Homer Iliad 11.411

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While thus he reasoned with himself, the ranks
Of Trojans armed with bucklers came and closed
Around their dreaded enemy. As when
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A troop of vigorous dogs and youths assail
From every side a wild boar issuing forth
From a deep thicket, whetting the white tusks
Within his crooked jaws; they press around,
And hear his gnashings, yet beware to come
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Too nigh the terrible animal, - so rushed
The Trojans round Ulysses, the beloved
Of Jupiter. Then first the hero smote
Deïopites on the shoulder-blade,
And next struck Thoön down, and Ennomus,
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And in the navel pierced Chersidamas
With his sharp spear, below the bossy shield,
When leaping from his chariot. In the dust
He fell, and grasped the earth with dying hands.
Ulysses left them there, and with his spear
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He wounded Charops, son of Hippasus,
And brother of brave Socus. Socus saw,
And hastened to his aid, and, standing near,
The godlike chief bespake Ulysses thus:-
"Renowned Ulysses! of whose arts and toils
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There is no end, thou either shalt to-day
Boast to have slain two sons of Hippasus,
Brave as they are, and stripped them of their arms,
Or, smitten by my javelin, lose thy life."
He spake, and smote the Grecian's oval shield.
525
The swift spear, passing through the shining disk,
And fixed in the rich breastplate, tore the skin
From all his side; yet Pallas suffered not
The blade to reach the inner parts. At once
The chief perceived that Socus had not given
530
A mortal wound, and, falling back a step,
Thus spake: "Unhappy youth, thy doom will soon
O'ertake thee. Though thou forcest me to pause
From combat with the Trojans, I declare,
This day thou sufferest the black doom of death.
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Thou, smitten by my spear, shalt bring to me
Increase of glory, and shalt yield thy soul
To the grim horseman Pluto." Thus he spake,
While Socus turned to flee; and as he turned,
Ulysses with the spear transfixed his back,
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And drave the weapon through his breast: he fell,
With armor clashing, to the earth, while thus
The great Ulysses gloried over him: -
"O Socus! son of warlike Hippasus
The horseman! death has overtaken thee,
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And thou couldst not escape. Unhappy one!
Now thou art dead thy father will not come
To close thy eyes, nor she, the honored one
Who gave thee birth; but birds of prey shall flap
Their heavy wings above thee, and shall tear
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Thy flesh, while I in dying shall receive
Due funeral honors from the noble Greeks."

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.411 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 11.411 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.384 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.411 focus
While he was thus in two minds, the ranks of the Trojans advanced and hemmed him in, and bitterly did they come to rue it. As hounds and lusty youths set upon a wild boar [415] that sallies from his lair whetting his white tusks—they attack him from every side and can hear the gnashing of his jaws, but for all his fierceness they still hold their ground—even so furiously did the Trojans [420] attack Odysseus. First he sprang spear in hand upon Deiopites and wounded him on the shoulder with a downward blow; then he killed Thoön and Ennomos. After these he struck Khersidamas in the loins under his shield as he had just sprung down from his chariot; [425] so he fell in the dust and clutched the earth in the hollow of his hand. These he let lie, and went on to wound Kharops, son of Hippasos, own brother to noble Sokos. Sokos, hero that he was, made all speed to help him, and when he was close to Odysseus he said, [430] “Far-famed Odysseus, insatiable of craft and toil [ ponos], this day you shall either boast of having killed both the sons of Hippasos and stripped them of their armor, or you shall fall before my spear.”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.411 focus
Such thoughts revolving in his careful breast,
Near, and more near, the shady cohorts press'd;
These, in the warrior, their own fate enclos'd;
And round him deep the steely circle grows.
So fares a boar, whom all the troop surrounds
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Of shouting huntsmen, and of clamorous hounds;
He grinds his ivory tusks; he foams with ire;
His sanguine eyeballs glare with living fire;
By these, by those, on every part is plied;
And the red slaughter spreads on every side.
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Pierc'd through the shoulder, first Deïopis fell;
Next Ennomus and Thoön sunk to hell;
Chersidamas, beneath the navel thrust,
Falls prone to earth, and grasps the bloody dust.
Charops, the son of Hippasus, was near;
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Ulysses reach'd him with the fatal spear;
But to his aid his brother Socus flies,
Socus, the brave, the generous, and the wise:
Near as he drew, the warrior thus began:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.411 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.411 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.411 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Douglas Frame

in the context of discussing Nestor’s appearances as a horseman in the Iliad

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analysis of Nestor’s appearances as a horseman in the Iliad and the twin myth (the setting of the story of hippota Nestōr in the frame of the twin myth)

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analysis of the distinction between Makhaon and Podaleirios as physicians (as discussed in the scholia to these verses)

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analysis of Nestor’s appearances as a horseman in the Iliad and the twin myth (the setting of the story of hippota Nestōr in the frame of the twin myth)

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Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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Hector does not yet notice that Ajax is fighting on the right-hand side of the battleground since he, Hector, is at this moment fighting on the left-hand side, near the banks of the river Scamander. Although the perception is attributed to Hector here, the actual perspective is that of the Master Narrator, who consistently views the scene of chariot fighting from the Achaean point of view. In terms of this perspective, Hector is now fighting on the east side of the battleground while Ajax is fighting on the west side. The map of the battleground can be visualized on the cumulative basis of references, as here at I.11.497–500, to left-right positioning in descriptions of the fighting. What follows is an outline of the overall mapping. The Achaeans are encamped in the north and defending the Wall that separates them and their beached ships from the Trojans, who are attacking from the south. The river Scamander, flowing from the southeast toward the northwest and emptying into the Hellespont, separates Troy in the northeast from the encampment of the Achaeans in the northwest. Meanwhile, the Wall of the Achaeans separates their encampment and their ships in the northwest from the Trojans who are attacking the Wall from the south. The Achaeans built the Wall because the Trojans, emboldened by the momentum of Hector, have by now crossed over from the southeast side of the river Scamander to the southwest side, moving into the plain situated to the south of the Achaean Wall. So now this whole plain to the west of the Scamander has become a battleground for chariot fighting. Hector is fighting further to the east, staying close to the west bank of the Scamander, while Ajax is fighting further to the west.

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The wounding of a hero, as in the case of the wound suffered by the hero Makhaon here, can put a stop to his aristeiā ‘epic high point’. See also the comment on I.11.288. The verb aristeuein here at I.11.506 can be interpreted as meaning ‘have an epic high point’, and we see that the wounding of Makhaon has stopped him from having such a high point. For more on aristeuein, which can also be translated as ‘strive to be the best, to be aristos’, see the comment at I.07.092–169.

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The idea of ‘breathing out’ something called menos ‘mental power’ implies that such power was previously ‘breathed in’, that is, ‘breathed into’ the hero, by a divine force. Such a ‘breathing in’ happens for example at I.10.482: as it is pointed out in the comment on that verse, the goddess Athena is pictured there in the act of literally ‘breathing’, pneîn, into the hero Odysseus something called menos ‘mental power’. Here at I.11.508, the aggregate of warriors who are ‘breathing-out [pneîn] mental-power [menos]’ are the Achaeans viewed as a group; so also at I.03.008; by contrast, at I.02.536, the epithet applies to a sub-group, the Abantes.

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