Homer Iliad 11.411

Samuel Butler (Translator)

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While he was thus in two minds, the ranks of the Trojans advanced and hemmed him in, and bitterly did they come to rue it. As hounds and lusty youths set upon a wild boar [415] that sallies from his lair whetting his white tusks—they attack him from every side and can hear the gnashing of his jaws, but for all his fierceness they still hold their ground—even so furiously did the Trojans [420] attack Odysseus. First he sprang spear in hand upon Deiopites and wounded him on the shoulder with a downward blow; then he killed Thoön and Ennomos. After these he struck Khersidamas in the loins under his shield as he had just sprung down from his chariot; [425] so he fell in the dust and clutched the earth in the hollow of his hand. These he let lie, and went on to wound Kharops, son of Hippasos, own brother to noble Sokos. Sokos, hero that he was, made all speed to help him, and when he was close to Odysseus he said, [430] “Far-famed Odysseus, insatiable of craft and toil [ ponos], this day you shall either boast of having killed both the sons of Hippasos and stripped them of their armor, or you shall fall before my spear.”

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Experimental

English (Butler, rev. Nagy et al., 2020) (OCR draft) (English) (English (Butler, rev. Nagy et al., 2020))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.411 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 11.411 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.384 focus
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 11.411 focus
While thus he reasoned with himself, the ranks
Of Trojans armed with bucklers came and closed
Around their dreaded enemy. As when
500
A troop of vigorous dogs and youths assail
From every side a wild boar issuing forth
From a deep thicket, whetting the white tusks
Within his crooked jaws; they press around,
And hear his gnashings, yet beware to come
505
Too nigh the terrible animal, - so rushed
The Trojans round Ulysses, the beloved
Of Jupiter. Then first the hero smote
Deïopites on the shoulder-blade,
And next struck Thoön down, and Ennomus,
510
And in the navel pierced Chersidamas
With his sharp spear, below the bossy shield,
When leaping from his chariot. In the dust
He fell, and grasped the earth with dying hands.
Ulysses left them there, and with his spear
515
He wounded Charops, son of Hippasus,
And brother of brave Socus. Socus saw,
And hastened to his aid, and, standing near,
The godlike chief bespake Ulysses thus:-
"Renowned Ulysses! of whose arts and toils
520
There is no end, thou either shalt to-day
Boast to have slain two sons of Hippasus,
Brave as they are, and stripped them of their arms,
Or, smitten by my javelin, lose thy life."
He spake, and smote the Grecian's oval shield.
525
The swift spear, passing through the shining disk,
And fixed in the rich breastplate, tore the skin
From all his side; yet Pallas suffered not
The blade to reach the inner parts. At once
The chief perceived that Socus had not given
530
A mortal wound, and, falling back a step,
Thus spake: "Unhappy youth, thy doom will soon
O'ertake thee. Though thou forcest me to pause
From combat with the Trojans, I declare,
This day thou sufferest the black doom of death.
535
Thou, smitten by my spear, shalt bring to me
Increase of glory, and shalt yield thy soul
To the grim horseman Pluto." Thus he spake,
While Socus turned to flee; and as he turned,
Ulysses with the spear transfixed his back,
540
And drave the weapon through his breast: he fell,
With armor clashing, to the earth, while thus
The great Ulysses gloried over him: -
"O Socus! son of warlike Hippasus
The horseman! death has overtaken thee,
545
And thou couldst not escape. Unhappy one!
Now thou art dead thy father will not come
To close thy eyes, nor she, the honored one
Who gave thee birth; but birds of prey shall flap
Their heavy wings above thee, and shall tear
550
Thy flesh, while I in dying shall receive
Due funeral honors from the noble Greeks."
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.411 focus
Such thoughts revolving in his careful breast,
Near, and more near, the shady cohorts press'd;
These, in the warrior, their own fate enclos'd;
And round him deep the steely circle grows.
So fares a boar, whom all the troop surrounds
525
Of shouting huntsmen, and of clamorous hounds;
He grinds his ivory tusks; he foams with ire;
His sanguine eyeballs glare with living fire;
By these, by those, on every part is plied;
And the red slaughter spreads on every side.
530
Pierc'd through the shoulder, first Deïopis fell;
Next Ennomus and Thoön sunk to hell;
Chersidamas, beneath the navel thrust,
Falls prone to earth, and grasps the bloody dust.
Charops, the son of Hippasus, was near;
535
Ulysses reach'd him with the fatal spear;
But to his aid his brother Socus flies,
Socus, the brave, the generous, and the wise:
Near as he drew, the warrior thus began:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.411 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.411 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.411 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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As indicated already in the comment for I.08.220–227, the ships of the Achaeans are beached along the shores of a large U-shaped bay that opens into the Hellespont. See again Map 1 and Map 2 at HPC 157 and 158 respectively. At the upper left and the upper right tips of the U-shaped bay, at the northwest and northeast, are the beached ships of Achilles and of Ajax respectively, I.11.008–009. Also at those points are the klisiai ‘shelters’ of these two heroes, I.11.007. As for the beached ship of Odysseus, it is located at the base of the U-shaped bay, at the south in the middle of the bayline, I.11.005–006. There will be more to say about this location in the later comments at I.11.806–808 and at I.14.027–036. To be highlighted already now, however, is a detail about the ship of Odysseus: the goddess Eris ‘Strife’, who is here the spirit of war personified, I.11.004, is shown standing on the deck of this beached ship, which is said to be located en messatōi ‘in the middlemost space’, I.11.006, and from here she projects her voice of divine authority, shouting mightily to all the Achaeans stationed at their own ships, I.11.005–014, and all the Achaeans stationed at all the beached ships can hear the divine voice—from the ship of Achilles at one extreme of the U-shaped bay all the way to the ship of Ajax at the other extreme, I.11.007–009. Then, Agamemnon too shouts to the Achaeans, I.11.015–016, and his royal voice is figured here as an extension of the divine voice emanating from the goddess Eris herself, I.11.005–014. Later, in the comment on I.18.587–589, there will be more to say about the klisiā ‘shelter’ of Achilles, mentioned here together with the klisiā of Ajax, I.11.007–008: it can be argued that Achilles frequents this ‘shelter’ not only as an epic hero in the time of the Trojan War but also, in post-heroic times, as a cult hero (HPC 153).

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