Antigone. Sophocles. ed. Lewis Campbell. Oxford. 1879.
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Current edition Experimental
Greek (Lewis Campbell, 1879) (OCR draft) (Greek) (Greek (Lewis Campbell, 1879))
Provisional text from uncorrected OCR; expect errors.
Editions (11)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 51 focus
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 51 focus
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 51 focus
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 51 focus
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 51.mvp-line-51 focus
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 51 focus
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 51 focus
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 51 focus
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 51.mvp-line-51 focus
Antigone (OCR draft) Experimental (Antigone) — 51 focus
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 51 focus
Translations (11)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 51 focus
CHOR
Herr, ob wol dies Eräugniſs gar ein Götterwerk,
das überleg' ich lange schon in meinem Sinn.
275
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 51 focus
Creonte
¿No sabes ya cuánto me irritan tus palabras?
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 51 focus
Creon
Nescisne, vel nunc quam moleste loqueris?
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 51 focus
CR
What? know you not your speech offends even now?
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 39 focus
Was kann ich, wenn dies also steht, Unselige,
1
Hier, lösend oder bindend, uns zum Frommen thun?
40
Antigone.
Sieh, ob du helfen, ob die Mühe theilen wirst
Ismene.
Bei welchem Unterfangen? Wo geräthst du hin?
Antigone.
Ob du den Todten, mir gesellt, aufnehmen willst!
Ismene.
Ihn denn bestatten willst du, dem Verbot zum Troz?
Antigone.
Ja, meinen Bruder und den deinen, wenn auch du
45
Nicht willst; denn niemals soll man mich Verrathes zeih'n!
2
Ismene.
Tollkühne, während Kreon's Wort es dir verwehrt?
Antigone.
Fern halten darf mich dieser nie von meiner Pflicht.
Ismene.
Weh mir! Bedenk', o Schwester, wie der Vater uns,
Mit Haß und Hohn belastet, ruhmlos unterging,
50
Nachdem er selbst um Gräuel, die er selbst enthüllt,
Der Augen Sterne sich zerriß mit eigner Hand;
Wie dann die Mutter, Mutter ihm und Weib zugleich,
Schmachvoll mit frevlem Strange sich das Leben nahm;
Zum dritten, wie die Brüder beid' an Einem Tag
55
Im Wechselmord sich ein gemeinsam Todesloos,
Die Armen, schufen, Einer durch des Andern Hand!
Wir sind allein jezt übrig; du bedenke denn,
Wie schmählich wir verdürben, wenn wir wider Necht
Der Herrscher Ausspruch und Gewalt mißachteten.
60
Wohl mußt du doch erwägen, daß wir Frauen sind,
Und nicht geschaffen, Männern kühn im Kampf zu steh'n,
Dann aber, daß wir, weil beherrscht von Stärkeren,
Hier folgen müssen und sogar in Härterem.
Drum will ich jene, die der Erde Schooß verbirgt,
3
65
Anfleh'n um Nachsicht, weil Gewalt mich bindet hier,
Und ihm gehorchen, dem die Macht geworden ist;
Denn Unverstand ist's, über seine Kraft zu thun.
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 51 focus
Messenger
Wherefore, my lord?
CiiEON. Know you not why?
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 51 focus
CORO
¡Oh Rey! ¡Oh Rey! Cuanto más lo reflexiono, tanto más creo descubrir en esto la mano de los dioses.
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 51 focus
KREON
Weist du, wie eine Quaal jezt ist in deinen Worten?
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 51 focus
Creon
Knowest thou not that even now thy voice offends?
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 51 focus
Antigone
499
Why then delay, since nothing in thy words
To me is pleasing, or will ever please ;
500
Nor will my words be pleasing to thy ear?
A brighter glory whence could I obtain
Than from this deed, a brother’s honour’d corse
Entombing? All here present would aloud
Applaud the deed, but fear hath chain’d their tongues.
505
Amidst their envied greatness kings enjoy
This. pow’r, to do and speak whate’er they please.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 100-160 focus
Chorus
Shaft of the sun, fairest light of all that have dawned on
Thebes
of the seven gates, you have shone forth at last, eye of golden day, advancing over Dirce’s streams!
100
You have goaded with a sharper bit the warrior of the white shield, who came from
Argos
in full armor, driving him to headlong retreat.
105
Chorus
He set out against our land because of the strife-filled claims of Polyneices, and like a screaming eagle he flew over into our land, covered by his snow-white wing,
110
with a mass of weapons and crested helmets.
115
Chorus
He paused above our dwellings; he gaped around our sevenfold portals with spears thirsting for blood; but he left
before his jaws were ever glutted with our gore, or before the Fire-god’s pine-fed flame had seized our crown of towers.
120
So fierce was the crash of battle swelling about his back, a match too hard to win for the rival of the dragon.
125
Chorus
For Zeus detests above all the boasts of a proud tongue. And when he saw them advancing in a swollen flood,
arrogant their clanging gold, he dashed with brandished fire one who was already starting to shout victory when he had reached our ramparts.
130
Chorus
Staggered, he fell to the earth with a crash,
torch in hand, a man possessed by the frenzy of the mad attack, who just now was raging against us with the blasts of his tempestuous hate. But his threats did not fare as he had hoped, and to the other enemies mighty Ares dispensed each their own dooms with hard blows,
135
Ares, our mighty ally at the turning-point.
140
Chorus
For the seven captains, stationed against an equal number at the seven gates, left behind their brazen arms in tribute to Zeus the turner of battle—all but the accursed pair who, born of one father and one
mother, set against each other their spears, both victorious, and who now share in a common death.
145
Chorus
But since Victory whose name is glory has come to us, smiling in joy equal to the joy of chariot-rich
Thebes
,
let us make for ourselves forgetfulness after the recent wars, and visit all the temples of the gods with night-long dance and song. And may Bacchus, who shakes the earth of
Thebes
, rule our dancing!
150
Chorus
But look, the king of the land is coming here, Creon, the son of Menoeceus, our new ruler in accordance with the new circumstances fated by the gods. What policy is he setting in motion,
155
that he has proposed this special conference of elders, and summoned it by a general mandate?
160
Commentary
Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))
Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus
51. mvp-comment-35-1 αὐτοφώρων Self-detected; i. e. Brought to light by his own act. πρός = In consequence of,' connects the phrase with the preceding rather than the following words. Although the action of O. T. is not presupposed, this part of the fable had been already developed by Aeschylus. See S. c. T. 778 ff. Others take αὐτοφώρων to mean clearly proved, manifest to all men: cp. Od. 11.247, ἄφαρ δ᾽ ἀνάπυστα θεοὶ θέσαν ἀνθρώποισιν. But the emphatic repetition of αὐτὸς αὐτουργῷ in the next line agrees better with the more pregnant meaning. αὐτουργῷ = εἰς ἑαυτὸν ταῦτα ἐρξάσῃ.