mvp-comment-679-1
τοῖσι σοῖς
1
τοῖς ἴσοις
2
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The word
ξυγγενὴς
3
τοῖσι σοῖς
4
τοῖς ἴσοις
5
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τὸ τῶνδε
6
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νυν
7
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πιθοῦ
8
πείθου
9
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πρὸς γενείου
10
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The reading of the MSS.,
μ<*> )ξέλη
11
μ’ ἐξέλῃ
12
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ἐξέλῃ
13
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τὰ φίλτατα
14
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οὐ φήμ’ ἐάσειν
15
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The division of the trimeter (
ἀντιλαβή
) marks agitation, as again in 1220—1226, 1323, etc. Cp. also
O. T. 627
,
O. C. 722
,
Ph. 54
, etc.
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τάλαιν’ ἐγὼ σέθεν
16
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εἰ στερήσομαι
17
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ὦ φίλτατον φῶς
18
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ὦ φθέγμ’
19
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μηκέτ’ ἄλλοθεν πύθῃ
20
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ἔχω … ἔχοις ἀεί
21
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πολίτιδες
22
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μηχαναῖσι
23
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σεσωσμένον
24
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συμφοραῖσι
25
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γεγηθὸς … δάκρυον
26
mvp-comment-692-1
A
μέλος ἀπὸ σκηνῆς
between Electra and Orestes. Strophe, 1232—1352,=antistr. 1253—1272 (a verse being lost after 1264). Epode, 1273— 1287. For metres see Metrical Analysis.
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γοναὶ σωμάτων
27
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ἀρτίως
28
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οὓς
29
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ἐχρήζετε
30
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σῖγ’ ἔχουσα
31
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ἀλλ’ οὐ μὰ
32
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τὴν ἄδμητον
33
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Ἄρτεμιν
34
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τόδε μὲν … ὂν ἀεί
35
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περισσὸν ἄχθος
36
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ἔνδον … ὂν ἀεί
37
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γε μὲν δὴ
38
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Ἄρης
39
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εὖ δ’ ἔξοισθα
40
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ἀνέφελον … κακόν
41
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The author of the scholium on 1245 read
ἐνέβαλες
42
ἐπέβαλες
43
ὑπέβαλες
44
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καταλύσιμον
45
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λησόμενον
46
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The usual explanation is, ‘that cannot
be forgotten’; but
λήσομαι
is nowhere passive. There is, indeed, no classical fut. pass. of
λανθάνω
, for (
ἐπι
)
λησθήσομαι
occurs only in later Greek (LXX.
Ps. ix. 19
, etc.). Even
λελήσεται
=‘will forget,’
Eur.
Alc. 198.
—
λησόμενον
could mean, ‘that cannot
escape notice’; for, though the act.
λήσω
is more usual in this sense (
Soph.
Tr. 455
,
Il. 23. 416
), the midd.
λήσομαι
is so used by Hippocrates (2. 170), Arist. (
Pr. Anal. 2. 19), Lucian, etc. But here, especially after
ἀνέφελον
, such a sense would evidently be too weak.
mvp-comment-700-1
ἔξοιδα καὶ ταῦτ’
47
καὶ
48
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παρουσία
49
φράζῃ
50
ἔργων τῶνδε
51
mvp-comment-700-3
The scholia attest
παρουσία
as the traditional reading, and suggest two explanations. (1)
ὅταν ἐπιτρέπῃ ὁ καιρὸς καὶ καλῇ
:
i.e.,
παρουσία
=
τὰ παρόντα
, the circumstances of the moment. Cp.
cum res ipsa feret. (2)
ὁπόταν ἡ παρουσία τούτων ᾖ καὶ ὁ καιρὸς ἐπιτήδειος
. Here
τούτων
is evidently neuter, and the meaning is, ‘when these topics come before us,’—when it is the fitting time to discuss them. Neither view is satisfactory.
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The
v.l.
παρρησία
52
φράζῃ
53
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ὁ πᾶς … χρόνος
54
παρὼν
55
δίκᾳ
56
ἐννέπειν
57
πρέποι
58
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μόλις γὰρ
59
ἔσχον
60
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σῴζου τόδε
61
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μακρὰν … λέγειν
62
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τίς οὖν
63
ἀξίαν
64
σοῦ πεφηνότος
65
λόγων
66
μεταβάλοιτ’
67
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<*>δε
68
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1264 After
τότ’ εἶδες
69
ὅτε
70
εὖτε
71
ὅτε
72
θεοὶ
73
ὅτε
74
τότ’
75
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ἐπώτρυναν
76
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χάριτος
77
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ἐπόρισεν
78
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δαιμόνιον
79
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τίθημ’
80
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Electra remembers the warning dream (417 ff.), in which she had already surmised a supernatural agency (411: 459). It is indeed
δαιμόνιον
that Orestes, sent by Apollo, should arrive at this moment.
mvp-comment-706-4
The punctuation given in the text seems best. The Aldine has only a comma after
μέλαθρα
: but then we should need a colon after
χάριτος
.
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τὰ μὲν … τὰ δὲ
81
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ὁδὸν … φανῆναι
82
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τί μὴ ποήσω
83
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μή μ’ ἀποστερήσῃς … ἁδονὰν
84
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μεθέσθαι
85
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ξυναινεῖς
86
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τί μὴν οὔ
87
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ὦ φίλαι
88
ὦ φίλ’, ὅτ’
89
φίλαι
90
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αὐδάν
91
οὐδ’ ἂν ἤλπις’
92
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1283 f. There can be no doubt that something has been lost before
ἔσχον
93
οὐδ’ ἂν
94
ὁρμὰν
95
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ὀργή
in Sophocles means either (1) ‘anger,’ or (2) ‘disposition’:
Ant. 875
αὐτόγνωτος..ὀργά
:
ib. 355
ἀστυνομους ὀργάς
:
Ai. 639
συντρόφοις ὀργαῖς
. Neither sense can be fitted into any probable interpretation. Some have supposed the meaning to be that Electra ‘restrained her anger in silence,’ when Clyt. was exulting in the death of Orestes; but, in fact, her anger found a voice (see 792). Others understand that she ‘restrained her emotion’ (of grief), on hearing the sad news; but she did not do so (see 823—870): nor could
ὀργὰν
mean ‘emotion’ in that sense.
mvp-comment-712-5
On the other hand
ὀργή
and
ὁρμή
were easily confused in MSS. Thus in
Tr. 720
, where
ὁρμῇ
is right,
γ
has been written over
μ
in L, and
ὀργῇ
is actually the reading of A, and of the Aldine. Cp. also
O. T. 337.
mvp-comment-712-6
The context is the best guide to the sense which should be restored. Through out these lyrics, Orestes has been endeavouring to repress Electra's cries, lest she should be overheard (1236, 1238, 1251 f., 1257, 1259, 1271 f.). The corrupt words probably referred to this.
ὁρμὰν
96
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οὐδ’ ἂν ἔσχον
97
ἄναυδον
98
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Other interpretations and conjectures will be found in the Appendix.
mvp-comment-713-1
τάλαινα
99
mvp-comment-714-1
The first part of the third
ἐπεισόδιον
began, at 1098, with the entrance of Orestes. Now, after the
μέλος ἀπὸ σκηνῆς
(1232—1287), comes the second part, going down to the point at which the avengers pass into the house, followed by Electra.
mvp-comment-714-2
τὰ … περισς. τῶν λόγων
100
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καὶ μήτε μήτηρ
101
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Conington (
Journ. of Philology, I. p. 156)
supposes an allusion to
Eur.
El. 300—338
, where Electra, speaking to the disguised Orestes, mentions her own sufferings, her mother's splendours, and the insolence of Aegisthus. But such an allusion seems improbable: that speech is not long; it comes in with dramatic fitness; nor does it refer to the wasteful profusion of Aegisthus, which is the main point here. A later speech of Electra's in the same play (
Eur.
El. 907—951
) would in some respects suit the words here better; but that is spoken over the corpse of Aegisthus, and could scarcely be regarded as delaying the action.
mvp-comment-715-3
Another theory, that Sophocles alludes to the earlier part of the
Choephori, is certainly mistaken. Possibly he had no particular work in view, but was merely glancing at a tendency which he had noticed in contemporary drama.
mvp-comment-716-1
πατρῴαν
102
δόμων
103
ἀντλεῖ, τὰ δ’ ἐκχεῖ
104
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ἐκχεῖ
105
διασπείρει μάτην
106
ἀντλεῖ
107
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χρόνου … καιρὸν
108
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ἐξείργοι
109
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Hermann took
χρόνου καιρὸν
as=
τὸ καίριον τοῦ χρόνου
, ‘the opportune moment of time.’ The meaning would then be that the
λόγος
might hinder them from seizing that moment. But the phrase is a strange one, scarcely to be justified by
Sertor. 16, where
χρόνος
is virtually personified,—
εὐμενὴς ὢν σύμμαχος τοῖς δεχομένοις λογισμῷ τὸν καιρὸν αὐτοῦ
.
mvp-comment-717-4
The schol. has:
ἀφαιρεῖται γάρ, φησι, τὴν εὐκαιρίαν τῶν πραχθέντων τῶν λόγων ἡ ἀδολεσχία
. This only shows that he took
καιρὸν
as ‘opportunity,’ not as ‘due limit.’ It does not warrant the view that, instead of
χρόνου
, he read
ἔργου
or
πόνου
.
mvp-comment-718-1
φανέντες
110
κεκρυμμένοι
111
γελῶντας
112
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οὕτω δὲ
113
ὅπως
114
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)πιγνώσεται
115
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νῷν
116
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ἐπελθόντοιν δόμους
117
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μάτην
118
μὴ
119
τῇ
120
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εὐτυχησωμεν
121
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καὶ σοὶ
122
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ὧδ’ … τῇδε
123
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τοὐμὸν
124
φίλον
125
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κοὐκ ἐμὰς
126
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κοὐδ’
127
βραχὺ
128
καὶ
129
λυπήσασα
130
δεξαίμην
131
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ὑπηρετοίην
132
ὑπηρετοίμην
133
δαίμονι
134
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τἀνθένδε
135
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στέγας
136
οἴκοις
137
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δείσῃς … ὡς … ὄψεται
138
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ἐντέτηκε
139
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χαρᾷ
140
χαρᾶς
141
δακρυρροοῦσα
142
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ἥτις
143
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ἐσεῖδον
144
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ᾶσκοπα
145
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ὅτε
146
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τοιαύτην
147
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ὥς σοι
148
ὡς σοὶ
149
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οὐκ ἂν δυοῖν ἥμαρτον
150
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σιγᾶν … χωροῦντος
151
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ἐπῄνες’
152
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ἐπ’ ἐξόδῳ
153
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τῶν ἔνδοθεν
154
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ἄλλως τε καὶ φέροντες
155
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οἷ’ ἂν … ἀπώσαιτ’
156
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τητώμενοι
157
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παρ’ οὐδὲν
158
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οὐ παρ’ αὐτοῖς
159
αὐτοῖς
160
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σταθμοῖσι
161
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ὑμὶν … ὑμῶν
162
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τὰ δρώμεν’
163
τὰ σώματα
164
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νῦν δ’ … καὶ νῦν
165
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σὺν χαρᾷ βοῆς
166
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ἀπηλλάχθαι
167
mvp-comment-741-1
It has been held that these verses, or at least 1340—1344, are spurious (cr. n.). Certainly Orestes has already heard from Electra that Clytaemnestra exults in the news of his death (1153—1156). Still, it is natural that he should make some reference (as he does in 1341) to his emissary's performance of the task. Not less natural is the question in 1343, since the old man, who entered the house at v. 803, is the only person who can tell whether the feeling described by Electra still exists.
mvp-comment-741-2
τἀντεῦθεν
168
mvp-comment-742-1
ὑπάρχει
169
σε … τινά
170
mvp-comment-743-1
ὡς ἔοικεν, ὡς τεθν
171
mvp-comment-744-1
εἷς τῶν ἐν Ἅιδου … ἀνήρ
172
ἐνθάδε
173
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χαίρουσιν οὖν τούτοισιν
174
ἐν
175
οὖν
176
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τελουμένων
177
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ὡς δὲ νῦν ἔχει
178
τὰ κείνων πάντα καλῶς
179
καὶ τὰ μὴ καλῶς
180
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οὐχὶ ξυνίης
181
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οὐδέ γ’ εἰς θυμὸν φέρω
182
οὐδέ
183
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ποίῳ
184
ὅτῳ
185
οἶσθα
186
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οὗ … χεροῖν
187
mvp-comment-748-3
πέδον
188
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ὑπεξεπέμφθην
189
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σῇ προμηθίᾳ
190