Sophocles Electra 516

mvp-comment-44-1 καὶ μὴν ¹

mvp-comment-44-2 θυρῶν ²

mvp-comment-44-3 I should agree with the schol. in governing

by ἔνδον ³

mvp-comment-44-4 προσπόλων τινὸς ⁴

mvp-comment-45-1 θέλεις | μείνωμεν … ; ⁵

mvp-comment-45-2 The reading of the MSS., κἀνακούσωμεν ⁶

mvp-comment-45-3 On the other hand Sophocles has

, ‘to listen,’ in O. T. 708 , O. T. 794 : O. C. 694 : Ph. 1417. Nauck's correction, κἀπακούσωμεν ⁷

mvp-comment-46-1 μηδὲν πρόσθεν ⁸

mvp-comment-46-2 τὰ Λοξίου ⁹

mvp-comment-46-3 ἀρχηγετεῖν ¹⁰

mvp-comment-47-1 πατρὸς ¹¹

mvp-comment-47-2 λουτρά ¹²

mvp-comment-47-3 φέρει … ἐφ’ ἡμῖν ¹³

mvp-comment-47-4 νίκην ¹⁴ κράτος τῶν δρωμένων ¹⁵

mvp-comment-47-5 All three actors now leave the scene. Orestes and Pylades go to Agamemnon's grave,—departing, probably, by the entrance on the spectators' right. The Paedagogus leaves by the entrance on the left,—to await the moment for seeking admission to the house (v. 660).—It might, indeed, be inferred from

(83) that the old man goes with the youths to their task; but the word need not imply more than his participation in the plan. while verses 73—75 seem clearly to indicate that he separates from his companions. When they have gone, Electra enters from the house.

mvp-comment-48-1 A

, or lyric lament delivered by an actor alone. as dist. from the joint of actor and Chorus (121 n.).

mvp-comment-48-2 Verses 86—102 form a

,=vv. 103—120 ( ). If the text is sound, the correspondence is not exact, since the dimeter in v. 99 answers to a monometer in v. 116. These anapaests are, however, of the type usually known as ‘free’ or ‘melic,’ as having more of a lyric character than the regular anapaests of the marching-songs (like those of the Parodos in the Ajax): see W. Christ, Metrik, 2nd ed., § 288. And in such anapaests the symmetry of ‘systems’ is often not strict (cp. O. C. 117 n.).

mvp-comment-48-3 ὦ φάος ἁγνὸν ¹⁶

mvp-comment-48-4 γῆς ἰσόμοιρ’ ἀήρ ¹⁷

mvp-comment-48-5 ἰσόμοιῤ ¹⁸ ἰσόμοιρος ¹⁹

mvp-comment-49-1 πολλὰς μὲν … ᾔσθου ²⁰

mvp-comment-49-2 ἀντήρεις ²¹

mvp-comment-50-1 πληγὰς ²² πλαγὰς ²³

mvp-comment-51-1 ὑπολειφθῇ ²⁴ ᾔσθου ²⁵

mvp-comment-52-1 τὰ … παννυχίδων ²⁶ ξυνίσας’ ²⁷ ὅσα … θρηνῶ ²⁸

mvp-comment-52-2 ἤδη ²⁹

mvp-comment-52-3 The MS. οἴκων ³⁰ λέκτρων ³¹ μογερῶν ³²

mvp-comment-53-1 ὅσα τὸν δύστηνον ³³

mvp-comment-54-1 κατὰ μὲν βάρβαρον αἶαν ³⁴ ἐξένισεν ³⁵

mvp-comment-55-1 Ἄρης ³⁶

mvp-comment-55-2 ἐξένισεν ³⁷

mvp-comment-56-1 κοινολεχὴς ³⁸

mvp-comment-57-1 ὅπως δρῦν ὑλοτόμοι ³⁹

mvp-comment-57-2 σχίζουσι ⁴⁰

mvp-comment-57-3 κάρα ⁴¹

mvp-comment-57-4 πέλεκει ⁴²

mvp-comment-58-1 ἄλλης ⁴³

mvp-comment-58-2 φέρεται ⁴⁴

mvp-comment-58-3 The deletion of the words ἀπ’ ἄλλης ⁴⁵ ἢ )μοῦ ⁴⁶

mvp-comment-59-1 ἀλλ’ οὐ μὲν δὴ ⁴⁷

mvp-comment-60-1 ἄστρων ⁴⁸

mvp-comment-60-2 Others read,

| , omitting . But , without , would not suffice to denote starlight. If, again, the phrase is taken to denote the sun's rays (as Monk proposes, Mus. Crit. I. p. 67), then becomes weak. Further, the preceding context, in which she has spoken of her laments at night (92) and at morning, clearly suggests that the sense here is, ‘so long as I look on the stars or on the sun.’

mvp-comment-61-1 μὴ οὐ ⁴⁹

mvp-comment-61-2 τεκνολέτειῤ ⁵⁰

mvp-comment-62-1 ἐπὶ κωκυτῷ ⁵¹

mvp-comment-62-2 ἠχὼ ⁵²

mvp-comment-63-1 Electra invokes, (1) the house of Hades and his bride Persephone, in which the spirit of Agamemnon now dwells; (2) Hermes, who, as

, conducted him thither,—and who will also guide the avengers on their way (1395 f.); (3) , the imprecation uttered by the victim upon his murderers,—the personified curse, here conceived as a supernatural power ( ), which calls the Erinyes into action; and (4) the Erinyes themselves.

mvp-comment-63-2 Ἀΐδου ⁵³

mvp-comment-64-1 ὦ χθόνἰ Ἑρμῆ ⁵⁴

mvp-comment-64-2 Ἀρά ⁵⁵

mvp-comment-64-3 πότνια ⁵⁶

mvp-comment-65-1 σεμναὶ ⁵⁷

mvp-comment-65-2 θεῶν παῖδες ⁵⁸

mvp-comment-66-1 ὁρᾶθ’ ⁵⁹

mvp-comment-67-1 αἳ τοὺς εὐνὰς ὑποκλεπτομένους ⁶⁰

mvp-comment-67-2 These much-impugned words appear genuine. The murder has been prompted by the guilty love:

(197). In Electra's thought, they are inseparable. The allusion to the love follows the reference to the murder, because she regards it as the crowning outrage (271 ) that Clytaemnestra still lives with Aegisthus. Bloodshed was not the only sin which the Erinyes punished. They were the embodied sanctions of natural law, and every crime against the family came within their cognisance. (See Introd. to Homer, p. 51, § 13.) Indeed, Electra herself speaks of the unhallowed union as a special provocation to those Avengers: 275 f. | .

mvp-comment-68-1 τείσασθε ⁶¹

mvp-comment-69-1 ἡμετέρου ⁶² μοι ⁶³

mvp-comment-69-2 καί μοι ⁶⁴

mvp-comment-70-1 ἄγειν ⁶⁵

mvp-comment-70-2 σωκῶ ⁶⁶

mvp-comment-71-1 δυστανοτάτας ⁶⁷

mvp-comment-72-1 τάκεις … οἰμωγὰν ⁶⁸

mvp-comment-72-2 ἀκόρεστον ⁶⁹

mvp-comment-72-3 τὸν πάλαι ⁷⁰

mvp-comment-72-4 πάλαι ⁷¹ ἐκ ⁷²

mvp-comment-72-5 ἀθεώτατα ⁷³

mvp-comment-72-6 κακᾷ … χειρὶ πρόδοτον ⁷⁴ χειρὶ ⁷⁵

mvp-comment-72-7 ὡς ⁷⁶

mvp-comment-72-8 ὁ τάδε πορὼν ⁷⁷

mvp-comment-72-9 εἴ μοι θέμις ⁷⁸

mvp-comment-73-1 γενέθλα ⁷⁹

mvp-comment-73-2 γενναίων ⁸⁰

mvp-comment-73-3 παραμύθ‐ ⁸¹ ιον ⁸²

mvp-comment-74-1 ξυνίημι ⁸³

mvp-comment-74-2 τάδ’ ⁸⁴

mvp-comment-75-1 φυγγάνει ⁸⁵

mvp-comment-75-2 οὐδ’ ἐθέλω ⁸⁶

mvp-comment-76-1 μὴ οὐ ⁸⁷

mvp-comment-76-2 τὸν ἐμὸν … πατέρ’ ἄθλιον ⁸⁸

mvp-comment-77-1 παντοίας ⁸⁹

mvp-comment-77-2 Electra's lyrics contain some Doricisms (129, 146 f., etc.): but it is best to retain

, with the MSS. The form in was so familiar through Homer that it may have been preferred to even in lyrics. Cp. 236 .

mvp-comment-78-1 ἀλύειν ⁹⁰

mvp-comment-79-1 αἰαῖ, ἱκνοῦμαι ⁹¹

mvp-comment-80-1 τόν γ’ ἐξ Ἀΐδα … λίμνας ⁹²

mvp-comment-80-2 παγκοίνου ⁹³

mvp-comment-80-3 ἀνστάσεις ⁹⁴

mvp-comment-81-1 οὔτε †γόοις οὔτε λιταῖσιν ⁹⁵ οὔτε γόοισιν οὔτ’ εὐχαῖς ⁹⁶

mvp-comment-82-1 For the repetition of ἀλλά ⁹⁷

mvp-comment-82-2 ἀπὸ τῶν μετρίων ⁹⁸

mvp-comment-82-3 ἀμήχανον ⁹⁹

mvp-comment-82-4 ο=ιόλλυσαι ¹⁰⁰

mvp-comment-83-1 ἐν οἷς ¹⁰¹

mvp-comment-83-2 ἀνάλυσις … κακῶν ¹⁰²

mvp-comment-83-3 τί μοι ¹⁰³

mvp-comment-84-1 νήπιος ¹⁰⁴

mvp-comment-84-2 γονέων ¹⁰⁵

mvp-comment-85-1 ἐμέ γ’ … ἄραρεν ¹⁰⁶

mvp-comment-85-2 φρένας ¹⁰⁷

mvp-comment-86-1 αἰὲν Ἴτυν ¹⁰⁸

mvp-comment-87-1 ὄρνις ¹⁰⁹

mvp-comment-87-2 ἀτυζομένα ¹¹⁰

mvp-comment-87-3 Διὸς ἄγγελος ¹¹¹

mvp-comment-88-1 Νιόβα, σὲ δ’ ¹¹² θεόν ¹¹³

mvp-comment-88-2 ἅτ’ ¹¹⁴

mvp-comment-88-3 ἐν τάφῳ πετραίῳ ¹¹⁵

mvp-comment-89-1 αἰεὶ ¹¹⁶

mvp-comment-90-1 οὔτοι σοὶ μούνᾳ ¹¹⁷

mvp-comment-91-1 πρὸς ὅ τι ¹¹⁸

mvp-comment-91-2 τῶν ἔνδον εἶ περισσά ¹¹⁹

mvp-comment-92-1 οἷς ¹²⁰ τῶν ἔνδον ¹²¹

mvp-comment-92-2 ὁμόθεν ¹²² γονᾷ ξύναιμος ¹²³

mvp-comment-93-1 οἵα Χρ. ζώει ¹²⁴

mvp-comment-93-2 Acc. to the version followed by Sophocles, Agamemnon had four daughters, Iphigeneia, Electra, Chrysothemis, Iphianassa. This was the account given in the cyclic

, as the schol. here mentions; a poem of which there is another trace in this play (566 ff.). Sophocles wrote an ( Nauck, frag. Soph. 284—292 ); but her name is not mentioned in the reference to her death below (530—594). In Il. 9. 145 Agamemnon has three daughters, Chrysothemis, Laodicè, Iphianassa: Homer does not mention Iphigeneia. Lucretius gives the name of Iphianassa to the victim at Aulis ( 1. 85 ).

mvp-comment-93-3 ζώει ¹²⁵

mvp-comment-93-4 καὶ Ἰφιάνασσα ¹²⁶

mvp-comment-94-1 ἀχέων ¹²⁷

mvp-comment-94-2 Hermann, taking ἀχέων ¹²⁸ κρυπτᾷ ¹²⁹

mvp-comment-95-1 ὄλβιος, ὃν ¹³⁰

mvp-comment-95-2 For the simple

, instead of or , with causal force, cp. below, 188, 261, 959; O.T. 817.

mvp-comment-96-1 δέξεται εὐπατρίδαν ¹³¹

mvp-comment-96-2 Διὸς εὔφρονι ¹³² βήματι ¹³³

mvp-comment-96-3 γᾶν ¹³⁴ γᾶ ¹³⁵

mvp-comment-96-4 Ὀρέσταν ¹³⁶ ὃν ¹³⁷

mvp-comment-97-1 ἀκάματα ¹³⁸

mvp-comment-97-2 ἀνύμφευτος ¹³⁹ ἄτεκνος ¹⁴⁰

mvp-comment-97-3 οἰχνῶ ¹⁴¹

mvp-comment-98-1 δάκρυσι μυδαλέα ¹⁴²

mvp-comment-98-2 τὸν ἀνήνυτον ¹⁴³

mvp-comment-98-3 οἶτον ἔχουσα ¹⁴⁴

mvp-comment-99-1 ὧν τ’ ἔπαθ’ ¹⁴⁵ ὧν τ’ ἐδάη ¹⁴⁶

mvp-comment-99-2 Wecklein, reading

, explains,— ‘what I have heard from him,’—viz., his promises of coming.

mvp-comment-99-3 τί γὰρ … ἀγγελίας ¹⁴⁷

mvp-comment-99-4 ἀπατώμενον ¹⁴⁸ τί … οὐκ ¹⁴⁹

mvp-comment-99-5 Herwerden's οὐχί μοι ¹⁵⁰ οὐκ ἐμοί ¹⁵¹ ὁ δέ ¹⁵²

mvp-comment-100-1 ποθεῖ, ποθῶν δ’ ¹⁵³

mvp-comment-101-1 ἔτι μέγας οὐρανῷ ¹⁵⁴ ἐν ¹⁵⁵

mvp-comment-102-1 τὸν ὑπεραλγῆ ¹⁵⁶

mvp-comment-102-2 νέμουσα ¹⁵⁷

mvp-comment-103-1 μήτε ὑπεράχθεο ¹⁵⁸ οἷς ¹⁵⁹

mvp-comment-104-1 εὐμαρὴς θεός ¹⁶⁰ θεός ¹⁶¹

mvp-comment-105-1 οὔτε γὰρ ¹⁶²

mvp-comment-105-2 Κρῖσαν ¹⁶³

mvp-comment-105-3 Crisa stood about two miles W.S.W. of Delphi, on a spur of Parnassus, at the lower outlet of the gorge through which the river Pleistus issues into the plain. The Iliad mentions ‘sacred Crisa’ (

, 2. 520). But the Homeric Hymn to the Pythian Apollo is the best witness to its ancient power. There, just as here, the name includes the land which stretches southward from the town to its harbour on the ‘wide gulf’ (vv. 253— 261). We need not, then, read or . Crisa was the earliest seat of trade on the western sea; Delphi, when first founded, was merely a sanctuary in its territory. Pindar recalls the old prominence of its name when he describes a Pythian victory as won ( P. 6. 18).

mvp-comment-105-4 Cirrha, a town of much later date, was the port of Crisa on the gulf. About 585 B.C., the Delphians, aided by Cleisthenes of Sicyon and his allies, succeeded, after a long struggle, in humbling Crisa and destroying Cirrha. The Crisaean plain was then devoted to Apollo, whose domain was thus extended from his temple to the coast. When Sophocles wrote, that ground was still a

, inviolable by plough or spade. It was not till the middle of the next century that the alleged encroachments of Amphissa on the gave a pretext for war to the Amphictyons (355 B.C.).

mvp-comment-105-5 Ulrichs ( Reisen in Griechenland) was the first to place the relations of Crisa and Cirrha in a clear light. Strabo correctly describes the site of Cirrha, but erroneously places Crisa to the east of it (9. p. 418).

mvp-comment-106-1 βούνομον ¹⁶⁴ βουνόμον ¹⁶⁵

mvp-comment-106-2 βούνομον ἀκτὰν ¹⁶⁶ Κρῖσαν ¹⁶⁷

mvp-comment-107-1 ἀπερίτροπος ¹⁶⁸

mvp-comment-108-1 παρὰ τὸν Ἀχέροντα ¹⁶⁹ ἀνάσσων ¹⁷⁰ θεὸς ¹⁷¹

mvp-comment-109-1 μὲν ¹⁷²

mvp-comment-109-2 ὁ πολὺς … βίοτος ¹⁷³

mvp-comment-109-3 ἀνέλπιστος ¹⁷⁴

mvp-comment-109-4 187 *

. I am now satisfied that this is a true correction of τοκέων ¹⁷⁵ ἅτις ¹⁷⁶ τοκέων ¹⁷⁷

mvp-comment-110-1 ἁπερεί ¹⁷⁸

mvp-comment-110-2 ἔποικος ¹⁷⁹

mvp-comment-111-1 οἰκονομῶ θαλάμους ¹⁸⁰

mvp-comment-112-1 ἀεικεῖ σὺν στολᾷ ¹⁸¹

mvp-comment-113-1 κεναῖς δ’ ἀμφίσταμαι τραπέζαις ¹⁸² ἀμφίσταμαι ¹⁸³

mvp-comment-113-2 Hartung, reading

, takes the sense to be that she stands ‘hungry’ by the tables at which the others feast. But as= would be neither usual nor elegant.

mvp-comment-114-1 Hitherto the Chorus have offered consolation or counsel. At v. 213 they return to that strain. But here, moved by Electra's misery, they join with her in bewailing its cause.

mvp-comment-114-2 οἰκτρὰ μὲν … πλαγά ¹⁸⁴ κοίταις ¹⁸⁵ οἰκτρὰ … αὐδὰ ¹⁸⁶

mvp-comment-114-3 Sophocles, who follows the Homeric story as to the banquet, could not but remember the

of the dying Cassandra. And this might naturally suggest to him that other which she had uttered at an earlier moment, immediately after Agamemnon's return,—her presage of his fate, and her own: Aesch. Ag. 1072 —1314.

mvp-comment-114-4 The sense then is:—‘There was a voice of lamentation at the return from Troy’; alluding especially to Cassandra's laments, but also, perhaps, to forebodings in the mouth of the people at Mycenae. ‘And there was a voice of lamentation

, when thy father lay on the couch at the fatal banquet.’ The ‘voice’ at the banquet is, first, that of the dying Agamemnon; but Sophocles may have thought also of Cassandra's death-cry, which was sounding in the king's ears as he fell.—For other interpretations, see Appendix.

mvp-comment-114-5 νόστοις ¹⁸⁷ ἐν ¹⁸⁸

mvp-comment-114-6 κοίταις ¹⁸⁹

mvp-comment-114-7 ὅτε οἱ ¹⁹⁰ σοι ¹⁹¹ ἀνταία ¹⁹²

mvp-comment-114-8 γενύων ¹⁹³

mvp-comment-115-1 δόλος … ἔρος ¹⁹⁴

mvp-comment-116-1 δεινὰν δεινῶς ¹⁹⁵ δεινὰν … μορφάν ¹⁹⁶

mvp-comment-116-2 εἴτ’ οὖν … εἴτε ¹⁹⁷ βροτῶν ¹⁹⁸

mvp-comment-117-1 πλέον … ἐχθίστα ¹⁹⁹

mvp-comment-117-2 δὴ ²⁰⁰

mvp-comment-118-1 νὺξ ²⁰¹

mvp-comment-118-2 δείπνων ²⁰²

mvp-comment-119-1 ἄχθη ²⁰³ τοῖς ²⁰⁴ θανάτους ²⁰⁵

mvp-comment-119-2 διδύμαιν χειροῖν ²⁰⁶ διδύμοιν ²⁰⁷

mvp-comment-120-1 εἷλον … πρόδοτον ²⁰⁸

mvp-comment-121-1 οἷς ²⁰⁹

mvp-comment-121-2 Ὀλύμπιος ²¹⁰

mvp-comment-122-1 ποίνιμα ²¹¹

mvp-comment-123-1 ἀγλαΐας ²¹²

mvp-comment-123-2 ἀποναίατο ²¹³

mvp-comment-124-1 πόρσω ²¹⁴

mvp-comment-125-1 γνώμαν ἴσχεις ²¹⁵

mvp-comment-125-2 ἐξ οἵων ²¹⁶

mvp-comment-125-3 τὰ παρόντ’ ²¹⁷

mvp-comment-125-4 οἰκείας ²¹⁸

mvp-comment-126-1 πολύ … τι κακῶν ²¹⁹

mvp-comment-126-2 ὑπερεκτήσω ²²⁰

mvp-comment-127-1 τὰ δὲ ²²¹ οὐκ ἐριστὰ τοῖς δυνατοῖς ²²² πλάθειν ²²³

mvp-comment-127-2 ἐριστά ²²⁴

mvp-comment-127-3 πλάθειν ²²⁵

mvp-comment-128-1 δεινοῖς ἠναγκάσθην ²²⁶

mvp-comment-129-1 ὀργά ²²⁷ ἔξοιδ’ ²²⁸

mvp-comment-130-1 ἀλλὰ … γὰρ ²²⁹

mvp-comment-130-2 ἐν … δεινοῖς ²³⁰

mvp-comment-130-3 σχήσω ²³¹

mvp-comment-130-4 ταύτας ἄτας ²³²

mvp-comment-131-1 ὄφρα ²³³

mvp-comment-131-2 βίος ἔχῃ με ²³⁴ σχήσω ²³⁵

mvp-comment-132-1 τίνι γάρ … τίνι φρονοῦντι καίρια ²³⁶ ἀκούσαιμ’ ἂν πρόσφορον ἔπος ²³⁷ τίνι ²³⁸ πρόσφορον ²³⁹

mvp-comment-132-2 Other explanations are:—(1) Taking the dative with

:—‘To what person who feels aright would that word be suitable which I should hear (=which would be said of me)?’ That is: Should I not deserve to incur a censure from which every right-minded person would shrink? Should I not deserve to be called ? This seems forced; and it does not well suit . (2) Taking the dative with :—‘At whose mouth (= from whom), that thinks aright, could I hear a suitable word of comfort?’ But such a dative seems impossible. In Il. 16. 515 | , the dat. is one of interest, denoting the person whose prayer is heard (‘ for him’); cp. Il. 5. 115 : 24. 335 .

mvp-comment-133-1 ἄνετε ²⁴⁰

mvp-comment-133-2 ἄλυτα ²⁴¹

mvp-comment-133-3 κεκλήσεται ²⁴²

mvp-comment-133-4 231 f. For ἐκ ²⁴³

mvp-comment-133-5 ἀνάριθμος ²⁴⁴ θρήνων ²⁴⁵

mvp-comment-134-1 ἀλλ’ οὖν ²⁴⁶ γε ²⁴⁷ εὐνοίᾳ ²⁴⁸

mvp-comment-135-1 μάτηρ ὡσεί τις ²⁴⁹

mvp-comment-136-1 μὴ τίκτειν ²⁵⁰

mvp-comment-136-2 ἄταν ἄταις ²⁵¹

mvp-comment-137-1 καὶ τί μέτρον ²⁵² κακότατος ²⁵³

mvp-comment-137-2 φέρε ²⁵⁴

mvp-comment-137-3 ἐπὶ τοῖς φθ. ²⁵⁵

mvp-comment-138-1 ἔβλαστ’ ²⁵⁶

mvp-comment-139-1 τούτοις ²⁵⁷

mvp-comment-140-1 εἴ τῳ πρόσκειμαι χρηστῷ ²⁵⁸

mvp-comment-141-1 ξυνναίοιμ’ ²⁵⁹

mvp-comment-141-2 εὔκηλος ²⁶⁰

mvp-comment-141-3 γονέων ²⁶¹ ἐκτίμους ²⁶²

mvp-comment-141-4 ἐκτίμους ἵσχουσα ²⁶³

mvp-comment-141-5 πτέρυγας … γόων ²⁶⁴

mvp-comment-141-6 ὀξυτόνων ²⁶⁵

mvp-comment-142-1 εἰ γὰρ ²⁶⁶

mvp-comment-142-2 γᾶ ²⁶⁷

mvp-comment-142-3 οὐδὲν ²⁶⁸ ὢν ²⁶⁹ εἰ ²⁷⁰

mvp-comment-142-4 Electra is contrasting her father, whose earthly life has been cut short, with his murderers, who survive. But she believes that his spirit lives in the world below, and will be active in aiding the vengeance (453 ff.).

mvp-comment-142-5 πάλιν ²⁷¹

mvp-comment-142-6 ἀντιφόνους δίκας ²⁷²

mvp-comment-143-1 ἔρροι τ’ ²⁷³

mvp-comment-143-2 αἰδὼς ²⁷⁴ εὐσέβεια ²⁷⁵

mvp-comment-144-1 ἐγὼ μὲν ²⁷⁶

mvp-comment-144-2 καὶ ²⁷⁷ τὸ σὸν … καὶ τοὐμὸν ²⁷⁸

mvp-comment-145-1 νίκα ²⁷⁹

mvp-comment-145-2 ἅμα ²⁸⁰

mvp-comment-146-1 πολλοῖσι θρήνοις ²⁸¹

mvp-comment-147-1 ἀλλὰ … γὰρ ²⁸²

mvp-comment-148-1 ἥτις εὐγενὴς γυνή ²⁸³

mvp-comment-149-1 πατρῷα … πήματα ²⁸⁴

mvp-comment-150-1 κατ’ εὐφρόνην ²⁸⁵

mvp-comment-150-2 θάλλοντα ²⁸⁶

mvp-comment-151-1 ᾗ ²⁸⁷

mvp-comment-151-2 πρῶτα μὲν … εἶτα … ἔπειτα ²⁸⁸ ᾗ ²⁸⁹

mvp-comment-151-3 τὰ μητρὸς ²⁹⁰

mvp-comment-151-4 ἔχθιστα συμβέβηκεν ²⁹¹

mvp-comment-152-1 κἀκ τῶνδ’ ἄρχομαι ²⁹²

mvp-comment-153-1 λαβεῖν … τὸ τητᾶσθαι ²⁹³

mvp-comment-154-1 ποίας ²⁹⁴ δοκεῖς ²⁹⁵

mvp-comment-155-1 ἴδω ²⁹⁶ εἰσίδω δ’ ²⁹⁷ ἴδω δὲ ²⁹⁸

mvp-comment-155-2 μὲν ²⁹⁹

mvp-comment-156-1 ἐσθήματα ³⁰⁰

mvp-comment-156-2 ἐκείνῳ ³⁰¹

mvp-comment-156-3 παρεστίους … λοιβάς ³⁰² ἔνθ’ ἐκεῖνον ὤλεσεν ³⁰³

mvp-comment-156-4 Acc. to Homer. Hymn. 29. 4 ff., feasts began and ended with libations to Hestia:

| | . Soph. fr. 658 . Other divinities, including Zeus , were similarly honoured; then the paean was sung, and the began ( Plat. Symp.p. 176 A).

mvp-comment-157-1 τούτων ³⁰⁴

mvp-comment-158-1 αὐτοέντην ³⁰⁵

mvp-comment-158-2 Brunck first adopted αὐτοέντην ³⁰⁶ αὐτοφόντην ³⁰⁷

mvp-comment-158-3 ἡμὶν ³⁰⁸

mvp-comment-159-1 ταλαίνῃ ³⁰⁹

mvp-comment-160-1 ταύτην … τῷδε ³¹⁰

mvp-comment-161-1 μιάστορι ³¹¹ Ἐρινὺν ³¹²

mvp-comment-162-1 ἐγγελῶσα τοῖς ποιουμένοις ³¹³

mvp-comment-163-1 εὑροῦς’ ³¹⁴ τότε ³¹⁵

mvp-comment-163-2 The conjecture φρουροῦς’ ³¹⁶ τηροῦς’ ³¹⁷

mvp-comment-164-1 χοροὺς ἵστησι ³¹⁸

mvp-comment-164-2 μηλοσφαγεῖ … ἱερὰ ³¹⁹

mvp-comment-164-3 ἔμμην’ ἱερά ³²⁰

mvp-comment-164-4 τοῖς σωτηρίοις ³²¹

mvp-comment-164-5 Argive tradition placed Agamemnon's death on the 13th of Gamelion (about the end of January). So said ‘the Argive historians’ (

),— according to an Argive writer named Deinias, who lived about 225 B.C. (Schol. here: Müller, Frag. Hist. vol. III. p. 25.) Possibly, then, the idea of Clytaemnestra's hideous festival may have been suggested to the poet by some actual commemoration of the event in Argolis. There was a cult of Agamemnon in various places,—notably in Laconia. (Cp. Roscher's Lexicon, p. 96.)

mvp-comment-165-1 ἡ δύσμορος ³²² κατὰ στέγας ³²³

mvp-comment-166-1 τέτηκα ³²⁴

mvp-comment-166-2 πατρὸς ³²⁵

mvp-comment-166-3 The

is the feast which, in Homeric fashion ( Il. 1. 467 ), would follow the sacrifice (281). Acc. to Eustathius p. 1507. 61 (on Hom. Od. 4. 524 ff.), (or ) was a proverb . The poet may mean that Clytaemnestra called the festival , in direct allusion to (203): and this would give a special point to (277). Cp. Eur. Or. 1008 . But the words do not necessarily imply more than that she called it .

mvp-comment-167-1 αὐτὴ πρὸς αὑτήν ³²⁶ αὑτήν ³²⁷

mvp-comment-167-2 κλαῦσαι ³²⁸

mvp-comment-167-3 ἡδονὴν φέρει ³²⁹

mvp-comment-168-1 ἡ λόγοισι γενναία ³³⁰

mvp-comment-169-1 φωνοῦσα ³³¹

mvp-comment-170-1 δύσθεον ³³²

mvp-comment-170-2 μίσημα ³³³

mvp-comment-170-3 σοὶ μόνῃ ³³⁴

mvp-comment-170-4 τέθνηκεν ³³⁵

mvp-comment-170-5 ἐν πένθει ³³⁶

mvp-comment-171-1 ἐκ γόων ³³⁷

mvp-comment-171-2 οἱ κάτω θεοί ³³⁸

mvp-comment-172-1 τάδ’ ³³⁹

mvp-comment-172-2 ἥξοντ’ Ὀρέστην ³⁴⁰

mvp-comment-173-1 παραστᾶς’ ³⁴¹

mvp-comment-174-1 ἥτις ³⁴²

mvp-comment-174-2 ὑπεξέθου ³⁴³

mvp-comment-175-1 ἀλλ’ ἴσθι τοι τείσουσά γ’ ³⁴⁴

mvp-comment-176-1 ὑλακτεῖ ³⁴⁵

mvp-comment-176-2 σὺν ³⁴⁶

mvp-comment-176-3 πέλας ³⁴⁷ παρών ³⁴⁸

mvp-comment-176-4 301 The adv. πάντα ³⁴⁹

mvp-comment-176-5 ἄναλκις ³⁵⁰

mvp-comment-176-6 ἡ πᾶσα βλάβη ³⁵¹

mvp-comment-177-1 σὺν γυναιξὶ ³⁵²

mvp-comment-177-2 τὰς μάχας ³⁵³

mvp-comment-178-1 ἐφήξειν ³⁵⁴

mvp-comment-179-1 μέλλων … δρᾶν τι ³⁵⁵

mvp-comment-179-2 τὰς οὔσας τε … καὶ τὰς ἀπούσας ³⁵⁶

mvp-comment-179-3 μου ³⁵⁷ μοι ³⁵⁸

mvp-comment-179-4 διέφθορεν ³⁵⁹

mvp-comment-180-1 σωφρονεῖν ³⁶⁰ εὐσεβεῖν ³⁶¹

mvp-comment-180-2 ἔν τοι κακοῖς ³⁶²

mvp-comment-180-3 πολλή )στ’ ἀνάγκη ³⁶³ κἀπιτηδεύειν κακά ³⁶⁴

mvp-comment-180-4 I place only a comma, not a colon, after πάρεστιν ³⁶⁵

mvp-comment-181-1 ὄντος … βεβῶτος ³⁶⁶

mvp-comment-182-1 ἦ κάρτα ³⁶⁷

mvp-comment-182-2 θυραῖον ³⁶⁸

mvp-comment-182-3 οἰχνεῖν ³⁶⁹

mvp-comment-182-4 ἀγροῖσι ³⁷⁰

mvp-comment-182-5 τυγχάνει ³⁷¹

mvp-comment-183-1 ἦ κἂν … ἱκοίμην ³⁷² ἦ τ<*>ν ³⁷³ ἦ δἂν ³⁷⁴

mvp-comment-183-2 ἐς λόγους τοὺς σοὺς ἱκοίμην ³⁷⁵

mvp-comment-184-1 ὡς νῦν ³⁷⁶ ὥς νυν ³⁷⁷

mvp-comment-184-2 ἱστόρει· τί σοι φίλον ³⁷⁸ τό ³⁷⁹ τά ³⁸⁰

mvp-comment-184-3 With the other punctuation, ἱστόρει τί σοι φίλον ³⁸¹

mvp-comment-185-1 καὶ δὴ ³⁸²

mvp-comment-185-2 τοῦ κασιγνήτου τί φής ³⁸³

mvp-comment-185-3 ἥξοντος ³⁸⁴ ἢ μέλλοντος ³⁸⁵

mvp-comment-186-1 φησίν γε ³⁸⁶

mvp-comment-186-2 ποεῖ ³⁸⁷

mvp-comment-187-1 καὶ μὴν ἔγωγ’ ³⁸⁸ γε ³⁸⁹

mvp-comment-187-2 οὐκ ὄκνῳ ³⁹⁰

mvp-comment-188-1 ἀρκεῖν ³⁹¹

mvp-comment-189-1 ἐπεί ³⁹²

mvp-comment-189-2 μακρὰν ³⁹³

mvp-comment-189-3 324 Here, as in 316, νῦν ³⁹⁴ νυν ³⁹⁵

mvp-comment-189-4 δόμων ³⁹⁶ φέρουσαν ³⁹⁷

mvp-comment-190-1 ὅμαιμον ³⁹⁸

mvp-comment-190-2 φύσιν ³⁹⁹

mvp-comment-191-1 Χρυσόθεμιν ⁴⁰⁰

mvp-comment-192-1 οἷα ⁴⁰¹ νομίζεται ⁴⁰²

mvp-comment-193-1 πρὸς θυρῶνος ἐξόδοις ⁴⁰³ φωνεῖς ⁴⁰⁴ ἐλθοῦσα ⁴⁰⁵ αὖ ⁴⁰⁶

mvp-comment-193-2 330 For the absence of caesura, cp. Ph. 101 n.

mvp-comment-194-1 θυμῷ … χαρίζεσθαι ⁴⁰⁷

mvp-comment-195-1 καίτοι τοσοῦτόν γ’ οἶδα ⁴⁰⁸

mvp-comment-195-2 κἀμαυτήν, ὅτι ⁴⁰⁹

mvp-comment-195-3 333 f. For the repeated ἄν ⁴¹⁰

mvp-comment-195-4 οἶ) αὐτοῖς φρονῶ ⁴¹¹

mvp-comment-196-1 ὑφειμένῃ ⁴¹² πλεῖν ⁴¹³

mvp-comment-196-2 For the image, cp. Eur. Med. 524

(with close-reefed sails) | : Ar. Ran. 997 , | , | | : and conversely Soph. Ant. 715 | . Ovid Epist. 1. 8. 71

moderatius opta, | Et voti, quaeso, contrahe vela tui.

Shakesp. Henry VI., pt. iii, act 3 sc. 3. 5

‘Now Margaret | Must strike her sail, and learn awhile to serve | Where kings command.’

mvp-comment-197-1 καὶ μὴ δοκεῖν ⁴¹⁴

mvp-comment-198-1 τοιαῦτα δ’ ἄλλα ⁴¹⁵ ἀλλὰ ⁴¹⁶ ἄλλα ⁴¹⁷

mvp-comment-199-1 καίτοι τὸ μὲν δίκαιον ⁴¹⁸

mvp-comment-199-2 κρίνεις ⁴¹⁹

mvp-comment-199-3 εἰ … με δεῖ ⁴²⁰

mvp-comment-199-4 ἐλευθέραν ⁴²¹

mvp-comment-199-5 ζῆν ⁴²²

mvp-comment-199-6 πάντ’ ⁴²³

mvp-comment-199-7 ἀκουστέα ⁴²⁴

mvp-comment-200-1 δεινόν γε ⁴²⁵

mvp-comment-201-1 τῆς … τικτούσης ⁴²⁶

mvp-comment-201-2 μέλειν ⁴²⁷

mvp-comment-202-1 τἀμὰ νουθετήματα ⁴²⁸

mvp-comment-202-2 κείνης διδακτά ⁴²⁹

mvp-comment-202-3 ἐκ σαυτῆς ⁴³⁰

mvp-comment-203-1 The text, which has been suspected (cr. n.), is sound; but the train of thought is somewhat obscured by compression.

mvp-comment-203-2 ‘You forget your father, and care only for your mother. All your counsels to me come from her. Then (

),—that being so,—give up the attempt at a compromise. Make a choice ( ). You can be imprudent ( ),—as you say that I am,—and loyal to your dead father. Or you can be prudent ( ), and forgetful of him,—as you actually are; you who ( ) say, indeed, that you would show your hatred of the murderers if you could; and yet, when I do resist them, you try to turn me from my purpose. You merely add the shame of cowardice to our woes.’

mvp-comment-203-3 ἔπειθ’ ⁴³¹

mvp-comment-203-4 ἑλοῦ γε ⁴³²

mvp-comment-203-5 φρονεῖν κακῶς ⁴³³

mvp-comment-203-6 Other explanations are:—(1) ‘Choose to be thought either lost to right feeling, or, if you have such feeling, then at least forgetful of your duty.’ (2) ‘Choose to seem either unintelligent (if you are merely the blind instrument of our rulers); or, if you act with clear understanding (

),—thinking to benefit me,—at least forgetful of your father.’ Both these views assume that the question is merely between two interpretations which might be placed on the present conduct of Chrysothemis. But Electra is putting the dilemma between imprudent loyalty and prudent disloyalty.

mvp-comment-204-1 τῶν φίλων ⁴³⁴

mvp-comment-205-1 ἥτις ⁴³⁵ φρονοῦσα ⁴³⁶ μῖσος ⁴³⁷

mvp-comment-206-1 πάντα ⁴³⁸

mvp-comment-206-2 τιμωρουμένης ⁴³⁹

mvp-comment-207-1 οὔτε … τε ⁴⁴⁰

mvp-comment-207-2 τήν τε δρῶσαν ⁴⁴¹

mvp-comment-208-1 πρὸς κακοῖσι ⁴⁴²

mvp-comment-208-2 δειλίαν ἔχει ⁴⁴³

mvp-comment-209-1 ἐπεὶ ⁴⁴⁴

mvp-comment-209-2 ἢ μάθ’ ἐξ ἐμοῦ ⁴⁴⁵

mvp-comment-210-1 ἐπαρκούντως ⁴⁴⁶

mvp-comment-211-1 προσάπτειν ⁴⁴⁷

mvp-comment-211-2 εἴ τις ἔστ’ ἐκεῖ χάρις ⁴⁴⁸

mvp-comment-212-1 ἡμὶν ⁴⁴⁹ ξύνει ⁴⁵⁰

mvp-comment-213-1 τὰ σὰ … δῶῤ ⁴⁵¹

mvp-comment-213-2 ἐφ’ οἶσι ⁴⁵²

mvp-comment-213-3 χλιδᾷς ⁴⁵³

mvp-comment-214-1 ὑπεικάθοιμι ⁴⁵⁴

mvp-comment-214-2 πλουσία ⁴⁵⁵

mvp-comment-214-3 περιρρείτω ⁴⁵⁶

mvp-comment-215-1 τοὐμὲ μὴ λυπεῖν ⁴⁵⁷

mvp-comment-215-2 Remark the resemblance to the passage where Antigone—summing up her position—compares the moral pain of neglecting her duty with those penalties which she contemns:—

( Ant. 468 ). There, too, we have a Sophoclean triad of clauses, the third echoing the first,—as here reiterates the sense of (n. on Ant. 465 ff.).

mvp-comment-215-3 One of the scholia recognises the traditional reading, and explains it correctly: —

(‘as I should do, if’) .—The conjectures have been numerous: see Appendix.

mvp-comment-216-1 οὐδ’ ἂν σὺ ⁴⁵⁸

mvp-comment-217-1 παῖδα ⁴⁵⁹

mvp-comment-217-2 κεκλῆσθαι ⁴⁶⁰

mvp-comment-218-1 πλείστοις ⁴⁶¹

mvp-comment-219-1 μηδὲν ⁴⁶² πρὸς ὀργὴν ⁴⁶³

mvp-comment-220-1 ἀμφοῖν ⁴⁶⁴ τοῖς λόγοις ⁴⁶⁵

mvp-comment-221-1 τῆσδε … αὕτη ⁴⁶⁶ πάλιν ⁴⁶⁷

mvp-comment-222-1 ἐγὼ μὲν ⁴⁶⁸

mvp-comment-222-2 πως ⁴⁶⁹

mvp-comment-222-3 μύθων ⁴⁷⁰

mvp-comment-223-1 οὐδ’ ⁴⁷¹ κοὐδ’ ⁴⁷² ποτέ ⁴⁷³

mvp-comment-224-1 ἰὸν ⁴⁷⁴

mvp-comment-224-2 σχήσει ⁴⁷⁵

mvp-comment-225-1 τὸ δεινὸν ⁴⁷⁶

mvp-comment-225-2 εἰ γὰρ τῶνδέ μοι ⁴⁷⁷ εἰ ⁴⁷⁸

mvp-comment-226-1 γὰρ ⁴⁷⁹

mvp-comment-226-2 γόων ⁴⁸⁰ λόγων ⁴⁸¹

mvp-comment-227-1 ἐνταῦθα ⁴⁸²

mvp-comment-227-2 ἔνθα μή ποτε … προσόψει ⁴⁸³

mvp-comment-227-3 ζῶσα ⁴⁸⁴

mvp-comment-227-4 κατηρεφεῖ ⁴⁸⁵

mvp-comment-227-5 χθονὸς τῆσδ’ ἐκτὸς ⁴⁸⁶

mvp-comment-227-6 ὑμνήσεις ⁴⁸⁷

mvp-comment-228-1 πρὸς ταῦτα ⁴⁸⁸

mvp-comment-228-2 Nauck reads κοὔ ⁴⁸⁹ καί ⁴⁹⁰

mvp-comment-228-3

schol.: H. 4. 3. 5 : so, too, Eur. Heracl. 971 , etc. Cp. ( )= in Soph. Ph. 1155 ; and = in O.T. 78.

mvp-comment-229-1 ἦ ταῦτα δὴ ⁴⁹¹ ἦ … δὴ ⁴⁹² ἦ … γὰρ ⁴⁹³

mvp-comment-229-2 καὶ βεβούλευνται ⁴⁹⁴

mvp-comment-230-1 ἀλλ’ ἐξίκοιτο ⁴⁹⁵

mvp-comment-230-2 τοῦδέ γ’ οὕνεκ’ ⁴⁹⁶

mvp-comment-231-1 τίνα … τόνδ’ ⁴⁹⁷

mvp-comment-231-2 τάλαινα ⁴⁹⁸

mvp-comment-232-1 εἴ τι τῶνδε ⁴⁹⁹

mvp-comment-233-1 ποῦ ποτ’ εἶ φρενῶν ⁵⁰⁰

mvp-comment-234-1 ὅπως ⁵⁰¹ ὑμῶν ⁵⁰²

mvp-comment-234-2 προσώτατ’ ⁵⁰³ προσωτάτω φύγω ⁵⁰⁴

mvp-comment-235-1 βίου … τοῦ παρόντος ⁵⁰⁵

mvp-comment-236-1 καλὸς γὰρ ⁵⁰⁶

mvp-comment-236-2 θαυμάσαι ⁵⁰⁷

mvp-comment-237-1 τοῖς φίλοις ⁵⁰⁸

mvp-comment-238-1 εἰκαθεῖν ⁵⁰⁹

mvp-comment-239-1 ταῦτα ⁵¹⁰ οὐκ ἐμοὺς ⁵¹¹

mvp-comment-240-1 γε ⁵¹² μέντοι ⁵¹³

mvp-comment-240-2 μὴ )ξ ⁵¹⁴

mvp-comment-240-3 πεσεῖν ⁵¹⁵

mvp-comment-240-4 399 A woman, speaking of herself in the plur., uses the masc.: Ant. 926

.

mvp-comment-241-1 συγγνώμην ⁵¹⁶

mvp-comment-242-1 τἄπη ⁵¹⁷

mvp-comment-242-2 πρὸς κακῶν ⁵¹⁸

mvp-comment-243-1 μή πω ⁵¹⁹

mvp-comment-244-1 οἷπερ … ὁδοῦ ⁵²⁰

mvp-comment-245-1 τῷ φέρεις ⁵²¹

mvp-comment-245-2 ἔμπυρα ⁵²²

mvp-comment-246-1 τυμβεῦσαι χοάς ⁵²³

mvp-comment-247-1 βροτῶν ⁵²⁴

mvp-comment-248-1 ὃν ἔκταν’ αὐτή ⁵²⁵ ὅν γ’ ⁵²⁶

mvp-comment-249-1 τῷ τοῦτ’ ἤρεσεν ⁵²⁷

mvp-comment-250-1 δείματος ⁵²⁸

mvp-comment-250-2 δοκεῖν ἐμοί ⁵²⁹

mvp-comment-251-1 θεοὶ πατρῷοι ⁵³⁰

mvp-comment-251-2 συγγένεσθέ γ’ ⁵³¹

mvp-comment-251-3 ἀλλὰ νῦν ⁵³²

mvp-comment-252-1 εἴποιμ’ ἂν τότε ⁵³³

mvp-comment-253-1 ἐπὶ σμικρὸν ⁵³⁴ ἐπὶ σμικρῶν ⁵³⁵

mvp-comment-253-2 φράσαι ⁵³⁶

mvp-comment-254-1 σμικροὶ λόγοι ⁵³⁷

mvp-comment-255-1 πατρὸς … δευτέραν ὁμιλίαν ⁵³⁸

mvp-comment-255-2 ἐφέστιον πῆξαι ⁵³⁹

mvp-comment-255-3 This sceptre is described in the Iliad (2. 101 f.) as the work of Hephaestus, who gave it Zeus; Hermes transmitted it to Pelops, from whom it passed to Atreus and Agamemnon. The Homeric sceptre is often called

( Il. 2. 268 , etc.), prob. as being ornamented with gold foil, or studded with gold nails ( Il. 1. 246 ). Among the objects found at Mycenae are some supposed remains of such sceptres (Schliem., Myc. 201, etc.).

mvp-comment-255-4 οὑφόρει ποτέ ⁵⁴⁰

mvp-comment-256-1 ἔκ τε ⁵⁴¹ ἐκ δὲ ⁵⁴²

mvp-comment-256-2 βρύοντα ⁵⁴³

mvp-comment-256-3 ᾧ … γενέσθαι ⁵⁴⁴

mvp-comment-256-4 The vision resembles that of Astyages, who dreamed that a vine sprang from his daughter Mandanè, the wife of Cambyses,

. The explained this to mean that her son (Cyrus) should reign in his grandfather's stead. ( Her. 1. 108. ) The spreading branches figure also in the dream of Xerxes (7. 19): .

mvp-comment-256-5 In choosing the sceptre of Agamemnon as the stock from which the wondrous growth is put forth, Sophocles may have had in mind the words of Achilles ( Il. 1. 234 ff.);

| , | .

mvp-comment-257-1 του παρόντος ⁵⁴⁵ τοῦ ⁵⁴⁶ παρόντος ⁵⁴⁷ του ⁵⁴⁸

mvp-comment-257-2 Ἡλίῳ δείκνυσι τοὖναρ ⁵⁴⁹

mvp-comment-258-1 οὐ κάτοιδα, πλὴν ⁵⁵⁰

mvp-comment-258-2 πέμπει με κείνη ⁵⁵¹

mvp-comment-259-1 These three verses, which the MSS. give to Electra, and which several recent critics reject (cr. n.), clearly belong to Chrysothemis, and are genuine. Electra's exclamation of joy (411) caused Chrysothemis to ask if her sister had any ground for hope (412). Electra replied that, when she had heard the dream, she would say. This showed her sister that Electra relied merely on the fact that Clytaemnestra had seen some fearful vision. Now, therefore, instead of asking for Electra's interpretation, she merely repeats her counsel (383 f.) before proceeding on her errand. The words

(428 ff.) show the train of her thought. To Chrysothemis, the alarm of Clytaemnestra (427) is more important than the apparition of Agamemnon. The dream is only a new reason why Electra should be cautious,—not why she should hope.

mvp-comment-259-2 The current ascription of the verses to Electra was doubtless prompted by verse 413. It was supposed that the recital of Chrysothemis must be immediately followed by the comments of Electra. But, as Hermann observed, the phrase

would alone suffice to show that the verses belong to Chrysothemis ( cp. 398 ). Nor could the warning, , be fitly uttered by Electra.

mvp-comment-259-3 τῶν ἐγγενῶν ⁵⁵²

mvp-comment-260-1 ἀβουλίᾳ ⁵⁵³

mvp-comment-260-2 σὺν κακῷ ⁵⁵⁴

mvp-comment-260-3 μέτει ⁵⁵⁵

mvp-comment-261-1 ἀλλ’ ⁵⁵⁶

mvp-comment-261-2 ὦ φίλη ⁵⁵⁷ τούτων μὲν ⁵⁵⁸

mvp-comment-262-1 οὐ … θέμις ⁵⁵⁹ οὐδ’ ὅσιον ⁵⁶⁰

mvp-comment-262-2 ἐχθρᾶς ἀπὸ γυναικὸς ⁵⁶¹

mvp-comment-262-3 κτερίσματ’ ⁵⁶²

mvp-comment-262-4 λουτρὰ ⁵⁶³

mvp-comment-263-1 ἀλλ’ ἢ πνοαῖσιν ⁵⁶⁴ ῥοαῖσιν ⁵⁶⁵

mvp-comment-263-2 κρύψον ⁵⁶⁶

mvp-comment-263-3 νιν ⁵⁶⁷

mvp-comment-263-4 ἔνθα μή ποτ’ ⁵⁶⁸ ἔνθεν ⁵⁶⁹

mvp-comment-263-5 εὐνὴν ⁵⁷⁰

mvp-comment-264-1 ἀλλ’ ὅταν θάῃν ⁵⁷¹

mvp-comment-264-2 The conjecture ἔστ’ ἂν ⁵⁷² ὅταν ⁵⁷³ σῳζέσθω ⁵⁷⁴

mvp-comment-264-3 κειμήλἰ ⁵⁷⁵

mvp-comment-265-1 ἀρχὴν ⁵⁷⁶ τλημονεστάτη ⁵⁷⁷

mvp-comment-266-1 ἔβλαστε ⁵⁷⁸

mvp-comment-267-1 ὅν γ’ … τῷδ’ ⁵⁷⁹

mvp-comment-267-2 ἐπέστεφε ⁵⁸⁰

mvp-comment-267-3 442 f. The position of αὐτῇ ⁵⁸¹

mvp-comment-267-4 δέξεσθαι ⁵⁸²

mvp-comment-267-5 It seems, then, a reasonable inference that here, where the reference is to future time, he would have written δέξεσθαι ⁵⁸³ δέξασθαι ⁵⁸⁴

mvp-comment-267-6 444 ff. Join θανὼν ἄτιμος ⁵⁸⁵

mvp-comment-267-7 ἐμασχαλίσθη ⁵⁸⁶

mvp-comment-267-8 Two different motives are assigned by the Greek commentators; viz.:—(1) the desire to render the dead incapable of wreaking vengeance (

): (2) the desire to make an atonement ( ). There can be little doubt that the first of these motives was the primitive origin of the custom. If the second was afterwards blended with it, the idea may have been that of offering the severed portions to the gods below,—as a victim was devoted to death by cutting off a lock of hair ( Eur. Alc. 75 ). Apollonius Rhodius seems to present the practice in this light (4. 477): Jason, having slain a foe, . Cp. Etym. Magn.: .

mvp-comment-267-9 κἀπὶ λουτροῖσιν ⁵⁸⁷

mvp-comment-267-10 ἐξέμαξ ν ⁵⁸⁸

mvp-comment-267-11 ἆρα μὴ ⁵⁸⁹

mvp-comment-268-1 οὐκ ἔστιν ⁵⁹⁰

mvp-comment-268-2 ταῦτα μὲν μέθες· σὺ δὲ ⁵⁹¹

mvp-comment-269-1 βοστρύχων ἄκρας φόβας ⁵⁹²

mvp-comment-269-2 κἀμοῦ ταλαίνης ⁵⁹³

mvp-comment-270-1 †ἀλιπαρῆ ⁵⁹⁴ λιπαρῆ ⁵⁹⁵

mvp-comment-270-2 We come, therefore, to a dilemma. (1) The words

may conceal some corruption: ought possibly to be τήνδε τ’ ⁵⁹⁶ ἀλίπαρον ⁵⁹⁷

mvp-comment-270-3 (2) Or else, if the text be sound,

may mean . There is no doubt that , ‘fat,’ is the root both of , ‘shining,’ and of , ‘sticking’; cp. Plat. Crat. 427 B

τὸ λιπαρὸν καὶ τὸ κολλῶδες

( Curt. Etym. § 340 ). Similarly , ‘sticky,’ came to mean ‘importunate.’ It is barely possible that, in coining a new negative compound, the poet may have transferred the sense of to : but it seems improbable.

mvp-comment-271-1 ζῶμα ⁵⁹⁸

mvp-comment-271-2 χλιδαῖς ⁵⁹⁹

mvp-comment-272-1 προσπίτνουσα ⁶⁰⁰ αὐτὸν ⁶⁰¹

mvp-comment-273-1 ἐξ ὑπερτέρας χερός ⁶⁰²

mvp-comment-273-2 ζῶντ’ ⁶⁰³

mvp-comment-274-1 ἀφνεωτέραις ⁶⁰⁴

mvp-comment-274-2 στέφωμεν ⁶⁰⁵

mvp-comment-274-3 δωρούμεθα ⁶⁰⁶

mvp-comment-275-1 οἶμαι μὲν οὖν ⁶⁰⁷

mvp-comment-275-2 If μέλον ⁶⁰⁸ μέλειν ⁶⁰⁹ μέλον ⁶¹⁰

mvp-comment-276-1 σοί ⁶¹¹

mvp-comment-277-1 βροτῶν ⁶¹²

mvp-comment-278-1 πρὸς εὐσέβειαν ⁶¹³

mvp-comment-279-1 δράσω ⁶¹⁴

mvp-comment-279-2 τὸ γὰρ δίκαιον ⁶¹⁵

mvp-comment-279-3 (1)

is an acc. of general reference, and is impersonal. ‘With regard to what is (clearly) right, it is unreasonable for two persons to dispute; rather both should hasten on the doing (of it).’ With we supply the notion from the negative (as from in O. C. 1402 ff.; cp. O. T. 817 ff.). For the form of the sentence, cp. H. 7. 3. 7 . So here the acc. , which represents the object of , is separated from it by the parenthesis . (The first scholium gives substantially this view: .)

mvp-comment-279-4 (2) Or

might be nom.: ‘that which is clearly right does not afford any ground ( ) for two persons to dispute,’ etc. So the second schol.: . So far as the verb is concerned, this sense is quite admissible: cp. Thuc. 2. 41 ( ). The objection is that the phrases , which are very common, regularly mean, ‘to be reasonable,’ ‘to be unreasonable.’ This is so both in the personal and in the impersonal constr.; as Plat. Phaedop. 62 D : Dem. or. 36 § 54 ; The supposed sense, ‘not to afford a reason,’ is unexampled.

mvp-comment-279-5 δυοῖν ⁶¹⁶

mvp-comment-280-1 παρ’ ὑμῶν ⁶¹⁷

mvp-comment-281-1 πικρὰν ⁶¹⁸ δοκῶ με … τολμήσειν ⁶¹⁹ ἔτι ⁶²⁰

mvp-comment-282-1 εἰ μὴ )γὼ ⁶²¹

mvp-comment-282-2 γνώμας λειπομένα ⁶²²

mvp-comment-283-1 ἁ πρόμαντις Δίκα ⁶²³

mvp-comment-283-2 δίκαια φερομένα χεροῖν κράτη ⁶²⁴

mvp-comment-284-1 μέτεισιν ⁶²⁵

mvp-comment-284-2 οὐ μακροῦ χρόνου ⁶²⁶

mvp-comment-285-1 ὕπεστί μοι θράσος ⁶²⁷ κλύουσαν ⁶²⁸

mvp-comment-285-2 ἁδυπνόων … ὀνειράτων ⁶²⁹

mvp-comment-286-1 ἀμναστεῖ γ’ ὁ φύσας ς’ ⁶³⁰

mvp-comment-287-1 χαλκόπλακτος ⁶³¹

mvp-comment-287-2 γένυς ⁶³²

mvp-comment-287-3 The very axe (

, 99) with which the blow was dealt is imagined as nourishing a grudge against the murderers who had set it such a task. Such a personification recalls that practice of Athenian law by which inanimate objects which had caused death were brought to a formal trial in the court called , and, after sentence, cast beyond the boundaries, in the presence of the Archon Basileus and the sacrificial officers of the tribes ( ). Aeschin. or. 3 § 244 . (Cp. Dem. or. 23 § 76 .) A like conception was implied in the English law (repealed in 1846) of ‘deodands’ (Deo danda), i.e., personal chattels (whether animals or things) which, having caused the death of a human being, were forfeited to the Crown for pious uses.

mvp-comment-288-1 ἐν αἰκίαις ⁶³³

mvp-comment-289-1 καὶ πολύπους καὶ πολύχειρ ⁶³⁴

mvp-comment-290-1 λόχοις ⁶³⁵

mvp-comment-290-2 χαλκόπους ⁶³⁶

mvp-comment-291-1 ἄλεκτρ’ ἄνυμφα ⁶³⁷

mvp-comment-291-2 γάμων ἁμιλλήμαθ’ ⁶³⁸

mvp-comment-291-3 ἐπέβα ⁶³⁹

mvp-comment-292-1 πρὸ τῶνδέ τοι … συνδρῶσιν ⁶⁴⁰

mvp-comment-292-2 Verses 495—497 (

) answer metrically to vv. 479—481 , where the text is certain, save for the doubt whether or should stand in 479. Here we must first decide two points.

mvp-comment-292-3 (1) Are the words πρὸ τῶνδε ⁶⁴¹

mvp-comment-292-4 (2) Could

(etc.) mean, ‘ the belief possesses me, that’ etc.? Surely not. No real parallel for so strange a phrase has been produced. It is irrelevant to quote those impersonal verbs which directly express the occurrence of a thought to the mind; as Xen. An. 6. 1. 17 (‘the thought came to them, how they might,’ etc.): Thuc. 6. 78. § 1 Either, then, the subject to has dropped out, or the words conceal a corruption.

mvp-comment-292-5 The following remedies are possible: I incline to the first, as involving least change. (1) Reading in 479

, we may read here | etc. (It may be remarked that is in harmony with the tone of in 479.) Another available word is (cp. Ant. 279 ). (2) Or, reading in 479 , we could read here . On either view, the of in 480 is long (as several critics have assumed). It should be noted that (1) involves a different constitution of the verses: see p. lxxxii.

mvp-comment-292-6 In those MSS. which have μή ποτε μή ποθ’ ἡμῖν ⁶⁴²

mvp-comment-293-1 ἀψεγές ⁶⁴³ ἀψεφές ⁶⁴⁴

mvp-comment-293-2 πελᾶν ⁶⁴⁵

mvp-comment-294-1 τοῖς δρῶσι ⁶⁴⁶ τοῖς συνδρῶσιν ⁶⁴⁷

mvp-comment-295-1 μαντεῖαι βροτῶν ⁶⁴⁸

mvp-comment-296-1 εὖ κατασχήσει ⁶⁴⁹

mvp-comment-297-1 ἱππεία ⁶⁵⁰

mvp-comment-297-2 Oenomaüs, king of Pisa in Elis, had promised the hand of his daughter Hippodameia to the suitor who should defeat him in a chariot-race; the penalty of failure being death. The young Pelops, son of Tantalus, offered himself as a competitor. Myrtilus, the charioteer of Oenomaüs, was persuaded (either by Hippodameia or by Pelops) to betray his master. He did so by leaving out one or both of the linch-pins by which the naves of the chariot-wheels were secured to the axles. Tzetzes on Lycophron 156

(= , the naves) . According to another story, he substituted a linch-pin of wax for a real one ( schol. Apoll. Rh. 752 ). So Pelops won the race, and the bride. But Oenomaüs was soon avenged on the traitor; for Myrtilus insulted Hippodameia, and was thrown into the sea by Pelops; upon whose house he invoked a curse, as he sank.

mvp-comment-297-3 Euripides, too, ( Or. 990 ff., Helen. 386 f.) refers to this chariot-race as the event with which the troubles of the Pelopidae began. Apollonius Rhodius briefly describes the critical moment of the race as one of the subjects embroidered on the cloak of Jason (1. 752 ff.); there Oenomaüs was seen, ‘falling sideways, as the axle broke at the naves of the wheels,’—

| .

mvp-comment-297-4 The eastern pediment of the temple of Zeus at Olympia ( circ. 450 B.C.) was adorned with sculptures by Paeonius, representing the preparation for this contest ( Paus. 5. 10. 6 ). The fragments found on the site have sufficed for a reconstruction of the group. Zeus occupied the centre; to the right of him were Pelops and Hippodameia; to the left, Oenomaüs and his wife Steropè. On each side was a chariot drawn by four horses. Myrtilus was sitting in front of his team, with his face turned away from his master.

mvp-comment-297-5 In the older and nobler form of the myth, Pelops won, not by a fraud, but by the grace of Poseidon, who gave him winged horses (Pindar O. 1. 87

). On the chest ( ) of Cypselus, seen by Pausanias in the Heraeum at Olympia ( Paus. 5. 17. 5 ), Pelops was driving two winged horses.

mvp-comment-298-1 αἰανὴς ⁶⁵¹

mvp-comment-298-2 The form

has the best authority, and some critics hold that (Hesych.) was a Byzantine invention. But in Aesch. Eum. 416 , (so L, schol., and Tzetzes on Lycophron 406), is far less suitable.

mvp-comment-299-1 εὖτε ⁶⁵²

mvp-comment-299-2 ὁ ποντισθεὶς Μυρτίλος ⁶⁵³

mvp-comment-299-3 A vase found at Capua shows Pelops and Hippodameia in a ship, from which Myrtilus is falling backwards into the water. A winged Erinys hovers in the air above, brandishing a sword over the head of Pelops (Baumeister, Denkmäler p. 1204, referring to Mon. Inst. x. 25).

mvp-comment-299-4 ἐκοιμάθη ⁶⁵⁴

mvp-comment-300-1 παγχρυσέων δίφρων ⁶⁵⁵

mvp-comment-301-1 πρόρριζος ⁶⁵⁶

mvp-comment-301-2 ἐκριφθείς ⁶⁵⁷

mvp-comment-302-1 ἔλειπεν ⁶⁵⁸ ἔλιπεν ⁶⁵⁹ οἴκου ⁶⁶⁰ οἴκους ⁶⁶¹ πω ⁶⁶²

mvp-comment-303-1 πολύπονος ⁶⁶³ αἰκία ⁶⁶⁴

mvp-comment-304-1 ἀνειμένη ⁶⁶⁵ μέν ⁶⁶⁶

mvp-comment-304-2 ὡς ἔοικας ⁶⁶⁷

mvp-comment-304-3 στρέφει ⁶⁶⁸

mvp-comment-304-4 Clytaemnestra begins in the same strain as Chrysothemis, who likewise emphasised her reproof by the word αὖ ⁶⁶⁹

mvp-comment-305-1 μή τοι θυραίαν γ’ ⁶⁷⁰

mvp-comment-305-2 αἰσχύνειν φίλους ⁶⁷¹

mvp-comment-306-1 καίτοι ⁶⁷²

mvp-comment-306-2 δὴ ⁶⁷³ πολλούς ⁶⁷⁴

mvp-comment-306-3 ἐξεῖπάς με … ὡς ⁶⁷⁵

mvp-comment-306-4 θρασεῖα ⁶⁷⁶ τραχεῖα ⁶⁷⁷

mvp-comment-306-5 ἄρχω ⁶⁷⁸

mvp-comment-307-1 ὕβριν … οὐκ ἔχω ⁶⁷⁹ κακῶς κλύουσα ⁶⁸⁰

mvp-comment-308-1 πατὴρ γάρ ⁶⁸¹

mvp-comment-308-2 πρόσχημα ⁶⁸²

mvp-comment-309-1 ἡ γὰρ Δίκη ⁶⁸³

77-86. mvp-comment-52-1 As the function of the chorus, see Introduction, is to respond to Electra, who gives the principal interest to the play, their entrance is preceded by a monody from her, which draws the sympathy of the spectators to the chief person, and prepares them to enter more fully into the spirit of the action. And-less to whet the purpose of Orestes, than to show his firmness- he is allowed to hear her wailing from within. It is easy to see how this must excite him. But it does not alter his determination to rely upon himself alone. And thus, although for the moment eager to hear more, he yields at once to the counsel of the old man, that nothing should delay the action for which the moment is come. After l. 85, exeunt Orestes, the Paedagogus, and Pylades, leaving the proscenium vacant.

78-79. mvp-comment-54-1 'Methinks there comes from the doors a sound as of some handmaiden moaning within them.' The harshness of the unusual genitive, θυρῶν ='In the direction of the doorway,' 'e regione ostii,' is softened by the addition of ἔνδον, with which θυρῶν is to be resumed. For the genitive of the place from which an object strikes the sense, cp. infr. 900, 1, ἐσχάτης ὁρῶ | πυρᾶς νεώρη βόστρυχον τετμημένον.

81. mvp-comment-55-1 There is no valid objection to the Scholiast's explanation of this as καὶ ἀνακούσωμεν, ‘And let us hear afresh,' or 'hear further.' Hermann prefers καὶ ἐνακούσωμεν. Neither form is found elsewhere, and Nauck conj. κάπακούσωμεν. But, as Prof. Paley observes, this is unnecessary.

82-83. mvp-comment-56-1 μηδὲν πρόσθεν] Sc. ποιώμεθα, which is absorbed in πειρώμεθ᾽ ἔρδειν. κἀπὸ τῶνδ᾽ ἀρχηγετεῖν] ‘And with this rite initiate our act.

84-85. mvp-comment-57-1 ταῦτα γὰρ . . δρωμένων] 'For this brings victory within our grasp, and gives us command over our exploit.' φέρει (sc. ἡμῖν) is to be resumed with κράτος, but ἐφ' ἡμῖν is to be joined to νίκην, as a supplementary predicate. See E. on L. $ 19. p. 29. 4, and § 24. p. 40, 2.

85-86. mvp-comment-58-1 They go all together to perform the libation at the tomb, after which the old man will return to the palace, and Orestes and Pylades will go to the place where they have hidden the urn ( supr. 55). Orestes, in supr. 73, 4, spoke as if the old man was at once to begin his part. But the time is not yet come for this, and, by going to join in the solemn rite at the grave of his old master, he leaves the proscenium vacant for the scenes from l. 86 to l. 659. If we are inclined to quarrel with this long delay, our scruple is pacified by the words ὅταν σε καιρὸς εἰσάγῃ in supr. 39.

86-250. mvp-comment-59-1 In this long lament there are two principal movements, each of which admits of subdivision. First, the monody of Electra, consisting of two anapaestic systems, of which one (ll. 86-102) is retrospective, and the other (ll. 103-120) is prospective. Secondly, there is the commatic parodos :-the chorus on their entrance address Electra with lyric strains, to which she responds also in lyric measures. This movement consists of three strophes and antistrophes. In στρ. and ἀντ. α' (ll. 121-152), the chorus gently, but gloomily, expostulate with Electra, who is inconsolable. In στρ. and ἀντ. β΄ (ll. 153-192), they vainly try to cheer her. In στρ. and ἀντ. γ΄ (ll. 193- 232), they remind her of her past and present troubles, and exhort her not to add to them. All this is followed by a ῥῆσις of Electra (ll. 254-309) in reply to the coryphaeus, who, at l. 324, again speaks to call attention to Chrysothemis' approach.

86-250. mvp-comment-59-2 Metres. The anapaests in 86-120, although for the most part regular are in so far of the freer kind which belong to laments as to admit the spondaic paroemiacs near the commencement of each system in ll. 88, 9, 105, 6, which, with the opening half line, have a strange effect of heaviness and of struggle and pain. The two systems so nearly correspond, both in this respect and in the number of the lines, that one is tempted to believe that the half line that would complete the antistrophic effect has been lost somewhere between 113 and 117. But anapaestic systems are seldom exactly antistrophic, and the pause after the (dactylic) invocation in l. 115 may be intentional.

86-92. mvp-comment-60-1 Electra tells her sorrows to the daylight and to the air of Heaven, as she has told them all night long to her sleepless chamber. The holy light contrasts with the pollutions of the house of Pelops; the illimitable air,- which searches even to earth's remotest corners, and is common to Orestes and herself, both contrasts with the narrowness of her lot, and can alone contain the boundlessness of her grief.

86. mvp-comment-61-1 ὦ φάος ἁγνόν] For the sacred purity of the elements as opposed to the impurity of man, cp. O. T. 1427, 8, τὸ μήτε γῆ μήτ᾿ ὄμβρος ἱρὸς μήτε φῶς προσδέξεται.

87-90. mvp-comment-62-1 ὥς μοι .. αἱμασσομένων] ‘How many tones of my lamenting. how many blows that bruised my bleeding breast, have thrilled you!' στέρνων is objective genitive with πληγάς, but is to be resumed with ἀντήρεις, lit. 'planted firmly against.'

91. mvp-comment-63-1 ὑπολειφθῇ] 'Hath ceased,' lit. 'Has been outrun,' i.e. by the day. Cp. Αj. 672, 3, ἐξίσταται δὲ νυκτὸς αἰανὴς κύκλος | τῇ λευκοπώλῳ φέγγος ἡμέρᾳ φλέγειν.

92-93. mvp-comment-64-1 τὰ δὲ.. οἴκων] ‘And when night comes on, the detested chamber in this weary house knows too well what festive hours I pass.' There is a bitter irony that can hardly be rendered, in using the word παννυχίς, generally a festal celebration, of the sleepless nights of mourning. Cp. Ant. 152, 3, θεῶν δὲ ναοὺς χοροῖς | παννυχίοις πάντας ἐπέλθωμεν, and, for the general sense, cp. Od. 19. 518 foll. ὡς δ᾽ ὅτε Πανδαρέου κούρη, χλωρηΐς ᾿Αηδών, | καλὸν ἀείδῃσιν, ἔαρος νέον ἱσταμένοιο, | δενδρέων ἐν πετάλοισι καθεζομένη πυκινοῖσιν, | ἥ τε θαμὰ τρωπῶσα χέει πολυηχέα φωνήν, | παῖδ᾽ ὀλοφυρομένη Ἴτυλον φίλον, ὅν ποτε χαλκῷ | κτεῖνε δι᾽ ἀφραδίας, κοῦρον Ζήθοιο ἄνακτος· | ὣς καὶ ἐμοὶ δίχα θυμὸς ὀρώρεται ἔνθα καὶ ἔνθα. See below, ll. 107, 148, 9. ἤδη contrasts παννυχίδων with what precedes.

95-96. mvp-comment-65-1 Cp. Od. 11. 408-411, where Agamemnon says, οὔτε μ᾿ ἀνάρσιοι ἄνδρες ἐδηλήσαντ᾽ ἐπὶ χέρσου· | ἀλλά μοι Αίγισθος τεύξας θάνατόν τε μόρον τε ἕκτα σὺν οὐλομένῃ ἀλόχῳ, οἰκύνδε καλέσσας, | δειπνίσσας, ὥς τις κατέκτανε βοῦν ἐπὶ φάτνῃ. See below, ll. 203, 4. And for ῎Αρης οὐκ ἐξένισεν, ' War did not give hospitable repose,' cp. Aesch. Cho. 351-3, πολύχωστον ἂν εἶχες | τάφον διαποντίου γᾶς | δώμασιν εὐφόρητον: Ag. 455, ἐχθρὰ δ᾽ ἔχοντας ἔκρυψεν : Verg. Aen. 1. 97, 'Mene Iliacis occumbere campis | Non potuisse.'

98. mvp-comment-66-1 Cp. II. 13. 389, ἤριπε δ', ὡς ὅτε τις δρῦς ἤριπεν, ἢ ἀχερωΐς, | ἠὲ πίτυς βλωθρή, την τ' οὔρεσι τέκτονες ἄνδρες ἐξέταμον πελέκεσσι νεήκεσι, νήϊον εἶναι. But the unfeeling act of the woodman is more prominent in the present passage than the grandeur of the tree.

100-101. mvp-comment-67-1 κοὐδεὶς.. φέρεται] ‘And no pity' (or mourning) 'on account of this goes forth from any one but me.' For the genitive, cp. Ο. Τ. 185, λυγρῶν πόνων ἱκτῆρες ἐπιστενάχουσιν. And for the attraction in the gender of οὐκ ἄλλης, cp. infr. 885, 6, ἐγὼ μὲν ἐξ ἐμοῦ τε κοὐκ ἄλλης σαφή | σημεῖ᾿ ἰδοῦσα, κ.τ.λ. For φέρεται, of the utterance of feeling, cp. Pind. Pyth. 1. 170, εἴ τι καὶ φλαῦρον παραιθύσσει, μέγα τοι φέρεται | πὰρ σέθεν.

102. mvp-comment-68-1 αἰκῶς] Although the MSS. agree in ἀδίκως, the Scholiast gives ἀεικῶς as a various reading. And ἀδίκως, which is appropriate in infr. 113, is frigid here.

105. mvp-comment-69-1 Hermann's rejection of the first λεύσσω (see v. rr.) is clearly the best emendation of this passage, which in the MSS. has two long syllables too many. παμφεγγεῖς ῥιπάς] 'The bright tremblings of the stars.' On παν in comp. see Essay on L. § 55. p. 101, 6. φέγγος has a special application to the light of the moon and stars as distinguished from daylight :-Plat. Rep. 6. Ρ. 508 C, ὀφθαλμοί, ὅταν μηκέτι ἐπ᾿ ἐκεῖνά τις αὐτοὺς τρέπῃ ὧν ἂν τὰς χρόας τὸ ἡμερινὸν φῶς ἐπέχῃ, ἀλλ᾽ ὧν νυκτερινὰ φέγγη. For ῥιπή, lit. 'beating' or 'pulsation,' as applied to the twinkling of the stars, cp. Tennyson's 'Beat, happy stars, timing with things below.'

107. mvp-comment-70-1 τεκνολέτειρα] 'That has lost' (or 'slain') 'her child,' viz. Itylus, according to the story followed in the Odyssey, 1. c. (19. 518 foll.) As the song of the nightingale is meant, and not the cry of the bird whose nest is robbed, Ant. 423-5 is not really parallel. The idiomatic use of τις does not prevent the identification of the nightingale with the mythical daughter of Pandion. Cp. Aesch. Ag. 55, 6, ἤ τις ᾿Απόλλων, | ἢ Πάν, ἢ Ζεύς.

107-109. mvp-comment-71-1 But like some Philomela for her son destroyed, I will peal for all to hear a note of lamentation in front of these my father's doors.' ἐπὶ κωκυτῷ is an adverbial expression like ἐπὶ ψόγοισι in Ant. 759. See Essay on L. § 19. p. 27. It implies that the noise that echoed round about the palace was sustained by the force of her impetuous crying. Cp. infr. 241-3, γονέων ἐκτίμους ἴσχουσα πτέρυγας | ὀξυτόνων γόων.

111. mvp-comment-72-1 'Hermes of the Shades' is invoked here as in the Choephori, because he had guided the soul of Agamemnon to Hades and might be expected to guide his Avenger. πότνι' ἀρά] Agamemnon was ἀραῖος to Clytemnestra on account of her crime. Cp. Ó. T. 417, 8, καί σ᾽ ἀμφιπλὴξ μητρός τε καὶ τοῦ σοῦ πατρὸς | ἐλᾷ ποτ᾽ ἐκ γῆς τῆσδε δεινόπους ἀρά.

112. mvp-comment-73-1 The Erinyes are here invoked in their most general character, and are not named specifically as daughters of Earth and Night, but vaguely as 'children of gods.'

114. mvp-comment-74-1 They are the avengers not only of murder, but of every great breach of law. Cp. Αj. 836, δρώσας πάντα τὰν βροτοῖς πάθη: Aesch. Eum. 895, ΑΘ. (to the Eumenides) ὡς μή τιν' οἶκον εὐθενεῖν ἄνευ σέθεν : ib. 835. And Aegisthus, who is the great offender in Electra's sight, is guilty on both counts of this indictment. Cp. infr. 271, 2, τὴν τελευταίαν ὕβριν τὸν αὐτοφόντην ἡμὶν ἐν κοίτῃ πατρός.

119-120. mvp-comment-75-1 'My single force no longer countervails the stress of woe.' Lit. 'I no longer have strength alone to lift the weight of grief that presses in the opposite scale.'

121-127. mvp-comment-76-1 Electra's monody, like the soliloquy of Deianeira. Trach. I fol., has indicated the loneliness of her sorrow. But she is not friendless. The women of Argos feel with her and would comfort her if they could. In this long 'commatic parodos,' which at once enlists the sympathies of the spectator, and prepares his mind by contrast for the rapidity of the action which is to follow, there are seven choric strains, to which Electra responds with μέλη ἀπὸ σκηνῆς. If, as seems most probable, a single voice is heard each time, the front row of choreutae would alone take part. Thus, supposing the five dots to represent the πρωτόσταται, i. e. the coryphaeus and those on either side of him, the parts might be assigned as follows:- ἀντ. β'. ἀντ.α΄. στρ.α΄. στρ.β. στρ. γ΄. ἀντ. γ'. ἐπ. The choreutae immediately to right and left of the coryphaeus would address Electra twice, and when the epode was finished, the coryphaeus would make a new beginning with the senarii in ll. 251-3, after which, each of the five would speak once again, ending with the coryphaeus. The metres are as follows:-

121. mvp-comment-77-1 παῖ is first the natural address of an elder person to a younger, and is then repeated in a different sense with the genitive in regimen. 'O child Electra! Child of a most wretched mother!' For the moral association in δυστανοτάτας, cp. Aj. 1290, δύστηνε, ποῖ βλέπων ποτ᾿ αὐτὰ καὶ θροεῖς;

122-123. mvp-comment-78-1 τίν᾿ ἀεὶ .. οἰμωγάν] ‘Why this never-ceasing lament which piningly thou pourest out over thy father?' For this adverbial' use of the interrogative pronoun, cp. Ο. Τ. 2, τίνας ποθ᾽ ἕδρας τάσδε μοι θοάζετε; and see Essay on L. § 42. p. 81. τάκεις οἰμωγάν ἰς literally, Dost cause the cry to melt from thee; i.e. Dost waste thyself with crying. In the sentence which follows, τὸν.. ᾿Αγαμέμνονα is governed by τάκεις .. οἰμωγάν taken as one word = οἰμώζεις. Ε. on L. § 16. p. 23 b. With ἀκόρεστον, Immoderate, contrast ll. 23. 157, γόοιο μὲν ἔστι καὶ ἆσαι : Od. 4. 103, αἰψηρὸς δὲ κύρος κρυεροῖο γόοιο.

124. mvp-comment-79-1 ἀθεώτατα] In heinous defiance of the gods.' Cp. Aesch. Cho. 46, δύσθεος γυνά: Trach. 1036, σὰ μάτηρ ἄθεος.

126. mvp-comment-80-1 κακᾷ τε χειρὶ πρόδοτον] ‘And delivered over to destruction with wicked violence.' Cp. infr. 206, 7, χειροῖν | αἱ τὸν ἐμὸν εἶλον βίον | πρόδοτον, αἱ μ᾿ ἀπώλεσαν. The fear of Aegisthus, who is sovereign de facto, prevents the chorus from mentioning him by name. Cp. Trach. 383, 4, and note.

129. mvp-comment-81-1 γενέθλα] Here, and in infr. 226, Doric for γενέθλη. “Offspring of noble sires.' Two glosses on γενναίων, viz. (1) πατέρων, (2) τοκέων, have found their way into different MSS., while, curiously enough, no MS. has the line uninterpolated.

130. mvp-comment-82-1 παραμύθιον may be in apposition (1) with the subject of ἥκετε or (2) with the verb itself. The latter (2), conveying more exactly the notion of an intention to console, is probably right. But for the former (1), cp. Thuc. 5. 103, ἐλπὶς κινδύνῳ παραμύθιον οὖσα.

131. mvp-comment-83-1 τάδ'] Either (1) Your kind intention, or (2) That my sorrow is importunate.' Cp. infr. 222. The Scholiast prefers (2).

132. mvp-comment-84-1 οὐδ᾽ ἐθέλω προλιπεῖν τόδε] ‘But I will not give this up.' δé is adversative, though it is unnecessary to write οὐ δ' with Hermann.

134. mvp-comment-85-1 (1) 'But, O ye who exchange with me the tender grace of every sort of mutual affection, - ἀμειβόμεναι vocative. Or (2), supposing the participle to agree with the subject of ἐᾶτε, 'But O, in return for all manner of love' (which ye have had from me). Musgrave objects to this that Electra had no power of conferring kindnesses, and that if she had, she would not thus have reminded her friends of them. He ingeniously renders, Exchanging for this (?) service all your varied kindnesses. But his argument is hypercritical. It is the strength of her wish, and not the sense of her merit, that is really emphasized in παντοίας (of which Ellendt rightly says, Nihil nisi multum s. magnum significat.') And φιλότης is simply affection.' Schndw. explains, So conferring on me a kindness equivalent to all manner of friendship:'-Wecklein, Ye who return the grace of all manner of love (for mine).'

137-138. mvp-comment-86-1 τόν γ᾽ ἐξ ᾿Αΐδα λίμνας] i.e. τὸν ἐν . . λίμνᾳ ἐκ . . λίμνας, according to a familiar idiom of condensation. λίμνας] Viz. the 'palus Acherontis,' on the shores of which dwelt the dead.

139. mvp-comment-87-1 Cp. Il. 24.550, 1, οὐ γάρ τι πρήξεις ἀκαχήμενος υἷος ἐῆος, | οὐδέ μιν ἀνστήσεις, πρὶν καὶ κακὸν ἄλλο πάθῃσθα. For the line as it stands, a glyconic with a spondee after the close, cp. Eur. Med. 159, τάκου δυρομένα σὸν εὐνάταν: 183, πένθος γὰρ μεγάλως τόδ᾽ ὀρμᾶται. The short syllable at the end of the previous line, and the iambic base of the glyconic, are avoided by reading *θρήνοις for γόοις.

139. mvp-comment-87-2 Dindorf retains the order of the words, and reads παγκοίνου λίμνας πατέρ᾽ ἀν | στάσεις οὔτε γόοισιν οὔτ᾽ *ἄνταις (a double glyconic with spondee at close). ἄνταις is the conjecture of Hermann from Hesychius: ἄντήσει (sic), λιτανείαις, ἀντήσεσι. But is not ἀντήσεσι: λιτανείαις an equally probable emendation of the corrupt reading in Hesychius? For λιταῖσι, cp. supr. 110 foll. Prof. Paley suggests πατέρ᾽ ἀν | στάσεις οὔτε γόοισιν οὔτ᾽ εὐχαῖς.

140-141. mvp-comment-88-1 ἀλλ᾽ ἀπὸ .. διόλλυσαι] ‘But, forsaking moderation, you go to an extreme in your grief, to your own ruin.' To account for the prepositions some idea of motion must be gathered from the verbs, e.g. προϊοῦσα ἐν στοναχαῖς.

142. mvp-comment-89-1 ἐν οἷς .. κακῶν] (1) ‘A course which brings no way of release from woes.' The antecedent to ois is to be inferred from the preceding words: sc. ἐν τοῖς οὐ μετρίοις τούτοις ἀλγήμασιν, The meaning of the chorus, at present rather gently hinted than expressed, is that by continued lamentation Electra only involves herself in fresh trouble and deepens the misery of her situation. Cp. infr. 213-20. Otherwise (2), 'In a case where there is no release.' Badham conj. ἀνάδυσις.

144. mvp-comment-90-1 τί . . ἐφίει] 'Beseech thee, why dost thou set thy heart on troubles?'- i.e. aim at bringing them on thyself.

146. mvp-comment-91-1 ἐμέ γ᾽ ὁ στονόεσσ᾽ ἄραρεν φρένας] That creature of lament is congenial to my soul.' Is the swallow or the nightingale the bird intended here? The nightingale was mentioned above (l. 107), and is spoken of by Sappho, quoted by the Scholiast on this passage, as the messenger of Spring-ἦρος ἄγγελος ἰμερόφωνος ἀηδών. On the other hand, the swallow is more generally represented in this way, and the lines of Horace, Od. 4. 12. 5 foll., Nidum ponit, Ityn flebiliter gemens,' etc., certainly refer to Procne, who was usually thought to have been changed into a swallow. But of the legend of Tereus there seem to have been many conflicting modifications. The word ἀτυζομένα may be fancifully suggestive of the uncertain, 'bewildered' flight of the swallow. But the mention of song, both here and in the passage of Horace, agrees better with the thought of the nightingale. In any case the Scholiast is probably right in explaining Διὸς ἄγγελος of the intimation of Spring and the beginning of the Διὸς μεγάλου ἐνιαυτός. The nightingale or swallow, thus distinguished with Divine favour, is also the most sorrowful of birds.

150. mvp-comment-92-1 σὲ δ᾽ ἔγωγε νέμω θεόν] I count thee Divine,' i.e. blessed, -μακαρίζω σέ.

151-152. mvp-comment-93-1 Cp. Ant. 823-32. The prehistoric colossal figure cut out of the rock on a northward crag of Mount Sipylus, so as to be visible from the plain below Sardes, is supposed by Prof. Sayce, who has examined it, to have originally represented some elemental deity, possibly Cybele, but uncertain whether male or female. It was from an early period identified by the Greek settlers with the Niobe of Theban and Argive legend. The limestone drippings from the over-hanging rock have produced an incrustation about face, chest, and lap (the image is in a sitting posture)-that, quite apart from poetical description, is wonderfully suggestive of a flood of tears. This πετραία βλάστα (Ant. 827) must have been apparent before the time of Sophocles. It is less distinctly suggested by the words in Homer, Il. 24. 617, θεῶν ἐκ κήδεα πέσσει. Prof. Sayce adds that the θεάων · εὐναὶ νυμφάων of Il. 1. c. (in reality prehistoric tombs) are still distinctly recognisable in the crags on either side: also that just below the Niobe was a large lake, which was drained some forty years ago, when the columns of a Greek temple were found at the bottom. This, Mr. Sayce thinks, must have been the site of the city of Sipylus, which was overthrown by an earthquake in the time of Tiberius, and the ruins covered by the waters of a lake. All that now remains of the lake is a small pool at the foot of the crag on which the figure of Niobe is carved, along with a stream. Both stream and pool are fed by a number of springs, some of which are warm and saline; and the pool is called by the modern Greeks the tears of Niobe.'

153-157. mvp-comment-94-1 Thou art not all alone unhappy that thou shouldest thus grieve more than those within, who are of the same lineage and of kindred blood with thee, and shouldst not live the same bright life which they, Chrysothemis and Iphianassa, live.' The indefinite pronoun ὅ, τι is occasioned by the negative preceding. In πρὸς ὅ τι, πρός corresponds to a long syllable, Ζεύς, in the antistrophe. Perhaps, πρός γ᾽ ὅ, τι? εἰ περισσά] Sc. ἐν τῷ λυπεῖσθαι. In distinguishing between Iphigeneia and Iphianassa, Sophocles is said to have followed the Cypria. 'Sophocles here seems to recognize the digamma in Fιφιάνασσα.' Paley.

159-160. mvp-comment-95-1 κρυπτᾷ τ᾿ ἀχέων ἐν ἤβα ὄλβιος] And he whose fortunate youth is hidden out of the way of sorrow.' For the genitive, see Essay on L. § 8. p. 11, 2. Hermann says, Audacior quidem haec structura, sed amat talia Sophocles. Ejusdem modi est, quod statim dicit, Διὸς βήματι pro πομπῇ Διός.' Orestes is 'fortunate,' because his tranquil youth gives promise of final good fortune. Cp. Aesch. Cho. 695, 6, Ορέστης, ἦν γὰρ εὐβόλως ἔχων, | ἔξω κομίζων ὀλεθρίου πηλοῦ πόδα. Others take ἀχέων as a participle. But κρυπτᾷ without the genitive is poor, and the notion of Orestes sorrowing is out of place. The Chorus could not know of it, and if they did they would have suppressed the mention of it as inauspicious.

160-163. mvp-comment-96-1 'Orestes, whom the land of this people, with her glory unimpaired, shall receive as the successor of his father's fame, sped hither by the kind will of Zeus.'

162. mvp-comment-97-1 Διὸς εὔφρονι βήματι] ί.ε. Διὸς εὐφρόνως βήσαντος αὐτόν. The verbal has a causative meaning. See Essay on L. § 53 b. p. 98; or else a causal meaning is contained in the genitive. Ibid. § 9. p. 12 a. There is a correlation between κλεινά and εὐπατρίδαν, both being proleptic and denoting the consequence of the return of Orestes.

164-165. mvp-comment-98-1 The mention of her brother gives a new direction to Electra's complaint. Cp. supr. 119, 20.

165. mvp-comment-99-1 Cp. Ant. 815, 917-8.

166-167. mvp-comment-100-1 τὸν . . πόνων] Oppressed with my troublous destiny that has no good issue.' The article as in O. T. 1153, τὸν γέροντά μ' αἰκίσῃ, -equivalent to a relative clause, ὅς ἐστιν ἀνήνυτος, ἀνήνυτον, Accomplishing nothing,' i. e. Suffered in vain. Cp. O. C. 1565, 6, πολλῶν γὰρ ἂν καὶ μάταν | πημάτων ἱκνουμένων, κ.τ.λ., and note.

169. mvp-comment-101-1 ὧν τ᾽ ἔπαθ', ὧν τ᾽ ἐδάη] 'His wrongs, and the lesson he has been taught,' viz. by the Paedagogus ( supr. 3. 13. 14) and by the messages from Electra.

169-170. mvp-comment-102-1 (1) For what missive that I send doth not return (ἔρχεται) discomfited? Others take the words to mean, (2) What message' (from Orestes) 'comes to me, whose promise does not fail?'

171-172. mvp-comment-103-1 i e. in reply to my messages I always hear of his longing to come but never of his coming.

174. mvp-comment-104-1 This line (see v. rr.) seems to have been interpolated so as to supplement the locative dative and the ellipse of ἐστίν. μέγας is the predicate. 'Zeus is still great in heaven.'

176-177. mvp-comment-105-1 'Committing unto him thine exceeding indignation, be neither overburdened with enmity against thy foes, nor yet forget them;' i.e. Let the thought that Zeus will some day avenge thee serve to calm and moderate thy rage. The structure is paratactic (Essay on L. § 36. p. 68), for Without forgetting your enemies. be moderate in assailing them, and trust in the Divine vengeance.'

179. mvp-comment-106-1 For Time is a god of easiness,' i.e. a god who makes things easy or possible. The meaning is, not that Time assuages sorrow, but that what at one time seems impossible may prove easily possible in the course of years. Cp. Plat. Rep. 6. 502 B, ὡς μὲν γὰρ χαλεπὸν σωθῆναι, καὶ ἡμεῖς ξυγχωροῦμεν, ὡς δὲ ἐν παντὶ τῷ χρόνῳ . . οὐδ᾽ ἂν εἶς σωθείη, ἔσθ' ὅστις ἀμφισβητήσει; Shak. Cor. 5. 3.61, Murdering impossibility, to make What cannot be slight work. For the personification, cp. Phil. 837, καιρὸς.. πάντων γνώμαν ἴσχων: supr. 76: and esp. Eur. Ion, 337, ἀργὸς ἡ θεός, sc. αἰδώς.

180-181. mvp-comment-107-1 τὰν Κρῖσαν.. ἀκτάν] · Who dwells in Crisa, that pastoral shore-ward land. So Hermann. Others would read Κρίσας, οι Κρίσᾳ. 'Who dwells amid the shoreward-pastures of Crisa.'

182. mvp-comment-108-1 He, Agamemnon's heir.. will yet turn unto his own, and so will he that reigns, a God, by Acheron.' ἀπερίτροπος is to be taken in a different sense with παῖς ᾿Αγαμεμνονίδας and with what follows. Or, what comes to the same thing, another verb must be supplied in thought with the second clause. Orestes shall return: Agamemnon shall regard his house and offspring. The derivation from περιτρέπω suggests the idea of a coming revolution, (1) in the action of Orestes, (2) in the awakening from apparent slumber and forgetfulness of the gods below, or of the spirit of Agamemnon.

184. mvp-comment-109-1 Nor he who ruleth as a god beside the ghostly river.' Cp. supr. 110. (1) The subject of this line has commonly been supposed to be Hades. Another interpretation has occurred independently to Mr. Blaydes, Prof. Paley, and the present editor, viz. (2) that θεὸς may refer to Agamemnon as a δαίμων. In support of this, cp. supr. 150 Νιόβα, σὲ δ' ἔγωγε νέμω θεόν, infr. 839-41 (of Amphiaraus), νῦν ὑπὸ γαίας . . ἀνάσσει, and note; and the following places of the Choephori:-157, σέβας, ὦ δέσποτ᾽: 356, 7, κατὰ χθονὸς ἐμπρέπων | σεμνότιμος ἀνάκτωρ : 475-8, θεῶν τῶν κατὰ γᾶς ὅδ᾽ ὕμνος. ΧΟ. ἀλλὰ κλύοντες, μάκαρες χθόνιοι, | τήσδε κατευχῆς πέμπετ᾿ ἀρωγὴν | παισὶν προφρόνως ἐπὶ νίκῃ : also Persae, 157, θεοῦ μὲν εὐνάτειρα Περσῶν, θεοῦ δὲ καὶ μήτηρ ἔφυς: 644, Περσᾶν Σουσιγενή θεόν, -although the analogy in these two instances is weakened by the words being put into the mouths of Persians; but see also Ag. 1548, ἐπ᾿ ἀνδρὶ θείῳ. Agamemnon, in Aesch. Ag. 925, says to Clytemnestra, λέγω κατ᾿ ἄνδρα, μὴ θεόν, σέβειν ἐμέ. But that is in his lifetime. And considering the honours that are paid at his tomb, and the tone in which he is spoken of by Electra throughout, the chorus may speak of him to her as θεός by an allowable hyperbole, especially if the word is taken, not with the article as subject of the sentence, but as supplementary predicate with ἀνάσσων. If this hypothesis is not admissible, the god intended is probably not Pluto, but (3) Hermes. Cp. supr. 111.

185-186. mvp-comment-110-1 But my life hath in great part already passed from me and left me hopeless and forlorn.' The life is separable from the person, cp. О. Т. 612, τὸν παρ᾽ αὑτῷ βίοτον. ἀνέλπιστος is proleptic, and in idea belongs, by hypallage, to ἐμέ, -' is passed without bringing me any hope.' The exact sense of ὁ πολύς is not to be pressed. The article is deictic, as in Aj. 1149, τὴν πολλὴν βοήν: infr. 931.

186. mvp-comment-111-1 οὐδ᾽ ἔτ᾿ ἀρκῶ] 'And I am no longer of any avail. Cp. Thuc. 2. 47. § 5, οὔτε γὰρ ἰατροὶ ἤρκουν.

187. mvp-comment-112-1 ἄνευ τοκέων] Her father is dead, and her mother is worse than lost to her.

187. mvp-comment-112-2 τοκέων occurs in one MS. (Vind. 281) and is adopted by Nauck. Cp. supr. 164, ἄτεκνος. It may be thought more suited to Electra's age to feel the want of children than of parents. But her filial piety is the chief motive of the play.

189-190. mvp-comment-113-1 ἁπερεί τις .. πατρός] ‘Like some despised sojourner, I tend the chambers of my father's house." Cp. Aesch. Cho. 84, δμωαὶ γυναῖκες, δωμάτων εὐθήμονες. For the absolute use of ἀνάξιος, cp. Phil. 439, ἀναξίου.. φωτός, 'A fellow of no esteem.' Hermann joined this word with what follows it ('I am undeservedly made to do menial service'), on the ground that an ἔποικος was ἀναξία as a matter of course. But, on the other hand, the addition of ἀναξία to the bare statement οἰκονομῶ θαλάμους πατρός, certainly weakens the expression, while the pleonasm in ἔποικος ἀναξία is rather emphatic, and is supported, as Ellendt pointed out, by the Homeric expression, ὡσεί τιν᾿ ἀτίμητον μετανάστην, ΙΙ. 9. 648, 16. 59.

190-191. mvp-comment-114-1 ὧδε . . ἀεικεῖ . . στολᾷ] Electra is a woman speaking to women. Cp. Aesch. Pers. 846-8, (῎Ατοσσα.) μάλιστα δ᾽ ἥδε συμφορὰ δάκνει, | ἀτιμίαν γε παιδὸς ἀμφὶ σώματι | ἐσθημάτων κλύουσαν, ἥ νιν ἀμπέχει.

192. mvp-comment-115-1 κεναῖς δ᾽ ἀμφίσταμαι τραπέζαις] And the table at which I stand is bare.' Hermann had conjectured ἀμφίσταμαι, which restores the metre, before he observed that it was quoted by Eustathius. Cp. Pind. Ol. 1. 80, τραπέζαισι .. ἀμφί, and, for the thought, Od. 20. 259, δίφρον ἀεικέλιον καταθεὶς ὀλίγην τε τράπεζαν : infr. 361, 2, σοὶ δὲ πλουσία | τράπεζα κείσθω καὶ περιρρείτω βίος : Pind. Ο1. 2. 116, κεινὰν παρὰ δίαιταν.

194. mvp-comment-116-1 οἰκτρὰ μὲν νόστοις αὐδά] 'Piteous were thy tones at the time of thy father's return.' In the Agamemnon of Aeschylus, the Watchman and the Chorus, i. e. the household and the people, express a vague misgiving, which is not sufficiently definite to enable them to warn Agamemnon. Sophocles here, as elsewhere, concentrates in an individual what in Aeschylus was general. It is quite consistent with his conception of the character of Electra, that, young as she then was, and totally unable, both from her inexperience ( infr. 1024) and her dependent position, of averting the harm which she may have vaguely foreseen, she had a sufficiently clear perception of the situation to be sad instead of joyful on the occasion of her father's coming home, and her sadness would be aggravated by her helplessness :-ἐπεὶ ἐχθίστη ὀδύνη πολλὰ φρονέοντα μηδενὸς κρατέειν. Her friends, of the same age with her, observed this, and in recollecting it, now understand the cause. ooi is easily supplied, both because the whole of Electra's last speech refers to herself, and because σοί occurs immediately afterwards as an ethical' dative. πατρός is no less easily supplied with νόστοις for a similar reason, both because the word occurs three lines above, and because it is implied in πατρώαις in the following line. νόστοις is dative of the occasion, E. on L. § 11. p. 18. For the sense, cp. Aesch. Pers. 935, 6, πρόσφθογγόν σοι νόστου τὰν | κακοφάτιδα βοάν, κακομέλετον ἰὰν | Μαριανδυνοῦ θρηνητῆρος | πέμψω πολύδακρυν ἰακχάν.

195-197. mvp-comment-117-1 οἰκτρὰ δ'.. πλαγά] 'And piteous was thy crying where thy father lay, when thou hadst seen launched the death-stroke of the solid brazen axe.' If Sophocles (see Introduction) follows the form of the legend known to us from Homer, according to which Agamemnon was slain at a feast given in honour of his return, ἐν κοίταις probably means, (1) 'Where he lay in death.' And this is supported by 203. The poet might, no doubt, have so far modified the legend as to suppose Agamemnon after the feast to have been lured by Clytemnestra to his chamber and there slain. ἐν κοίταις might then belong to the relative clause (ὅτε ἐν κ.), and mean 'in his chamber. But this is inconsistent with 203 and 270. For (1) cp. Aesch. Ag. 1494, 1518, Eur. Med. 437, O. C. 1707. The bath, and the entangling garment, which are so prominent in the Agamemnon and Choephori, are in any case not thought of here. Some (including Wecklein) understand aὐδά in both clauses of the death-shriek of the king. σοι (Ε. on L. § 13. p. 19 f.) marks that Electra was the chief sufferer from all that happened. This explanation is rightly defended by Triclinius. Cp. Tennyson's Elaine, -Through her own side she felt the sharp lance go.' Hermann, understanding aὐδά of the people's voice, rejects σοι and reads οἱ instead. The hiatus, which he defends from Trach. 650, ὁ δὲ οἱ φίλα δάμαρ (cp. supr. 157), is still exceptional, but a stronger objection to the removal of σοί is that the connection between this speech and Electra's is thus destroyed.

197-200. mvp-comment-118-1 Sophocles seems here to have in his mind the passage of the Agamemnon where Clytemnestra impersonates the Alastor of Atreus, Aesch. Agam. 1500-1504: Craft pointed out the way, lust murdered him. Between them they produced a monstrous birth, whether he who did this thing were a god or one of mortal mould.' μορφάν the immediate agent and the act itself, as an embodied horror, seem to be confused. See E. on L. § 48. p. 92.

201-212. mvp-comment-119-1 In supr. 185-92, Electra refused consolation and drew attention to her hopeless misery. The women then call to mind how they had pitied her at the time of her father's death. This opens anew the flood-gates of her sorrow. Cp. Ant. 857 foll., ἔψαυσας ἀλγεινοτάτας ἐμοὶ μερίμνας, κ.τ.λ.

203. mvp-comment-120-1 δείπνων] The feast which preceded the murder, according to Od. 4. 535. Agamemnon (see next note) is supposed to have been murdered at table : ὡσεί τε κατέκτανε βοῦν ἐπὶ φάτνῃ (Od. 1. c.).

205. mvp-comment-121-1 For ἄχθη, the grammatical antecedent, the more definite θάνατοι is substituted and taken into the relative clause. The horror of that feast-I mean the death which followed it.'

206. mvp-comment-122-1 διδύμαιν χειροῖν] ‘Effected by joint violence' of Aegisthus and Clytemnestra.

207-208. mvp-comment-123-1 αΐ.. πρόδοτον] 'That wrought treason on my life and ruined me.'

209. mvp-comment-124-1 ois refers to the antecedent implied in χειροῖν, viz. Aegisthus and Clytemnestra.

211. mvp-comment-125-1 'And never may they have any good of their magnificence.' Cp. infr. 267-281: Od. 17. 244, 5, τῷ κέ τοι ἀγλαΐας γε διασκεδάσειεν ἁπάσας, | τὰς νῦν ὑβρίζων φορέεις.

214-216. mvp-comment-126-1 'Seest thou not through what courses thou hast fallen thus cruelly into calamities that come home to thee?' or, with a slightly different shade of meaning, 'which thou hast brought upon thyself.' Cp. Aj. 260: Pind. Nem. 1. 81, τὸ γὰρ οἰκεῖον πιέζει πάνθ᾽ ὁμῶς. ἐξ οἵων is otherwise explained by one Scholiast :-ἐξ οἴων ἀγαθῶν εἰς τί ἀνιαρὸν ἐλήλυθας. Cp. infr. 392. But it is more natural that the Chorus should remind her of the cause of the persecution she is undergoing.

218-219. mvp-comment-127-1 σᾷ . . πολέμους] Ever creating new conflicts for thy burdened soul.'

219-220. mvp-comment-128-1 τὰ δὲ.. πλάθειν] ‘But strife with the powerful is hopeless.' The vague rá is to be supplemented from what precedes and follows,- sc. τὰ πολεμούμενα, οι τὰ ἐρίδος ἐχόμενα. Cp. Plat. Symp. 206 C, ταῦτα δ᾽ ἐν τῷ ἀναρμόστῳ, -sc. κυούμενα καὶ γεννώμενα, - Pind. Nem. 10. 135, χαλεπὰ δ' ἔρις ἀνθρώποις ὁμιλεῖν κρεσσόνων: ΟΙ. 11. 48, νεῖκος δὲ κρεσσόνων ἀποθέσθ᾽ ἄπορον. πλάθειν, sc. τοῖς δυνατοῖς, is epexegetic infinitive.

221. mvp-comment-129-1 The Chorus (l. 214) have reminded Electra of the violent words by which she has earned her present misery. She replies that such words were wrung from her by a fearful cause, viz. by the murder of her father and the subsequent conduct of the murderers. Cp. infr. 271 foll.

222. mvp-comment-130-1 'I know, I am conscious of my passion, viz. that it is inordinate. Cp. infr. 617, 8, μανθάνω δ᾽ ὁθούνεκα | ἔξωρα πράσσω κοὐκ ἐμοὶ προσεικότα : 1011, κατάσχες ὀργήν.

223-224. mvp-comment-131-1 But amid deeds of horror I will not curb or moderate these my calamitous ways' (as ye call them). She echoes the words of the Chorus (l. 215) in a different sense. They meant by οἰκείας ἄτας, 'self-caused calamities:' -she means by ταύτας άτας, 'this infatuate,' or 'fatal,' course,' of which by implication they have accused her.

226-228. mvp-comment-132-1 Electra relapses into despair. If even these Argive women, who know her so well, cannot give her a word of comfort, whence is it to come? 'At whose mouth, then, kind band of friends, can I hope to hear a word of comfort, prompted by seasonable thought?' For the uncommon dative, see E. on L. § 13. p. 20.

229. mvp-comment-133-1 'Press not on me with your consolations,' and cp. Eur. El. 1182, διὰ πυρὸς ἔμολον ἁ τάλαινα ματρὶ τᾷδ᾽.

230. mvp-comment-134-1 For ye shall find this sorrow irremoveable.'

234. mvp-comment-135-1 Like a true-hearted mother.' For this form of expressing sympathy from one woman to another, cp. Trach. 526, ἐγὼ δὲ μάτηρ μὲν οἷα φράζω.

235. mvp-comment-136-1 ἄταν ἄταις] Cp. Αj. 866, πόνῳ πόνον, and note.

236. mvp-comment-137-1 καὶ τί μέτρον κακότατος ἔφυ;] 'And is not my trouble infinite?' (So the Scholiast, -πρὸς γὰρ ἄμετρον κακὸν καὶ ἀμέτρων δεῖται θρήνων.) Cp. infr. 1249, 50, ἁμέτερον οἷον ἔφυ κακόν. For the meaning, cp. Shak. Ant. and Cleo. 4. 15. 4, But comforts we despise; our size of sorrow, Proportioned to our cause, must be as great As that which makes it.'

237. mvp-comment-138-1 ἐπὶ τοῖς φθιμένοις ἀμελεῖν] To treat the dead with forgetfulness.' E. on L. § 19. p. 27.

238. mvp-comment-139-1 ἐν τίνι . . ἀνθρώπων] 'Where amongst men hath such a mind sprung up?'

239. mvp-comment-140-1 τούτοις] Sc. ἐν οἷς τοῦτο ἔβλαστε, the indefinite plural taking the place of the indefinite singular. E. on L. § 20. p. 31. 3. Cp. Hdt. 9. 79. § 3. ἐγὼ δ᾽ οὖν τούτου εἵνεκα μήτε Αἰγινήτῃσι ἅδοιμι, μήτε τοῖσι ταῦτα ἀρέσκεται· ἀποχρᾷ δ᾽ ἐμοί, Σπαρτιήτῃσι ἀρεσκόμενον, ὅσια μὲν ποιέειν, ὅσια δὲ καὶ λέγειν.

240. mvp-comment-141-1 εἴ τῳ πρόσκειμαι χρηστῷ] · If I have near me any good,' = εἴ τι χρηστὸν πρόσκειταί μοι : Ε. on L. § 42. p. 80 β. Cp. infr. 1040, ᾧ σὺ πρόσκεισαι κακῷ.

241-243. mvp-comment-142-1 γονέων .. γόων] • Holding back the wings of my shrill wailings from doing honour to my sire.' Each fresh utterance of the unabating sorrow is imagined as a bird that is eager to fly. ἐκτίμους is predicative and proleptic, = ὥστε ἔξω εἶναι τοῦ τιμᾶν. See E. on L. $ 54. p. 100 d, § 10. p. 16 f., § 23. p. 38 81, § 38. p. 71.

244. mvp-comment-143-1 ya] Prof. Jebb reads ya, i.e. 'buried,' adding, 'it is difficult to believe that yῆ could stand for σποδός.' But the expression is hyperbolical-' mere clay.' Cp. ψήγμα in Aesch. Ag. 442.

251-252. mvp-comment-144-1 καὶ τὸ σὸν.. καὶ τοὐμὸν αὐτῆς] 'More in care for thee than for myself. This is really the meaning, although, by the usual Greek litotes, 'as much as' is put for more than.' The most important matter is put first. E. on L. § 41. p. 78.

253. mvp-comment-145-1 ἑψόμεσθ'] Cp. infr. 1052.

254-255. mvp-comment-146-1 I am ashamed of seeming to you, as I must seem, to be too impatient in multiplying lamentations.' δοκῶ is indicative.

258. mvp-comment-147-1 πατρῷ᾽ ὁρῶσα πήματ'] 'Seeing woful things performed against her sire.' Electra's filial affection for Agamemnon is kept prominently before us as her chief motive; and every insult to his memory, including her own sufferings, is regarded by her as part of the wrong done to him. πατρῷα is at first general, but in the antecedent to a it becomes individual, -' of my father.'

260. mvp-comment-148-1 θάλλοντα .. καταφθίνονθ'] “Not lessening but increasing.'

260-261. mvp-comment-149-1 ᾖ.. συμβέβηκεν] 'Since, first of all, I have found in my own mother the deepest cause for hatred.' This (Paley, etc.) is better than my mother is my enemy.'

264. mvp-comment-150-1 κἀκ τῶνδ᾽ ἄρχομαι] ‘And I am in subjection to them. Cp. O. C. 67, ἐκ τοῦ κατ᾿ ἄστυ βασιλέως τάδ' ἄρχεται.

270. mvp-comment-151-1 ἔνθ᾽ ἐκεῖνον ὤλεσεν] Here again Sophocles seems to follow the account that is given in the fourth book of the Odyssey, ll. 529 foll., according to which Aegisthus murdered Agamemnon at or after a banquet. Hence he is said to have destroyed him beside the hearth. Cp. infr. 1495.

271-274. mvp-comment-152-1 Further, when I see their crowning insult, when I see, forsooth, the author of his death reclining on my father's couch, beside my wretched mother, if so I must call this woman, when cohabiting with him!' The clause τὸν αὐτοφόντην κ.τ.λ. is in the same construction with ὕβριν, governed by ἴδω. ἡμίν is ethical dative, and has a sarcastic force; i.e. That is what I am compelled to look upon.' The participle (κείμενον) which should have gone with ἐν κοίτῃ is absorbed and resumed in συγκοιμωμένην.

363-364. mvp-comment-153-1 ἐμοὶ γὰρ . . βόσκημα] (1) ‘For I would have such maintenance alone as will not cause me pain:' i. e. through compliance with my father's enemies. The reading λυποῦν is implied in the first scholion here, which, although giving a wrong explanation, deserves for this reason to be transcribed:-ἐμοί, φησίν, ἔστω τροφή, ἡ τῇ ἀνάγκῃ μόνον ἁρμόζουσα, καὶ τὴν πείνην ἀπελαύνουσα· οὐ δέομαι γὰρ τοιαύτης τροφῆς ἀφ᾿ ἧς ἡδονὴν σχήσω. (2) The MS. reading, which is also acknowledged in the scholia, -τοὐμὲ μὴ λυπεῖν (Schol. τοῦτο μόνον ἐμὲ βοσκέτω, τὸ μὴ λυπεῖν ἐμὲ αὐτήν, εἰ τοῖς φονεῦσι τοῦ πατρὸς πείθεσθαι ἀναγκασθήσομαι) is possibly right, but the use of ἐμέ for ἐμαυτήν is hardly justified, and the expression seems forced. Ср., however, Eur. Cycl. 336-8, ὡς τοὐμπιεῖν γε καὶ φαγεῖν τοὐφ᾽ ἡμέραν, | Ζεὺς οὗτος ἀνθρώποισι τοῖσι σώφροσι, | λυπεῖν δὲ μηδὲν αὐτόν.

364. mvp-comment-154-1 The genitive, after ἐρῶ, is to be resumed with τυχεῖν, which is epexegetic infinitive.

365-367. mvp-comment-155-1 νῦν δ᾽ ἐξὸν .. τῆς μητρός] But now, when you might be called the daughter of the noblest of all sires, be called your mother's child.' Here, and in supr. 341, 2, there is a reminiscence of that depreciation of the maternal relationship, which is more fully expressed in the Eumenides of Aeschylus. For another trace of this, cp. Eur. Fr. 1048, στέργω δὲ τὸν φύσαντα τῶν πάντων βροτῶν | μάλισθ'· ὁρίζω τοῦτο, καὶ σὺ μὴ φθώνει· | κείνου γὰρ ἐξέβλαστον. οὐδ᾽ ἂν εἰς ἀνὴρ | γυναικὸς αὐδήσειεν, ἀλλὰ τοῦ πατρός.

369. mvp-comment-156-1 μηδὲν πρὸς ὀργήν] Sc. λέξης. Say nothing in anger,'-lit. 'tending that way. Cp. infr. 464.

373. mvp-comment-157-1 οὐδ᾽ ἂν ἐμνήσθην ποτέ) 'And would never have mentioned the subject. This refers to supr. 330, 1.

376. mvp-comment-158-1 Exceptions to the rule of the Porsonic pause are not infrequent where γάρ comes in the first place of the fifth foot: e.g. O. C. 115, ἐν γὰρ τῷ μαθεῖν.

376-377. mvp-comment-159-1 Electra will not admit that any trouble can be greater than what she endures already in seeing the insults that are heaped upon her father.

382. mvp-comment-160-1 χθονὸς τῆσδ᾽ ἐκτός] Beyond the Argive boundary, so as not to bring pollution upon the state. Cp. Ant. 773, ἄγων ἔρημος ἔνθ᾽ ἂν ᾖ βροτῶν στίβος κρύψω πετρώδει ζῶσαν ἐν κατώρυχι : Ο. C. 399, 400, ὥς σ' ἄγχι γῆς στήσωσι Καδμείας, ὅπως | κρατῶσι μέν σου, γῆς δὲ μὴ ᾿μβαίνῃς ὅρων. ὑμνήσεις κακά] 'You shall chant your song of woe.' Cp. infr. 802, 3, τήνδε δ᾽ ἔκτοθεν βοᾶν | ἔα τά θ᾽ αὐτῆς καὶ τὰ τῶν φίλων κακά.

383-384. mvp-comment-161-1 καί με . μέμψῃ] Being warned, Electra will have no cause to blame Chrysothemis. Cp. infr. 1056, 7, ὅταν γὰρ ἐν κακοῖς | ἤδη βεβήκῃς, τἄμ᾽ ἐπαινέσεις ἔπη.

384. mvp-comment-162-1 νῦν γὰρ .. φρονεῖν] ‘For now you have a good opportunity of adopting the wiser course.' Cp. Plat. Rep. Β. 9. p. 571 Β, τὸ τῶν ἐπιθυμιῶν .. οὔ μοι δοκοῦμεν ἱκανῶς διῃρῆσθαι. . οὐκοῦν, ἢ δ᾽ ὅς, ἔτ᾽ ἐν καλῷ;

385. mvp-comment-163-1 And have they really determined to do this to me?' καί adds a sarcastic emphasis.

390. mvp-comment-164-1 ποῦ ποτ᾽ εἰ φρενῶν;] 'What are you thinking of?' Cp. Ant. 42, ποῦ γνώμης ποτ' εἶ; There is the same doubt in both cases, whether el is from εἰμί or εἶμι. For the latter, which gives greater liveliness, cp. Eur. Iph. Α. 479, 80, καὶ τῶν παλαιῶν ἐξαφίσταμαι λόγων, | οὐκ εἰς σὲ δεινός· εἶμι δ᾽ οὗπερ εἶ σὺ νῦν. On the other hand it may be urged that ποῖ would be more natural with the verb of motion. Electra in supra l. 354 has said, οὐ ζῶ; κακῶς μὲν, οἶδ᾽, ἐπαρκούντως δ᾽ ἐμοί. Chrysothemis interprets this as if she had meant that she had something to lose.

395. mvp-comment-165-1 τοῖς φίλοις] Viz. τῷ πατρί.

397. mvp-comment-166-1 ταῦτα is an adverbial accusative. οὐκ ἐμοὺς τρόπους λέγεις] 'You speak not of my ways; i.e. Your words indicate a line of conduct that can never be mine.

399. mvp-comment-167-1 τιμωρούμενοι] Cp. supr. 349.

400. mvp-comment-168-1 τούτων.. συγγνώμην] For this genitive, see Essay on L. § 9. p. 12, d 2, and cp. esp. Trach. 250, τοῦ λόγου .. φθόνον.

401. mvp-comment-169-1 Such words are for the base to approve.' Although, grammatically speaking, ἔπη is the subject of the sentence, and ἐπαινέσαι is epexegetic infinitive, the real meaning is, πρὸς κακῶν ἐστὶ τὸ ἐπαινέσai ταῦτα τὰ ἔπη. As constantly happens in Greek, an attribute which belongs to the verb is attached to the noun.

403. mvp-comment-170-1 μή πω .. κενή] 'I trust I may not prove so void of understanding!' For this use of πω, in which the temporal meaning has disappeared, cp; Ο. Τ. 105, οὐ γὰρ εἰσεῖδόν γέ πω, and note. The adverbial use of τοσόνδε is an Epic touch; cp. Od. 21. 253, 4, ἀλλ᾽ ἐἰ δὴ τοσσόνδε βίης ἐπιδευέες εἰμὲν | ἀντιθέου Ὀδυσῆος, ὅτ᾽ οὐ δυνάμεσθα, κ.τ.λ.

404. mvp-comment-171-1 οἶπερ ἐστάλην ὁδοῦ] ‘To the place whither I was sent upon my way.' For the idiomatic partitive genitive, cp. supr. 390, ποῦ ποτ' εἶ φρενῶν ; Phil. 899, ἀλλ᾽ ἐνθάδ᾽ ἤδη τοῦδε τοῦ πάθους κυρῶ.

405. mvp-comment-172-1 τῷ] 'For whom?' i.e. 'To be offered to whom?'

406. mvp-comment-173-1 τυμβεῦσai χοάς] Το pour libation on his tomb;' i.e. ἐπιτυμβίους χέαι χοάς,-the attribute of the noun being attached to the verb. See Essay on L. § 17. p. 25 с.

409. mvp-comment-174-1 τῷ τοῦτ᾽ ἤρεσεν] 'Whose pleasure was this?' Cp. Aj. 1243, & τοῖς πολλοῖσιν ἤρεσκεν κριταῖς.

410. mvp-comment-175-1 ἐκ δείματος] Sc. πεισθεῖσα.

411. mvp-comment-176-1 At the mention of 'nightly fear,' Electra instantly rushes to the conclusion that Clytemnestra has had some Divine warning. Her hope at once revives, and she looks up to heaven. For ἀλλὰ νῦν, 'now, though not heretofore,' cp. Ant. 552, τί δῆτ᾽ ἂν ἀλλὰ νῦν σ᾽ ἔτ᾿ ὠφελοῖμ᾽ ἐγώ. And for the connection, cp. Aesch. Cho. 515, 6, ΟΡ. πόθεν χοὰς ἔπεμψεν, ἐκ τίνος λόγου | μεθύστερον τιμῶσ᾽ ἀνήκεστον πάθος; ib. 523-5, ΧΟ. οἶδ', ὦ τέκνον· παρῆ γάρ. ἔκ τ᾽ ὀνειράτων | καὶ νυκτιπλάγκτων δειμάτων πεπαλμένη | χοὰς ἔπεμψε τάσδε δύσθεος γυνή. In this line and supr. 345 γε belongs in sense to the word that follows it. Or rather, the particle emphasizes the whole sentence as a comment on the preceding words. 'Ay, now, at last, come to our aid!'

413. mvp-comment-177-1 Electra is eager to know the vision, and will not confess her hopes till she has heard it.

414. mvp-comment-178-1 ἐπὶ σμικρόν is to be resumed with φράσai, which is epexegetic infinitive.

415. mvp-comment-179-1 λέγ᾽ ἀλλὰ τοῦτο] 'Tell me but this;'-this little, if nothing more. Cp. Trach. 320, εἴπ', ὦ τάλαιν', ἀλλ᾽ ἡμὶν ἐκ σαυτῆς. πολλά τοι κ.τ.λ.] Cp. Aesch. Cho. 204, σμικροῦ γένοιτ' ἂν σπέρματος μέγας πυθμήν: Ο. Τ. 120, 1, ἓν γὰρ πόλλ᾽ ἂν ἐξεύροι μαθεῖν, | ἀρχὴν βραχεῖαν εἰ λάβοιμεν ἐλπίδος.

417. mvp-comment-180-1 λόγος τις.. ἐστιν] It is said,' viz. by the attendant who heard her tell her vision to the Sun, infr. 424, 5.

417-419. mvp-comment-181-1 πατρὸς ἐς φῶς] Our father again amongst us, revisiting the realm of light; i.e. τὸν πατέρα δεύτερον ὁμιλοῦντα (τοῖς ἐνθάδε), -abstract for concrete.

419. mvp-comment-182-1 εἶτα, κ.τ.λ.] These words depend immediately on λόγος τίς ἐστιν. Chrysothemis proceeds to narrate the vision as a matter of fact.

421. mvp-comment-183-1 τανῦν δ᾽ Αἴγισθος] Sc. φέρει.

424. mvp-comment-184-1 τοῦ παρόντος] 'The one who was present.' As a matter of course Clytemnestra was not wholly unattended in the day-time. Hence the article. Some editors have preferred the indefinite του; but the use of παρόντος = παραγενομένου is less natural in this case, and the double predicate παρόντος, ἐξηγουμένου, is awkward. A female attendant is meant, the masculine form being used, as in Trach. 151, etc. See Essay on L. § 20. p. 30. 2.

428. mvp-comment-185-1 πρὸς . . θεῶν τῶν ἐγγενῶν] · By the gods of our race,' i.e. the gods who are not only the protectors of our race, but also its progenitors, Inachus, etc. Chrysothemis in her solemn adjuration uses τὸν ἐπιχώριον ὅρκον τὸν μέγιστον (Thuc. 5. 18. § 9). Cp. Ant. 938, θεοὶ προγενεῖς, and note.

430. mvp-comment-186-1 σὺν κακῷ μέτει πάλιν] 'You will seek me another day, when the evil has overtaken you.'

431. mvp-comment-187-1 Electra scarcely hears the concluding words of Chrysothemis. Her attention is absorbed by the vision and the hopes which it has aroused in her mind, and she is determined to prevent the offering of the libation, which she represents to her sister as at once an offence to Agamemnon and useless to Clytemnestra. The former is her own feeling, the latter (ll. 446-8) occurs to her as a rhetorical argument. She also takes the opportunity of sending an offering to the tomb, as if to remind her father that the hour of vengeance for him was at hand. ὦ φίλη] 'She tries affectionate persuasion, and no longer reproaches.' Paley. Or rather, her resentment is forgotten in the revival of hope. Cp. supr. 367.

433-434. mvp-comment-188-1 ἱστάναι | κτερίσματα] Το (institute or) perform funereal rights.'

435-438. mvp-comment-189-1 Not κρύψον from l. 436, but some more general word, such as ἀφάνισον, is to be supplied with πνοαίσιν. For the form of sentence, cp. О. Т. 1410-2, ἔξω μέ που | καλύψατ', ἢ φονεύσατ', ἢ θαλάσσιον | ἐκρίψατ᾽, ἔνθα μήποτ᾽ εἰσόψεσθ᾽ ἔτι. βαθυσκαφεῖ κόνει] 'In deeply hollowed dust,' i.e. buried deep in the ground.

437-438. mvp-comment-190-1 ἀλλ᾿ ὅταν θάνῃ . . κάτω] 'But let this be treasured underground for her, against the day when she shall die.' σωζέσθω is passive, and there is an ellipse οἱ εἰς ἐκεῖνον τὸν χρόνον or the like words.

441. mvp-comment-191-1 οὐκ ἄν.. ἐπέστεφε] 'She would not have sought to give by way of honour.' Cp. Ant. 431, χοαῖσι τρισπόνδοισι τὸν νέκυν στέφει.

442-443. mvp-comment-192-1 For only think whether you can suppose the dead man in his grave will receive this gift kindly at her hand.' For αὐτῇ as dative of the remote object with προσφιλῶς δέξασθαι, cp. supr. 226, 7, τίνι . . πρόσφορον ἀκούσαιμ᾽ ἔπος; It may also be taken with προσφιλῶς separately, but rather follows both words as combined in one expression.

444. mvp-comment-193-1 'Who slew him dishonourably as a personal foe.' Cp. Aesch. Ag. 1374, ἐχθροῖς ἐχθρὰ πορσύνων: ibid. 1492-4, κεῖσαι . κοίταν τάνδ᾽ ἀνελεύθερον.

445. mvp-comment-194-1 ἐμασχαλίσθη] ‘He was mutilated' (by cutting off the extremities and placing or tieing them under the armpits). Clytemnestra had adopted this barbarous means of disabling the spirit of her enemy. Aesch. Cho. 439, ἐμασχαλίσθη δ᾽ ἔθ᾽, ὡς τόδ᾽ εἰδῇς.

445-446. mvp-comment-195-1 And his head was used to wipe the stains away in washing' (the hearth). This additional circumstance of savagery is known to us only from Sophocles, but is probably not due to his invention. See Introd. to Aj. p. 1. Interpreters have supposed a change of subject, supplying ἡ ς ἡ Κλυταιμνήστρα ας nominative to ἐξέμαξεν. But this is unnecessary if it is borne in mind that verbs active in grammar are often used in Greek to express a passive condition. Essay on L. § 30. p. 52 d. Prof. Jebb understands the construction in the same way, with a slightly different nuance of interpretation: - 'And by way of funeral ablution received the print of the sword-stains on his head.' Mr. Paley translates, And at the washing of the body she wiped off the blood-stains on his head.' But did she wash the body?

446-447. mvp-comment-196-1 Electra tries to influence Chrysothemis, not only with fear of her dead father, but also by pointing out the uselessness of the action for Clytemnestra's purpose, and so quieting her sister's conscience in this respect.

448. mvp-comment-197-1 σὺ δέ] For the introduction of the personal pronoun without real emphasis, in such antitheses, see Essay on L. § 41. p. 79.

449. mvp-comment-198-1 Clipping off a little from thy luxuriant curls.' The words call attention to the abundance of Chrysothemis' hair in comparison with Electra's. Cp- Eur. Or. 128, 9, εἴδετε παρ᾿ ἄκρας ὡς ἀπέθρισεν τρίχας, | σώζουσα κάλλος.

451. mvp-comment-199-1 τήνδε †λιπαρή τρίχα] The adjective here is puzzling, whichever reading we adopt. Hermann thought the MS. reading ἀλιπαρή might bear the sense of 'unmeet for supplication.' But λιπαρεῖν is hardly near enough in meaning to λιτανεύειν to make this possible. The Scholiast and Suidas explain the alternative reading λιπαρή, by ἱκέτιν, ἐξ ἧς αὐτὸν λιπαρήσομεν.

451. mvp-comment-199-2 But this is wanting in point. And a confusion of λιπαρής with λιπαρός (i.e. ἀλιπαρῆ = αὐχμηράν) is not to be thought of. Perhaps λιπαρή, in the sense of 'patient,' 'persistent,' may have conveyed some shade of meaning suitable to the passage. Or possibly ΛΙΠΑΡΗ may be a corruption of AYC-ΠΙΝΗ. Ср. О. С. 1597, εἶτ᾿ ἔλυσε δυσπινεῖς στολάς. I cannot think, with Mr. Paley, that this and the following line are an interpolation. The words ἄχω, δὸς αὐτῷ, are too pathetic for this.

452. mvp-comment-200-1 οὐ χλιδαῖς ἠσκημένον] 'Not elegantly neat.' The dative of manner in χλιδαῖς has an adverbial force. Essay on L. § 14. p. 20. Electra's girdle had not been beautifully got up' and 'laid in lavender,' like her sister's.

453-454. mvp-comment-201-1 The belief in the real presence of the spirits of the dead on great occasions, which is so powerful in the Oresteia of Aeschylus, still survives in the Sophoclean drama, but is much less vividly and realistically felt. It has become more ideal.

455. mvp-comment-202-1 ἐξ ὑπερτέρας χερός] • With overpowering might.'

456. mvp-comment-203-1 ζῶντ᾽ ἐπεμβῆναι ποδί] Either (1) In the fulness of life (ζῶντα) should trample with his foot' (ποδί expletive); or (2) Should trample with a foot of living power' (ζῶντι.. ποδί). The latter is rendered improbable by the unusual elision, for which, however, cp. Trach. 675, ἀργῆτ᾽ οἰὸς εὐείρῳ πόκῳ, where see note. See also Pind. Ol. 13. 114, καρταίποδ᾽ ἀναρύῃ Γαιαóχῳ. In either case ζῆν is used in the secondary sense of being vigorous. Cp. Ant. 456, 7, ἀεί ποτε | ζῇ ταῦτα: Ο. Τ. 44, 5, and note.

459-460. mvp-comment-204-1 'Indeed, I do believe some care on his part caused the appalling dream to come to her.' For the use of the neuter participle, see Essay on L. § 30. p. 51 α. Although μέλον here has not the article, it should be added to the six examples there given. μὲν οὖν interposes the incidental thought, that even without their prayers Agamemnon was minded to interfere. Then, in 461, the main drift is resumed with ὅμως. 'Still, let us not omit this offering!'

461. mvp-comment-205-1 σοί is here equivalent to σαυτῇ, but occurring here as one of several coordinate terms, can hardly be adduced to justify the use of ἐμέ for ἐμαυτήν in supr. 363, which becomes necessary if λυπεῖν is read.

466-467. mvp-comment-206-1 τὸ γὰρ .. δρᾶν] ‘For when a thing is right, people should not quarrel over it, but hasten to do it.' Two points are doubtful in the construction of these words. a. Either (1) τὸ δίκαιον is subject of ἔχει, and ἐρίζειν is epexegetic infinitive, or (2) ἐρίζειν is the subject of ἔχει, and τὸ δίκαιον an accusative loosely governed by the words that follow it. b. τὸ δρᾶν is either (1) the direct object of ἐπισπεύδειν, or (2) epexegetic infinitive after ἐπισπεύδειν (i.e. ἐπισπεύδειν τὸ δίκαιον, ὥστε δρᾶν αὐτό). For the article in this case, cp. O. T. 1416, 7, ἐς δέον πάρεσθ᾽ ὅδε | Κρέων τὸ πράσσειν καὶ τὸ βουλεύειν : infr. 1030, μακρὸς τὸ κρῖναι ταῦτα χὼ λοιπὸς χρόνος. The addition of δυοῖν belongs to the same tendency to make numbers explicit, which appears in καὶ τὸ γενναῖον τρίτον (Ο. C. 8) and the like phrases. For the sense, cp. Fr. 76, τοῖς γὰρ δικαίοις ἀντέχειν οὐ ῥάδιον. In the second clause, ἀλλ' ἐπισπεύδειν, κ.τ.λ., a positive notion is understood from the negative. Essay on L. § 36. p. 64, β, 1 а.

468-471. mvp-comment-207-1 These lines are intended to emphasize at once the timidity of Chrysothemis and the harshness of Clytemnestra.

471-515. mvp-comment-208-1 The following short ode, the first stasimon, consisting of a single strophe, antistrophe, and epode, dwells, first, on the renewal of hope which is brought to the upholders of the righteous cause by the announcement of the dream, secondly, on the guilt of those whom Vengeance will now assail, and thirdly, on the long chain of troubles, of which their crime is the continuation. The rhythm, beginning from three short glyconian lines, is chiefly iambic and trochaic, with an increasing number of long syllables toward the close of each movement. The metrical scheme is the following:-

472-473. mvp-comment-209-1 Ср. О. Τ. 1086, εἴπερ ἐγὼ μάντις εἰμὶ καὶ κατὰ γνώμην ἴδρις.

475. mvp-comment-210-1 ὁ πρόμαντις Δίκα] 'Presaging Justice,' i.e. the just Power that has warned Clytemnestra through the dream.

476. mvp-comment-211-1 δίκαια κράτη] Either (1) 'Bringing with her the victorious strength of righteous action,' or (2) And shall bear away the victory in a righteous deed.' In the latter case (2) the participle is proleptic. The former interpretation (1) is on the whole more probable. For this use of φερομένα, cp. Hdt. 7. 50. § 8, πολλὴν φορβὴν φερόμενοι πορευόμεθα.

479-481. mvp-comment-212-1 These lines echo the language of the dialogue, supr. 412, ἔχεις τι θάρσος τοῦδε τοῦ τάρβους πέρι;

480. mvp-comment-213-1 ἁδυπνόων] · Breathing of gladness,' i.e. auspicious. Cp. O. T. 151, ὦ Διὸς ἀδυεπὲς φάτι.

480. mvp-comment-213-2 κλύουσαν] For this accusative, with the dative preceding, as if after θαρρύνει or some such word, see Essay on L. $ 6. p. 23, and cp. Aesch. Cho. 410, 11, πέπαλται δ᾽ αὐτέ μοι φίλον κέαρ τόνδε κλύουσαν οἶκτον.

484. mvp-comment-214-1 ὁ φύσας] It must be borne in mind that Electra is present during the chanting of this ode. Cp. supr. 184 and note.

485. mvp-comment-215-1 'Nor that oid two-edged axe of sharpened bronze.' χαλκόπλακτος is literally, 'Smiting with bronze,' χαλκέας πληγὰς ἔχων. See Essay on L. $ 53: p. 98. χαλκόπακτος, • Of solid bronze,' is the conjecture of Kvidala. The axe is imagined as giving evidence, much as in early times a weapon might be accused of homicide. For a somewhat similar fancy, attributing feeling to an inanimate instrument, cp. Philoctetes, 1130 foll., ἢ που ἐλεινὸν ὁρᾷς, κ.τ.λ., Hab. 2, 11, The nail shall cry out of the wall, and the beam out of the timber shall answer it, Woe unto him,' etc.

486. mvp-comment-216-1 αἰσχίσταις ἐν αἰκίαις] These words are an echo of supr. 444-6.

488-489. mvp-comment-217-1 καὶ πολύπους | καὶ πολύχειρ] With exceeding swiftness and might.' Like πᾶς and αὐτός in composition (E. on L. $ 55. p. 101), πολύς has here an intensive force, without having an exactly defined significance. Ср. πολύγλωσσος, infr. 798.

490. mvp-comment-218-1 Cp. infr. 1396, 7, δόλον σκότῳ κρύψας πρὸς αὐτὸ τέρμα.

491. mvp-comment-219-1 χαλκόπους] 'With adamantine,' i.e. (1) unwearying, 'footsteps.' Cp. χαλκὸς ἀτειρής. Or (2) Irresistible.'

492. mvp-comment-220-1 ἐπέβα] «There came on,' as a dangerous event (οἶσιν = τούτων οἷς).

495-498. mvp-comment-221-1 πρὸ τῶνδε .. συνδρῶσιν] ‘In the face of these things I feel assured that the portent which comes near to the doer or the abettor of the deed cannot be other than baneful.' In Sophocles, not as in Aeschylus, Aegisthus is the author, Clytemnestra the accessory, of the murder. In Aesch. Ag. 1609, he claims a greater share than the poet really attributes to him. For μήποτε, see E. on L. § 24. p. 41, y 2, and cp. Aj. 183.

499. mvp-comment-222-1 μαντεῖαι βροτῶν] 'Divination, as an art in which mortals are concerned.' Cp. Ο. Τ. 709, βρότειον οὐδὲν μαντικῆς ἔχον τέχνης, and see Essay on L. § 40. p. 75.

500. mvp-comment-223-1 οὐδ᾽ ἐν θεσφάτοις] The indication of the dream is as express and clear as any oracle. If the one fail of accomplishment, so must the other.

501. mvp-comment-224-1 εὐ κατασχήσει] 'Shall happily reach its destination,' i. e. shall have a fortunate issue. Cp. Trach. 826, 7, καὶ τάδ᾽ ὀρθῶς | ἔμπεδα κατουρίζει.

504-505. mvp-comment-225-1 'O chariot-race of Pelops in the former time, that hast caused many troubles, how pregnant was thine occurrence with sorrow for this land!' Sophocles passes over the quarrels of Atreus and Thyestes, and goes back at once to the homicide of which Pelops, the author of the whole race, was guilty. This made Hermes the father of Myrtilus send the golden ram, which led to the fatal dissension between the brothers. Eur. Or. 988-1012. The act of Orestes in the present drama is destined to put an end to the series of disasters which then began.

506. mvp-comment-226-1 On the question between αἰανής and αἰανή, cp. Aj. 672 and note.

510. mvp-comment-227-1 *παγχρυσέων] The chariot of the wealthy Pelops on his bridal journey was encrusted with gold. Cp. Pind. Ol. 1.87. παγχρύσεος is the Homeric form, and if a change is necessary, this seems to be the simplest. The metre is the same as in 512. Others read παγχρύσων ἐκ δίφρων. Μ. has πολυχρύσων.

511. mvp-comment-228-1 δυστάνοις αἰκίαις] Myrtilus,

511-512. mvp-comment-229-1 although a traitor to Oenomaus, was a benefactor to Pelops. Observe the repetition of the word from supr. 486, also infr. 515.

512. mvp-comment-230-1 πρόρριζος ἐκριφθείς] «Uprooted and flung forth.'

513-515. mvp-comment-231-1 'Never since that day has sad dishonour left the house.' Some editors read ἔλιπεν ἐκ τοῦδ᾽ οἴκου, ‘Has failed out of this house,' which is less probable. Wecklein reads οἴκους | πολυπάμονας, which is supported by the scholion on 508, οὐ διέλιπεν αἰκία τοὺς πολυκτήμονας δόμους. But see E. on L. § 44. pp. 83, 4.

516. mvp-comment-232-1 The dialectic of the following scene may be compared with Aj. 1047 foll., Ant. 632 foll.

517. mvp-comment-233-1 The spectator is a second time informed of Aegisthus' absence, which is so necessary to the plot. Supr. 310 foll.

518. mvp-comment-234-1 θυραίαν γ'.. φίλους] ‘To go out of doors and bring disgrace upon your relatives:'-i.e. your appearance and conduct in the house are a sufficient disgrace to them. Cp. supr. 312, 3.

521. mvp-comment-235-1 ὡς θρασεῖα] Sc. εἰμί.

522. mvp-comment-236-1 σὲ καὶ τὰ σά] • Thee and thine.' Clytemnestra thus acknowledges that Electra's complaints were never for herself alone, but for her father.

525-526. mvp-comment-237-1 πατήρ .. τέθνηκεν] Your father, that is what you are always holding forth, (how that he) died by my act. By a kind of attraction, the main sentence, as it proceeds, becomes subordinated to the parenthesis.