Iliad 11.616

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Iliad. . Germany. 2014.

Sponsored by University of Leipzig.

Funding provided by European Social Fund Saxony.

Current edition Experimental

English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) (English) (English (Thomas Hobbes, 1667, ed. Molesworth 1843))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.616 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 11.616 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.575 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.616 focus
Patroklos did as his dear comrade had bidden him, and set off running by the ships and tents of the Achaeans.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 11.616 focus
He spake. Patroclus hearkened to his friend,
And hastened to the Grecian tents and ships.
Now when they reached the tent of Neleus' son,
The warriors in the chariot set their feet
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Upon the nourishing earth. Eurymedon,
The old man's charioteer, took from the mares
Their harness; while the chieftains cooled themselves,
And dried their sweaty garments in the breeze,
Facing the border of the sea, and then,
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Entering the tent of Nestor, sat them down
On couches. Hecamedé, bright of hair,
Prepared for them a mingled draught; the maid,
A daughter of the great Arsinoüs, came
From Tenedos with Nestor, when the town
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Was ravaged by Achilles, and the Greeks
Gave her to Nestor, chosen from the rest
For him, as wisest of their counsellors.
First she drew forth a table fairly wrought,
Of polished surface, and with steel-blue feet,
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And on it placed a brazen tray which bore
A thirst-provoking omen, - honeycomb,
And sacred meal of wheat. Near these she set
A noble beaker which the ancient chief
Had brought from home, embossed with studs of gold.
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Four were its handles, and each handle showed
Two golden turtles feeding, while below
Two others formed the base. Another hand
Could scarce have raised that beaker from its place,
But Nestor lifted it with ease. The maid,
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Fair as a goddess, mingled Pramnian wine,
And grated o'er it, with a rasp of brass,
A goat's-milk cheese, and, sprinkling the white flour
Upon it, bade them drink. With this they quenched
Their parching thirst, and then amused the time
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With pleasant talk. Patroclus to the door
Meantime, a godlike presence, came, and stood.
The old man, as he saw him, instantly
Rose from his princely seat and seized his hand,
And led him in and bade him sit; but he
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Refused the proffered courtesy, and said : -
"Nay, 't is no time to sit: persuade me not,
Nursling of Jove; for he is to be feared,
And prone to wrath, who sent me to inquire
What wounded man is with thee; but I know, -
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Now that I see Machaon sitting here,
The shepherd of the people. I must haste
Back to Achilles, bearing my report.
Thou knowest, ancient chief, how quick he is
To take offence and blame the innocent."
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English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.616 focus
The hero said. His friend obey'd with haste;
Through intermingled ships and tents he pass'd;
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The chiefs descending from their car he found;
The panting steeds Eurymedon unbound.
The warriors, standing on the breezy shore,
To dry their sweat, and wash away the gore,
Here paus'd a moment, while the gentle gale
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Convey'd that freshness the cool seas exhale;
Then to consult on farther methods went,
And took their seats beneath the shady tent.
The draught prescrib'd fair Hecamede prepares,
Arsinous' daughter, grac'd with golden hairs;
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(Whom to his aged arms, a royal slave,
Greece, as the prize of Nestor's wisdom, gave;)
A table first with azure feet she plac'd;
Whose ample orb a brazen charger grac'd:
Honey new press'd, the sacred flower of wheat,
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And wholesome garlics crown'd the savoury treat.
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.616 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.616 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Douglas Frame

in the context of analyzing the parallels and contrast between Nestor and Patroclus (and the twin myth)

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in the context of analyzing the parallels and contrast between Nestor and Patroclus (and the twin myth)

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Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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The perspective of Achilles in viewing from his shelter the scene of chariot warfare as narrated here is precisely coordinated with the overall visual mapping of the ongoing battle. See the comment at I.11.497–500.

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Achilles calls out to Patroklos, who now comes out of the shelter. At this moment Patroklos is described as īsos Arēi ‘equal to Ares’, and the very application of this epithet here to Patroklos dooms him to die as a ritual substitute for Ares as god of war. That is why the ominous remark is added: ‘and that was the beginning of his doom’ (κακοῦ δ' ἄρα οἱ πέλεν ἀρχή). Much later, when he is finally killed, Patroklos is described as atalantos Arēi ‘equal to Ares’, I.16.784. For Patroklos, however, the ritual substitution involves not only Ares who is the god of war for the generic warrior: it involves also the god Apollo as the divine antagonist of Achilles. In Iliad 16, the death of Patroklos as a ritual substitute will be marked not only by the epithet atalantos Arēi ‘equal to Ares’ at I.16.784 but also by the epithet daimoni īsos ‘equal to a superhuman-force [daimōn]’ at I.16.705 and at I.16.786. This daimōn ‘superhuman force’ will be Apollo, the divine antagonist of Achilles.

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Leonard Muellner

analysis of the application of isos Arēi (and variants) to heroes in their aristeiai (here, an exception, namely, Patroklos)

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