Sophocles Electra 23

ed. Lewis Campbell

ὦ φίλτατ᾿ ἀνδρῶν προσπόλων, ὥς μοι σαφῆ
σημεῖα φαίνεις ἐσθλὸς εἰς ἡμᾶς γεγώς.
ὥσπερ γὰρ ἵππος εὐγενής, κἂν ᾖ γέρων,
25
ἐν τοῖσι δεινοῖς θυμὸν οὐκ ἀπώλεσεν,
ἀλλ᾽ ὀρθὸν οὖς ἵστησιν, ὡσαύτως ὡσταύτως L. ὡσαύτως C6. δὲ σὺ
ἡμᾶς τ᾽ τ' from y? L. δ΄ Γ. ὀτρύνεις καὐτὸς ἐν πρώτοις ἕπει.
τοιγὰρ τὰ μὲν δόξαντα δηλώσω, σὺ δὲ
ὀξεῖαν ἀκοὴν τοῖς ἐμοῖς λόγοις διδούς,
εἰ μή τι καιροῦ τυγχάνω, μεθάρμοσον.
ἐγὼ γὰρ ἡνίχ᾽ ἱκόμην τὸ Πυθικὸν
μαντεῖον, ὡς μάθοιμ' ὅτῳ τρόπῳ πατρὶ πατρὸς
δίκας ἀροίμην τῶν φονευσάντων πάρα,
35

Electra. Sophocles. ed. Lewis Campbell. Oxford. 1879.

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-120 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 23 focus
Kind faithful friend, how well thou mak’st appear
Thy constancy in service to our house!
As some good steed, aged, but nobly bred,
Slacks not his spirit in the day of war,
But points his ears to the fray, even so dost thou
Press on and urge thy master in the van.
Hear, then, our purpose, and if aught thy mind,
Keenly attent, discerns of weak or crude
In this I now set forth, admonish me.
I, when I visited the Pythian shrine
25
Oracular, that I might learn whereby
25
To punish home the murderers of my sire,
25
Had word from Phoebus which you straight shall hear:
25
‘No shielded host, but thine own craft, O King!
The righteous death-blow to thine arm shall bring.’
Then, since the will of Heaven is so revealed,
Go thou within, when Opportunity
Shall marshal thee the way, and gathering all
Their business, bring us certain cognizance.
Age and long absence are a safe disguise;
They never will suspect thee who thou art.
And let thy tale be that another land,
Phocis, hath sent thee forth, and Phanoteus,
Than whom they have no mightier help in war.
Then, prefaced with an oath, declare thy news,
Orestes’ death by dire mischance, down-rolled
From wheel-borne chariot in the Pythian course.
So let the fable be devised; while we,
As Phoebus ordered, with luxuriant locks
Shorn from our brows, and fair libations, crown
My father’s sepulchre, and thence return
Bearing aloft the shapely vase of bronze
That’s hidden hard by in brushwood, as thou knowest,
And bring them welcome tidings, that my form
Is fallen ere now to ashes in the fire.
How should this pain me, in pretence being dead,
Really to save myself and win renown?
No saying bodes men ill, that brings them gain.
Oft have I known the wise, dying in word,
Return with glorious salutation home.
So lightened by this rumour shall mine eye
Blaze yet like bale-star on mine enemies.
O native earth! and Gods that hold the land,
Accept me here, and prosper this my way!
Thou, too, paternal hearth! To thee I come,
Justly to cleanse thee by behest from heaven.
Send me not bootless, Gods, but let me found
A wealthy line of fair posterity!
35
I have spoken. To thy charge! and with good heed
35
Perform it. We go forth. The Occasion calls,
35
Great taskmaster of enterprise to men.
35
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 23 focus
bester Diener, liebster Mann, wie legst du mir
Der Treue Zeichen gegen uns so deutlich dar!
Denn wie das Noß aus edler Art, obschon betagt,
25
In keiner Schreckniß und Gefahr den Muth verliert,
Nein, stolz das Ohr aufrichtet: also du, der uns
Zum Kampfe treibt und selbst der Ersten Einer folgt.
Drum will ich offenbaren, was ich ausgedacht;
Doch du vergönne meinem Wort ein scharfes Ohr,
30
Und traf ich nicht das Rechte, gib mir andern Rath.
Nachdem ich angekommen war bei'm pythischen
Orakel, dort zu fragen, wie des Vaters Tod
Ich rächen mög' an jenen, die ihn mordeten,
Gebot mir Phöbos also, wie du gleich vernimmst:
35
Den Streich gerechter Rache mit geheimer List
Allein zu führen, nicht bewehrt mit Schild und Heer.
Nun, da mir solcher Gottesspruch verkündet ward,
Tritt du, sobald die Stunde dich gelegen führt,
Zu diesem Haus ein, auszuspäh'n, was hier geschieht,
40
Auf daß du klar uns meldest, was du wohl erforscht.
Unkenntlich schuf dich Alter und die lange Zeit,
Und vor Verdacht bewahrt dich dieser Blumenschmuck. 1
Doch also sprich zu jenen, daß ein Fremdling du,
Ein Phoker seiest, abgesandt von Phanoteus; 2
45
Denn dieser Mann ist ihres Hauses bester Freund.
Mit Eid betheuernd, melde dann, Orestes sei
Dahingeschieden durch ein unerbittlich Loos,
Bei Kämpfen Pytho's aus dem raschhinrollenden 3
Rennwagen stürzend. Also sei der Rede Sinn.
50
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 23 focus
What proofs thou giv'st me of tlie noblest
nature
And true benevolence, thou good old man !
Of servants sure the faithfullest and best
That ever bore the name : the generous steed,
Though worn with years, thus keeps his wonted courage.
And warns his master of approaching danger;
fjike him thou stir'st me up to noble deeds.
And follow'st me undaunted : but attend
25
To what I have resolved, and if I err,
25
^Let thy superior judgment set mfiriglit.
25
When to the Delphic oracle I flew,
25
Eager to know how on my father's foes
J best might satiate my revenge, the god
Enjoined me not by force or open arms
To rush upon them, but with guileful arts
And silent well-conducted fraud betraythem.
Such was his wdll. Thou, therefore, soon as time
Shall lend thee opportunity, unknown
And unsuspected (as thy absence hence
For so long space and hoary age shall make thee)
Must steal upon them, learn their secret counsels,
As soon thou mayst, and quick inform us of them ;
Say thou'rt of Phocis, from Phanoteus sent
By one who is their friend and firm ally ;
Sav, and confirm it with a solemn oath.
Orestes is no more — by a rude shock
Thrown from his chariot at the Pythian games.
Be this thy tale : meantime (for thus the god
His will divine expressed) my father's tomb
With due libations and devoted hair
Ourselves will crown ; and thence returning bring,
From the dark covert where thou knowst 'twas hid,
The brazen urn. Thei-e, we shall tell the tyrant —
Thrice welcome news ! — Orestes' ashes lie.
What should deter me from the pious fraud?
Since my feigned death but gains me real fame,
And I shall wake to better life : the deed
Which brings success and honour, must be good.
Oft times the wisest and the best of men
From death like this have rose with added greatness ;
E'en so thy friend to his deluded foes
Shall soon return unlooked-for, and before them
Shine like a star with more distinguished lustre.
O my loved country ! and its guardian gods,
35
Receive Ore.^tes, and with happy omen
35
Propitious smile ! And thou, paternal seat —
35
For lo ! by Heaven's command I come to purge thee
35
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 23 focus
Loved Pylades, demands your firm resolves :
This hour determine; for the early songs
Of birds call forth the sun's resplendent beams,
And the stars vanish from the dusky night.
Now, ere the foot of man from forth the gates
Shall tread the streets, consult: for from this hour
Th' important time to instant action calls.
O thou most loved of servants, strong the proofs
Thou givest me of thy goodness and firm faith:
For as the generous steed e'en in old age
Of his high courage in the fierce alarm
Abates not, but with pride sustains the charge,
So dost thou urge me forward, and advance
25
E'en in the front of danger: for this cause
25
I will unfold my counsels to my words
25
Give thou attentive heed, and where I judge
25
​Amiss,, thy riper prudence be my guide.
25
When to the fate-foretelling shrine I came
Of Pytho, and inquired by what best way
I on his impious murderers might avenge
My father's blood, this answer Phœbus gave,
" In arms advance not, nor with martial force,
"But steal upon them, and with fraudful hand
"Let thy just fury strike th' avenging blow.""
These mandates known, as time and chance present
A fair occasion, enter thou this house,
And learn what passes there; me much imports
Clear information; thee they will not know
Absent so long, and chang'd by hoary age;
Nor thus attired suspicion wilt thou wake.
Thou art a stranger, so address thy tale,
Of Phocis, sent by Phanoteus, now join'd
In close alliance with them; say, and add
The sanction of an oath, that by the force
Of ruthless fate Orestes is no more,
Hurl'd from his chariot in the Pythian games.
This be the purport of thy tale. Mean time,
Obedient to the god, my father's tomb
We with libations and these sever'd locks.
Will honour. Thence returning, in our hands
The brazen sculptured urn, now, as thou know'st,
Hid in the tangled thicket, we will bring;
That we may thus deceive them with a tale
To them most grateful, that my wretched corse
Already on the funeral pile is burnt,
And my cold ashes in this urn enclosed.
Why should this grieve me, that in words I die,
When I in deed am saved, and by them raised
To glory? Nor ill-omen'd shall I deem
A word which gives the promise of success.
Oft e'en the wise have I observed, by fame:
Reported dead, return, and rise again...!!
To higher honour. Such shall be my boast,
I from this rumour shall be found alive,
And, like a star, to my astonish'd foes
Yet shine. But, O my country, and ye gods
The guardians of my country, to your care
Receive me, and protect me in these ways!
And thou, my father's house! for I am come
With vengeance, at the impulse of the gods,
To purge thy stain away: send me not hence
Dishonour'd, but to wealth, to greatness raised,
Give me thy ancient glories to restore !
35
Of this enough. Be it thy care, old man,
35
The part assign'd thee to discharge. We two
35
Must leave thee now; th' occasion so requires,
35
Whose sovereign power o'er ev'ry work presides.
35
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-120 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-16-1 ὦ φίλτατ’ ἀνδρῶν 1

mvp-comment-16-2 σημεῖα φαίνεις 2 γεγώς 3

mvp-comment-17-1 ὥσπερ γὰρ ἵππος εὐγενὴς 4

mvp-comment-18-1 ἐν τοῖσι δεινοῖς 5

mvp-comment-18-2 ἀπώλεσεν 6 ἵστησιν 7

mvp-comment-18-3 ὡσαύτως δὲ 8

mvp-comment-19-1 ἐν πρώτοις ἕπει 9

mvp-comment-20-1 εἰ μή τι 10

mvp-comment-20-2 καιροῦ τυγχάνω 11

mvp-comment-20-3 μεθάρμοσον 12

mvp-comment-21-1 γὰρ 13

mvp-comment-21-2 ἱκόμην 14

mvp-comment-21-3 μάθοιμ’ 15

mvp-comment-21-4 ἀροίμην 16

mvp-comment-22-1 χρῇ 17 τοιαῦθ’ 18 ὧν 19

mvp-comment-22-2 ὁ Φοῖβος 20

mvp-comment-22-3 πεύσει 21

mvp-comment-22-4 This verse might seem the preface to some longer recital (cp. Ph. 1418 n.). But in fact it is merely an emphatic prelude to the oracle: τάχα 22

mvp-comment-23-1 αὐτὸν 23 ἀσπίδων 24

mvp-comment-23-2 ἀσπίδων τε καὶ στρατοῦ 25 δόλοισι 26

mvp-comment-23-3 χειρὸς 27 σφαγάς 28

mvp-comment-23-4 κλέψαι 29

mvp-comment-24-1 ὅτε 30

mvp-comment-24-2 σὺ μὲν μολὼν 31

mvp-comment-24-3 καιρὸς 32

mvp-comment-24-4 ἴσθι 33

mvp-comment-25-1 γήρᾳ 34 χρόνῳ μακρῷ 35

mvp-comment-25-2 οὐδ’ ὑποπτεύσουσιν 36 οὐ μὴ γνῶσι 37

mvp-comment-25-3 ὧδ’ ἠνθισμένον 38

mvp-comment-26-1 Φωκεύς 39

mvp-comment-26-2

ἀνδρὸς Φανοτέως. ἀνήρ
, thus prefixed to a proper name, serves either: ( a) to introduce a person not previously men tioned,—being more respectful than
τις
, as Il. 11. 92
ἄνδρα Βιήνορα
, Her. 8. 82
ἀνὴρ Παναίτιος
: or ( b) adds something of solemnity or pathos to the mention of a familiar name, as Soph. O. C. 109
ἀνδρὸς Οἰδίπου
, Soph. Ai. 817
ἀνδρὸς Ἕκτορος
.

mvp-comment-26-3 Phanoteus was the eponymous hero of the town Phanoteus ( Thuc. 4. 89 ), or Panopeus ( Il. 2. 520 etc., Paus. , Strabo), in Phocis, close to the Boeotian frontier, —about three miles west of Chaeroneia, and as many east of Daulis. He was the brother of Crisus, from whom the town of Crisa in Phocis (about two miles w. s. w. of Delphi) took its name. Between these brothers, said the legend, there was a deadly feud; before birth they had struggled in the womb (Tzetzes, Lycophr. 939: cp. Preller, Griechische Mythologie, 2. p. 54 n. 5). Now Crisus was the father of Strophius, that king of Crisa who was the ally of Agamemnon, and with whom the young Orestes found a home. Hence Phanoteus, the foe of Crisus, is represented as the friend of Aegisthus and Clytaemnestra. He is the first to send them the glad tidings that Orestes is dead. On the other hand it is Strophius who is described as paying the last honours to the corpse, and sending the ashes to Mycenae (1111).

mvp-comment-26-4 ὁ γὰρ 40

mvp-comment-27-1 μέγιστος 41

mvp-comment-27-2 τυγχάνει 42

mvp-comment-27-3 δορυξένων 43

mvp-comment-28-1 ὅρκον 44 ὅρκῳ 45

mvp-comment-28-2 On the other hand, the phrase

προστιθέναι ὅρκον
has the authority of Sophocles himself: fr. 431
ὅρκου δὲ προστεθέντος ἐπιμελεστέρα
|
ψυχὴ κατέστη
. Cp. too Tr. 255
ὅρκον αὑτῷ προσβαλών
.

mvp-comment-28-3 The false oath would be regarded as excused by the

δόλοι
which Apollo had prescribed (v. 37); but in fact the Paedagogus takes no such oath.

mvp-comment-29-1 ἀναγκαίας τύχης 46

mvp-comment-29-2 ἄθλοισι 47 Πυθικοῖσιν 48

mvp-comment-29-3 τροχηλάτων 49

mvp-comment-29-4 ἑστάτω 50

mvp-comment-30-1 ἐφίετο 51

mvp-comment-30-2 λοιβαῖσι 52

mvp-comment-30-3 καρατόμοις χλιδαῖς 53

mvp-comment-30-4 στέψαντες 54

mvp-comment-30-5 ἄψορρον … πάλιν 55

mvp-comment-31-1 τύπωμα 56 χαλκόπλευρον 57

mvp-comment-31-2 ἠρμένοι 58

mvp-comment-31-3 Others take

ἠρμένοι
as middle. This use of
ἦρμαι
is not unknown to later Greek; e.g. Strabo 3. p. 150 has
νίκην ἠρμένοι
=
ἀράμενοι
. But there is no example of it in the classical period.

mvp-comment-32-1 Join που 59 καὶ σὺ 60

mvp-comment-32-2 The v.l. μοι 61

mvp-comment-33-1 λόγῳ κλέπτοντες 62

mvp-comment-33-2 φέρωμεν 63

mvp-comment-33-3 ἔρρει 64

mvp-comment-33-4 δέμας 65

mvp-comment-34-1 τί γάρ με λυπεῖ 66

mvp-comment-34-2 ἔργοισι 67

mvp-comment-34-3 κἀξενέγκωμαι 68

mvp-comment-35-1 δοκῶ μέν 69 σὺν κέρδει 70

mvp-comment-35-2 κακόν 71

mvp-comment-36-1 πολλάκις 72

mvp-comment-36-2 λόγῳ μάτην θνῄσκοντας 73

mvp-comment-36-3 ἐκτετίμηνται 74

mvp-comment-37-1 ὡς 75

mvp-comment-37-2 κἄμ’ ἐπαυχῶ 76

mvp-comment-37-3 ἄπο 77

mvp-comment-37-4 δεδορκότ’ 78

mvp-comment-37-5 ἐχθροῖς 79 λάμψειν 80

mvp-comment-37-6 ἄστρον 81

mvp-comment-37-7 ἔτι 82

mvp-comment-38-1 πατρῴα γῆ 83

mvp-comment-38-2 εὐτυχοῦντα 84

mvp-comment-38-3 ὁδοῖς 85

mvp-comment-39-1 καθαρτής 86

mvp-comment-39-2 πρὸς θεῶν ὡρμημένος 87

mvp-comment-40-1 ἀλλ’ ἀρχέπλουτον 88

mvp-comment-40-2 ἀρχέπλουτον 89

mvp-comment-40-3 καταστάτην 90

mvp-comment-41-1 εἴρηκα μέν νυν ταῦτα 91

mvp-comment-41-2 μελέσθω 92

mvp-comment-42-1 ἐπιστάτης 93

mvp-comment-43-1 ἰώ μοί μοι δύστηνος 94

mvp-comment-44-1 καὶ μὴν 95

mvp-comment-44-2 θυρῶν 96

mvp-comment-44-3 I should agree with the schol. in governing

θυρῶν
by ἔνδον 97

mvp-comment-44-4 προσπόλων τινὸς 98

mvp-comment-45-1 θέλεις | μείνωμεν … ; 99

mvp-comment-45-2 The reading of the MSS., κἀνακούσωμεν 100

mvp-comment-45-3 On the other hand Sophocles has

ἐπακούω
, ‘to listen,’ in O. T. 708 , O. T. 794 : O. C. 694 : Ph. 1417. Nauck's correction, κἀπακούσωμεν 101

mvp-comment-46-1 μηδὲν πρόσθεν 102

mvp-comment-46-2 τὰ Λοξίου 103

mvp-comment-46-3 ἀρχηγετεῖν 104

mvp-comment-47-1 πατρὸς 105

mvp-comment-47-2 λουτρά 106

mvp-comment-47-3 φέρει … ἐφ’ ἡμῖν 107

mvp-comment-47-4 νίκην 108 κράτος τῶν δρωμένων 109

mvp-comment-47-5 All three actors now leave the scene. Orestes and Pylades go to Agamemnon's grave,—departing, probably, by the entrance on the spectators' right. The Paedagogus leaves by the entrance on the left,—to await the moment for seeking admission to the house (v. 660).—It might, indeed, be inferred from

πειρώμεθ’
(83) that the old man goes with the youths to their task; but the word need not imply more than his participation in the plan. while verses 73—75 seem clearly to indicate that he separates from his companions. When they have gone, Electra enters from the house.

mvp-comment-48-1 A

θρῆνος ἀπὸ σκηνῆς
, or lyric lament delivered by an actor alone. as dist. from the joint
κομμός
of actor and Chorus (121 n.).

mvp-comment-48-2 Verses 86—102 form a

σύστημα
,=vv. 103—120 (
ἀντισύστημα
). If the text is sound, the correspondence is not exact, since the dimeter in v. 99 answers to a monometer in v. 116. These anapaests are, however, of the type usually known as ‘free’ or ‘melic,’ as having more of a lyric character than the regular anapaests of the marching-songs (like those of the Parodos in the Ajax): see W. Christ, Metrik, 2nd ed., § 288. And in such anapaests the symmetry of ‘systems’ is often not strict (cp. O. C. 117 n.).

mvp-comment-48-3 ὦ φάος ἁγνὸν 110

mvp-comment-48-4 γῆς ἰσόμοιρ’ ἀήρ 111

mvp-comment-48-5 ἰσόμοιῤ 112 ἰσόμοιρος 113

mvp-comment-49-1 πολλὰς μὲν … ᾔσθου 114

mvp-comment-49-2 ἀντήρεις 115

mvp-comment-50-1 πληγὰς 116 πλαγὰς 117

mvp-comment-51-1 ὑπολειφθῇ 118 ᾔσθου 119

mvp-comment-52-1 τὰ … παννυχίδων 120 ξυνίσας’ 121 ὅσα … θρηνῶ 122

mvp-comment-52-2 ἤδη 123

mvp-comment-52-3 The MS. οἴκων 124 λέκτρων 125 μογερῶν 126

mvp-comment-53-1 ὅσα τὸν δύστηνον 127

mvp-comment-54-1 κατὰ μὲν βάρβαρον αἶαν 128 ἐξένισεν 129

mvp-comment-55-1 Ἄρης 130

mvp-comment-55-2 ἐξένισεν 131

mvp-comment-56-1 κοινολεχὴς 132

mvp-comment-57-1 ὅπως δρῦν ὑλοτόμοι 133

mvp-comment-57-2 σχίζουσι 134

mvp-comment-57-3 κάρα 135

mvp-comment-57-4 πέλεκει 136

mvp-comment-58-1 ἄλλης 137

mvp-comment-58-2 φέρεται 138

mvp-comment-58-3 The deletion of the words ἀπ’ ἄλλης 139 ἢ )μοῦ 140

mvp-comment-59-1 ἀλλ’ οὐ μὲν δὴ 141

mvp-comment-60-1 ἄστρων 142

mvp-comment-60-2 Others read,

ἔστ’ ἂν λεύσσω παμφεγγεῖς
|
ῥιπάς, λεύσσω δὲ τόδ’ ἦμαρ
, omitting
ἄστρων
. But
παμφεγγεῖς ῥιπάς
, without
ἄστρων
, would not suffice to denote starlight. If, again, the phrase is taken to denote the sun's rays (as Monk proposes, Mus. Crit. I. p. 67), then
λεύσσω δὲ τόδ’ ἦμαρ
becomes weak. Further, the preceding context, in which she has spoken of her laments at night (92) and at morning, clearly suggests that the sense here is, ‘so long as I look on the stars or on the sun.’

mvp-comment-61-1 μὴ οὐ 143

mvp-comment-61-2 τεκνολέτειῤ 144

mvp-comment-62-1 ἐπὶ κωκυτῷ 145

mvp-comment-62-2 ἠχὼ 146

mvp-comment-63-1 Electra invokes, (1) the house of Hades and his bride Persephone, in which the spirit of Agamemnon now dwells; (2) Hermes, who, as

ψυχοπομπός
, conducted him thither,—and who will also guide the avengers on their way (1395 f.); (3)
Ἀρά
, the imprecation uttered by the victim upon his murderers,—the personified curse, here conceived as a supernatural power (
πότνια
), which calls the Erinyes into action; and (4) the Erinyes themselves.

mvp-comment-63-2 Ἀΐδου 147

mvp-comment-64-1 ὦ χθόνἰ Ἑρμῆ 148

mvp-comment-64-2 Ἀρά 149

mvp-comment-64-3 πότνια 150

mvp-comment-65-1 σεμναὶ 151

mvp-comment-65-2 θεῶν παῖδες 152

mvp-comment-66-1 ὁρᾶθ’ 153

mvp-comment-67-1 αἳ τοὺς εὐνὰς ὑποκλεπτομένους 154

mvp-comment-67-2 These much-impugned words appear genuine. The murder has been prompted by the guilty love:

δόλος ἦν ὁ φράσας, ἔρος ὁ κτείνας
(197). In Electra's thought, they are inseparable. The allusion to the love follows the reference to the murder, because she regards it as the crowning outrage (271
τὴν τελευταίαν ὕβριν
) that Clytaemnestra still lives with Aegisthus. Bloodshed was not the only sin which the Erinyes punished. They were the embodied sanctions of natural law, and every crime against the family came within their cognisance. (See Introd. to Homer, p. 51, § 13.) Indeed, Electra herself speaks of the unhallowed union as a special provocation to those Avengers: 275 f.
ἡ δ’ ὧδε τλήμων ὥστε τῷ μιάστορι
|
ξύνεστ’, Ἐρινὺν οὔτιν’ ἐκφοβουμένη
.

mvp-comment-68-1 τείσασθε 155

mvp-comment-69-1 ἡμετέρου 156 μοι 157

mvp-comment-69-2 καί μοι 158

mvp-comment-70-1 ἄγειν 159

mvp-comment-70-2 σωκῶ 160

mvp-comment-71-1 δυστανοτάτας 161

mvp-comment-72-1 τάκεις … οἰμωγὰν 162

mvp-comment-72-2 ἀκόρεστον 163

mvp-comment-72-3 τὸν πάλαι 164

mvp-comment-72-4 πάλαι 165 ἐκ 166

mvp-comment-72-5 ἀθεώτατα 167

mvp-comment-72-6 κακᾷ … χειρὶ πρόδοτον 168 χειρὶ 169

mvp-comment-72-7 ὡς 170

mvp-comment-72-8 ὁ τάδε πορὼν 171

mvp-comment-72-9 εἴ μοι θέμις 172

mvp-comment-73-1 γενέθλα 173

mvp-comment-73-2 γενναίων 174

mvp-comment-73-3 παραμύθ‐ 175 ιον 176

mvp-comment-74-1 ξυνίημι 177

mvp-comment-74-2 τάδ’ 178

mvp-comment-75-1 φυγγάνει 179

mvp-comment-75-2 οὐδ’ ἐθέλω 180

mvp-comment-76-1 μὴ οὐ 181

mvp-comment-76-2 τὸν ἐμὸν … πατέρ’ ἄθλιον 182

mvp-comment-77-1 παντοίας 183

mvp-comment-77-2 Electra's lyrics contain some Doricisms (129, 146 f., etc.): but it is best to retain

φιλότητος
, with the MSS. The form in
η
was so familiar through Homer that it may have been preferred to
φιλότατος
even in lyrics. Cp. 236 .

mvp-comment-78-1 ἀλύειν 184

mvp-comment-79-1 αἰαῖ, ἱκνοῦμαι 185

mvp-comment-80-1 τόν γ’ ἐξ Ἀΐδα … λίμνας 186

mvp-comment-80-2 παγκοίνου 187

mvp-comment-80-3 ἀνστάσεις 188

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

26-27. mvp-comment-18-1 ἀπώλεσεν.. ἵστησιν] The description passes from the gnomic aorist to the vivid present. For the verb, cp. Hdt. 4. 129, οἱ ἵπποι ἐν θαύματι ἔσκον, ὀρθὰ ἱστάντες τὰ ὦτα.

27. mvp-comment-19-1 δέ] In apodosi.

29. mvp-comment-20-1 τὰ . . δόξαντα] Sc. ἐμοί τε καὶ Πυλάδῃ τῷδε. Their plans are already formed.

31. mvp-comment-21-1 εἰ μή τι καιροῦ τυγχάνω] 'If anywhere I miss the mark,'-εἴ τι ἁμαρτάνω. Ε. on L. § 41. p. 78.

33. mvp-comment-22-1 πατρί is more expressive than πατρός. Cp. supr. 14.

34. mvp-comment-23-1 ἀροίμην is probably aorist (not future) optative, being indirect for (τίνι τρόπῳ) ἄρωμαι;

36. mvp-comment-24-1 Myself alone, unsupported by armed men.' Cp. Pind. Nem. 3. 59, δε καὶ Ἰωλκὸν εἶλε μόνος ἄνευ στρατιᾶς.

37. mvp-comment-25-1 By craft to steal the righteous deathblow which my hand should give.' χειρός marks the directly personal nature of the act. Cp. O. T. 811, ἐκ τῆσδε χειρός, and note. For the genitive, cp. infr. 206, θανάτους αἰκεῖς διδύμαιν χειροῖν.

38. mvp-comment-26-1 τοιόνδε, like τοιαῦτα in supr. 35, points to the remarkable nature of the oracle (cp. O. Τ. 95, οἱ ἤκουσα, and note), but with greater vividness. E. on L. § 22. p. 34.

39. mvp-comment-27-1 καιρός is personified, as infr. 75.

42-43. mvp-comment-28-1 (1) For thine age, and the long lapse of time, that has so altered thee, will surely prevent their recognizing or suspecting thee.' Or (2) taking οὐδ᾽ ἠνθισμένον separately, as referring to the Phocian costume, For thine age and the lapse of time will prevent their knowing you, nor will they once suspect you under this disguise.' Or (3) supposing ὧδ' ήνθισμένον to be an afterthought and the causal datives to be resumed with it, 'After so many years in which you have grown old they will not know or suspect you, altered as you are by age.' Cp. Shak. Cymb. 4. 4. 31-4 (Guiderius): 'Pray, sir, to the army: I and my brother are not known; yourself So out of thought, and thereto so o'ergrown, Cannot be questioned.' For the combination of aorist subj. and fut. ind., cp. Ο. C. 450, 1, ἀλλ᾽ οὗ τι μὴ λάχωσι τοῦδε συμμάχου, | οὔτε σφιν ἀρχῆς . . | ὄνησις ἥξει.

45. mvp-comment-29-1 Phanoteus had quarrelled with his brother Crisus, the father of Strophius and uncle of Pylades, and therefore was likely to send information of a fact which told against them. (Dind.). Whether this be the precise version of the legend as understood by Sophocles or not, some such relation between Strophius and Phanoteus is intended by him. Strophius is, in Sophocles also, the guardian of Orestes, - infr. 1111.

47. mvp-comment-30-1 ὅρκῳ προστιθείς] (1) Sc. τὰ ἀγγελλόμενα. With the preface of an oath.' Hermann objects to this: 'At ita res primaria in secundariam converteretur.' But such inversions are not infrequent. Cp. Aristoph. Av. 1004. See E. on L. § 42. p. 80, and Schmidt's Shak. Lex., Grammatical Observations, § 14. p. 1423. The correction ὅρκον προστιθείς (for which cp. Fr. 428, ὅρκου δὲ προστεθέντος ἐπιμελεστέρα | ψυχὴ κατέστη) is therefore unnecessary. Or (2) ὅρκῳ is a dative of manner, 'With an oath,' to which προστιθείς, sc. ὅρκον, is added epexegetically. Cp. Essay on L. § 14. p. 21; ib. § 36. p. 63 (5) a.

48. mvp-comment-31-1 ἐξ ἀναγκαίας τύχης] 'Through a fatal accident.' ἀναγκαία τύχη is here a misfortune that cannot be avoided. The same phrase is used with slightly different shades of meaning in Aj. 485, 803.

49. mvp-comment-32-1 ἄθλοισι Πυθικοῖσιν] ‘At the Pythian games.' Dat. of the occasion. E. on L. § 11. p. 18. The Delphic contest is said to have been instituted in the 48th Olympiad, but is here ideally carried back into the heroic age. Cp. Aj. 596 and note.

51. mvp-comment-33-1 ὡς ἐφίετο] Sc. ὁ Λοξίας ( infr. 82, 3). Cp. Ο. Τ. 110, ἐν τῇδ᾽ ἔφασκε γῇ.

52. mvp-comment-34-1 καρατόμοις χλιδαῖς] ‘With shorn locks luxuriant.' Cp. infr. 901, νεώρη βόστρυχον. The word χλιδή perhaps marks the luxuriance of the youthful Orestes' locks. Cp. Plat. Phaedo, 89 B, αὔριον δή, ἔφη, ἴσως, ὦ Φαίδων, τὰς καλὰς ταύτας κόμας ἀποκερεῖ.

54. mvp-comment-35-1 'Holding uplifted in our hands the shapely urn with sides of brass.' The Scholiast rightly compares the construction of τύπωμα with ᾐρμένοι to such expressions as πώγωνα καθειμένος, – ἀντὶ τοῦ κεχαλασμένον ἔχων. But he does not observe that in both cases the verb is in the middle voice. τύπωμα is literally, A moulded form.' Cp. Ant. 430, ἐκ δ' εὐκροτήτου .. πρόχου, κ.τ.λ. For χαλκόπλευρον, cp. Aesch. Cho. 686, λέβητος χαλκέου πλευρώματα.

55. mvp-comment-36-1 (1) Which, as I believe (που) you know, is hidden in the brake.' For οἰσθά που, cp. infr. 948, 9, παρουσίαν μὲν λέγων, | οἶσθα καὶ σὺ που φίλων | ὡς. κ.τ.λ. (2) The v. r. μοι for που is also possible. Which I have, as you know, hidden in the brake.' μοι, if genuine, is not dative of the agent, but of remote reference not I have hidden it, but 'I have it hidden.'

56. mvp-comment-37-1 λόγῳ κλέπτοντες] 'Stealing our advance through feigned words.' The participle is equally emphatic with the verb.

57. mvp-comment-38-1 φέρωμεν] The optative cannot be defended here.

59-60. mvp-comment-39-1 The precise construction would be either λυπεῖ.. ὅτε σώζομαι, or λυπήσει . . ὅταν σωθῶ. But as the sentence proceeds the mind of Orestes dwells more than at first on the futurity of the event.

60. mvp-comment-40-1 κἀξενέγκωμαι κλέος] ‘And win renown.' Cp. Od. 1. 298, οἷον κλέος ἔλλαβε δῖος Ορέστης.

61. mvp-comment-41-1 δοκῶ μέν] Cp. infr. 547: О. С. 995, δοκῶ μέν, εἴπερ ζῆν φιλεῖς, κ.τ.λ.: Fr. 83, δοκῶ μέν, οὐδείς: Plato, Meno, 94 C, δοκῶ μέν, ἐβούλετο, Methinks, no word is inauspicious that is accompanied with gain.' Cp. Eur. Hel. 1050 foll. (quoted by Brunck), ΕΛ. βούλει λέγεσθαι, μὴ θανών, τεθνηκέναι; ΜΕΝ. κακὸς μὲν ὄρνις· εἰ δὲ κερδανῶ λέγων, | ἕτοιμός εἰμι μὴ θανών λόγῳ θανείν.

62-66. mvp-comment-42-1 Some such story as that of Aristeas of Proconnesus, Hdt. 4. 13-16, is probably in the mind of the poet, who need not however be accused of the anachronism of making Orestes refer to this or any similar story (as of Pythagoras, Epimenides, Solon, Zaleucus, or Zamolxis). Hermann finds here an allusion to some banished Athenian citizen, who (like the late Lord Brougham) may have ambitiously spread the rumour of his own death.

63. mvp-comment-43-1 μάτην] ‘Without reality. For the pleonasm, see E. on L. § 40. p. 75.

64. mvp-comment-44-1 ἐκτετίμηνται πλέον] ‘Their name stands higher than before.' For this intensive use of the perfect, cp. ἐσπούδακα, τετεύτακα, and similar words.

65-66. mvp-comment-45-1 Even so I, having indeed come to life in consequence of this report, shall yet, I trust, flash like a comet on my foes.' δεδορκότα is used intensively for βλέποντα = ζῶντα, but this natural use of language is assisted by the image of the star. (See L. and S. s. ν. δέρκομαι.) The star of Orestes in the ascendant will be of evil omen to his enemies. Cp. Il. 22. 30, λαμπρότατος μὲν ὅδ᾽ ἐστί, κακὸν δὲ τε σῆμα τέτυκται. For ἔτι meaning 'Hereafter, though not now, cp. infr. 471: Trach. 256, 7, ἢ μὴν τὸν ἀγχιστῆρα τοῦδε τοῦ πάθους | ξὺν παιδὶ καὶ γυναικὶ δουλώσειν ἔτι: Ant. 69: Phil. 1359. Compare with ll. 59-66 the comic words of Falstaff, Shak. I Hen. 4. 5. 4. 120, 'To counterfeit dying, when a man thereby liveth, is to be no counterfeit, but the true and perfect image of life indeed.'

68. mvp-comment-46-1 Receive me and let me prosper in this my coming. The participle is proleptic. For ταῖσδε ταῖς ὁδοῖς, cp. Ὁ. C. 553, τανῦν θ᾽ ὁδοῖς | ἐν ταῖσδ᾽ ἀκούων μᾶλλον ἐξεπίσταμαι.

70. mvp-comment-47-1 δίκῃ καθαρτής] ‘A rightful purifier.' See E. on L. § 14. р. 20. Ср. Shak. J. C. 2. 1. 180, We shall be called purgers, not murderers.'

72. mvp-comment-48-1 ἀλλ᾽ ἀρχέπλουτον] Sc. καταστήσατε, the positive notion elicited from the negative, -E. on L. § 36. p. 64. (1) But make me the founder of a wealthy line.' This would seem to be the meaning of the compound, according to the analogy of ἀρχέκακος. The word in this sense may possibly be construed with δόμων, 'Beginner of wealth to the house. Others explain it as equal to ἀρχαιόπλουτος, (2) ‘Enjoying ancient wealth. For this, cp. ἀρχεδίκης, Pind. Pyth. 4. 189-195, ἀρχαίαν κομίζων πατρὸς ἐμοῦ βασιλευομέναν | οὐ κατ' αἶσαν .... τιμάν. | πεύθομαι γάρ νιν Πελίαν . . | ἁμετέρων ἀποσυλᾶσαι βιαίως ἀρχεδικᾶν τοκέων.

74. mvp-comment-49-1 τὸ σὸν .. φρουρῆσαι χρέος] 'Go thy way and watchfully execute thy duty.' Lit. Watch thy service,' i. e. perform thy service which requires watchfulness. τὸ σὸν . . χρέος is cognate acc. after φρουρῆσαι, but also in the first instance the subject of μελέσθω, to which φρουρῆσαι is added as an explanatory infinitive.

75. mvp-comment-50-1 καιρὸς γάρ] Sc. ἐστί. For the occasion is here. See E. on L. § 39. p. 72, 1 α.

75-76. mvp-comment-51-1 ὅσπερ, κ.τ.λ.] 'And of all powers that direct men's enterprises, Occasion is chief.'

77-86. mvp-comment-52-1 As the function of the chorus, see Introduction, is to respond to Electra, who gives the principal interest to the play, their entrance is preceded by a monody from her, which draws the sympathy of the spectators to the chief person, and prepares them to enter more fully into the spirit of the action. And-less to whet the purpose of Orestes, than to show his firmness- he is allowed to hear her wailing from within. It is easy to see how this must excite him. But it does not alter his determination to rely upon himself alone. And thus, although for the moment eager to hear more, he yields at once to the counsel of the old man, that nothing should delay the action for which the moment is come. After l. 85, exeunt Orestes, the Paedagogus, and Pylades, leaving the proscenium vacant.

77. mvp-comment-53-1 -------. A paroemiac, consisting wholly of long syllables, like infr. 88, 89, 105, and other lines in the following lament. See the scheme of metres below.

78-79. mvp-comment-54-1 'Methinks there comes from the doors a sound as of some handmaiden moaning within them.' The harshness of the unusual genitive, θυρῶν ='In the direction of the doorway,' 'e regione ostii,' is softened by the addition of ἔνδον, with which θυρῶν is to be resumed. For the genitive of the place from which an object strikes the sense, cp. infr. 900, 1, ἐσχάτης ὁρῶ | πυρᾶς νεώρη βόστρυχον τετμημένον.

81. mvp-comment-55-1 There is no valid objection to the Scholiast's explanation of this as καὶ ἀνακούσωμεν, ‘And let us hear afresh,' or 'hear further.' Hermann prefers καὶ ἐνακούσωμεν. Neither form is found elsewhere, and Nauck conj. κάπακούσωμεν. But, as Prof. Paley observes, this is unnecessary.

82-83. mvp-comment-56-1 μηδὲν πρόσθεν] Sc. ποιώμεθα, which is absorbed in πειρώμεθ᾽ ἔρδειν. κἀπὸ τῶνδ᾽ ἀρχηγετεῖν] ‘And with this rite initiate our act.

84-85. mvp-comment-57-1 ταῦτα γὰρ . . δρωμένων] 'For this brings victory within our grasp, and gives us command over our exploit.' φέρει (sc. ἡμῖν) is to be resumed with κράτος, but ἐφ' ἡμῖν is to be joined to νίκην, as a supplementary predicate. See E. on L. $ 19. p. 29. 4, and § 24. p. 40, 2.

85-86. mvp-comment-58-1 They go all together to perform the libation at the tomb, after which the old man will return to the palace, and Orestes and Pylades will go to the place where they have hidden the urn ( supr. 55). Orestes, in supr. 73, 4, spoke as if the old man was at once to begin his part. But the time is not yet come for this, and, by going to join in the solemn rite at the grave of his old master, he leaves the proscenium vacant for the scenes from l. 86 to l. 659. If we are inclined to quarrel with this long delay, our scruple is pacified by the words ὅταν σε καιρὸς εἰσάγῃ in supr. 39.

86-250. mvp-comment-59-1 In this long lament there are two principal movements, each of which admits of subdivision. First, the monody of Electra, consisting of two anapaestic systems, of which one (ll. 86-102) is retrospective, and the other (ll. 103-120) is prospective. Secondly, there is the commatic parodos :-the chorus on their entrance address Electra with lyric strains, to which she responds also in lyric measures. This movement consists of three strophes and antistrophes. In στρ. and ἀντ. α' (ll. 121-152), the chorus gently, but gloomily, expostulate with Electra, who is inconsolable. In στρ. and ἀντ. β΄ (ll. 153-192), they vainly try to cheer her. In στρ. and ἀντ. γ΄ (ll. 193- 232), they remind her of her past and present troubles, and exhort her not to add to them. All this is followed by a ῥῆσις of Electra (ll. 254-309) in reply to the coryphaeus, who, at l. 324, again speaks to call attention to Chrysothemis' approach.

86-250. mvp-comment-59-2 Metres. The anapaests in 86-120, although for the most part regular are in so far of the freer kind which belong to laments as to admit the spondaic paroemiacs near the commencement of each system in ll. 88, 9, 105, 6, which, with the opening half line, have a strange effect of heaviness and of struggle and pain. The two systems so nearly correspond, both in this respect and in the number of the lines, that one is tempted to believe that the half line that would complete the antistrophic effect has been lost somewhere between 113 and 117. But anapaestic systems are seldom exactly antistrophic, and the pause after the (dactylic) invocation in l. 115 may be intentional.

86-92. mvp-comment-60-1 Electra tells her sorrows to the daylight and to the air of Heaven, as she has told them all night long to her sleepless chamber. The holy light contrasts with the pollutions of the house of Pelops; the illimitable air,- which searches even to earth's remotest corners, and is common to Orestes and herself, both contrasts with the narrowness of her lot, and can alone contain the boundlessness of her grief.

86. mvp-comment-61-1 ὦ φάος ἁγνόν] For the sacred purity of the elements as opposed to the impurity of man, cp. O. T. 1427, 8, τὸ μήτε γῆ μήτ᾿ ὄμβρος ἱρὸς μήτε φῶς προσδέξεται.

87-90. mvp-comment-62-1 ὥς μοι .. αἱμασσομένων] ‘How many tones of my lamenting. how many blows that bruised my bleeding breast, have thrilled you!' στέρνων is objective genitive with πληγάς, but is to be resumed with ἀντήρεις, lit. 'planted firmly against.'

91. mvp-comment-63-1 ὑπολειφθῇ] 'Hath ceased,' lit. 'Has been outrun,' i.e. by the day. Cp. Αj. 672, 3, ἐξίσταται δὲ νυκτὸς αἰανὴς κύκλος | τῇ λευκοπώλῳ φέγγος ἡμέρᾳ φλέγειν.

92-93. mvp-comment-64-1 τὰ δὲ.. οἴκων] ‘And when night comes on, the detested chamber in this weary house knows too well what festive hours I pass.' There is a bitter irony that can hardly be rendered, in using the word παννυχίς, generally a festal celebration, of the sleepless nights of mourning. Cp. Ant. 152, 3, θεῶν δὲ ναοὺς χοροῖς | παννυχίοις πάντας ἐπέλθωμεν, and, for the general sense, cp. Od. 19. 518 foll. ὡς δ᾽ ὅτε Πανδαρέου κούρη, χλωρηΐς ᾿Αηδών, | καλὸν ἀείδῃσιν, ἔαρος νέον ἱσταμένοιο, | δενδρέων ἐν πετάλοισι καθεζομένη πυκινοῖσιν, | ἥ τε θαμὰ τρωπῶσα χέει πολυηχέα φωνήν, | παῖδ᾽ ὀλοφυρομένη Ἴτυλον φίλον, ὅν ποτε χαλκῷ | κτεῖνε δι᾽ ἀφραδίας, κοῦρον Ζήθοιο ἄνακτος· | ὣς καὶ ἐμοὶ δίχα θυμὸς ὀρώρεται ἔνθα καὶ ἔνθα. See below, ll. 107, 148, 9. ἤδη contrasts παννυχίδων with what precedes.

95-96. mvp-comment-65-1 Cp. Od. 11. 408-411, where Agamemnon says, οὔτε μ᾿ ἀνάρσιοι ἄνδρες ἐδηλήσαντ᾽ ἐπὶ χέρσου· | ἀλλά μοι Αίγισθος τεύξας θάνατόν τε μόρον τε ἕκτα σὺν οὐλομένῃ ἀλόχῳ, οἰκύνδε καλέσσας, | δειπνίσσας, ὥς τις κατέκτανε βοῦν ἐπὶ φάτνῃ. See below, ll. 203, 4. And for ῎Αρης οὐκ ἐξένισεν, ' War did not give hospitable repose,' cp. Aesch. Cho. 351-3, πολύχωστον ἂν εἶχες | τάφον διαποντίου γᾶς | δώμασιν εὐφόρητον: Ag. 455, ἐχθρὰ δ᾽ ἔχοντας ἔκρυψεν : Verg. Aen. 1. 97, 'Mene Iliacis occumbere campis | Non potuisse.'

98. mvp-comment-66-1 Cp. II. 13. 389, ἤριπε δ', ὡς ὅτε τις δρῦς ἤριπεν, ἢ ἀχερωΐς, | ἠὲ πίτυς βλωθρή, την τ' οὔρεσι τέκτονες ἄνδρες ἐξέταμον πελέκεσσι νεήκεσι, νήϊον εἶναι. But the unfeeling act of the woodman is more prominent in the present passage than the grandeur of the tree.

100-101. mvp-comment-67-1 κοὐδεὶς.. φέρεται] ‘And no pity' (or mourning) 'on account of this goes forth from any one but me.' For the genitive, cp. Ο. Τ. 185, λυγρῶν πόνων ἱκτῆρες ἐπιστενάχουσιν. And for the attraction in the gender of οὐκ ἄλλης, cp. infr. 885, 6, ἐγὼ μὲν ἐξ ἐμοῦ τε κοὐκ ἄλλης σαφή | σημεῖ᾿ ἰδοῦσα, κ.τ.λ. For φέρεται, of the utterance of feeling, cp. Pind. Pyth. 1. 170, εἴ τι καὶ φλαῦρον παραιθύσσει, μέγα τοι φέρεται | πὰρ σέθεν.

102. mvp-comment-68-1 αἰκῶς] Although the MSS. agree in ἀδίκως, the Scholiast gives ἀεικῶς as a various reading. And ἀδίκως, which is appropriate in infr. 113, is frigid here.

105. mvp-comment-69-1 Hermann's rejection of the first λεύσσω (see v. rr.) is clearly the best emendation of this passage, which in the MSS. has two long syllables too many. παμφεγγεῖς ῥιπάς] 'The bright tremblings of the stars.' On παν in comp. see Essay on L. § 55. p. 101, 6. φέγγος has a special application to the light of the moon and stars as distinguished from daylight :-Plat. Rep. 6. Ρ. 508 C, ὀφθαλμοί, ὅταν μηκέτι ἐπ᾿ ἐκεῖνά τις αὐτοὺς τρέπῃ ὧν ἂν τὰς χρόας τὸ ἡμερινὸν φῶς ἐπέχῃ, ἀλλ᾽ ὧν νυκτερινὰ φέγγη. For ῥιπή, lit. 'beating' or 'pulsation,' as applied to the twinkling of the stars, cp. Tennyson's 'Beat, happy stars, timing with things below.'

107. mvp-comment-70-1 τεκνολέτειρα] 'That has lost' (or 'slain') 'her child,' viz. Itylus, according to the story followed in the Odyssey, 1. c. (19. 518 foll.) As the song of the nightingale is meant, and not the cry of the bird whose nest is robbed, Ant. 423-5 is not really parallel. The idiomatic use of τις does not prevent the identification of the nightingale with the mythical daughter of Pandion. Cp. Aesch. Ag. 55, 6, ἤ τις ᾿Απόλλων, | ἢ Πάν, ἢ Ζεύς.

107-109. mvp-comment-71-1 But like some Philomela for her son destroyed, I will peal for all to hear a note of lamentation in front of these my father's doors.' ἐπὶ κωκυτῷ is an adverbial expression like ἐπὶ ψόγοισι in Ant. 759. See Essay on L. § 19. p. 27. It implies that the noise that echoed round about the palace was sustained by the force of her impetuous crying. Cp. infr. 241-3, γονέων ἐκτίμους ἴσχουσα πτέρυγας | ὀξυτόνων γόων.

111. mvp-comment-72-1 'Hermes of the Shades' is invoked here as in the Choephori, because he had guided the soul of Agamemnon to Hades and might be expected to guide his Avenger. πότνι' ἀρά] Agamemnon was ἀραῖος to Clytemnestra on account of her crime. Cp. Ó. T. 417, 8, καί σ᾽ ἀμφιπλὴξ μητρός τε καὶ τοῦ σοῦ πατρὸς | ἐλᾷ ποτ᾽ ἐκ γῆς τῆσδε δεινόπους ἀρά.

112. mvp-comment-73-1 The Erinyes are here invoked in their most general character, and are not named specifically as daughters of Earth and Night, but vaguely as 'children of gods.'

114. mvp-comment-74-1 They are the avengers not only of murder, but of every great breach of law. Cp. Αj. 836, δρώσας πάντα τὰν βροτοῖς πάθη: Aesch. Eum. 895, ΑΘ. (to the Eumenides) ὡς μή τιν' οἶκον εὐθενεῖν ἄνευ σέθεν : ib. 835. And Aegisthus, who is the great offender in Electra's sight, is guilty on both counts of this indictment. Cp. infr. 271, 2, τὴν τελευταίαν ὕβριν τὸν αὐτοφόντην ἡμὶν ἐν κοίτῃ πατρός.

119-120. mvp-comment-75-1 'My single force no longer countervails the stress of woe.' Lit. 'I no longer have strength alone to lift the weight of grief that presses in the opposite scale.'

121-127. mvp-comment-76-1 Electra's monody, like the soliloquy of Deianeira. Trach. I fol., has indicated the loneliness of her sorrow. But she is not friendless. The women of Argos feel with her and would comfort her if they could. In this long 'commatic parodos,' which at once enlists the sympathies of the spectator, and prepares his mind by contrast for the rapidity of the action which is to follow, there are seven choric strains, to which Electra responds with μέλη ἀπὸ σκηνῆς. If, as seems most probable, a single voice is heard each time, the front row of choreutae would alone take part. Thus, supposing the five dots to represent the πρωτόσταται, i. e. the coryphaeus and those on either side of him, the parts might be assigned as follows:- ἀντ. β'. ἀντ.α΄. στρ.α΄. στρ.β. στρ. γ΄. ἀντ. γ'. ἐπ. The choreutae immediately to right and left of the coryphaeus would address Electra twice, and when the epode was finished, the coryphaeus would make a new beginning with the senarii in ll. 251-3, after which, each of the five would speak once again, ending with the coryphaeus. The metres are as follows:-

121. mvp-comment-77-1 παῖ is first the natural address of an elder person to a younger, and is then repeated in a different sense with the genitive in regimen. 'O child Electra! Child of a most wretched mother!' For the moral association in δυστανοτάτας, cp. Aj. 1290, δύστηνε, ποῖ βλέπων ποτ᾿ αὐτὰ καὶ θροεῖς;

122-123. mvp-comment-78-1 τίν᾿ ἀεὶ .. οἰμωγάν] ‘Why this never-ceasing lament which piningly thou pourest out over thy father?' For this adverbial' use of the interrogative pronoun, cp. Ο. Τ. 2, τίνας ποθ᾽ ἕδρας τάσδε μοι θοάζετε; and see Essay on L. § 42. p. 81. τάκεις οἰμωγάν ἰς literally, Dost cause the cry to melt from thee; i.e. Dost waste thyself with crying. In the sentence which follows, τὸν.. ᾿Αγαμέμνονα is governed by τάκεις .. οἰμωγάν taken as one word = οἰμώζεις. Ε. on L. § 16. p. 23 b. With ἀκόρεστον, Immoderate, contrast ll. 23. 157, γόοιο μὲν ἔστι καὶ ἆσαι : Od. 4. 103, αἰψηρὸς δὲ κύρος κρυεροῖο γόοιο.

124. mvp-comment-79-1 ἀθεώτατα] In heinous defiance of the gods.' Cp. Aesch. Cho. 46, δύσθεος γυνά: Trach. 1036, σὰ μάτηρ ἄθεος.

126. mvp-comment-80-1 κακᾷ τε χειρὶ πρόδοτον] ‘And delivered over to destruction with wicked violence.' Cp. infr. 206, 7, χειροῖν | αἱ τὸν ἐμὸν εἶλον βίον | πρόδοτον, αἱ μ᾿ ἀπώλεσαν. The fear of Aegisthus, who is sovereign de facto, prevents the chorus from mentioning him by name. Cp. Trach. 383, 4, and note.

129. mvp-comment-81-1 γενέθλα] Here, and in infr. 226, Doric for γενέθλη. “Offspring of noble sires.' Two glosses on γενναίων, viz. (1) πατέρων, (2) τοκέων, have found their way into different MSS., while, curiously enough, no MS. has the line uninterpolated.

130. mvp-comment-82-1 παραμύθιον may be in apposition (1) with the subject of ἥκετε or (2) with the verb itself. The latter (2), conveying more exactly the notion of an intention to console, is probably right. But for the former (1), cp. Thuc. 5. 103, ἐλπὶς κινδύνῳ παραμύθιον οὖσα.

131. mvp-comment-83-1 τάδ'] Either (1) Your kind intention, or (2) That my sorrow is importunate.' Cp. infr. 222. The Scholiast prefers (2).

132. mvp-comment-84-1 οὐδ᾽ ἐθέλω προλιπεῖν τόδε] ‘But I will not give this up.' δé is adversative, though it is unnecessary to write οὐ δ' with Hermann.

134. mvp-comment-85-1 (1) 'But, O ye who exchange with me the tender grace of every sort of mutual affection, - ἀμειβόμεναι vocative. Or (2), supposing the participle to agree with the subject of ἐᾶτε, 'But O, in return for all manner of love' (which ye have had from me). Musgrave objects to this that Electra had no power of conferring kindnesses, and that if she had, she would not thus have reminded her friends of them. He ingeniously renders, Exchanging for this (?) service all your varied kindnesses. But his argument is hypercritical. It is the strength of her wish, and not the sense of her merit, that is really emphasized in παντοίας (of which Ellendt rightly says, Nihil nisi multum s. magnum significat.') And φιλότης is simply affection.' Schndw. explains, So conferring on me a kindness equivalent to all manner of friendship:'-Wecklein, Ye who return the grace of all manner of love (for mine).'

137-138. mvp-comment-86-1 τόν γ᾽ ἐξ ᾿Αΐδα λίμνας] i.e. τὸν ἐν . . λίμνᾳ ἐκ . . λίμνας, according to a familiar idiom of condensation. λίμνας] Viz. the 'palus Acherontis,' on the shores of which dwelt the dead.