Sophocles Electra 1

ed. Lewis Campbell

Ὦ τοῦ στρατηγήσαντος γρ. τυραννήσαντος ἐν Τροίᾳ ποτὲ
1
Ἀγαμέμνονος παῖ, νῦν ἐκεῖν ἔξεστί σοι
παρόντι λεύσσειν λεύσειν λεύσσειν, ὧν πρόθυμος ἦσθ᾽ ἀεί
τὸ γὰρ παλαιὸν Ἄργος οὑπόθεις οὗ retouched L. οὗ ἐπόθεις A. τόδε,
τῆς οἰστροπλῆγος ἄλσος Ινάχου κόρης·
5
αὕτη δ᾽, Ὀρέστα, τοῦ λυκοκτόνου θεοῦ
ἀγορὰ Λύκειος· οὐξ δύξ ἀριστερᾶς δ᾽ ὅδε

Electra. Sophocles. ed. Lewis Campbell. Oxford. 1879.

Current edition Experimental

Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-120 focus
Translations (5)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 1 focus
Son of the king who led the Achaean host
1
Erewhile beleaguering Troy, ’tis thine to day
1
To see around thee what through many a year
1
Thy forward spirit hath sighed for. Argolis
1
Lies here before us, hallowed as the scene
Of Io’s wildering pain: yonder, the mart
Named from the wolf slaying God, and there, to our left,
Hera’s famed temple. For we reach the bourn
Of far renowned Mycenae, rich in gold
And Pelops’ fatal roofs before us rise,
Haunted with many horrors, whence my hand,
Thy murdered sire then lying in his gore,
Received thee from thy sister, and removed
Where I have kept thee safe and nourished thee
To this bright manhood thou dost bear, to be
5
The avenger of thy father’s bloody death.
5
Wherefore, Orestes, and thou, Pylades,
5
Dearest of friends, though from a foreign soil,
5
Prepare your enterprise with speed. Dark night
Is vanished with her stars, and day’s bright orb
Hath waked the birds of morn into full song.
Now, then, ere foot of man go forth, ye two
Knit counsels. ’Tis no time for shy delay:
The very moment for your act is come.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 1 focus
O Sohn des Feldherrn, der in Troas einst gebot, 1
1
Des Agamemnon, endlich ist es dir vergönnt,
Zu schaun mit Augen, was zu schaun dich stets verlangt.
Dein graues Argos, deiner Sehnsucht Land, ist hier, 2
Der wuthgeschlagnen Inachid' uralter Hain;
5
Das dort, Orestes, ist der Markt des Lykiers,
Des wolferlegenden Gottes, und zur Liuken hier
Der Hera stolzer Tempel: wo wir hingelangt,
Schaust du Mykenä's Veste, reich an goldnem Schaz,
Und hier der Pelopsenkel unheilschwangres Haus,
10
Wo nach des Vaters grausem Tod ich ehedem
Von deiner Schwester dich empfing und weiter trug
Und rettet' und zu solcher Jugendblüte dich
Aufzog, dereinst zu rächen deines Vaters Mord.
Nun denn, Orestes, und o du, mein Pylades,
15
Der Freunde liebster, was zu thun, berathet schnell:
Denn schon erweckt der Sonne strahlenvoller Glanz
Der Vögel Morgenstimmen uns zu hellem Schall;
Die schwarze Nacht der Sterne schwand in's Dunkel hin.
Drum eh' ein Mann aus dieses Hauses Pforte tritt,
20
Beredet euch zusammen; denn wir stehen da,
Wo's nimmer gilt zu säumen, wo's der That bedarf.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 1 focus
O son of gi^eat Atrides ! he who led
1
Embattled Greece to Troy's devoted walls,
1
At length behold what thy desmng eyes
1
So long have sought. Behold thy native soil,
1
Thy much-loved Argos, and the hallowed grove
Of lo, frantic maid. On this side lies
The Lycian forum, on the left the fane
Of Juno, far renowned. Behold ! we come
To rich Mycense, and the slaughterous house
Of Pelops' hapless race, from whose sad walls
Long since I bore thee, at thy sister's hand
Gladly rocoivod, niul with paternal oiire
To this blest clay have fostered up thy youth,
Till riper years should give thee to return,
And pay with dire revenge thy father's murder.
Now, my Orestes, and thou dear companior
5
Of all our suft'erings, much-loved Pylades,
5
Let deepest counsel sway our just resolves ;
5
/For lo ! resplendent Pha-bus wifh his light
/ Calls up t lie cheerful birds to early song,
VAnd gloomy night hath lost her starry train :
Pours forth her busy throngs, this instant here
JiOt us consult. Believe me, 'tis no time
For dull delay ; 'tis the decisive hour,
And this the very crisis of our fate.
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 1 focus
THOU son of Agamemnon, who 'gainst Troy
1
Once led the pow'rs of Greece, now may thine eyes
1
Behold what long hath raised thy ardent wish.
1
This is the ancient Argos; this the grove
Of Iö, stung with frenzy o'er the earth
To wander; the Lycæan forum this
Of the Lycæan Phœbus; on the left
Glorious through Greece that stately temple stands
Sacred to Juno. Now we are advanced
Whence thou may'st see Mycenæ rich in gold;
And this the house of the Pelopidæ
5
With frequent slaughters stain'd: in times long past,
5
Beneath his murderers when thy father fell,
5
I took thee from thy sister's pious hand,
I bore thee hence, I saved thee, to this age
I train'd thee to avenge thy father's blood.
This hour, Orestes, and thou faithful friend,
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-120 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-1-1 ὧν 1 πρόθυμος ἦσθ’ 2

mvp-comment-2-1 Coming from Phocis, the travellers have reached Mycenae by the road from Corinth, and are now standing on the high ground of the Mycenaean citadel, in front of the palace.

mvp-comment-2-2 The old man, looking southward, points out the chief features of the landscape. (1) The Argive plain, which lies spread out before them to the south and west. (2) The agora and temple of Apollo Lyceios in the city of Argos, distant about six miles to the south. This temple was the most conspicuous object in the town ( Paus. 2. 19. 3 ); and it may be supposed that a person standing at Mycenae could see the building, or part of it. (3) The Heraeum, correctly described as being on the speaker's left hand. Its site was S. E. of Mycenae, at a distance of somewhat less than two miles.

mvp-comment-2-3 The poet's aim was merely to group these famous places in one view. Neither he nor his Athenian hearers would care whether the topography was minutely accurate. W. G. Clark, in his Peloponnesus (p. 72), illustrates this presumable indifference by a stage direction in Victor Hugo's Marie Tudor:—‘Palais de Richmond: dans le fond à gauche l'Église de Westminster, à droite la Tour de Londres.’ But, in fact, there is only one error of detail. The Heraeum was not visible from Mycenae (v. 8, n.).

mvp-comment-2-4 Ἄργος 3

mvp-comment-2-5 παλαιὸν 4

mvp-comment-3-1 τῆς οἰστροπλ … Ἰνάχου κόρης 5

mvp-comment-3-2 His daughter Io, the first priestess of Hera, was loved by Zeus, and changed by the jealous goddess into a cow. The hundred-eyed Argus, charged by Hera to watch her, bound her to an olive-tree in the temenos of the Heraeum ( Apollod. 2. 1. 3 ). Hermes slew Argus; and Hera then sent the gad-fly which drove Io forth from Argolis on her wanderings. Cp. Aesch. P. V. 681

οἰστροπλὴξ δ’ ἐγὼ
|
μάστιγι θείᾳ γῆν πρὸ γῆς ἐλαύνομαι
. Io, the horned wanderer, was originally, like Hera herself, a moon-goddess.

mvp-comment-3-3 ἄλσος 6

mvp-comment-4-1 The ἀγορὰ Λύκειος 7

mvp-comment-4-2 Λύκειος 8 λυκοκτόνος 9

mvp-comment-5-1 Ἥρας … ναός 10

mvp-comment-5-2 This oldest and greatest of Argive shrines is fitly mentioned here; for within its walls Agamemnon was said to have taken the oaths of the chiefs whom he led to Troy (Dictys Cretensis, 1. 15. 6). Here, too, the Spartan Cleomenes received the omen which caused him to retire from Argolis ( c. 496 B.C.: Her. 6. 81 ).

mvp-comment-5-3 The ancient temple was burnt down in 423 B.C. ( Thuc. 4. 133 ). A new Heraeum was built on a lower terrace of the same hill; and could boast among its treasures a chryselephantine statue of Hera by Polycleitus ( Paus. 2. 17. 4 ). The site of this later Heraeum has recently been excavated by members of the American School at Athens (1892).

mvp-comment-6-1 φάσκειν 11

mvp-comment-6-2 Μυκήνας 12

mvp-comment-6-3 The site of Mycenae is in a deep recess of the Argive plain, at its northern end,—

μυχῷ Ἄργεος ἱπποβότοιο
( Od. 3. 263 ). Between two peaks of Mount Euboea, a narrow glen runs out towards the plain, terminating in a rocky platform. This acropolis, naturally impregnable on three sides, was surrounded by Cyclopean walls, from 13 to 35 feet high, with an average thickness of 16 feet. Mycenae was to the plain of Argos much what Deceleia was to the plain of Athens,—a stronghold withdrawn from observation, but commanding the country below it.

mvp-comment-6-4 τὰς πολυχρύσους 13

mvp-comment-6-5 Thucydides (1. 9) notices the old tradition that Pelops had gained his power by means of the wealth (

πλήθει χρημάτων
) which he had brought from Asia to a poor country. Helbig ( Das hom. Epos aus den Denkm. erläutert, p. 50) thinks it certain that the precious metals became scarcer in the Peloponnesus after the Dorian conquest. When the Spartans, in the first half of the sixth century, required gold for a statue of Apollo, they had to procure it from Sardis ( Her. 1. 69 ).

mvp-comment-7-1 πολύφθορον 14

mvp-comment-8-1 πατρὸς ἐκ φόνων 15

mvp-comment-8-2 ἐκ 16

mvp-comment-9-1 ὁμαίμου 17 κασιγνήτης 18

mvp-comment-10-1 ἤνεγκα 19

mvp-comment-10-2 κἀξεθρεψάμην 20

mvp-comment-10-3 τοσόνδ’ ἐς ἥβης 21

mvp-comment-11-1 The vocative σὺ 22 βουλεύετον 23

mvp-comment-12-1 ἡμὶν 24

mvp-comment-12-2 ἑῷα 25

mvp-comment-12-3 κινεῖ … σαφῆ 26

mvp-comment-13-1 ἄστρων εὐφρόνη 27

mvp-comment-13-2 ἐκλέλοιπεν 28

mvp-comment-14-1 ἐξοδοιπορεῖν 29

mvp-comment-15-1 ξυνάπτετον 30 λόγοισιν 31

mvp-comment-15-2 ὡς ἐνταῦθ’ 32

mvp-comment-15-3 (1) ἐμὲν 33

mvp-comment-15-4 (2) Is, then, ἐνταῦθ’ 34

mvp-comment-15-5 (3) Supposing that

ἐνταῦθ’
is genuine —as seems most likely—no account of the passage is more probable than that the poet wrote
ὡς ἐνταῦθ’ ἵνα
|
οὐκ ἔστ’ ἔτ’ ὀκνεῖν καιρός
, and that
ἔστ’
dropped out before
ἔτ’
precisely as in Ph. 23 the words
τόνδ’ ἔτ’, εἴτ’
have shrunk to
τόνδ’ ἤτ’
in L. Then, Ph. v. 22 being defective,
ἵνα
was shifted to it from the end of v. 21 (cp. O. T. 1264 f., cr. n.); and the gap after
ἐνταῦθ’
was filled with
ἐμέν
,—a form which the later grammarians, at least, accepted, as will be seen in the Appendix.

mvp-comment-15-6 ἔργων ἀκμή 35

mvp-comment-16-1 ὦ φίλτατ’ ἀνδρῶν 36

mvp-comment-16-2 σημεῖα φαίνεις 37 γεγώς 38

mvp-comment-17-1 ὥσπερ γὰρ ἵππος εὐγενὴς 39

mvp-comment-18-1 ἐν τοῖσι δεινοῖς 40

mvp-comment-18-2 ἀπώλεσεν 41 ἵστησιν 42

mvp-comment-18-3 ὡσαύτως δὲ 43

mvp-comment-19-1 ἐν πρώτοις ἕπει 44

mvp-comment-20-1 εἰ μή τι 45

mvp-comment-20-2 καιροῦ τυγχάνω 46

mvp-comment-20-3 μεθάρμοσον 47

mvp-comment-21-1 γὰρ 48

mvp-comment-21-2 ἱκόμην 49

mvp-comment-21-3 μάθοιμ’ 50

mvp-comment-21-4 ἀροίμην 51

mvp-comment-22-1 χρῇ 52 τοιαῦθ’ 53 ὧν 54

mvp-comment-22-2 ὁ Φοῖβος 55

mvp-comment-22-3 πεύσει 56

mvp-comment-22-4 This verse might seem the preface to some longer recital (cp. Ph. 1418 n.). But in fact it is merely an emphatic prelude to the oracle: τάχα 57

mvp-comment-23-1 αὐτὸν 58 ἀσπίδων 59

mvp-comment-23-2 ἀσπίδων τε καὶ στρατοῦ 60 δόλοισι 61

mvp-comment-23-3 χειρὸς 62 σφαγάς 63

mvp-comment-23-4 κλέψαι 64

mvp-comment-24-1 ὅτε 65

mvp-comment-24-2 σὺ μὲν μολὼν 66

mvp-comment-24-3 καιρὸς 67

mvp-comment-24-4 ἴσθι 68

mvp-comment-25-1 γήρᾳ 69 χρόνῳ μακρῷ 70

mvp-comment-25-2 οὐδ’ ὑποπτεύσουσιν 71 οὐ μὴ γνῶσι 72

mvp-comment-25-3 ὧδ’ ἠνθισμένον 73

mvp-comment-26-1 Φωκεύς 74

mvp-comment-26-2

ἀνδρὸς Φανοτέως. ἀνήρ
, thus prefixed to a proper name, serves either: ( a) to introduce a person not previously men tioned,—being more respectful than
τις
, as Il. 11. 92
ἄνδρα Βιήνορα
, Her. 8. 82
ἀνὴρ Παναίτιος
: or ( b) adds something of solemnity or pathos to the mention of a familiar name, as Soph. O. C. 109
ἀνδρὸς Οἰδίπου
, Soph. Ai. 817
ἀνδρὸς Ἕκτορος
.

mvp-comment-26-3 Phanoteus was the eponymous hero of the town Phanoteus ( Thuc. 4. 89 ), or Panopeus ( Il. 2. 520 etc., Paus. , Strabo), in Phocis, close to the Boeotian frontier, —about three miles west of Chaeroneia, and as many east of Daulis. He was the brother of Crisus, from whom the town of Crisa in Phocis (about two miles w. s. w. of Delphi) took its name. Between these brothers, said the legend, there was a deadly feud; before birth they had struggled in the womb (Tzetzes, Lycophr. 939: cp. Preller, Griechische Mythologie, 2. p. 54 n. 5). Now Crisus was the father of Strophius, that king of Crisa who was the ally of Agamemnon, and with whom the young Orestes found a home. Hence Phanoteus, the foe of Crisus, is represented as the friend of Aegisthus and Clytaemnestra. He is the first to send them the glad tidings that Orestes is dead. On the other hand it is Strophius who is described as paying the last honours to the corpse, and sending the ashes to Mycenae (1111).

mvp-comment-26-4 ὁ γὰρ 75

mvp-comment-27-1 μέγιστος 76

mvp-comment-27-2 τυγχάνει 77

mvp-comment-27-3 δορυξένων 78

mvp-comment-28-1 ὅρκον 79 ὅρκῳ 80

mvp-comment-28-2 On the other hand, the phrase

προστιθέναι ὅρκον
has the authority of Sophocles himself: fr. 431
ὅρκου δὲ προστεθέντος ἐπιμελεστέρα
|
ψυχὴ κατέστη
. Cp. too Tr. 255
ὅρκον αὑτῷ προσβαλών
.

mvp-comment-28-3 The false oath would be regarded as excused by the

δόλοι
which Apollo had prescribed (v. 37); but in fact the Paedagogus takes no such oath.

mvp-comment-29-1 ἀναγκαίας τύχης 81

mvp-comment-29-2 ἄθλοισι 82 Πυθικοῖσιν 83

mvp-comment-29-3 τροχηλάτων 84

mvp-comment-29-4 ἑστάτω 85

mvp-comment-30-1 ἐφίετο 86

mvp-comment-30-2 λοιβαῖσι 87

mvp-comment-30-3 καρατόμοις χλιδαῖς 88

mvp-comment-30-4 στέψαντες 89

mvp-comment-30-5 ἄψορρον … πάλιν 90

mvp-comment-31-1 τύπωμα 91 χαλκόπλευρον 92

mvp-comment-31-2 ἠρμένοι 93

mvp-comment-31-3 Others take

ἠρμένοι
as middle. This use of
ἦρμαι
is not unknown to later Greek; e.g. Strabo 3. p. 150 has
νίκην ἠρμένοι
=
ἀράμενοι
. But there is no example of it in the classical period.

mvp-comment-32-1 Join που 94 καὶ σὺ 95

mvp-comment-32-2 The v.l. μοι 96

mvp-comment-33-1 λόγῳ κλέπτοντες 97

mvp-comment-33-2 φέρωμεν 98

mvp-comment-33-3 ἔρρει 99

mvp-comment-33-4 δέμας 100

mvp-comment-34-1 τί γάρ με λυπεῖ 101

mvp-comment-34-2 ἔργοισι 102

mvp-comment-34-3 κἀξενέγκωμαι 103

mvp-comment-35-1 δοκῶ μέν 104 σὺν κέρδει 105

mvp-comment-35-2 κακόν 106

mvp-comment-36-1 πολλάκις 107

mvp-comment-36-2 λόγῳ μάτην θνῄσκοντας 108

mvp-comment-36-3 ἐκτετίμηνται 109

mvp-comment-37-1 ὡς 110

mvp-comment-37-2 κἄμ’ ἐπαυχῶ 111

mvp-comment-37-3 ἄπο 112

mvp-comment-37-4 δεδορκότ’ 113

mvp-comment-37-5 ἐχθροῖς 114 λάμψειν 115

mvp-comment-37-6 ἄστρον 116

mvp-comment-37-7 ἔτι 117

mvp-comment-38-1 πατρῴα γῆ 118

mvp-comment-38-2 εὐτυχοῦντα 119

mvp-comment-38-3 ὁδοῖς 120

mvp-comment-39-1 καθαρτής 121

mvp-comment-39-2 πρὸς θεῶν ὡρμημένος 122

mvp-comment-40-1 ἀλλ’ ἀρχέπλουτον 123

mvp-comment-40-2 ἀρχέπλουτον 124

mvp-comment-40-3 καταστάτην 125

mvp-comment-41-1 εἴρηκα μέν νυν ταῦτα 126

mvp-comment-41-2 μελέσθω 127

mvp-comment-42-1 ἐπιστάτης 128

mvp-comment-43-1 ἰώ μοί μοι δύστηνος 129

mvp-comment-44-1 καὶ μὴν 130

mvp-comment-44-2 θυρῶν 131

mvp-comment-44-3 I should agree with the schol. in governing

θυρῶν
by ἔνδον 132

mvp-comment-44-4 προσπόλων τινὸς 133

mvp-comment-45-1 θέλεις | μείνωμεν … ; 134

mvp-comment-45-2 The reading of the MSS., κἀνακούσωμεν 135

mvp-comment-45-3 On the other hand Sophocles has

ἐπακούω
, ‘to listen,’ in O. T. 708 , O. T. 794 : O. C. 694 : Ph. 1417. Nauck's correction, κἀπακούσωμεν 136

mvp-comment-46-1 μηδὲν πρόσθεν 137

mvp-comment-46-2 τὰ Λοξίου 138

mvp-comment-46-3 ἀρχηγετεῖν 139

mvp-comment-47-1 πατρὸς 140

mvp-comment-47-2 λουτρά 141

mvp-comment-47-3 φέρει … ἐφ’ ἡμῖν 142

mvp-comment-47-4 νίκην 143 κράτος τῶν δρωμένων 144

mvp-comment-47-5 All three actors now leave the scene. Orestes and Pylades go to Agamemnon's grave,—departing, probably, by the entrance on the spectators' right. The Paedagogus leaves by the entrance on the left,—to await the moment for seeking admission to the house (v. 660).—It might, indeed, be inferred from

πειρώμεθ’
(83) that the old man goes with the youths to their task; but the word need not imply more than his participation in the plan. while verses 73—75 seem clearly to indicate that he separates from his companions. When they have gone, Electra enters from the house.

mvp-comment-48-1 A

θρῆνος ἀπὸ σκηνῆς
, or lyric lament delivered by an actor alone. as dist. from the joint
κομμός
of actor and Chorus (121 n.).

mvp-comment-48-2 Verses 86—102 form a

σύστημα
,=vv. 103—120 (
ἀντισύστημα
). If the text is sound, the correspondence is not exact, since the dimeter in v. 99 answers to a monometer in v. 116. These anapaests are, however, of the type usually known as ‘free’ or ‘melic,’ as having more of a lyric character than the regular anapaests of the marching-songs (like those of the Parodos in the Ajax): see W. Christ, Metrik, 2nd ed., § 288. And in such anapaests the symmetry of ‘systems’ is often not strict (cp. O. C. 117 n.).

mvp-comment-48-3 ὦ φάος ἁγνὸν 145

mvp-comment-48-4 γῆς ἰσόμοιρ’ ἀήρ 146

mvp-comment-48-5 ἰσόμοιῤ 147 ἰσόμοιρος 148

mvp-comment-49-1 πολλὰς μὲν … ᾔσθου 149

mvp-comment-49-2 ἀντήρεις 150

mvp-comment-50-1 πληγὰς 151 πλαγὰς 152

mvp-comment-51-1 ὑπολειφθῇ 153 ᾔσθου 154

mvp-comment-52-1 τὰ … παννυχίδων 155 ξυνίσας’ 156 ὅσα … θρηνῶ 157

mvp-comment-52-2 ἤδη 158

mvp-comment-52-3 The MS. οἴκων 159 λέκτρων 160 μογερῶν 161

mvp-comment-53-1 ὅσα τὸν δύστηνον 162

mvp-comment-54-1 κατὰ μὲν βάρβαρον αἶαν 163 ἐξένισεν 164

mvp-comment-55-1 Ἄρης 165

mvp-comment-55-2 ἐξένισεν 166

mvp-comment-56-1 κοινολεχὴς 167

mvp-comment-57-1 ὅπως δρῦν ὑλοτόμοι 168

mvp-comment-57-2 σχίζουσι 169

mvp-comment-57-3 κάρα 170

mvp-comment-57-4 πέλεκει 171

mvp-comment-58-1 ἄλλης 172

mvp-comment-58-2 φέρεται 173

mvp-comment-58-3 The deletion of the words ἀπ’ ἄλλης 174 ἢ )μοῦ 175

mvp-comment-59-1 ἀλλ’ οὐ μὲν δὴ 176

mvp-comment-60-1 ἄστρων 177

mvp-comment-60-2 Others read,

ἔστ’ ἂν λεύσσω παμφεγγεῖς
|
ῥιπάς, λεύσσω δὲ τόδ’ ἦμαρ
, omitting
ἄστρων
. But
παμφεγγεῖς ῥιπάς
, without
ἄστρων
, would not suffice to denote starlight. If, again, the phrase is taken to denote the sun's rays (as Monk proposes, Mus. Crit. I. p. 67), then
λεύσσω δὲ τόδ’ ἦμαρ
becomes weak. Further, the preceding context, in which she has spoken of her laments at night (92) and at morning, clearly suggests that the sense here is, ‘so long as I look on the stars or on the sun.’

mvp-comment-61-1 μὴ οὐ 178

mvp-comment-61-2 τεκνολέτειῤ 179

mvp-comment-62-1 ἐπὶ κωκυτῷ 180

mvp-comment-62-2 ἠχὼ 181

mvp-comment-63-1 Electra invokes, (1) the house of Hades and his bride Persephone, in which the spirit of Agamemnon now dwells; (2) Hermes, who, as

ψυχοπομπός
, conducted him thither,—and who will also guide the avengers on their way (1395 f.); (3)
Ἀρά
, the imprecation uttered by the victim upon his murderers,—the personified curse, here conceived as a supernatural power (
πότνια
), which calls the Erinyes into action; and (4) the Erinyes themselves.

mvp-comment-63-2 Ἀΐδου 182

mvp-comment-64-1 ὦ χθόνἰ Ἑρμῆ 183

mvp-comment-64-2 Ἀρά 184

mvp-comment-64-3 πότνια 185

mvp-comment-65-1 σεμναὶ 186

mvp-comment-65-2 θεῶν παῖδες 187

mvp-comment-66-1 ὁρᾶθ’ 188

mvp-comment-67-1 αἳ τοὺς εὐνὰς ὑποκλεπτομένους 189

mvp-comment-67-2 These much-impugned words appear genuine. The murder has been prompted by the guilty love:

δόλος ἦν ὁ φράσας, ἔρος ὁ κτείνας
(197). In Electra's thought, they are inseparable. The allusion to the love follows the reference to the murder, because she regards it as the crowning outrage (271
τὴν τελευταίαν ὕβριν
) that Clytaemnestra still lives with Aegisthus. Bloodshed was not the only sin which the Erinyes punished. They were the embodied sanctions of natural law, and every crime against the family came within their cognisance. (See Introd. to Homer, p. 51, § 13.) Indeed, Electra herself speaks of the unhallowed union as a special provocation to those Avengers: 275 f.
ἡ δ’ ὧδε τλήμων ὥστε τῷ μιάστορι
|
ξύνεστ’, Ἐρινὺν οὔτιν’ ἐκφοβουμένη
.

mvp-comment-68-1 τείσασθε 190

mvp-comment-69-1 ἡμετέρου 191 μοι 192

mvp-comment-69-2 καί μοι 193

mvp-comment-70-1 ἄγειν 194

mvp-comment-70-2 σωκῶ 195

mvp-comment-71-1 δυστανοτάτας 196

mvp-comment-72-1 τάκεις … οἰμωγὰν 197

mvp-comment-72-2 ἀκόρεστον 198

mvp-comment-72-3 τὸν πάλαι 199

mvp-comment-72-4 πάλαι 200 ἐκ 201

mvp-comment-72-5 ἀθεώτατα 202

mvp-comment-72-6 κακᾷ … χειρὶ πρόδοτον 203 χειρὶ 204

mvp-comment-72-7 ὡς 205

mvp-comment-72-8 ὁ τάδε πορὼν 206

mvp-comment-72-9 εἴ μοι θέμις 207

mvp-comment-73-1 γενέθλα 208

mvp-comment-73-2 γενναίων 209

mvp-comment-73-3 παραμύθ‐ 210 ιον 211

mvp-comment-74-1 ξυνίημι 212

mvp-comment-74-2 τάδ’ 213

mvp-comment-75-1 φυγγάνει 214

mvp-comment-75-2 οὐδ’ ἐθέλω 215

mvp-comment-76-1 μὴ οὐ 216

mvp-comment-76-2 τὸν ἐμὸν … πατέρ’ ἄθλιον 217

mvp-comment-77-1 παντοίας 218

mvp-comment-77-2 Electra's lyrics contain some Doricisms (129, 146 f., etc.): but it is best to retain

φιλότητος
, with the MSS. The form in
η
was so familiar through Homer that it may have been preferred to
φιλότατος
even in lyrics. Cp. 236 .

mvp-comment-78-1 ἀλύειν 219

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1. mvp-comment-1-1 στρατήγησαντος] γρ. τυραννήσαντος C2.

3. mvp-comment-2-1 λεύσσειν] λεύσειν ΑΓΕΙ, λεύσσειν Ας.

3. mvp-comment-2-2 ὧν πρόθυμος ἦσθ᾽ ἀεί] Cp. Od. 1. 40, 1, ἐκ γὰρ᾿ Ορέσταο τίσις ἔσσεται... ὁππότ᾽ ἂν ἡβήσῃ τε καὶ ἧς ἱμείρεται αἴης.

4. mvp-comment-3-1 οὑπόθεις] οὗ retouched L. οὗ ἐπόθεις Α.

7. mvp-comment-4-1 οὐξ] δύξ Α.

7. mvp-comment-4-2 ἀγορὰ Λύκειος] The temple of Apollo in the agora seems to have been the most sacred place in Argos. See Thuc. 5. 47, where it is enacted that the terms of the treaty shall be inscribed by the Argives ἐν στήλῃ λιθίνῃ . . ἐν ἀγορᾷ ἐν τοῦ ᾿Απόλλωνος τῷ ἱερῷ.

1-2. mvp-comment-5-1 The old man who has taken charge of Orestes since the time of his father's murder ( infr. 11 foll., cp. 1348 foll.) now does for him what Achilles hoped that Patroclus would have done for Neoptolemus, Il. 19. 328-333, πρὶν μὲν γάρ μοι θυμὸς ἐνὶ στήθεσσιν ἐώλπειν | οἷον ἐμὲ φθίσεσθαι ἀπ᾿ ᾿Αργεος ἱπποβότοιο | αὐτοῦ ἐνὶ Τροίῃ, σὲ δε τε Φθίηνδε νέεσθαι, | ὡς ἄν μοι τὸν παῖδα θοῇ ἐνὶ νηὶ μελαίνῃ | Σκυρόθεν ἐξαγάγοις, καί οἱ δείξειας ἕκαστα, | κτῆσιν ἐμὴν δμῶάς τε καὶ ὑψερεφὲς μέγα δῶμα. Cp. also Od. 13. 344 foll. where Athena points out the features of Ithaca to Odysseus. ὦ τοῦ.. παῖ] The heroic achievements of his father afford the chief incentive to the mind of Orestes. Cp. infr. 694, 5, ὄνομα δ᾽ Ορέστης, τοῦ τὸ κλεινὸν Ἑλλάδος | ᾿Αγαμέμνονος στράτευμ᾽ ἀγείραντός ποτε.

4-7. mvp-comment-6-1 The description passes from what is general and remote to what is nearest to the eye. 'Argos' here includes the plain of Argos (as even in Thuc. 6. 105, ἐς τὸ ᾿Αργος ἐσέβαλον). Mycenae is the seat of government, and the site of the future city of Argos, supposed at this time to be still inhabited village-wise,' is marked by the ἀγορὰ Λύκειος. It is not necessary to suppose that all the objects mentioned here could really be taken into one view. But the site of Mycenae commands the whole plain. The Heraeum, according to Pausanias, would really be on the left hand of those approaching Mycenae by way of Corinth. See Mr. Paley's note. Apollo Lyceius is here the wolf-slayer, i. e. the protector of the flock, perhaps with reference to Aegisthus, who is called a wolf in Aesch. Ag. 1259. Aeschylus (S. c. T. 145) connects Λύκειος with λύκος in a different way (Λύκει' ἄναξ, Λύκειος γενοῦ στρατῷ δαΐῳ).

5. mvp-comment-7-1 ἄλσος] 'The sacred ground,' i. e. the place consecrated by her first wanderings when her father sent her ἄφετον ἀλᾶσθαι (Aesch. Prom. 666). Cp. Aesch. Suppl. 50, ἐν ποιονόμοις ματρὸς ἀρχαίας τόποις, Ant. 845, Θήβας εὐαρμάτου ἄλσος.

8. mvp-comment-8-1 οἱ δ' ἱκάνομεν] The antecedent to the relative of is lost in the expansion of the sentence in l. 9.

10. mvp-comment-9-1 δῶμα.. τόδε] These words are coordinate with Μυκήνας and governed by ὁρᾶν, as is shown by the conjunction τε.

11. mvp-comment-10-1 πατρὸς ἐκ φόνων] Either (1) 'Immediately after thy father's murder,' cp. Thuc. 5. 20, ἐκ Διονυσίων, or (2) Out of the way of thy father's murder,' i.e. Away from the dangers consequent on it. For the latter (2), cp. Pind. Pyth. 11. 25 foll., τὸν δὴ φονευομένου πατρὸς ᾿Αρσινόα Κλυταιμνήστρας | χειρῶν ὕπο κρατερᾶν | ἐκ δόλου τροφὸς ἄνελε δυσπενθέος. In either case the plural, for which cp. O. C. 962, ὅστις φόνους μοι, κ.τ.λ., includes the attendant circumstances. φόνων is better than φονῶν (gen. plur. of φονή), which would suggest only the scene of blood.

12. mvp-comment-11-1 σῆς ὁμαίμου καὶ κασιγνήτης] ‘Thine own sister.' Cp. infr. 325, 6, τὴν σὴν ὅμαιμον, ἐκ πατρὸς ταὐτοῦ φύσιν, | Χρυσόθεμιν, ἔκ τε μητρός. The Electra, like the Antigone, lays great stress on the force of fraternal affection; and a peculiar tenderness seems to have been attached to the word κασίγνητος. Cp. infr. 1164, Ant. 915, ὦ κασίγνητον κάρα.

14. mvp-comment-12-1 τοσόνδ᾽ ἐς ήβης] 'To this strength of youthful manhood that thou showest.' So Phoenix says to Achilles, ΙΙ. 9. 485, καί σε τοσοῦτον ἔθηκα, θεοῖς ἐπιείκελ᾽ ᾿Αχιλλεῦ. For the position of ἐς, cp. O. C. 126, 7, ἀστιβὲς ἄλσος ἐς | τᾶνδ᾽ ἀμαιμακετᾶν κορᾶν. πατρί] For the dative, see E. on L. § 13. р. 19 с.

16. mvp-comment-13-1 Pylades, who is a silent person in the Electra, is only mentioned once again, infr. 1373. Orestes has no scruples, as in the Choephori, and therefore needs not the advice but only the active assistance of his friend. Pylades is present in every scene in which Orestes appears.

17-18. mvp-comment-14-1 ὡς ἡμὶν.. σαφῆ] 'Since we have already the sunshine in full brilliance awakening there unmistakably into song the early voice of birds.' λαμπρόν and σαφή both form part of the predication. σαφή, i. e. not a doubtful twitter here and there, but the unanimous warbling which tells that the morning is really come: - Milton's 'charm of earliest birds,' not Tennyson's 'earliest pipe of half-awakened birds.'

19. mvp-comment-15-1 (1) And dark Night is vanished with her stars,' ἄστρων εὐφρόνη = νὺξ ἀστερόεσσα. E. on L. § 9. p. 12, 1 a. Or (2), 'And dark Night, the region of the stars, has disappeared - Night being regarded as a world possessed by the stars. Others join άστρων ἐκλέλοιπε, 'Night has lost her stars':-i.e. The night is yet dark but the stars are waning in the coming light.' (Paley.) But this can hardly be reconciled with ll. 16, 17, and rather presupposes a Northern twilight.

20. mvp-comment-16-1 ἐξοδοιπορεῖν στέγης] Come out of doors.' ἐξοδοιπορεῖν, although a special word, has here only the general meaning of ἐξέρχεσθαι. See E. on L. § 52. p. 97.

21. mvp-comment-17-1 ξυνάπτετον λόγοισιν] ‘Join ye in counsel.' For this use of the dative with a transitive verb, cp. infr. 710, κλήροις ἔπηλαν, and note; and see Riddell's Digest of Idioms, in his edition of the Apology of Plato. For a similar idiom in English, cp. Shakespeare, Hamlet, 1. 2. 112: 'And with no less nobility of love Than that which dearest father bears his son, Do I impart toward you.' ὡς ἐνταῦθ᾽ *ἴμεν] 'Since we are thereabouts,' lit. 'moving there,'-i. е. ἐνταῦθά ἐσμεν τῆς ὁδοῦ: we are arrived at such a point in our enterprise. ἐμέν, for ἐσμέν, which occurs only once in Callimachus, can hardly be retained, and no valid objection has been made to Dawes' emendation, as above explained.

26-27. mvp-comment-18-1 ἀπώλεσεν.. ἵστησιν] The description passes from the gnomic aorist to the vivid present. For the verb, cp. Hdt. 4. 129, οἱ ἵπποι ἐν θαύματι ἔσκον, ὀρθὰ ἱστάντες τὰ ὦτα.

27. mvp-comment-19-1 δέ] In apodosi.

29. mvp-comment-20-1 τὰ . . δόξαντα] Sc. ἐμοί τε καὶ Πυλάδῃ τῷδε. Their plans are already formed.

31. mvp-comment-21-1 εἰ μή τι καιροῦ τυγχάνω] 'If anywhere I miss the mark,'-εἴ τι ἁμαρτάνω. Ε. on L. § 41. p. 78.

33. mvp-comment-22-1 πατρί is more expressive than πατρός. Cp. supr. 14.

34. mvp-comment-23-1 ἀροίμην is probably aorist (not future) optative, being indirect for (τίνι τρόπῳ) ἄρωμαι;

36. mvp-comment-24-1 Myself alone, unsupported by armed men.' Cp. Pind. Nem. 3. 59, δε καὶ Ἰωλκὸν εἶλε μόνος ἄνευ στρατιᾶς.

37. mvp-comment-25-1 By craft to steal the righteous deathblow which my hand should give.' χειρός marks the directly personal nature of the act. Cp. O. T. 811, ἐκ τῆσδε χειρός, and note. For the genitive, cp. infr. 206, θανάτους αἰκεῖς διδύμαιν χειροῖν.

38. mvp-comment-26-1 τοιόνδε, like τοιαῦτα in supr. 35, points to the remarkable nature of the oracle (cp. O. Τ. 95, οἱ ἤκουσα, and note), but with greater vividness. E. on L. § 22. p. 34.

39. mvp-comment-27-1 καιρός is personified, as infr. 75.

42-43. mvp-comment-28-1 (1) For thine age, and the long lapse of time, that has so altered thee, will surely prevent their recognizing or suspecting thee.' Or (2) taking οὐδ᾽ ἠνθισμένον separately, as referring to the Phocian costume, For thine age and the lapse of time will prevent their knowing you, nor will they once suspect you under this disguise.' Or (3) supposing ὧδ' ήνθισμένον to be an afterthought and the causal datives to be resumed with it, 'After so many years in which you have grown old they will not know or suspect you, altered as you are by age.' Cp. Shak. Cymb. 4. 4. 31-4 (Guiderius): 'Pray, sir, to the army: I and my brother are not known; yourself So out of thought, and thereto so o'ergrown, Cannot be questioned.' For the combination of aorist subj. and fut. ind., cp. Ο. C. 450, 1, ἀλλ᾽ οὗ τι μὴ λάχωσι τοῦδε συμμάχου, | οὔτε σφιν ἀρχῆς . . | ὄνησις ἥξει.

45. mvp-comment-29-1 Phanoteus had quarrelled with his brother Crisus, the father of Strophius and uncle of Pylades, and therefore was likely to send information of a fact which told against them. (Dind.). Whether this be the precise version of the legend as understood by Sophocles or not, some such relation between Strophius and Phanoteus is intended by him. Strophius is, in Sophocles also, the guardian of Orestes, - infr. 1111.

47. mvp-comment-30-1 ὅρκῳ προστιθείς] (1) Sc. τὰ ἀγγελλόμενα. With the preface of an oath.' Hermann objects to this: 'At ita res primaria in secundariam converteretur.' But such inversions are not infrequent. Cp. Aristoph. Av. 1004. See E. on L. § 42. p. 80, and Schmidt's Shak. Lex., Grammatical Observations, § 14. p. 1423. The correction ὅρκον προστιθείς (for which cp. Fr. 428, ὅρκου δὲ προστεθέντος ἐπιμελεστέρα | ψυχὴ κατέστη) is therefore unnecessary. Or (2) ὅρκῳ is a dative of manner, 'With an oath,' to which προστιθείς, sc. ὅρκον, is added epexegetically. Cp. Essay on L. § 14. p. 21; ib. § 36. p. 63 (5) a.

48. mvp-comment-31-1 ἐξ ἀναγκαίας τύχης] 'Through a fatal accident.' ἀναγκαία τύχη is here a misfortune that cannot be avoided. The same phrase is used with slightly different shades of meaning in Aj. 485, 803.

49. mvp-comment-32-1 ἄθλοισι Πυθικοῖσιν] ‘At the Pythian games.' Dat. of the occasion. E. on L. § 11. p. 18. The Delphic contest is said to have been instituted in the 48th Olympiad, but is here ideally carried back into the heroic age. Cp. Aj. 596 and note.

51. mvp-comment-33-1 ὡς ἐφίετο] Sc. ὁ Λοξίας ( infr. 82, 3). Cp. Ο. Τ. 110, ἐν τῇδ᾽ ἔφασκε γῇ.

52. mvp-comment-34-1 καρατόμοις χλιδαῖς] ‘With shorn locks luxuriant.' Cp. infr. 901, νεώρη βόστρυχον. The word χλιδή perhaps marks the luxuriance of the youthful Orestes' locks. Cp. Plat. Phaedo, 89 B, αὔριον δή, ἔφη, ἴσως, ὦ Φαίδων, τὰς καλὰς ταύτας κόμας ἀποκερεῖ.

54. mvp-comment-35-1 'Holding uplifted in our hands the shapely urn with sides of brass.' The Scholiast rightly compares the construction of τύπωμα with ᾐρμένοι to such expressions as πώγωνα καθειμένος, – ἀντὶ τοῦ κεχαλασμένον ἔχων. But he does not observe that in both cases the verb is in the middle voice. τύπωμα is literally, A moulded form.' Cp. Ant. 430, ἐκ δ' εὐκροτήτου .. πρόχου, κ.τ.λ. For χαλκόπλευρον, cp. Aesch. Cho. 686, λέβητος χαλκέου πλευρώματα.

55. mvp-comment-36-1 (1) Which, as I believe (που) you know, is hidden in the brake.' For οἰσθά που, cp. infr. 948, 9, παρουσίαν μὲν λέγων, | οἶσθα καὶ σὺ που φίλων | ὡς. κ.τ.λ. (2) The v. r. μοι for που is also possible. Which I have, as you know, hidden in the brake.' μοι, if genuine, is not dative of the agent, but of remote reference not I have hidden it, but 'I have it hidden.'

56. mvp-comment-37-1 λόγῳ κλέπτοντες] 'Stealing our advance through feigned words.' The participle is equally emphatic with the verb.

57. mvp-comment-38-1 φέρωμεν] The optative cannot be defended here.

59-60. mvp-comment-39-1 The precise construction would be either λυπεῖ.. ὅτε σώζομαι, or λυπήσει . . ὅταν σωθῶ. But as the sentence proceeds the mind of Orestes dwells more than at first on the futurity of the event.

60. mvp-comment-40-1 κἀξενέγκωμαι κλέος] ‘And win renown.' Cp. Od. 1. 298, οἷον κλέος ἔλλαβε δῖος Ορέστης.

61. mvp-comment-41-1 δοκῶ μέν] Cp. infr. 547: О. С. 995, δοκῶ μέν, εἴπερ ζῆν φιλεῖς, κ.τ.λ.: Fr. 83, δοκῶ μέν, οὐδείς: Plato, Meno, 94 C, δοκῶ μέν, ἐβούλετο, Methinks, no word is inauspicious that is accompanied with gain.' Cp. Eur. Hel. 1050 foll. (quoted by Brunck), ΕΛ. βούλει λέγεσθαι, μὴ θανών, τεθνηκέναι; ΜΕΝ. κακὸς μὲν ὄρνις· εἰ δὲ κερδανῶ λέγων, | ἕτοιμός εἰμι μὴ θανών λόγῳ θανείν.

62-66. mvp-comment-42-1 Some such story as that of Aristeas of Proconnesus, Hdt. 4. 13-16, is probably in the mind of the poet, who need not however be accused of the anachronism of making Orestes refer to this or any similar story (as of Pythagoras, Epimenides, Solon, Zaleucus, or Zamolxis). Hermann finds here an allusion to some banished Athenian citizen, who (like the late Lord Brougham) may have ambitiously spread the rumour of his own death.

63. mvp-comment-43-1 μάτην] ‘Without reality. For the pleonasm, see E. on L. § 40. p. 75.

64. mvp-comment-44-1 ἐκτετίμηνται πλέον] ‘Their name stands higher than before.' For this intensive use of the perfect, cp. ἐσπούδακα, τετεύτακα, and similar words.

65-66. mvp-comment-45-1 Even so I, having indeed come to life in consequence of this report, shall yet, I trust, flash like a comet on my foes.' δεδορκότα is used intensively for βλέποντα = ζῶντα, but this natural use of language is assisted by the image of the star. (See L. and S. s. ν. δέρκομαι.) The star of Orestes in the ascendant will be of evil omen to his enemies. Cp. Il. 22. 30, λαμπρότατος μὲν ὅδ᾽ ἐστί, κακὸν δὲ τε σῆμα τέτυκται. For ἔτι meaning 'Hereafter, though not now, cp. infr. 471: Trach. 256, 7, ἢ μὴν τὸν ἀγχιστῆρα τοῦδε τοῦ πάθους | ξὺν παιδὶ καὶ γυναικὶ δουλώσειν ἔτι: Ant. 69: Phil. 1359. Compare with ll. 59-66 the comic words of Falstaff, Shak. I Hen. 4. 5. 4. 120, 'To counterfeit dying, when a man thereby liveth, is to be no counterfeit, but the true and perfect image of life indeed.'

68. mvp-comment-46-1 Receive me and let me prosper in this my coming. The participle is proleptic. For ταῖσδε ταῖς ὁδοῖς, cp. Ὁ. C. 553, τανῦν θ᾽ ὁδοῖς | ἐν ταῖσδ᾽ ἀκούων μᾶλλον ἐξεπίσταμαι.

70. mvp-comment-47-1 δίκῃ καθαρτής] ‘A rightful purifier.' See E. on L. § 14. р. 20. Ср. Shak. J. C. 2. 1. 180, We shall be called purgers, not murderers.'

72. mvp-comment-48-1 ἀλλ᾽ ἀρχέπλουτον] Sc. καταστήσατε, the positive notion elicited from the negative, -E. on L. § 36. p. 64. (1) But make me the founder of a wealthy line.' This would seem to be the meaning of the compound, according to the analogy of ἀρχέκακος. The word in this sense may possibly be construed with δόμων, 'Beginner of wealth to the house. Others explain it as equal to ἀρχαιόπλουτος, (2) ‘Enjoying ancient wealth. For this, cp. ἀρχεδίκης, Pind. Pyth. 4. 189-195, ἀρχαίαν κομίζων πατρὸς ἐμοῦ βασιλευομέναν | οὐ κατ' αἶσαν .... τιμάν. | πεύθομαι γάρ νιν Πελίαν . . | ἁμετέρων ἀποσυλᾶσαι βιαίως ἀρχεδικᾶν τοκέων.

74. mvp-comment-49-1 τὸ σὸν .. φρουρῆσαι χρέος] 'Go thy way and watchfully execute thy duty.' Lit. Watch thy service,' i. e. perform thy service which requires watchfulness. τὸ σὸν . . χρέος is cognate acc. after φρουρῆσαι, but also in the first instance the subject of μελέσθω, to which φρουρῆσαι is added as an explanatory infinitive.

75. mvp-comment-50-1 καιρὸς γάρ] Sc. ἐστί. For the occasion is here. See E. on L. § 39. p. 72, 1 α.

75-76. mvp-comment-51-1 ὅσπερ, κ.τ.λ.] 'And of all powers that direct men's enterprises, Occasion is chief.'

77-86. mvp-comment-52-1 As the function of the chorus, see Introduction, is to respond to Electra, who gives the principal interest to the play, their entrance is preceded by a monody from her, which draws the sympathy of the spectators to the chief person, and prepares them to enter more fully into the spirit of the action. And-less to whet the purpose of Orestes, than to show his firmness- he is allowed to hear her wailing from within. It is easy to see how this must excite him. But it does not alter his determination to rely upon himself alone. And thus, although for the moment eager to hear more, he yields at once to the counsel of the old man, that nothing should delay the action for which the moment is come. After l. 85, exeunt Orestes, the Paedagogus, and Pylades, leaving the proscenium vacant.

77. mvp-comment-53-1 -------. A paroemiac, consisting wholly of long syllables, like infr. 88, 89, 105, and other lines in the following lament. See the scheme of metres below.

78-79. mvp-comment-54-1 'Methinks there comes from the doors a sound as of some handmaiden moaning within them.' The harshness of the unusual genitive, θυρῶν ='In the direction of the doorway,' 'e regione ostii,' is softened by the addition of ἔνδον, with which θυρῶν is to be resumed. For the genitive of the place from which an object strikes the sense, cp. infr. 900, 1, ἐσχάτης ὁρῶ | πυρᾶς νεώρη βόστρυχον τετμημένον.

81. mvp-comment-55-1 There is no valid objection to the Scholiast's explanation of this as καὶ ἀνακούσωμεν, ‘And let us hear afresh,' or 'hear further.' Hermann prefers καὶ ἐνακούσωμεν. Neither form is found elsewhere, and Nauck conj. κάπακούσωμεν. But, as Prof. Paley observes, this is unnecessary.

82-83. mvp-comment-56-1 μηδὲν πρόσθεν] Sc. ποιώμεθα, which is absorbed in πειρώμεθ᾽ ἔρδειν. κἀπὸ τῶνδ᾽ ἀρχηγετεῖν] ‘And with this rite initiate our act.

84-85. mvp-comment-57-1 ταῦτα γὰρ . . δρωμένων] 'For this brings victory within our grasp, and gives us command over our exploit.' φέρει (sc. ἡμῖν) is to be resumed with κράτος, but ἐφ' ἡμῖν is to be joined to νίκην, as a supplementary predicate. See E. on L. $ 19. p. 29. 4, and § 24. p. 40, 2.

85-86. mvp-comment-58-1 They go all together to perform the libation at the tomb, after which the old man will return to the palace, and Orestes and Pylades will go to the place where they have hidden the urn ( supr. 55). Orestes, in supr. 73, 4, spoke as if the old man was at once to begin his part. But the time is not yet come for this, and, by going to join in the solemn rite at the grave of his old master, he leaves the proscenium vacant for the scenes from l. 86 to l. 659. If we are inclined to quarrel with this long delay, our scruple is pacified by the words ὅταν σε καιρὸς εἰσάγῃ in supr. 39.

86-250. mvp-comment-59-1 In this long lament there are two principal movements, each of which admits of subdivision. First, the monody of Electra, consisting of two anapaestic systems, of which one (ll. 86-102) is retrospective, and the other (ll. 103-120) is prospective. Secondly, there is the commatic parodos :-the chorus on their entrance address Electra with lyric strains, to which she responds also in lyric measures. This movement consists of three strophes and antistrophes. In στρ. and ἀντ. α' (ll. 121-152), the chorus gently, but gloomily, expostulate with Electra, who is inconsolable. In στρ. and ἀντ. β΄ (ll. 153-192), they vainly try to cheer her. In στρ. and ἀντ. γ΄ (ll. 193- 232), they remind her of her past and present troubles, and exhort her not to add to them. All this is followed by a ῥῆσις of Electra (ll. 254-309) in reply to the coryphaeus, who, at l. 324, again speaks to call attention to Chrysothemis' approach.

86-250. mvp-comment-59-2 Metres. The anapaests in 86-120, although for the most part regular are in so far of the freer kind which belong to laments as to admit the spondaic paroemiacs near the commencement of each system in ll. 88, 9, 105, 6, which, with the opening half line, have a strange effect of heaviness and of struggle and pain. The two systems so nearly correspond, both in this respect and in the number of the lines, that one is tempted to believe that the half line that would complete the antistrophic effect has been lost somewhere between 113 and 117. But anapaestic systems are seldom exactly antistrophic, and the pause after the (dactylic) invocation in l. 115 may be intentional.

86-92. mvp-comment-60-1 Electra tells her sorrows to the daylight and to the air of Heaven, as she has told them all night long to her sleepless chamber. The holy light contrasts with the pollutions of the house of Pelops; the illimitable air,- which searches even to earth's remotest corners, and is common to Orestes and herself, both contrasts with the narrowness of her lot, and can alone contain the boundlessness of her grief.

86. mvp-comment-61-1 ὦ φάος ἁγνόν] For the sacred purity of the elements as opposed to the impurity of man, cp. O. T. 1427, 8, τὸ μήτε γῆ μήτ᾿ ὄμβρος ἱρὸς μήτε φῶς προσδέξεται.

87-90. mvp-comment-62-1 ὥς μοι .. αἱμασσομένων] ‘How many tones of my lamenting. how many blows that bruised my bleeding breast, have thrilled you!' στέρνων is objective genitive with πληγάς, but is to be resumed with ἀντήρεις, lit. 'planted firmly against.'

91. mvp-comment-63-1 ὑπολειφθῇ] 'Hath ceased,' lit. 'Has been outrun,' i.e. by the day. Cp. Αj. 672, 3, ἐξίσταται δὲ νυκτὸς αἰανὴς κύκλος | τῇ λευκοπώλῳ φέγγος ἡμέρᾳ φλέγειν.

92-93. mvp-comment-64-1 τὰ δὲ.. οἴκων] ‘And when night comes on, the detested chamber in this weary house knows too well what festive hours I pass.' There is a bitter irony that can hardly be rendered, in using the word παννυχίς, generally a festal celebration, of the sleepless nights of mourning. Cp. Ant. 152, 3, θεῶν δὲ ναοὺς χοροῖς | παννυχίοις πάντας ἐπέλθωμεν, and, for the general sense, cp. Od. 19. 518 foll. ὡς δ᾽ ὅτε Πανδαρέου κούρη, χλωρηΐς ᾿Αηδών, | καλὸν ἀείδῃσιν, ἔαρος νέον ἱσταμένοιο, | δενδρέων ἐν πετάλοισι καθεζομένη πυκινοῖσιν, | ἥ τε θαμὰ τρωπῶσα χέει πολυηχέα φωνήν, | παῖδ᾽ ὀλοφυρομένη Ἴτυλον φίλον, ὅν ποτε χαλκῷ | κτεῖνε δι᾽ ἀφραδίας, κοῦρον Ζήθοιο ἄνακτος· | ὣς καὶ ἐμοὶ δίχα θυμὸς ὀρώρεται ἔνθα καὶ ἔνθα. See below, ll. 107, 148, 9. ἤδη contrasts παννυχίδων with what precedes.

95-96. mvp-comment-65-1 Cp. Od. 11. 408-411, where Agamemnon says, οὔτε μ᾿ ἀνάρσιοι ἄνδρες ἐδηλήσαντ᾽ ἐπὶ χέρσου· | ἀλλά μοι Αίγισθος τεύξας θάνατόν τε μόρον τε ἕκτα σὺν οὐλομένῃ ἀλόχῳ, οἰκύνδε καλέσσας, | δειπνίσσας, ὥς τις κατέκτανε βοῦν ἐπὶ φάτνῃ. See below, ll. 203, 4. And for ῎Αρης οὐκ ἐξένισεν, ' War did not give hospitable repose,' cp. Aesch. Cho. 351-3, πολύχωστον ἂν εἶχες | τάφον διαποντίου γᾶς | δώμασιν εὐφόρητον: Ag. 455, ἐχθρὰ δ᾽ ἔχοντας ἔκρυψεν : Verg. Aen. 1. 97, 'Mene Iliacis occumbere campis | Non potuisse.'

98. mvp-comment-66-1 Cp. II. 13. 389, ἤριπε δ', ὡς ὅτε τις δρῦς ἤριπεν, ἢ ἀχερωΐς, | ἠὲ πίτυς βλωθρή, την τ' οὔρεσι τέκτονες ἄνδρες ἐξέταμον πελέκεσσι νεήκεσι, νήϊον εἶναι. But the unfeeling act of the woodman is more prominent in the present passage than the grandeur of the tree.

100-101. mvp-comment-67-1 κοὐδεὶς.. φέρεται] ‘And no pity' (or mourning) 'on account of this goes forth from any one but me.' For the genitive, cp. Ο. Τ. 185, λυγρῶν πόνων ἱκτῆρες ἐπιστενάχουσιν. And for the attraction in the gender of οὐκ ἄλλης, cp. infr. 885, 6, ἐγὼ μὲν ἐξ ἐμοῦ τε κοὐκ ἄλλης σαφή | σημεῖ᾿ ἰδοῦσα, κ.τ.λ. For φέρεται, of the utterance of feeling, cp. Pind. Pyth. 1. 170, εἴ τι καὶ φλαῦρον παραιθύσσει, μέγα τοι φέρεται | πὰρ σέθεν.

102. mvp-comment-68-1 αἰκῶς] Although the MSS. agree in ἀδίκως, the Scholiast gives ἀεικῶς as a various reading. And ἀδίκως, which is appropriate in infr. 113, is frigid here.

105. mvp-comment-69-1 Hermann's rejection of the first λεύσσω (see v. rr.) is clearly the best emendation of this passage, which in the MSS. has two long syllables too many. παμφεγγεῖς ῥιπάς] 'The bright tremblings of the stars.' On παν in comp. see Essay on L. § 55. p. 101, 6. φέγγος has a special application to the light of the moon and stars as distinguished from daylight :-Plat. Rep. 6. Ρ. 508 C, ὀφθαλμοί, ὅταν μηκέτι ἐπ᾿ ἐκεῖνά τις αὐτοὺς τρέπῃ ὧν ἂν τὰς χρόας τὸ ἡμερινὸν φῶς ἐπέχῃ, ἀλλ᾽ ὧν νυκτερινὰ φέγγη. For ῥιπή, lit. 'beating' or 'pulsation,' as applied to the twinkling of the stars, cp. Tennyson's 'Beat, happy stars, timing with things below.'

107. mvp-comment-70-1 τεκνολέτειρα] 'That has lost' (or 'slain') 'her child,' viz. Itylus, according to the story followed in the Odyssey, 1. c. (19. 518 foll.) As the song of the nightingale is meant, and not the cry of the bird whose nest is robbed, Ant. 423-5 is not really parallel. The idiomatic use of τις does not prevent the identification of the nightingale with the mythical daughter of Pandion. Cp. Aesch. Ag. 55, 6, ἤ τις ᾿Απόλλων, | ἢ Πάν, ἢ Ζεύς.

107-109. mvp-comment-71-1 But like some Philomela for her son destroyed, I will peal for all to hear a note of lamentation in front of these my father's doors.' ἐπὶ κωκυτῷ is an adverbial expression like ἐπὶ ψόγοισι in Ant. 759. See Essay on L. § 19. p. 27. It implies that the noise that echoed round about the palace was sustained by the force of her impetuous crying. Cp. infr. 241-3, γονέων ἐκτίμους ἴσχουσα πτέρυγας | ὀξυτόνων γόων.

111. mvp-comment-72-1 'Hermes of the Shades' is invoked here as in the Choephori, because he had guided the soul of Agamemnon to Hades and might be expected to guide his Avenger. πότνι' ἀρά] Agamemnon was ἀραῖος to Clytemnestra on account of her crime. Cp. Ó. T. 417, 8, καί σ᾽ ἀμφιπλὴξ μητρός τε καὶ τοῦ σοῦ πατρὸς | ἐλᾷ ποτ᾽ ἐκ γῆς τῆσδε δεινόπους ἀρά.

112. mvp-comment-73-1 The Erinyes are here invoked in their most general character, and are not named specifically as daughters of Earth and Night, but vaguely as 'children of gods.'

114. mvp-comment-74-1 They are the avengers not only of murder, but of every great breach of law. Cp. Αj. 836, δρώσας πάντα τὰν βροτοῖς πάθη: Aesch. Eum. 895, ΑΘ. (to the Eumenides) ὡς μή τιν' οἶκον εὐθενεῖν ἄνευ σέθεν : ib. 835. And Aegisthus, who is the great offender in Electra's sight, is guilty on both counts of this indictment. Cp. infr. 271, 2, τὴν τελευταίαν ὕβριν τὸν αὐτοφόντην ἡμὶν ἐν κοίτῃ πατρός.

119-120. mvp-comment-75-1 'My single force no longer countervails the stress of woe.' Lit. 'I no longer have strength alone to lift the weight of grief that presses in the opposite scale.'

121-127. mvp-comment-76-1 Electra's monody, like the soliloquy of Deianeira. Trach. I fol., has indicated the loneliness of her sorrow. But she is not friendless. The women of Argos feel with her and would comfort her if they could. In this long 'commatic parodos,' which at once enlists the sympathies of the spectator, and prepares his mind by contrast for the rapidity of the action which is to follow, there are seven choric strains, to which Electra responds with μέλη ἀπὸ σκηνῆς. If, as seems most probable, a single voice is heard each time, the front row of choreutae would alone take part. Thus, supposing the five dots to represent the πρωτόσταται, i. e. the coryphaeus and those on either side of him, the parts might be assigned as follows:- ἀντ. β'. ἀντ.α΄. στρ.α΄. στρ.β. στρ. γ΄. ἀντ. γ'. ἐπ. The choreutae immediately to right and left of the coryphaeus would address Electra twice, and when the epode was finished, the coryphaeus would make a new beginning with the senarii in ll. 251-3, after which, each of the five would speak once again, ending with the coryphaeus. The metres are as follows:-

121. mvp-comment-77-1 παῖ is first the natural address of an elder person to a younger, and is then repeated in a different sense with the genitive in regimen. 'O child Electra! Child of a most wretched mother!' For the moral association in δυστανοτάτας, cp. Aj. 1290, δύστηνε, ποῖ βλέπων ποτ᾿ αὐτὰ καὶ θροεῖς;

122-123. mvp-comment-78-1 τίν᾿ ἀεὶ .. οἰμωγάν] ‘Why this never-ceasing lament which piningly thou pourest out over thy father?' For this adverbial' use of the interrogative pronoun, cp. Ο. Τ. 2, τίνας ποθ᾽ ἕδρας τάσδε μοι θοάζετε; and see Essay on L. § 42. p. 81. τάκεις οἰμωγάν ἰς literally, Dost cause the cry to melt from thee; i.e. Dost waste thyself with crying. In the sentence which follows, τὸν.. ᾿Αγαμέμνονα is governed by τάκεις .. οἰμωγάν taken as one word = οἰμώζεις. Ε. on L. § 16. p. 23 b. With ἀκόρεστον, Immoderate, contrast ll. 23. 157, γόοιο μὲν ἔστι καὶ ἆσαι : Od. 4. 103, αἰψηρὸς δὲ κύρος κρυεροῖο γόοιο.

124. mvp-comment-79-1 ἀθεώτατα] In heinous defiance of the gods.' Cp. Aesch. Cho. 46, δύσθεος γυνά: Trach. 1036, σὰ μάτηρ ἄθεος.

126. mvp-comment-80-1 κακᾷ τε χειρὶ πρόδοτον] ‘And delivered over to destruction with wicked violence.' Cp. infr. 206, 7, χειροῖν | αἱ τὸν ἐμὸν εἶλον βίον | πρόδοτον, αἱ μ᾿ ἀπώλεσαν. The fear of Aegisthus, who is sovereign de facto, prevents the chorus from mentioning him by name. Cp. Trach. 383, 4, and note.

129. mvp-comment-81-1 γενέθλα] Here, and in infr. 226, Doric for γενέθλη. “Offspring of noble sires.' Two glosses on γενναίων, viz. (1) πατέρων, (2) τοκέων, have found their way into different MSS., while, curiously enough, no MS. has the line uninterpolated.

130. mvp-comment-82-1 παραμύθιον may be in apposition (1) with the subject of ἥκετε or (2) with the verb itself. The latter (2), conveying more exactly the notion of an intention to console, is probably right. But for the former (1), cp. Thuc. 5. 103, ἐλπὶς κινδύνῳ παραμύθιον οὖσα.

131. mvp-comment-83-1 τάδ'] Either (1) Your kind intention, or (2) That my sorrow is importunate.' Cp. infr. 222. The Scholiast prefers (2).

132. mvp-comment-84-1 οὐδ᾽ ἐθέλω προλιπεῖν τόδε] ‘But I will not give this up.' δé is adversative, though it is unnecessary to write οὐ δ' with Hermann.

134. mvp-comment-85-1 (1) 'But, O ye who exchange with me the tender grace of every sort of mutual affection, - ἀμειβόμεναι vocative. Or (2), supposing the participle to agree with the subject of ἐᾶτε, 'But O, in return for all manner of love' (which ye have had from me). Musgrave objects to this that Electra had no power of conferring kindnesses, and that if she had, she would not thus have reminded her friends of them. He ingeniously renders, Exchanging for this (?) service all your varied kindnesses. But his argument is hypercritical. It is the strength of her wish, and not the sense of her merit, that is really emphasized in παντοίας (of which Ellendt rightly says, Nihil nisi multum s. magnum significat.') And φιλότης is simply affection.' Schndw. explains, So conferring on me a kindness equivalent to all manner of friendship:'-Wecklein, Ye who return the grace of all manner of love (for mine).'