed made answer thus:-
"Archer and railer! proud of thy smart bow,
And ogler of the women! wouldst thou make
465
Trial of valor hand to hand with me,
Thy bow should not avail thee, nor thy sheaf
Of many arrows. Thou dost idly boast
That thou hast hit my foot. I heed it not.
It is as if a woman or a child
470
Had struck me. Lightly falls the weapon-stroke
Of an unwarlike weakling. 'Tis not so
With me, for when one feels my weapon's touch,
It passes through him, and he dies; his wife
Tears with her hands her cheeks; his little ones
475
Are orphans; earth is crimsoned with his blood;
And flocking round his carcass in decay,
More numerous than women, are the birds."
He spake. Ulysses, mighty with the spear,
Came near and stood before him while he sat
480
Concealed, and drew the arrow from his foot.
Keen was the agony that suddenly
Shot through his frame: he leaped into his car,
And bade his charioteer make haste to reach
The roomy ships: the pain had reached his heart.
485
Ulysses, the great spearman, now was left
Alone, no Greek remaining by his side;
For fear had seized them all. With inward grief
The hero thus addressed his mighty soul: -
"What will become of me? A great disgrace
490
Will overtake me if I flee in fear
Before this multitude; and worse will be
My fate if I am taken here alone,
While Jove has driven away the other Greeks
In terror. Why these questions, since I know
495
That cowards skulk from combat, while the brave,
Wounded or wounding others, keeps his ground?"

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.368 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 11.368 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.384 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.368 focus
As he spoke he began stripping the spoils from the spear-famed son of Paion, but Alexandros husband of lovely-haired Helen [370] aimed an arrow at him, leaning against a pillar of the monument which men had raised to Ilos, son of Dardanos, a ruler in days of old. Diomedes had taken the cuirass from off the breast of strong Agastrophos, his heavy helmet also, and the shield from off his shoulders, [375] when Paris drew his bow and let fly an arrow that sped not from his hand in vain, but pierced the flat of Diomedes’ right foot, going right through it and fixing itself in the ground. Then Paris with a hearty laugh sprang forward from his hiding-place, and taunted him saying, [380] “You are wounded—my arrow has not been shot in vain; would that it had hit you in the belly and killed you, for thus the Trojans, who fear you as goats fear a lion, would have had a truce from evil.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.368 focus
Him, while he triumph'd, Paris ey'd from far,
(The spouse of Helen, the fair cause of war:)
Around the fields his feather'd shafts he sent,
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From ancient Ilus' ruin'd monument;
Behind the column plac'd, he bent his bow,
And wing'd an arrow at th' unwary foe:
Just as he stoop'd, Agastrophus's crest
To seize, and draw the corslet from his breast,
480
The bow-string twang'd; nor flew the shaft in vain,
But pierc'd his foot, and nail'd it to the plain.
The laughing Trojan, with a joyful spring,
Leaps from his ambush, and insults the king:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.368 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.368 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.368 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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The immediate context here shows that the therapōn ‘attendant, ritual substitute’ is a chariot driver. He is not named. Nor is he described explicitly as a hēni-okhos ‘chariot driver’, but that is what he is doing here—driving the chariot.

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Hector does not yet notice that Ajax is fighting on the right-hand side of the battleground since he, Hector, is at this moment fighting on the left-hand side, near the banks of the river Scamander. Although the perception is attributed to Hector here, the actual perspective is that of the Master Narrator, who consistently views the scene of chariot fighting from the Achaean point of view. In terms of this perspective, Hector is now fighting on the east side of the battleground while Ajax is fighting on the west side. The map of the battleground can be visualized on the cumulative basis of references, as here at I.11.497–500, to left-right positioning in descriptions of the fighting. What follows is an outline of the overall mapping. The Achaeans are encamped in the north and defending the Wall that separates them and their beached ships from the Trojans, who are attacking from the south. The river Scamander, flowing from the southeast toward the northwest and emptying into the Hellespont, separates Troy in the northeast from the encampment of the Achaeans in the northwest. Meanwhile, the Wall of the Achaeans separates their encampment and their ships in the northwest from the Trojans who are attacking the Wall from the south. The Achaeans built the Wall because the Trojans, emboldened by the momentum of Hector, have by now crossed over from the southeast side of the river Scamander to the southwest side, moving into the plain situated to the south of the Achaean Wall. So now this whole plain to the west of the Scamander has become a battleground for chariot fighting. Hector is fighting further to the east, staying close to the west bank of the Scamander, while Ajax is fighting further to the west.

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Leonard Muellner

in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos, and analysis of the instance of eukhos in which kudos could fit the metric as well (as in this verse)

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examples of the identical contexts in which eukhos and kudos occur

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analysis of analysis of the instance of eukhos in which kudos could fit the metric as well, and whether to take eukhos in secular or sacral sense

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in a list of examples of formulas for introducing a speech by an eukhomenos warrior, which Paris’ name-epithet formulas do not fit (in the context of analyzing I.11.379)

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