Homer Iliad 11.248

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.248 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.210 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.248 focus
When noble Koön, Antenor’s eldest son, saw this, he felt grief [ penthos] [250] in his eyes at the sight of his fallen brother. Unseen by great Agamemnon he got beside him, spear in hand, and wounded him in the middle of his arm below the elbow, the point of the spear going right through the arm. Agamemnon was convulsed with pain, [255] but still not even for this did he leave off struggling and fighting, but grasped his spear that flew as fleet as the wind, and sprang upon Koön who was trying to drag off the body of his brother—his father’s son—by the foot, and was crying for help to all the bravest of his comrades; but Agamemnon struck him [260] with a bronze-shod spear and killed him as he was dragging the dead body through the press of men under cover of his shield: he then cut off his head, standing over the body of Iphidamas. Thus did the sons of Antenor meet their fate at the hands of the son of Atreus, and go down into the house of Hādēs.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 11.248 focus
Illustrious Coön, saw, and bitter grief
For his slain brother dimmed his eyes. He stood
295
Aside, with his spear couched, while unaware
The noble Agamemnon passed, and pierced
The middle of the monarch's arm below
The elbow; through the flesh the shining point
Passed to the other side. The king of men,
300
Atrides, shuddered, yet refrained not then
From combat; but with his wind-seasoned spear
He rushed on Coon, who, to drag away
His father's son Iphidamas, had seized
The body by the feet, and called his friends,
305
The bravest, to his aid. Atrides thrust
His brazen spear below the bossy shield,
And slew him as he drew the corpse, and o'er
The dead Iphidamas struck off his head.
Thus were Antenor's sons - their doom fulfilled -
310
Sent by Atrides to the realm of death.
And then he ranged among the enemy's ranks
With wielded lance and sword and ponderous steeds,
While yet the warm blood issued from his wound.
But when the wound grew dry, and ceased to flow
315
With blood, keen anguish seized his vigorous frame.
As when a woman feels the piercing pangs
Of travail brought her by the Ilythian maids,
Daughters of Juno, who preside at births,
And walk the ministers of bitter pains, -
320
Such anguish seized on Agamemnon's frame;
And, leaping to his chariot-seat, he bade
The guider of the steeds make haste to reach
The roomy ships, for he was overcome
With pain; but first he shouted to the Greeks:-
325
"O friends, the chiefs and princes of the Greeks!
Yours is the duty to drive back the war
From our good ships, since all-disposing Jove
Forbids me, for this day, to lead the fight."
He spake. The charioteer applied the lash,
330
And not unwillingly the long-maned steeds
Flew toward the hollow ships; upon their breasts
Gathered the foam; beneath their rapid feet
Arose the dust, as from the battle's din
They bore the wounded warrior. Hector saw
335
The flight of Agamemnon, and aloud
Called to the Trojans and the Lycians thus:-
"Trojan and Lycian warriors, and ye sons
Of Dardanus, who combat hand to hand,
Be men; be mindful of your fame in war.
340
Our mightiest foe withdraws; Saturnian Jove
Crowns me with glory. Urge your firm-paced steeds
On the brave Greeks, and win yet nobler fame."
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.248 focus
Coön, Antenor's eldest hope, was nigh:
Tears at the sight came starting from his eye,
While pierc'd with grief the much-lov'd youth he view'd,
And the pale features now deform'd with blood.
Then with his spear, unseen, his time he took,
325
Aim'd at the king, and near his elbow struck.
The thrilling steel transpierc'd the brawny part,
And through his arm stood forth the barb'd dart.
Surpris'd the monarch feels, yet void of fear
On Coön rushes with his lifted spear:
330
His brother's corpse the pious Trojan draws,
And calls his country to assert his cause,
Defends him breathless on the sanguine field,
And o'er the body spreads his ample shield.
Atrides, marking an unguarded part,
335
Transfix'd the warrior with his brazen dart;
Prone on his brother's bleeding breast he lay,
The monarch's faulchion lopp'd his head away:
The social shades the same dark journey go,
And join each other in the realms below.
340
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.248 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.248 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.248 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

Notes on the current edition

Iliad

1. 299.2

New Alexandria Commentaries

Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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Here at I.11.288, Hector is boasting that Agamemnon, ‘the best man’, ho aristos, is now out of the picture. There is an irony built into the words of Hector, and this irony emerges from the context. The aristeiā ‘epic high point’ of Agamemnon in the Iliad, inaugurated in grand style when the Master Narrator invokes the Muses at I.11.218, does not go all that well for the high king. Early on in the fighting, he gets wounded in the hand, I.11.253. He tries to fight on, but the pain from the wound finally gets to him, I.11.268–272. The intensity of his pain is compared here to the birth-pangs experienced by a woman at the climax of her labor, I.11.269–271. Unable to withstand such pain any more, Agamemnon jumps back on the platform of his war chariot and orders his driver to drive him back to the safety of the beached ships of the Achaeans, I.11.273–274, shouting to his fellow warriors that they should now follow him in retreat and defend the ships, I.11.275–278, since, as he says, Zeus has not supported the ongoing offensive initiated by the Achaeans, I.11.278–279. So, the aristeiā ‘epic high point’ of Agamemnon has not exactly turned out to be a spectacular success. And Hector knows it. As the chariot of Agamemnon speeds this over-king away from the scene of battle, I.11.280–283, Hector notices, I.11.284, as expressed by the verb noeîn ‘take note’. It is in this context, then, that Hector says what he says at I.11.288: ‘the best man’, ho aristos, is now out of the picture. But of course the truly best of all the Achaeans is not yet in the picture.

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Leonard Muellner

in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos

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examples of the identical contexts in which eukhos and kudos occur

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in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos

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