Sophocles Antigone 39

Johann Jakob Christian Donner (Translator)

Was kann ich, wenn dies also steht, Unselige, 1
Hier, lösend oder bindend, uns zum Frommen thun?
40

Antigone. Sophocles. Johann Jakob Christian Donner (Translator). . .

Current edition Experimental

German (J. J. C. Donner, 1875; OCR review) (OCR draft) (German) (German (J. J. C. Donner, 1875; OCR review))

Provisional text from uncorrected OCR; expect errors.

Editions (12)
Greek (L. Benloew, 1858) (OCR draft) Experimental (Greek (L. Benloew, 1858)) — 39 focus
τί δ᾽, ὦ ταλαίφρων, εἰ τάδ᾽ ἐν τούτοις, ἐγὼ
λύουσ᾽ ἂν ἢ ᾽φάπτουσα προσθείμην πλέον 1 ;
40
Greek (A. Boeckh, 1884) (OCR draft) Experimental (Greek (A. Boeckh, 1884)) — 39 focus
Greek (F. H. Bothe, 1806) (OCR draft) Experimental (Greek (F. H. Bothe, 1806)) — 39 focus
τί δ᾽, ὦ ταλαίφρων, εἰ τάδ᾽ ἐν τούτοις, ἐγὼ
λύουσ᾽ ἂν ἢ ᾿φάπτουσα προσθείμην πλέον;
40
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 39 focus
τί δ᾽, ὦ ταλαῖφρον, εἰ τάδ' ἐν τούτοις, ἐγὼ
λύουσ᾽ ἂν ἢ ᾿φάπτουσα προσθείμην πλέον;
40
Greek (A. Colonna, 1978) (OCR draft) Experimental (Greek (A. Colonna, 1978)) — 39 focus
τί δ᾽, ὦ ταλαῖφρον, εἰ τάδ᾽ ἐν τούτοις, ἐγὼ
λύουσ᾽ ἂν εἴθ᾽ ἅπτουσα προσθείμην πλέον;
40
Greek (A. Dain, 1955) (OCR draft) Experimental (Greek (A. Dain, 1955)) — 39 focus
τί δ’, ὦ ταλαῖφρον, εἰ τάδ’ ἐν τούτοις, ἐγὼ
λύουσ’ ἂν εἴθ’ ἅπτουσα προσθείμην πλέον;
40
Greek (R. D. Dawe, 1979) (OCR draft) Experimental (Greek (R. D. Dawe, 1979)) — 39 focus
τί δ᾽, ὦ ταλαῖφρον, εἰ τάδ᾽ ἐν τούτοις, ἐγὼ
λύουσ᾽ ἂν εἴθ᾽ ἅπτουσα προσθείμην πλέον;
40
Greek (G. Hermann, 1830) (OCR draft) Experimental (Greek (G. Hermann, 1830)) — 39 focus
τί δ᾽, ὦ ταλαῖφρον, εἰ τάδ᾽ ἐν τούτοις, ἐγὼ
λύουσ᾽ ἂν ἢ θάπτουσα προσθείμην πλέον;
40
Greek (R. C. Jebb, 1906) (OCR draft) Experimental (Greek (R. C. Jebb, 1906)) — 39 focus
τί δ᾽, ὦ ταλαῖφρον, εἰ τάδ᾽ ἐν τούτοις, ἐγὼ
λύουσ᾽ ἂν ἢ ᾽φάπτουσα προσθείμην πλέον;
40
Greek (A. C. Pearson, 1924) (OCR draft) Experimental (Greek (A. C. Pearson, 1924)) — 39 focus
τί δ᾽, ὦ ταλαῖφρον, εἰ τάδ᾽ ἐν τούτοις, ἐγὼ
λύουσ᾽ ἂν εἴθ᾽ ἅπτουσα προσθείμην πλέον;
40
Antigone (OCR draft) Experimental (Antigone) — 39 focus
Greek (K. Reinhardt, 1949) (OCR draft) Experimental (Greek (K. Reinhardt, 1949)) — 39 focus
τί δ᾽, ὦ ταλαῖφρον, εἰ τάδ᾽ ἐν τούτοις, ἐγὼ
λύουσ᾽ ἂν ἢ ᾽φάπτουσα προσθείμην πλέον;
40
Translations (10)
German (A. Boeckh, 1884) (OCR draft) Experimental (German (A. Boeckh, 1884)) — 39 focus
Spanish (J. A. Bolufer, 1921) (OCR draft) Experimental (Spanish (J. A. Bolufer, 1921)) — 39 focus
¿Y qué, ¡oh desdichada!, si las cosas están así, podré remediar yo, tanto si desobedezco como si acato esas órdenes?
Latin (F. H. Bothe, 1806) (OCR draft) Experimental (Latin (F. H. Bothe, 1806)) — 39 focus
Nam quid, o misera, quum res in eo loco sit, facitis meis ego vel solvens vel adstringens, prodesse possim?
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 39 focus
Unhappy one! But what can I herein
Avail to do or undo?
40
English (Thomas Francklin, 1758–1759) (OCR draft) Experimental (English (Thomas Francklin, 1758–1759)) — 39 focus
What wouldst thou have me do ? — defy his
power?
Contemn the laws ?
40
Spanish (A. G. Garbin, 1889) (OCR draft) Experimental (Spanish (A. G. Garbin, 1889)) — 39 focus
German (F. Hölderlin, 1804) (OCR draft) Experimental (German (F. Hölderlin, 1804)) — 39 focus
English (Sir Richard Jebb1, 1904) (OCR draft) Experimental (English (Sir Richard Jebb1, 1904)) — 39 focus
Poor sister,—and if things stand thus, what 40 could I help to do or undo?
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 39 focus
That sinks the soul with anguish, deep distress,
Shame, and disgrace, but in thy ills and mine
I see it all. E'en now what new decree
Is rumour'd by the Chief as late proclaim'd
Through all the city? Know'st thou? Hast thou heard?
Or art thou unacquainted with the ills
Which from our foes advance against our friends?
To me no tidings of our friends are come,
Pleasing or mournful, since the fatal hour
At once deprived us of our brothers, slain
Each by the other's hand; and this last night
To those who know it not; no trivial charge,
Nor to be slighted; for whoe'er performs.
English (Sir Richard Jebb2, 1904) (OCR draft) Experimental (English (Sir Richard Jebb2, 1904)) — 1-98 focus

Notes on the current edition

Antigone

1. [OCR transcription; compare the scan.] lösend oder bindend", eine sprichwörtliche Redeweise, wodurch die völlige Rathlosigkeit der Ismene bezeichnet wird. Der Sinu ist: was vermag ich hier zu thun oder zu lassen? Printed p. 263
2. [OCR transcription; compare the scan.] Mit diesen Worten beruft sich Antigone auf das Urtheil des Todten, an dem sie nicht als treulos, als Verrätherin erfunden sein wolle. Printed p. 263
3. [OCR transcription; compare the scan.] Jene, die der Erde Schooß verbirgt", sind die Götter der Unterwelt und die Todten, denen Antigone länger gefallen muß, als den Lebenden, wie sie V. 75 erklärt. Printed p. 263

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-1-1 Prologue. At daybreak ( v. 100 ) on the morning after the fall of the two brothers and the flight of the Argives, Antigone calls Ismene forth from the house, in order to speak with her apart. She tells her that Creon has forbidden the burial of Polyneices, and declares her resolve to perform it herself. Ismene declines to assist, and endeavours to dissuade her. Antigone then goes alone to the task.

mvp-comment-2-1 The words κοινὸν 1 αὐτάδελφον 2

mvp-comment-2-2 κάρα 3

mvp-comment-3-1 ἆρ’ οἶσθ’ … τελεῖ 4 ὅ τι 5 ὅτι 6 ὅ τι 7 ὅτι 8

mvp-comment-3-2 τῶν ἀπ’ Οἰδ. κακῶν 9 ἔτι ζώσαιν 10 ἔτι 11

mvp-comment-4-1 Paley ( Journ. Ph. 10. 16) regards these three verses as interpolated, because (1) Antigone, like Ismene, should have only seven verses: (2) the words only repeat vv. 2, 3: (3) the double negative offends. But we have no warrant for requiring such a correspondence; and this is not repetition, but development. On (3), see below.

mvp-comment-5-1 οὔτ’ ἄτης ἄτερ 12 ἄτης ἄτερ 13 οὐδ’ 14 οὔτ’ 15

mvp-comment-6-1 αἰσχρόν 16 ἄτιμον 17

mvp-comment-6-2 ὁποῖον οὐ … οὐκ ὄπωπα 18

mvp-comment-6-3 τῶν … κακῶν 19 ὄπωπα 20

mvp-comment-7-1 αὖ 21

mvp-comment-7-2 πανδήμῳ πόλει 22

mvp-comment-8-1 θεῖναι 23

mvp-comment-8-2 τὸν στρατηγόν 24

mvp-comment-9-1 ἔχεις 25

mvp-comment-9-2 κεἰσήκουσας 26

mvp-comment-10-1 τῶν ἐχθρῶν κακά 27

mvp-comment-11-1 μέν 28 ἐμοί 29

mvp-comment-11-2 Ἀντιγόνη 30

mvp-comment-11-3 φίλων 31 μῦθος 32

mvp-comment-11-4 ἐξ ὅτου 33

mvp-comment-12-1 δυοῖν … δύο 34 δύο 35

mvp-comment-13-1 θανόντοιν 36

mvp-comment-13-2 διπλῇ χερί 37

mvp-comment-14-1 ἐπεί 38

mvp-comment-14-2 ἐν νυκτὶ τῇ νῦν 39

mvp-comment-14-3 ὑπέρτερον 40

mvp-comment-14-4 As

οἶδ’ εὐτυχοῦσα = οἶδ’ ὅτι εὐτυχῶ
, so the participles εὐτυχοῦσα 41 ἀτωμένη 42

mvp-comment-15-1 ᾔδη 43 καλῶς 44

mvp-comment-15-2 αὐλείων πυλῶν 45

mvp-comment-15-3 ἐξέπεμπον 46

mvp-comment-16-1 τί δ’ ἔστι 47 δηλοῖς 48

mvp-comment-16-2 καλχαίνουσ’ ἔπος τι 49

mvp-comment-16-3 is figuratively used like the Homeric

πορφύρω
. In
πορφύρω
the idea of trouble precedes that of colour: in
καλχαίνω
, vice versa.

mvp-comment-17-1 οὐ γάρ 50

mvp-comment-17-2 τὼ κασιγνήτω … τὸν μὲν … τὸν δέ 51

mvp-comment-17-3 The place of τάφου 52 προτίσας 53 τάφου 54 ἀτιμάσας 55

mvp-comment-17-4 ἀτιμάσας ἔχει 56

mvp-comment-18-1 σὺν δίκῃ | χρησθεὶς δικαίᾳ καὶ νόμῳ 57 χρησθεὶς 58 σὺν δίκης | χρήσει δικαίᾳ καὶ νόμου 60 δίκης 61 σύν 62 δίκῃ 63 χρήσει 64 χρησθείς 65 χρῆσθαι δικαιῶν 66

mvp-comment-18-2 νόμου 67

mvp-comment-19-1 τοῖς ἔνερθεν ἔντιμον νεκροῖς 68 πᾶσι κλεινός 69

mvp-comment-20-1 θανόντα … Πολυνείκους νέκυν 70

mvp-comment-21-1 ἐκκεκηρῦχθαι 71

mvp-comment-21-2 τὸ μὴ … καλύψαι 72

mvp-comment-22-1 ἐᾶν δ’ 73 ἄταφον ἄκλαυτον 74

mvp-comment-23-1 θησαυρόν 75

mvp-comment-23-2 εἰσορῶσι 76 εἰσορμῶσι 77

mvp-comment-23-3 Take πρὸς χάριν βορᾶς 78

mvp-comment-23-4 πρὸς χάριν 79

mvp-comment-24-1 σοί 80 κἀμοί 81 κηρύξαντ’ ἔχειν 82

mvp-comment-24-2 τὸν ἀγαθόν 83

mvp-comment-24-3 λέγω γὰρ κἀμέ 84

mvp-comment-24-4 Two other explanations may be noticed. Both make σοι 85 σοι 86 τοιαῦτα 87 κἀμοί 88 σοι 89 σοι 90 ἀγαθόν 91

mvp-comment-25-1 νεῖσθαι 92

mvp-comment-25-2 τοῖσι μὴ εἰδόσιν 93

mvp-comment-26-1 παρ’ οὐδέν 94 ὡς 95

mvp-comment-26-2 ὃς ἂν … δρᾷ 96

mvp-comment-27-1 προκεῖσθαι 97

mvp-comment-27-2 δημόλευστον 98

mvp-comment-28-1 σοι 99

mvp-comment-28-2 ἐσθλῶν 100

mvp-comment-29-1 ὦ ταλαῖφρον 101

mvp-comment-29-2 εἰ τάδ’ ἐν τούτοις 102 ἐν τούτοις 103

mvp-comment-30-1 λύουσ’ … ἢ ’φάπτουσα 104 εἵθ’ ἅπτουσα 105

mvp-comment-30-2 προσθείμην 106

mvp-comment-30-3 πλέον 107

mvp-comment-31-1 ξυμπονήσεις 108 ξυνεργάσει 109

mvp-comment-31-2 ποῖόν τι κινδύνευμα 110

mvp-comment-31-3 Read

ποῦ γνώμης...εἶ
(from
εἶναι
): cp. El. 390
ποῦ ποτ’ εἶ φρενῶν
. The question between ποῦ 111 ποῖ 112

mvp-comment-32-1 εἰ 113 ξὺν τῇδε χερί 114

mvp-comment-32-2 κουφιεῖς 115

mvp-comment-32-3 ἦ γὰρ 116

mvp-comment-32-4 σφε 117

mvp-comment-32-5 ἀπόρρητον 118

mvp-comment-32-6 πόλει 119

mvp-comment-33-1 τὸν γοῦν ἐμὸν 120 ἐμόν 121 καὶ τὸν σόν, ἢν σὺ μὴ θέλῃς 122 τὸν ἐμόν 123 τὸν σόν 124 ἀδελφόν 125 γοῦν 126 τὸν … ἐμὸν καὶ τὸν σόν 127 καὶ 128 ἤν 129

mvp-comment-34-1 ἀδελφὸν … ἁλώσομαι 130 ἀδελφόν 131 οὐ γὰρ δή 132

mvp-comment-35-1 ὦ σχετλία 133

mvp-comment-35-2

σχετλία τόλμης
. ( b) ‘Suffering,’=
τλήμων
, as Aesch. PV 644 (of Io), Eur. Hec. 783 . Neither Homer nor Soph. has this use. (2) Of things, ‘cruel,’ ‘wretched,’—a use common to all the poets: so Ai. 887
σχέτλια γάρ
(‘'tis cruel’), Tr. 879 .

mvp-comment-36-1 οὐδέν 134 μέτα 135 τῶν ἐμῶν 136 εἴργειν 137

mvp-comment-37-1 νῷν 138 ἀπώλετο 139 ἀπεχθής 140 ἀπώλετο 141 ἔπειτα 142

mvp-comment-38-1 πρὸς … ἀμπλακημάτων … ἀράξας 143

mvp-comment-38-2 αὐτοφώρων 144

mvp-comment-38-3 ἀράξας 145

mvp-comment-38-4 αὐτὸς αὐτουργῷ χερί 146 αὐτός 147 αὐτ. χερί 148

mvp-comment-39-1 διπλοῦν ἔπος 149 πάθος 150

mvp-comment-39-2 ἀρτάναισι 151

mvp-comment-40-1 δύο … μίαν 152

mvp-comment-40-2 αὐτοκτονοῦντε 153

mvp-comment-41-1 κατειργάσαντ’ 154

mvp-comment-41-2 ἐπαλλήλοιν χεροῖν 155 ἐπ’ ἀλλήλοιν 156 χεροῖν 157 οιν 158 ἐπαλλήλοιν 159 χεροῖν 160

mvp-comment-42-1 νῦν δ’ αὖ 161 δ’ 162 νῦν αὖ 163 αὖ 164

mvp-comment-42-2 μόνα δή 165

mvp-comment-43-1 ψῆφον 166

mvp-comment-43-2 τυράννων 167

mvp-comment-43-3 κράτη 168 ἢ 169 καὶ 170

mvp-comment-44-1 τοῦτο μὲν 171 ἐννοεῖν 172 ἔπειτα δ’ 173

mvp-comment-44-2 ὡς 174 οὐ μαχουμένα 175

mvp-comment-45-1 οὕνεκ’ 176

mvp-comment-45-2 ἐκ 177

mvp-comment-45-3 ἀκούειν 178 ταῦτα 179 ἀλγίονα 180

mvp-comment-46-1 ἐγὼ μὲν οὖν 181

mvp-comment-46-2 τοὺς ὑπὸ χθονός 182

mvp-comment-46-3 βιάζομαι τάδε 183

mvp-comment-47-1 τοῖς ἐν τέλει βεβῶσι 184 βεβῶσι 185

mvp-comment-47-2 τὸ γὰρ | ...πράσσειν 186

mvp-comment-47-3 περισσὰ πρ 187

mvp-comment-47-4 οὐκ ἔχει νοῦν οὐδ. 188

mvp-comment-48-1 ἔτι 189

mvp-comment-48-2 πράσσειν … δρῴης 190 δρῴης 191 ἄν 192 ἡδέως 193 γε 194 ἡδέως γε ἂν ἐμοῦ 195 <)μοῦ 196 γε 197 ἐμοί γ’ 198 μέτα 199 ἀσμένης 200 ἡδέως 201 ἐμοῦ γε 202

mvp-comment-49-1 ἴσθ’ 203

mvp-comment-49-2 όποία σοι δοκεῖ 204 ἴσθ’ 205 ὁποῖά σοι δοκεῖ 206

mvp-comment-50-1 θάψω 207

mvp-comment-50-2 φίλη … φίλου 208

mvp-comment-50-3 μετ’ αὐτοῦ κείσομαι 209 μετά 210

mvp-comment-51-1 ὅσια πανουργήσασ’ 211 ὅσια 212

mvp-comment-51-2 ἐπεὶ κ.τ.λ. 213

mvp-comment-51-3 τῶν ἐνθάδε 214

mvp-comment-52-1 κείσομαι 215

mvp-comment-52-2 σοὶ δ’ 216 σὺ δ’ 217 εἰ δοκεῖ 218

mvp-comment-52-3 τὰ τῶν θεῶν ἔντιμα 219

mvp-comment-52-4 ἀτιμάσασ’ ἔχε 220

mvp-comment-53-1 ἐγὼ 221 μέν 222 δέ 223

mvp-comment-53-2 ἄτιμα ποιοῦμαι 224

mvp-comment-53-3 τὸ δὲ | ...δρᾶν 225

mvp-comment-54-1 τάδ’ ἂν προὔχοιο 226

mvp-comment-54-2 δὴ 227

mvp-comment-54-3 τάφον χώσουσ’ 228

mvp-comment-55-1 Join οἴμοι ταλαίνης 229

mvp-comment-55-2 μὴ ’μοῦ προτάρβει 230 τὸν σόν 231 μὴ ’μοῦ 232 προτάρβει 233

mvp-comment-55-3 ἐξόρθου 234

mvp-comment-56-1 ἀλλ’ οὖν … γε 235 ἀλλά 236 οὖν 237

mvp-comment-56-2 κρυφῆ δέ 238

mvp-comment-56-3 σὺν δ’ 239

mvp-comment-56-4 αὔτως 240

mvp-comment-57-1 καταύδα 241

mvp-comment-57-2 πολλόν 242 πολλὸν 243

mvp-comment-57-3 σιγῶσ’ 244 ἐὰν … τάδε 245 πᾶσι 246

mvp-comment-58-1 θερμὴν ἐπὶ ψυχροῖσι 247 ἐπί 248 θερμήν 249

mvp-comment-59-1 ἁδεῖν 250

mvp-comment-60-1 εἰ καὶ δυνήσει γ’ 251 καὶ 252 δυνήσει 253 εἰ καί 254

mvp-comment-61-1 Since οὐκοῦν 255 δὴ 256 ὅταν 257

mvp-comment-61-2 πεπαύσομαι 258

mvp-comment-62-1 ἀρχήν 259

mvp-comment-63-1 ἐχθαρεῖ 260

mvp-comment-63-2 ἐξ ἐμοῦ 261

mvp-comment-64-1 ἐχθρὰ...τῷ θανόντι προσκείσει δίκῃ 262 προσκείσει 263 ἐχθρά 264

mvp-comment-64-2 Lehrs proposed

Δίκῃ
, i.e. ‘you will fall under the chastisement of justice.’ Donaldson, following Emper, reads
ἐχθρᾷ... δίκῃ
, as iure inimicorum apud mortuum eris: i.e. on the part of the dead you will be deemed to have only the rights of a foe. This is impossible. The ordinary reading is sound.

mvp-comment-65-1 ἔα 265

mvp-comment-65-2 τὴν ἐξ ἐμοῦ δυσββουλίαν 266

mvp-comment-65-3 τὸ δεινὸν τοῦτο 267

mvp-comment-65-4 πείσομαι γὰρ οὐ 269

mvp-comment-65-5 μὴ οὐ 270

mvp-comment-66-1 τοῖς φίλοις δ’ ὀρθῶς φίλη 271 ἴσθι 272

mvp-comment-67-1 Parodos. For the metres see Metrical Analysis. The framework is as follows. (1) 1 st strophe, 100

ἀκτίς
to 109
χαλινῷ
=1 st antistrophe, 117
στὰς
to 133
ἀλαλάξαι
. (2) 2 nd strophe, 134
ἀντιτύπᾳ
to 140
δεξιόσειρος
=2 nd antistrophe, 148
ἀλλὰ γὰρ
to 154
ἄρχοι
. Each strophe and each antistrophe is followed by an anapaestic system (
σύστημα
) of seven verses, recited by the Coryphaeus alone, in the pauses of the choral dance. The fourth and last of these systems, following the second antistrophe, announces the approach of Creon.

mvp-comment-67-2 The Ajax is the only play of Sophocles which has a Parodos beginning, in the older style, with a regular anapaestic march. But something of the same character is given to this ode by the regularity of the anapaestic systems. In the Parodos of the O. C. , on the other hand, though anapaests similarly divide each strophe from each antistrophe, the systems are of unequal lengths, and the general character is wholly different, being rather that of a

κομμός
: see n. on O. C. 117 .

mvp-comment-67-3 The fifteen Theban elders who form the Chorus have been summoned to the palace by Creon,—they know not, as yet, for what purpose (158). They greet the newly-risen sun, and exult in the flight of the Argives.

mvp-comment-67-4 The ode vividly portrays the enormous sin of Polyneices against his country, and the appalling nature of the peril which Thebes has just escaped. We already know Antigone's motive. This is a dramatic prelude to the announcement of Creon's.

mvp-comment-68-1 ἀελίου 273

mvp-comment-68-2 τὸ κάλλιστον ...φάος 274

mvp-comment-68-3 ἑπταπύλῳ 275

mvp-comment-68-4 τῶν προτέρων 276

mvp-comment-69-1 ἐφάνθης 277

mvp-comment-69-2 χρυσέας 278

mvp-comment-69-3 βλέφαρον 279

mvp-comment-69-4 Διρκαίων 280

mvp-comment-70-1 τὸν λεύκασπιν...φῶτα 281

mvp-comment-70-2 The words

τὸν λεύκασπιν Ἀργόθεν
answer metrically to 123
πευκάενθ’ Ἥφαιστον ἑλεῖν
. Instead of
Ἀργόθεν
(¯˘¯) we therefore require ¯˘˘¯. The short final of
λεύκασπιν
is legitimate, the metre being Glyconic (see Analysis Metr.). In the antistrophic verse, the H of
Ἥφαιστον
is ‘irrational,’ i.e. is a long syllable doing duty for a short: and Nauck is incorrect in saying that the metre ‘requires’ (though it admits) a choriambus beginning with a consonant. The simplest remedy is to read Ἀργόθεν ἐκ | βάντα φῶτα 282 Ἰναχόθεν 283

mvp-comment-71-1 πανσαγίᾳ 284

mvp-comment-71-2 φυγάδα πρ. 285 κινήσασα 286

mvp-comment-71-3 πρόδρομον 287

mvp-comment-71-4 ὀξυτέρῳ...χαλινῷ 288

mvp-comment-71-5 ὀξυτέρῳ 289

mvp-comment-72-1 The MSS. have ὃν...Πολυνείκης 290 ὃς ...Πολυνείκους 291

mvp-comment-72-2 Πολυνείκους … νεικέων 292

mvp-comment-72-3 ἀρθείς 293

mvp-comment-72-4 νεικ. ἐξ ἀμφιλόγων 294

mvp-comment-73-1 ὀξέα κλάζων 295

mvp-comment-73-2 αἰετὸς εἰς γᾶν ὣς ὑπερέπτα 296 ὥς 297

mvp-comment-73-3 ὑπερέπτα 298

mvp-comment-74-1 λευκῆς χιόνος πτ. 299

mvp-comment-74-2 στεγανός 300

mvp-comment-74-3 ὅπλων … κορύθεσσι 301 ξύν 302 μετά 303 ξύν 304

mvp-comment-75-1 In στὰς δ’ ὑπὲρ μελάθρων 305 πτάς 306

mvp-comment-75-2 The words φονώσαισιν ἀμφιχανὼν... λόγχαις 307

mvp-comment-75-3 φονώσαισιν 308

mvp-comment-75-4 ἑπτάπυλον στόμα 309

mvp-comment-76-1 ἔβα 310

mvp-comment-76-2 πρίν ποθ’ 311 αἱμάτων 312

mvp-comment-76-3 γἑνυσιν 313 πλησθῆναι 314 τε 315 τε 316

mvp-comment-76-4 στεφάνωμα 317

mvp-comment-76-5 πευκάενθ’ Ἥφαιστον 318

mvp-comment-77-1 τοῖος 319

mvp-comment-77-2 ἐτάθη 320

mvp-comment-77-3 πάταγος 321

mvp-comment-77-4 ἀντιπάλῳ δυσχείρωμα δράκοντος 322 ἀντιπάλῳ ... δράκοντι 323 ἀντιπάλου … δράκοντος 324 ἀντιπάλῳ … δράκοντος 325

mvp-comment-77-5 The interpretation of the passage turns primarily on two points.

mvp-comment-77-6 (1) The δράκων 326

mvp-comment-77-7 (2) The δυς 327 δυσχείρωμα 328

mvp-comment-77-8 Those who read ἀντιπάλῳ … δράκοντι 329 ὲτάθη 330

mvp-comment-77-9 Those who read ἀντιπάλου … δράκοντος 331

mvp-comment-78-1 μεγάλης 332

mvp-comment-78-2 ῥεύματι 333 ῥεύματι πολλῷ 334

mvp-comment-79-1 χρυσοῦ καναχῆς ὑπεροπλίαις 335

mvp-comment-79-2

μέγας
. In post-Homeric poetry
ὑπέροπλος
is a freq. epith. of overweening strength (
ἠνορέη, βίη, ἥβη
, etc.).—Other readings are:—(1)
χρυσοῦ καναχῇ θ’ ὑπερόπτας
, ‘and haughty in the clang of gold.’ This involves an improbable change; the subst.
ὑπερόπτης
, too, is unsuitable here, and cannot be defended by Theocr. 22. 58
πρὸς πάντα παλίγκοτος ἠδ’ ὑπερόπτης
. Wecklein, reading
ὑπερόπτας
, keeps
καναχῆς
in the sense, hoffärtig auf: but a genit. after
ὑπερόπτης
could not denote that in which one takes pride. (2)
χρυσοῦ καναχῆς ὑπερόπτης
, or
‐όπτα
, i.e., ‘Zeus, a despiser of the clang of gold.’ (3)
χρυσοῦ καναχῆς ὑπέροπτα
, adv. neut. plur. (as O. T. 883 ), ‘advancing haughtily in a great stream of clanging gold.’ But the adv. comes weakly at the end, and
χρυσοῦ κ
. is harshly joined with
π. ῥεύματι
.—Aesch. , too, gives prominence to gold in picturing the Argive chiefs: Capaneus has golden letters on his shield ( Aesch. Th. 434 ), Polyneices has the image of a warrior in golden armour, with a golden legend (644, Aesch. Th. 660 ).

mvp-comment-79-3 καναχῆς 336

mvp-comment-80-1 παλτῷ πυρί 337

mvp-comment-80-2 βαλβίδων ἐπ’ ἄκρων 338

mvp-comment-80-3 ὁρμῶντα 339

mvp-comment-80-4 νίκην 340 ἀλαλάξαι 341

mvp-comment-81-1 ἀντιτύπᾳ 342

mvp-comment-81-2 As regards the sense,

ἀντίτυπος
was regularly used of hard surfaces, which, as it were, repel that which strikes them (for the accent
ἀντίτυπος
, not
ἀντιτύπος
, though the sense is act., see on O. T. 460 ). Probl. 5. 40
οἱ...ἐν ἀντιτύποις περίπατοι
. Lucian Amor. 13
τὴν ἀντίτυπον οὕτω καὶ καρτερὰν τοῦ λίθου φύσιν
. So, fig., Plat. Crat. 420D
τὸ...ἀναγκαῖον καὶ ἀντίτυπον
, what is necessary, and what resists us.

mvp-comment-81-3 τανταλωθείς 343

mvp-comment-82-1 πυρφόρος 344

mvp-comment-82-2 βακχεύων 345

mvp-comment-82-3 ῥιπαῖς...ἀνέμων 346

mvp-comment-83-1 εἶχε δ’ ἄλλᾳ τὰ μέν 347 εἶχε δ’ ἄλλαι τὰ μὲν ἄλλαι τὰ δ’ ἐπ’ ἄλλοις 348 τὰ μέν 349 ἄλλα δέ 350 τὰ μέν 351 ἄλλᾳ 352

mvp-comment-83-2 ἐπενώμα 353 στυφελίζων 354

mvp-comment-83-3 δεξιόσειρος 355

mvp-comment-83-4 The old v.l. δεξιόχειρος 356

mvp-comment-84-1 ἑπτὰ λοχαγοί 357

mvp-comment-84-2 ἴσοι πρὸς ἴσους 358

mvp-comment-84-3 Ζηνὶ τροπαίῳ 359

mvp-comment-84-4 πάγχαλκα τέλη 360

mvp-comment-84-5 It was the ordinary practice to set up a

τρόπαιον
(old
αττ.τροπαῖον
) after a victory, on the spot where it had been won, or, in the case of a sea-fight, on the nearest land ( Thuc. 2.92 ). Such a trophy ordinarily consisted of shields, helmets, and weapons, conspicuously displayed on wooden supports, and dedicated, with an inscription, to a deity. Cp. Eur. Phoen. 1473 (of the Thebans after the victory)
οἱ μὲν Διὸς τροπαῖον ἵστασαν βρέτας
(i.e. a wooden image of
Ζεὺς Τροπαῖος
), |
οἱ δ’ ἀσπίδας συλῶντες Ἀργείων νεκρῶν | σκυλεύματ’ εἴσω τειχέων ἐπέμπομεν
. Part of the armour would be affixed to the walls of Theban temples (cp. Aesch. Ag. 577 , Th. 276 ).

mvp-comment-85-1 πλὴν τ. στυγεροῖν 361 πατρός 362

mvp-comment-85-2 καθ’ αὑτοῖν 363

mvp-comment-85-3 δικρατεῖς λόγχας 364

mvp-comment-85-4 στήσαντε 365

mvp-comment-86-1 ἀλλὰ γάρ 366 γάρ 367 γάρ 368

mvp-comment-86-2 μεγαλώνυμος 369

mvp-comment-86-3 πολυαρμάτῳ 370

mvp-comment-86-4 ἀντιχαρεῖσα 371

mvp-comment-87-1 ἐκ...πολέμων τῶν νῦν 372 ἐκ 373 νῦν 374

mvp-comment-87-2 θέσθαι 375 θέσθε 376 παννυχίοις 377

mvp-comment-87-3 ὁ Θήβας 378 ἐλελίχθων 379

mvp-comment-87-4 Βάκχιος 380

mvp-comment-87-5 ἄρχοι 381

mvp-comment-88-1 ἀλλὰ … γάρ 382 Κρέων 383

mvp-comment-88-2 Μενοικέως 384

mvp-comment-88-3 νεοχμὸς νεαραῖσι 385

mvp-comment-88-4 their equivalents. See Appendix I prefer the first of these views. An anapaest or spondee, meaning ‘ruler,’ has probably dropped out before νεοχμός 386 κρείων 387 ἄρχων 388 ταγός 389

mvp-comment-88-5 θεῶν … συντυχίαις 390 ἐπί 391

mvp-comment-89-1 μῆτιν ἐρέσσων 392

mvp-comment-89-2 σύγκλητον 393

mvp-comment-89-3 προὔθετο 394 λέσχην 395

mvp-comment-89-4 not the meeting, but the discussion which is to take place there: thus the poet's phrase, true to Attic usage, corresponds with

γνώμας προθεῖναι
rather than with
ἐκκλησίαν προθεῖναι
. Herod. uses
λέσχη
of a public discussion (9. 71): cp. O. C. 167 . The midd. προὔθετο 396

mvp-comment-89-5 κοινῷ κ. πέμψας 397

mvp-comment-90-1 First

ἐπεισόδιον
. Creon, the new king, enters from the central door of the palace. Recognising the loyalty which the elders had shown to his predecessors, he expresses his own conception of the duty which a king owes to the State. He then announces the edict which, in accordance with that conception, he has published concerning the two brothers. The Chorus submissively acknowledge his right to do so, but express no approval. A guard now arrives (223), and announces that the king's edict has already been violated by an unknown hand, which has strewn dust upon the corpse of Polyneices. Creon dismisses him with threats of a dreadful death for him and for his fellows, if they fail to discover and produce the offender.

mvp-comment-91-1 There is a general dramatic analogy between this speech and that of Oedipus in O. T. 216 —275. In each case a Theban king addresses Theban elders, announcing a stern decree, adopted in reliance on his own wisdom, and promulgated with haughty consciousness of power; the elders receive the decree with a submissive deference under which we can perceive traces of misgiving; and as the drama proceeds, the elders become spectators of calamities occasioned by the decree, while its author turns to them for comfort.

mvp-comment-91-2 τὰ μὲν δὴ πόλεος . . ὑμᾶς δ’ 398

mvp-comment-91-3 πόλεος 399 πολλῷ σάλῳ σείσαντες 400

mvp-comment-91-4 The image of the State as a ship dates in Greek literature from Alcaeus (whom Horace copied, Carm. 1. 14 ), fr. 18. The ship of Alcaeus is labouring in the trough of a wild sea,—water is coming in,—the sail is torn,—the anchor will not hold:

νᾶϊ φορήμεθα σὺν μελαίνᾳ | χείμωνι μοχθεῦντες μεγάλῳ μάλα, κ.τ.λ.
It is only through Heracleides Alleg. Homer. 5 that we know the meaning of Alcaeus to have been figurative and political. Aesch. often uses the image ( Aesch. Th. 2 , Aesch. Th. 62 , Aesch. Th. 208 etc.). Creon returns to it at 189. It is peculiarly well suited to his point,—the unity of the public interest.

mvp-comment-91-5 ὤρθωσαν 401

mvp-comment-92-1 ἐκ πάντων 402 δίχα 403

mvp-comment-92-2 ἔστειλ’ ἱκέσθαι 404 τοῦτο μέν 405

mvp-comment-92-3 σέβοντας 406

mvp-comment-92-4 θρόνων . . κράτη 407

mvp-comment-93-1 ἡνίκ’ Οἰδίπους 408 κείνων 409 κείνων παῖδας 410 ἡνίκ’ . . ὤρθου πόλιν 411 ἐπεὶ διώλετο 412 τοῦτο μέν . . τοῦτ’ αὖθις 413

mvp-comment-93-2 καί 414 καί 415

mvp-comment-93-3 ἐμπέδοις φρονήμασιν 416 ἐμπέδους 417 ἐμπέδοις 418

mvp-comment-94-1 ὅτε 419

mvp-comment-94-2 πρὸς διπλῆς μ. 420 διπλῆς . . μίαν 421

mvp-comment-94-3 παίσαντες . . πληγέντες 422

mvp-comment-94-4 αὐτόχειρι … μιάσματι 423

mvp-comment-95-1 ἐγὼ . . δή 424

mvp-comment-95-2 κράτη 425

mvp-comment-95-3 γένους κατ’ ἀγχιστεῖα τῶν ὀλ. 426

mvp-comment-96-1 ἀμήχανον δέ 427 δέ 428 δέ 429

mvp-comment-96-2 Demosthenes, in his speech on the Embassy (343 B.C.), quotes this passage (vv. 175—190) as illustrating maxims

mvp-comment-96-3 which Aeschines had violated, though, accustomed as he had been to play tritagonists' parts, he ought to have known them by heart (or. 19 § 247).

mvp-comment-97-1 ψυχήν 430 φρόνημα 431 γνώμην 432

mvp-comment-98-1 ἀρχαῖς 433 νόμοισιν 434

mvp-comment-98-2 ἐντριβής 435

mvp-comment-98-3 φανῇ 436

mvp-comment-99-1 ἐμοὶ γάρ 437 γάρ 438 πᾶσαν … πόλιν 439

mvp-comment-99-2 μὴ … ἅπτεται 440 ὅστις μὴ ἅπτεται 441

mvp-comment-99-3 ἐκ φ. του 442

mvp-comment-99-4 ἐγκλῄσας ἔχει 443

mvp-comment-99-5 νῦν τε καὶ πάλαι 444

mvp-comment-100-1 μείζον’ 445 ἀντὶ τῆς...πάτρας 446 ἤ 447 μεῖζον 448

mvp-comment-100-2 οὐδαμοῦ λέγω 449

mvp-comment-101-1 ἐγὼ γάρ 450 γάρ 451 τοῦτο γιγνώσκων 452 ἴστω 453

mvp-comment-102-1 οὔτ’ ἂν σιωπήσαιμι 454

mvp-comment-103-1 στείχουσαν ἀστοῖς 455 ὁμοῦ 456

mvp-comment-103-2 ἀντὶ τῆς σωτηρίας 457 τῆς 458

mvp-comment-104-1 ἄνδρα δυσμενῆ χθονός 459

mvp-comment-104-2 ἐμαυτῷ 460 φίλον 461 θείμην 462

mvp-comment-105-1 ἡ σῴζουσα 463

mvp-comment-105-2 ταύτης 464 ὀρθῆς 465

mvp-comment-105-3 τοὺς φίλους ποιούμεθα 466

mvp-comment-105-4

εὐτυχούσῃ πολλῷ μᾶλλον διασῴζεται
. ‘Pericles Thucydidis 11. 60 Sophoclem videtur respexisse, vel eum Sophocles,’ is Dobree's remark ( Adv. 2. 37 ); but there is no adequate ground for such a view. The verbal coincidence of
ὀρθῆς
with
ὀρθουμένην
may well have been accidental. What is really common to poet and historian is the general sentiment of Periclean Athens. For another example of this, cp. O. C. 116 n.

mvp-comment-106-1 νόμοισι 467

mvp-comment-106-2 αὔξω 468

mvp-comment-107-1 ἀδελφὰ τῶνδε 469

mvp-comment-107-2 τῶν ἀπ’ Οἰδίπου 470

mvp-comment-108-1 δορί 471 δόρει 472

mvp-comment-109-1 τὰ πάντ’ ἐφαγνίσαι 473 ἐπί 474 ἐφαγνίσαι 475 ἀφαγνίσαι 476 ἀπό 477

mvp-comment-110-1 τοῖς ἀρίστοις 478

mvp-comment-110-2 ἔρχεται κάτω 479

mvp-comment-111-1 L has Πολυνείκην 480

mvp-comment-111-2 λέγω 481

mvp-comment-112-1 γτ=ν πατρῴαν . . καὶ θεοὺς . . πρῆσαι 482

mvp-comment-112-2 θ. τοὺς ἐγγενεῖς 483

mvp-comment-112-3 κατελθών 484

mvp-comment-112-4 γ)θέλησε μέν … ἠθέλ. δέ 485 ἠθέλησε μὲν 486

mvp-comment-112-5 πρῆσαι 487

mvp-comment-112-6 κατ’ ἄκρας 488

mvp-comment-112-7 αἵματος κ. πάσασθαι 489

mvp-comment-112-8 τοὺς δὲ … ἄγειν 490

mvp-comment-172-1 First

στάσιμον
. 1st strophe (332—342)=1st antistrophe (343—353): 2nd strophe (354—364)=2nd antistr. (365 —375). For the metres see Metrical Analysis.

mvp-comment-172-2 The Chorus had not thought it possible that any one should brave death to bury the corpse (220). But the deed has been done, and without leaving a trace (252). And Creon has silenced the suggestion that gods did it (278). The train of thought is continued in this ode. Its theme is man's daring,—his inventiveness, and the result to his happiness.

mvp-comment-172-3 Man is master of sea and land; he subdues all other creatures; he has equipped his life with all resources, except a remedy against death. His skill brings him to prosperity, when he observes divine and human laws, but to ruin when he breaks them.—At that moment Antigone is led in, and the coryphaeus speaks the closing anapaests (376—383).

mvp-comment-342-1 Second

στάσιμον
. 1st strophe, 582—592,=1st antistr., 593— 603. 2nd strophe, 604—614,=2nd antistr., 615—625. See Metrical Analysis.

mvp-comment-342-2 The sentence of death just passed on Antigone leads the Chorus to reflect on the destiny of her house, and on the power of fate generally.—When a divine curse has once fallen upon a family, thenceforth there is no release for it. Wave after wave of trouble vexes it. Generation after generation suffers. These sisters were the last hope of the race; and now an infatuated act has doomed them also. —What mortal can restrain the power of Zeus? Human self-will and ambition may seem to defy him, but he is drawing them on to their ruin.—Anapaests (626— 630) then announce the approach of Haemon.

mvp-comment-369-1 Third

ἐπεισόδιον
. Haemon vainly intercedes with his father. They quarrel, and the son abruptly leaves the scene (765). Creon then commands that Antigone shall at once be immured in a rocky vault.

mvp-comment-469-1 Third stasimon. Strophe 781—790=antistr. 791—800.

mvp-comment-469-2 After Creon's and Haemon's speeches, the comment of the Chorus was in a neutral tone (724). When Haemon departed in anger, they spoke words implying that allowance must be made for the heat of youth (767). This beautiful ode is in a kindred strain. If Haemon has sinned against great

θεσμοί
—loyalty to country and to father—at least he is under the influence of a god whom none can withstand.

mvp-comment-469-3 The pathos of the maiden's fate is heightened by this plea for her lover. When she is led in by the guards, on her way to death, the Chorus avow that pity works with them even as love with Haemon (801—805). A perfect preparation is thus made for the lyric dialogue between the Chorus and Antigone (806—882).

mvp-comment-484-1 Fourth

ἐπεισόδιον
. Antigone has now been brought out of the house by two of Creon's servants (
οἱ ἄγοντες
, 931) who are about to conduct her to her doom. She speaks of her fate to the Chorus, and they seek to comfort her,—while they intimate that she alone is to blame (853, 875). Creon enters (883); and, in obedience to his peremptory command, Antigone is presently led forth to death (943).

mvp-comment-484-2 The structure of the

κομμός
(806—882) is as follows. 1st strophe (806—816)=1st ant. (823—833). A system of choral anapaests (817—822) comes after the strophe, and a similar system (834—838) after the antistrophe.—2nd strophe (839—852) = 2nd ant. (857—871).—3rd str. (853—856) =3rd ant. (872—875).—An epode forms the close (876—882). See Metrical Analysis.

mvp-comment-560-1 Fourth stasimon. 1st strophe 944—954=1st antistrophe 955— 965. 2nd str. 966—976=2nd antistr. 977—987. See Metrical Analysis.

mvp-comment-560-2 As Antigone spoke the verses ending at 943, the guards were in the act of leading her forth. The choral ode may have begun before she had vanished; but she is not to be conceived as still present when she is apostrophised (949, 987).

mvp-comment-560-3 A princess is about to be immured in a rocky cell. The Chorus remember three other royal persons who have suffered a like fate—Danaë, Lycurgus and Cleopatra. The only points which these cases have in common with Antigone's are the facts of noble birth and cruel imprisonment.

mvp-comment-560-4 All four cases illustrate the same general truth—no mortal can resist fate. Danaë and Cleopatra were innocent; Lycurgus was guilty. But the Chorus do not mean to suggest Antigone's guilt or innocence; still less, to foreshadow the punishment of Creon. On this side, the ode is neutral, purely a free lyric treatment of the examples. Such neutrality suits the moment before the beginning of the

περιπέτεια
. Teiresias is soon to come.

mvp-comment-587-1 Fifth

ἐπεισόδιον
. Teiresias denounces the divine wrath. Creon, terror-stricken, hastens to bury Polyneices and to release Antigone.

mvp-comment-674-1 This

ὑπόρχημα
, or ‘dance-song,’ takes the place of a fifth stasimon. The Chorus hopes that Creon may be in time to save Antigone, and that his sin against the dead may be expiated without disaster. Hence this strain, full of gladness, invoking the healing presence (1144) of the bright and joyous god who protects Thebes. The substitution of a
ὑπόρχημα
for a stasimon is used with a like dramatic purpose in other plays. (1) O. T. 1086 —1109: the Chorus hopes that Oedipus may prove to be of Theban birth. (2) Ai. 693 —717, a joyous invocation of Pan, the Chorus believing that Ajax has indeed repented. (3) Tr. 633 —662: the Chorus joyously anticipates the return of Heracles. In each of these cases the beginning of the end is near.

mvp-comment-674-2 1st strophe 1115—1125=1st antistr. 1126—1136: 2nd str. 1137—1145=2nd antistr. 1146—1154. See Metrical Analysis.

mvp-comment-696-1 Exodos. The threefold catastrophe. Creon's remorse.

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

1-17. mvp-comment-1-1 The opening speeches reveal the contrast between the sisters, while the affectionate address of Antigone in l. 1 gives greater emphasis to her violent outbreak in l. 69. Cp. О. Т. 85, and note.

1. mvp-comment-2-1 κοινόν not only means Of common parentage, but has the further significance of common interests and feelings. See Essay on Language p. 96, and for αὐτάδελφον (where the compound merely adds a pathetic emphasis), Essay on Language p. 91, 6. Ismene, my own sister, who sharest all with me. Antigone and Ismene were united by a common grief in an affection Dearer than the natural bond of sisters.

2-3. mvp-comment-3-1 (1) Do you know, that of the ills derived from Oedipus there is not one which Zeus will not bring upon us two before we die? ὁποῖον οὐχί is the indirect form of ποῖον οὐχί ; = all without exception. So Böckh: and this agrees better with what follows in ll. 7, 9, 10, 11 ff. than (2) reading ὅ, τι with the Schol. and rendering, 'Know'st thou which of the evils is such that Zeus will not accomplish it?' or (3) (ὁποῖον α resumption of ὅ, τι), 'Know'st thou what of all the evil Zeus will not accomplish?' or (4) supposing ὅτι pleonastic: 'Know'st thou what' etc.

2-3. mvp-comment-3-2 τῶν ἀπ᾿ Οἰδίπου Oedipus in the Antigone is simply the author of misery to his race: infr. 49 ff., 864 ff., although the misery has an earlier source in the Doom of the Labdacidae. The action of the O. T. and O. C. must not be presupposed. See Introd. p. 452.

3. mvp-comment-4-1 vῷv is dative. (Essay on Language § 12. p. 18). For ἔτι ζώσαιν, cp. Hom. Il. 18. 10, Μυρμιδόνων τὸν ἄριστον ἔτι ζώοντος ἐμεῖο | χερσὶν ὑπὸ Τρώων λείψειν φάος ἠελίοιο.

4. mvp-comment-5-1 ἄτης †ἄτερ Neither the defence of these words by Böckh, who places them between commas, Calamity apart, i.e. no disgrace, not to speak of calamity, (cp. Dem. de Cor. p. 255); nor that of Wecklein, who treats the privative as a redundant negative, i. e.

4. mvp-comment-5-2 ἄτερ = οὐ πλέων, nor Linwood's, who makes ἀλγεινὸν οὔτ᾽ ἄτης ἄτερ = άλγεινὸν ἀτηρόν τε, is satisfactory. Yet Didymus knew of no other reading, and interlinear glosses before the Christian era can hardly be assumed. Else there is much plausibility in Porson's conjecture that a gloss ἀτηρ', i. e. ἀτηρόν, has taken the place of ἔχον (sc. μετέχον), or some other word. The corruption occurring at such an early period is more probably due to the confusion to which all negative expressions are liable (Essay on Language § 29. 2, p. 49), but which in the present instance cannot be attributed to the poet; i. e. οὐδὲν ἀτηρόν ἐσθ᾽ ὁποῖον οὐκ ὄπωπα, has become confused in the mind of some early interpreter with οὐδέν ἐσθ᾽ ὁποῖον οὐκ ἀτηρόν = οὐδέν ἐστ᾽ ἄτης ἄτερ. Qy. ἄτης πλέων? The emphasis culminates on ἄτιμον, which pointedly refers to the dishonour she is now to speak of.

6. mvp-comment-6-1 τῶν.. κακῶν, partitive genitive, as supplementary predicate. See Essay on Language § 10. p. 15.

7-8. mvp-comment-7-1 πανδήμῳ.. στρατηγόν The Thebans had gone forth πανδημεί under Creon's generalship, and he had made the proclamation as στρατηγός, before assuming the civil power. Cp. Thuc. 5. 60, § 5, τὰς ἀπὸ στρατείας δίκας πρὶν ἐσιέναι κρίνουσιν. The publicity of the edict makes it more painful. Antigone knows what she is doing. Infr. 44, 907.

9. mvp-comment-8-1 τι is adverbial.

10. mvp-comment-9-1 τῶν ἐχθρῶν When evils devised by enemies are threatening those we love. In the vehemence of her resentment she already speaks of Creon as an enemy. Cp. infr. 62. τὰ ἀπὸ τῶν ἐχθρῶν κακά, Schol. According to others τῶν ἐχθρῶν is abl. gen. passing from enemies, i.e. no longer directed towards them, or descriptive, evils which belong to enemies, i. e. which should be confined to them.

11. mvp-comment-10-1 οὐδεὶς μῦθος.. φίλων Νo word concerning any of our friends. Essay on Language § 9. p. 13.

12. mvp-comment-11-1 ἐξ ὅτου Sophocles has not been careful to mark the exact sequence of the events preceding the action of the Play. (See Introduction.) But the death of the brothers is supposed to have taken place some little time before the rout of the Argive host. Infr. 144-148.

14. mvp-comment-12-1 μιᾷ.. διπλῇ Essay on Language p. 69.

17. mvp-comment-13-1 μᾶλλον is redundant, the whole expression being epexegetic of οὐδὲν ὑπέρτερον, and in construction with οἶδα.

18-19. mvp-comment-14-1 καί σ'.. ἐξέπεμπον And it is for this that I have been leading thee forth. Thus a probable reason is given for the appearance of the two maidens before the gate. Their usual seclusion has been somewhat relaxed during the absence of Creon and Eteocles with the army. Infr. 578-579. Cp. El. 517.

20. mvp-comment-15-1 δηλοῖς γάρ τι καλχαίνουσ᾽ ἔπος It is plain that your thoughts are darkening with some troublous word.

20. mvp-comment-15-2 καλχαίνω is formed on a fancied analogy to πορφύρω, as this is used in Homer of the agitation of the sea, and, metaphorically, of the mind. According to others the first notion of καλχαίνω is to stir from the depths, as in dredging for the murex (κάλχη).

21. mvp-comment-16-1 τάφου is genitive of respect with both participles, but chiefly privative genitive ve ἀτιμάσας. See Essay on Language p. 66, 1, 68. She implies that both brothers had been dishonoured by the decree. Cp. infr. 515-517, οὐ μαρτυρήσει ταῦθ᾽ ὁ κατθανὼν νέκυς.. οὐ γάρ τι δοῦλος, ἀλλ᾽ ἀδελφὸς ὤλετο.

23. mvp-comment-17-1 ὡς λέγουσι, resumed in φασιν l. 27, φασι l. 31, points to the fact that the maidens in their seclusion could only know of the edict from hearsay.

23. mvp-comment-17-2 σὺν δίκῃ | †χρησθεὶς δικαίᾳ καὶ νόμῳ χρησθείς has been generally condemned, and ἐχρήσθην only occurs elsewhere in a strictly passive sense. Yet, as Shilleto observes (Journ. of Phil. No. 13, p. 149), ᾐδεσάμην and ᾐδέσθην, the former in lyric verse, the latter in senarii, are found within a few lines of each other in O. T. 647, 651; and χρησάμενος does not occur in Sophocles.

23. mvp-comment-17-3 Ἐτεοκλέα ἔκρυψε, χρησθεὶς (αὐτῷ) σὺν δίκῃ, is not impossible in point of syntax. On the other hand neither χρησθεὶς δίκαια, nor χρηστοῖς δικαίᾳ, nor προσθεὶς δίκαια, can be approved. In 1871 I suggested προθείς. After laying him out in state, with the righteous meed of honour and all customary observance, he has covered him in earth. Cp. Hdt. 1.112-115. 8, τρεῖς μὲν ἡμέρας προτιθέασι τὸν νεκρόν: inf. 196, καὶ τὰ πάντ᾽ ἐφαγνίσαι. This part of the treatment of Eteocles would contrast with the prohibition even to mourn for Polynices. Cp. Thuc. 2. 34, where the words καὶ ἐπιφέρει τῷ αὑτοῦ ἕκαστος ἤν τι βούληται throw some light on the custom implied in σὺν δίκῃ δικαίᾳ καὶ νόμῳ. For the emphatic δικαίᾳ, cp. Αj. 1100, ἐς ταφὰς ἐγὼ θήσω δικαίως: Hdt. 8. 106, νόμῳ δικαίῳ χρεώμενοι. προθείς may have been changed to προσθείς (which Donaldson conjectured), and to this may have been added an interlinear gloss ἃ χρή. Cp. 1. 243. κάφαγιστεύσας ἃ χρή. Another guess is χρῆσθαι δικαιῶν (sc. αὐτῷ). For similar fullness of expression on a solemn occasion, cp. O. T. 219, 259.

25. mvp-comment-18-1 τοῖς .. νεκροῖς Holding his honours amongst the dead; i.e. not ἄτιμος, or deprived of common rights.

26. mvp-comment-19-1 θανόντα .. νέκυν Cp. infr. 515, ὁ κατθανὼν νέκυς.

27. mvp-comment-20-1 ἐκκεκηρύχθαι Passive. That proclamation has been made. Cp. προκεῖσθαι, l. 36 .

29. mvp-comment-21-1 ἐἂν. Sc. πάντας. The affirmative subject is supplied from the negative Cp. the language of the proclamation in O. T. 241, and see Essay on Language p. 59.

29. mvp-comment-21-2 ἄκλαυτον, ἄταφον Cp. Od. 11. 72; Il. 22. 386; Eur. Hec. 30.

29-30. mvp-comment-22-1 οἰωνοῖς .. βορᾶς (1) To the vultures a sweet treasure as they eye him with a view to the gratification of food. Cp. infr. 371 τόλμας χάριν : 908, τίνος νόμου δὴ ταῦτα πρὸς χάριν λέγω; Or, perhaps. (2) To the vultures, eyeing him, a glad store of food to gratify their desire. For πρὸς χάριν in the latter rendering, cp. Phil. 1156, ἀντίφονον κορέσαι στόμα πρὸς χάριν, and for the combination of adverbial phrase and noun, El. 1336, σὺν χαρᾷ βοῆς.

31. mvp-comment-23-1 τὸν ἀγαθὸν Κρέοντα Cp. Phil. 873, ἁγαθοὶ στρατηλάται.

31-32. mvp-comment-24-1 σοι | κάμοί, λέγω γὰρ κἀμέ] Antigone first says, There is Creon's proclamation for you! (σοι unemphatic as in l. 37:) then, going off upon the word, For you, did I say? ay, and for me too, for I count myself also amongst those forbidden. This is said with bitter emphasis, showing that she has fully counted the cost of the act she meditates. The proclamation extends to me-I accept the consequences. For λέγω in this sense, cp. Aesch. Prom. 973, καὶ σὲ δ᾽ ἐν τούτοις λέγω: Cho. 989, Αἰγίσθου γὰρ οὐ λέγω μόρον. Others take κἀμέ as κάμοί, Το me, I say! (whose spirit he little knows).

35. mvp-comment-25-1 ὃς ἄν Essay on Language § 22. p. 35, 2. §39. p. 72.

35. mvp-comment-25-2 τούτων τι For this idiomatic use of τι, cp. Thuc. 5. 13, δρᾶν τι ὧν ἐκεῖνος ἐπενόει.

36. mvp-comment-26-1 δημόλευστον By stoning of the people. Essay on Language p. 98, a, line 15.

38. mvp-comment-27-1 For εὐγενής in the ethical sense, cp. Eur. El. 363, οὔτοι τό γ' ἦθος δυσγενές παρέξομαι. And for the genitive ἐσθλῶν, cp. Αj. 763, ἄνους καλῶς λέγοντος εὑρέθη πατρός.

39-40. mvp-comment-28-1 Alas for thy rash spirit! What help, if things be at this pass, can I afford, either to undo what is done, or to confirm it?' ταλαῖφρον points to the daring spirit of Antigone and to the tone of her last words. For λύουσα, cp. Aesch. S. c. Т. 270, λύουσα πολεμίων φόβον. The choice lies between ἢ 'φάπτουσα and εἴθ' ἅπτουσα. The implied negative is in favour of εἴθ' ἅπτουσα, which comes near the first hand of L. Cp. О. Т. 517, λόγοισιν εἴτ᾿ ἔργοισιν, where, however, ei precedes. But εἴτε is slightly too emphatic, and ἢ ᾿φάπτουσα is an early reading. The expression is proverbial. Cp. Aj. 1317.

42. mvp-comment-29-1 ποῦ γνώμης ποτ' εἶ; Although ποῖ with the verb of motion is not unlikely (cp. El. 922, ὅποι γνώμης φέρει), the future tense does not suit the passage. Hence the reading of Par. A. (with εἶ from εἰμί) is preferable. Cp. Ε1. 390, ποῦ ποτ' εἶ φρενῶν; but see Eurip. Iph. A. 480, for el from εἶμι with present meaning.

43. mvp-comment-30-1 Antigone's first intention is to lift the body with Ismene's help and give it proper burial. Being unable to do this unaided, she sprinkles the dust. Cp. El. 938-1057.

43. mvp-comment-30-2 ξὺν τῇδε .. χερί Aiding this hand, i. e. taking part in my labour. Cp. Ο. Τ. 811 ἐκ τῆσδε χειρός. Essay on Language § 22. p. 34.

44. mvp-comment-31-1 ἀπόρρητον πόλει A thing forbidden to the whole city. ἀπόρρητον is neuter accusative in apposition to the action of θάπτειν. Essay on Language § 17. p. 25.

45-46. mvp-comment-32-1 I will certainly bury my brother and yours, though you do not choose to do your part. The second of these lines has been needlessly suspected. The rejoinder of Ismene comes in more effectively when the στιχομυθία is broken. ἣν = κἄν, cp. Phil. 52, ἄλλ' ἤν τι καινὸν .. κλύῃς, ὑπουργεῖν.

48. mvp-comment-33-1 He has no right in what is mine, to part me from my own. τῶν ἐμῶν is partitive genitive with οὐδὲν μέτα: privative genitive with εἴργειν. Essay on Language p. 61.

50. mvp-comment-34-1 vῷν Ethical dative.

51. mvp-comment-35-1 αὐτοφώρων Self-detected; i. e. Brought to light by his own act. πρός = In consequence of,' connects the phrase with the preceding rather than the following words. Although the action of O. T. is not presupposed, this part of the fable had been already developed by Aeschylus. See S. c. T. 778 ff. Others take αὐτοφώρων to mean clearly proved, manifest to all men: cp. Od. 11.247, ἄφαρ δ᾽ ἀνάπυστα θεοὶ θέσαν ἀνθρώποισιν. But the emphatic repetition of αὐτὸς αὐτουργῷ in the next line agrees better with the more pregnant meaning. αὐτουργῷ = εἰς ἑαυτὸν ταῦτα ἐρξάσῃ.

53. mvp-comment-36-1 διπλοῦν ἔπος A two-fold name, suggesting the horror of the double relationship. Cp. Ο. Τ. 928, γυνὴ δὲ μήτηρ ἥδε τῶν κείνου τέκνων.

54. mvp-comment-37-1 λωβᾶται βίον Destroys her own life. Cp. Tr. 887, τάνδ᾽ ὕβριν.

56. mvp-comment-38-1 αὐτοκτονούντε By mutual fratricidal slaughter. αὐτός in composition here is partly reciprocal and partly, as in αὐτόχειρ, suggestive of the murder of kindred: cp. 1. 172. The same is true of κοινόν: cp. 1. 147.

57. mvp-comment-39-1 ἐπαλλήλοιν Mutual. The read. ing of L and Hermann is justified by the awkwardness of the double genitive dual and the doubtful use of ἐπί in the other reading.

58. mvp-comment-40-1 δή emphasizes μόνα with reference to what precedes. Thus left alone.

60. mvp-comment-41-1 ψῆφον τυράννων ἢ κράτη The will or authority of the ruler. 64. For the epexegesis, see Essay on Language § 33. p. 57. And for the accusative, to obey in this, cp. infr. 666-667.

66. mvp-comment-42-1 βιάζομαι τάδε This passive use of βιάζομαι occurs again in l. 1073, ἀλλ᾿ ἐκ σοῦ βιάζονται τάδε.

67. mvp-comment-43-1 τοῖς .. βεβῶσι Those whose position is supreme; i.e. the present ruling power.

68. mvp-comment-44-1 περισσὰ πράσσειν ‘Το act beyond one's sphere.' Cp. Tr. 617, τὸ μὴ πιθυμεῖν πομπὸς ὢν περισσὰ δρᾶν.

70. mvp-comment-45-1 ἐμοῦ.. μέτα Would your acting with me be any pleasure to me. For the adverb ἡδέως, implying a predicate, see Essay on Language § 24. p. 40.

71. mvp-comment-46-1 ἴσθ᾽ ὁποία This reading is acknowledged by the Scholiast equally with ἴσθ' ὁποῖα, the reading of LA. Be such as you choose to be' (i. e. base, cp. supr. 38) is more forcible than Hold what principles you please, even if εἰδέναι can have this meaning. Cp Phil. 1049, τοιοῦτός εἰμ' ἐγώ: Eur. Or. 1680, κἀγὼ τοιοῦτος. ὁποία is nominative by attraction to the antecedent. Hermann thought the dative ὁποίᾳ was required.

72. mvp-comment-47-1 Antigone knows clearly from the beginning, with the heightened consciousness of passion, the consequences of her act. There is no irony of fortune, so far as she is concerned.

74. mvp-comment-48-1 ὅσια πανουργ. Cp. infr. 924.

75. mvp-comment-49-1 τῶν ἐνθάδε See Essay on Language § 10. p.15. The form of expression resembles Hdt. 3. 124, βούλεσθαι οὖν παρθενεύεσθαι πλείω χρόνον ἢ τοῦ πατρὸς ἐστερῆσθαι. For the thought, cp. Plat. Legg. 9.881 Α, θάνατος μὲν οὐκ ἔστιν ἔσχατον, οἱ δὲ ἐν ῞Αιδου . πόνοι .. εἰσὶ μᾶλλον ἐν ἐσχάτοις : Sim. Am. 3, πολλὸς γὰρ ἡμῖν ἐστι τεθνάναι χρόνος, κ.τ.λ.

76. mvp-comment-50-1 σοὶ δ᾽ εἰ δοκεῖ The emphasis really rests on the subject (σύ), but is transferred to the dative, as in Phil. 1395, ὡς ῥᾷστ᾽ ἐμοὶ μὲν τῶν λόγων λῆξαι, σὲ δὲ | κ.τ.λ. Essay on Language § 41. pp. 78-79. The change to σύ (see v. rr.) is slight, but rather weakens the expression.

77. mvp-comment-51-1 τὰ τῶν θεῶν ἔντιμα What is held honourable amongst the Gods. Cp. θεῶν νόμιμα, infr. 454-455: 1.ε. τὰ τῶν θεῶν ὄντα καὶ ὑπὸ τῶν θεῶν ἀγόμενα ἐν τιμῇ. Hh ἀτιμάσασ᾽ ἔχε] Persist in slighting. 78. ἐγὼ ποιοῦμαι I do not mean to show disrespect. She shrinks from saying distinctly τὰ τῶν θεῶν.

79. mvp-comment-52-1 ἔφυν By nature and position.

82. mvp-comment-53-1 ταλαίνης after οἴμοι: σου after ὑπερδέδοικα. But this distinction is hardly felt in the Greek.

83. mvp-comment-54-1 ἐξόρθου Continue to direct safely, as if steering a vessel.

85. mvp-comment-55-1 σὺν δ' See Essay on Language § 18. p. 26.

86. mvp-comment-56-1 The Epic πολλόν is curious, but need not be changed. Cp. Tr. 1196, πολλὸν δ᾽ ἄρσεν᾽ ἐκτεμόνθ᾽ ὁμοῦ | ἄγριον ἔλαιον. Other Epic forms in this play are ὡσεί τε, infr. 653; ὑπαί, infr. 1035: εἰν ῞Αιδου δόμοις, 1241. A lukewarm spirit is above all hateful to Antigone. If Ismene disapproves her act, let her denounce it. ἐὰν μή, κ.τ.λ., further explains σιγῶσ'. Cp. Ο. Τ. 57, ἔρημος ἀνδρῶν μὴ ξυνοικούντων ἔσω.

88. mvp-comment-57-1 θερμὴν .. ἔχεις Your courage is hot upon a cold enterprize.

88. mvp-comment-57-2 ψυχροῖσι] Chilling, i.e. Causing a cold thrill of horror. Cp. Aesch. Prom. 691-693, οὐδ᾽ ὧδε δυσθέατα καὶ δυσοιστὰ ... ψύχειν ψυχὰν ἐμάν. Also with an association from the meaning fruitless; cp. Hdt. 9. 49, ἐπαρθεὶς ψυχρῇ νίκῃ.

91. mvp-comment-58-1 Cp. 1. 926, παθόντες ἂν ξυγγνοῖμεν ἡμαρτηκότες.

94. mvp-comment-59-1 ἐχθρὰ .. δίκῃ And our dead brother will justly hold you as an enemy: ἐχθράν σε προσθήσεται: ср. Eur. Τr. 185, τῷ πρόσκειμαι δούλα; Who has me for his slave.

95. mvp-comment-60-1 τὴν ἐξ ἐμοῦ That proceeds from me; i. e. For which I alone am responsible. See Essay on Language § 19. p. 28. 1

96. mvp-comment-61-1 πείσομαι γὰρ οὐ The reading οὐ, for which some critics would substitute οὖν, is confirmed (1) by the tendency to a vehement accumulation of negatives in the speeches of Antigone in this scene: (2) by the similar emphatic inversions noticed in the Essay on Language § 41. p. 78.

99. mvp-comment-62-1 τοῖς φίλοις δ᾽ ὀρθῶς φίλη But unfailing in kindness to thy friends; i. e. A faithful sister to thine own brother. Cp. Eur. Or. 424, ἀληθὴς δ᾽ ἐς φίλους ἔφυν φίλος. Antigone goes to perform the sepulture, and Ismene returns into the palace. The stage is left vacant. As in the Ajax, there is a distinct break after the prologue, which has laid the ground of the action so far as Antigone is concerned. The first episodion, ll. 163 ff., is in one sense a fresh beginning, as setting forth the motives of Creon, and still only preparing for the collision. The parados, ll. 100 ff., introduces us to the public feeling of Thebes, and to the wider sphere of which the action forms the central point. 100 ff. Instead of a long series of anapaests, followed by lyrical strophes and antistrophes, as in the Ajax (with which cp. Aesch. Agamemnon), we have here two strophes and antistrophes alternating with anapaestic systems of about seven lines each: making a form of parodos intermediate between that of the Ajax and that of the O. T., in which there are no anapaests. The α' (100-109=117-133). chorus on its first appearance chants ll. 100-109, then advances while the coryphaeus recites 110-116, then the antistrophe is chanted, then another advance is made during the recitative of 11. 127-133, then strophe B' is chanted, the chorus by this time standing near the stage; then they make a final advance, and, during the second antistrophe, are standing full in front of the stage. Lastly, as Creon is seen approaching, the coryphaeus chants ll. 155-162, which thus form at once the conclusion of the parodos and the introit or prelude of the first episodium.

99. mvp-comment-62-2 The total effect is that of a stately and solemn triumph, in which the bright influence of the glyconic opening is tempered with slow movements (---), as in ll. 106, 122, 137, 151, and interrupted rhythms, as in ll. 103, 120, 138, 152; the notes of triumph and solemnity being combined in the choriambi, which bring the lyrical part to a close. Thus we have- β΄ (134-140=148-154). CI IICCー​しー CLトくト​CCI 51--10CICIC ト 1001010110010||| ――ト​し​て​トー luclcclcULCII) C- 「SƆIDII7 5トレト​しし LCCLLCCLLCCLLCCLI トリトー The culmination of feeling is marked by the dactylic opening of β'. The rhythms of a' 3. 4, 6, and β' 3, 4, show the correlation of the two movements. The adaptation of sound to sense is specially obvious in the resolved trochees of a' 7, while the concluding lines, a' 8, β' 7, serve to harmonize the logaoedic with the anapaestic measures. Cp. O. C. 135-137, 167-169.

99. mvp-comment-62-3 'Never did morning rise so fair as this which thou didst bring at length to waiting Thebè, O eye of golden day! For thy first beams, shooting over Dircè's rills, stirred into quicker flight the Argive warrior, who for Polynices' quarrel swooped upon our land on snow-white wing, with many a shield and many a plumèd helm.

99. mvp-comment-62-4 Threatening our halls in towering pride he stood, and gaped with bristling spears around our gates, thirsting for our blood: but he is gone, or ever his desire was slaked, or ever the fire-god caught our coronal of towers. Such fight displayed the serpent writhing in his gripe, not easily subdued. Such din of war assailed him as he turned to flee. For Zeus abhors the boaster and contemns the clank of gold. And when he saw them moving in a full proud stream, he smote with lightning from on high the daring climber who had gained the pinnacle and was eagerly preparing to shout victory. And swung to earth he fell with a rebound, the firebearer, who with mad rush was breathing his blast of enmity against the wall. And various was the fortune of the day. But terrible was the War-god as he plunged amidst our enemies, a mighty helper for us.

99. mvp-comment-62-5 'For at all our gates their captains, seven against seven, left their panoplies as trophies to our cause. All, save the horrid pair, who fell together with the guilt of mutual fratricide.

99. mvp-comment-62-6 But forget we the griefs of war. For victory came with smiles of joy to greet our smiling town. So visit we the temples of the gods with dances all night long: and let Theban Bacchus be the master of our revelry.

103. mvp-comment-63-1 χρυσέας χρυσέας, as in O. T. 158-187.

106. mvp-comment-64-1 The rivulet of Dircè was to the west of Thebes. The sun had risen just as the retreat of the Argives became a rout, and the army returning from pursuit would see the morning light reflected in the stream, which they would cross on their way back to the city. Cp. Eur. Phoen. 730. The ode is not chanted at sunrise, but celebrates the glorious morning which had seen the discomfiture of the enemy. The chorus of elders imagine themselves in the position of the victorious army.

106. mvp-comment-64-2 λεύκασπιν Cp. Aesch. S. c. Т. 96, λευκοπρεπή λέων: Eur. Phoen. 1099, λεύκασπιν εἰσορῶμεν Ἀργείων στράτον.

106. mvp-comment-64-3 Αργόθεν The correspondence of a dactyl in the antistrophe to the trochee Αργό- in this line justly leads to suspicion of the text, and Hermann conjectured Ἀργόθεν ἐκ. Qy. Ἀργόλεων ? or Ἀργογενή ?

108. mvp-comment-65-1 φυγάδα πρόδρομον (1) Running before us in flight. Said from the point of view of the pursuing host. Or (2), In the van of the flying host. The Schol. on Phoen. 409 says, φασὶ .. τὸν Ἀδραστον .. μόνον φυγάδα σωθῆναι ὑπὸ τοῦ ἰδίου ἵππου Ἀρείονος. Cp. Paus. 8.25. § 5.

109. mvp-comment-66-1 χαλινῷ Either (1) literally Riding with hastier rein, or (2) metaphorically, With thy hastening bridle in his lips. The first (1) is best. If (2) were adopted, the reading ὀξυτόρῳ, galling (see v. rr.), might be preferred.

110. mvp-comment-67-1 *ὃς .. *Πολυνείκους The emendation of Scaliger improves the sense as well as the grammar. The imagery throughout represents not Polynices, but his Argive ally. The subject of the single fight between the two brothers is passed lightly over, as unsuited to a triumphal hymn.

111. mvp-comment-68-1 ἀρθεὶς.. ἐξ ἀμφιλόγων Carried forth in consequence of the doubtful quarrel (the quarrel and debate) of Polynices. ἀρθείς is said with allusion to αἴρειν στόλον, but also suggests the image of the bird mounting in air. Cp. Il. 13. 63, of the hawk, ἀπ' αἰγίλιπος πέτρης περιμήκεος ἀρθείς, Eur. Phoen. 636-637. For the play on the name of Polynices, see Essay on Language § 44. p. 82.

113. mvp-comment-69-1 The omission of ὡs in this line, which Herm. suggested, is hardly necessary, although it does not impair the sense. The correspondence of strophe and antistrophe does not extend strictly to the anapaests, although the anapaestic systems in this passage are nearly of the same length.

114. mvp-comment-70-1 λευκῆς χιόνος πτέρυγι See Essay on Language § 9. p. 11, and cp. l. 106.

114. mvp-comment-70-2 στεγανός Covered all over; i. e. There were no gaps in their array.

115-116. mvp-comment-71-1 πολλῶν μεθ᾽ ὅπλων | ξύν θ᾽ ἱπποκόμοις κορύθεσσι Accompanied with many a shield and armed with many a helm.

117. mvp-comment-72-1 στάς Staying his flight, like the bird of prey preparing to stoop. At this point the image, which has hitherto grown in distinctness, becomes less definite, the figure of an eagle passing into that of a flying dragon, with spears for teeth. Cp. Shak. K. John, 2. 1, O, now doth Death Line his dead chaps with steel, etc. Also the image in Milton's Samson Agonistes, 11. 1692-1696.

117. mvp-comment-72-2 φονώσαισιν Boeckh's emendation at once cures the metre and supplies a poetical touch which corresponds to the explanation of the Scholiast, ταῖς τῶν φονῶν ἐρώσαις λόγχαις. It is confirmed by the reading of L² pr. See v. rr.

118. mvp-comment-73-1 ἀμφιχανὼν.. στόμα Yawning round our seven-mouthed gates.

120. mvp-comment-74-1 ἔβα He went his way. For the use of the aorist of βαίνω in this sense, cp. Od. 22. 249, καὶ δή οἱ Μέντωρ μὲν ἔβη, κενὰ εὔγματα εἰπών: Τr. 115, βάντ᾽ ἐπιόντα τ', Some gone, others coming on.

121. mvp-comment-75-1 γένυσιν With his jaws. Instrumental dative.

121. mvp-comment-75-2 πλησθῆναί τε καὶ ἑλεῖν For the change of subject in these lines, cp. Aj. 458, ἐχθαίρομαι, μισεῖ δέ, κ.τ.λ. And for στεφάνωμα πύργων, cp. Pind. Ol. 8. 32, Ἰλίῳ μέλλοντες ἐπὶ στέφανον τεύξαι : Hom. h. Dem. 151, .. κρήδεμνα πόληος | εἰρύαται ...

124. mvp-comment-76-1 τοῖος .. δράκοντι (1) Such din of war was spread about his rear by the reluctant snake, no easy matter to subdue. So the Scholiast, who wrote τὸ δὲ ἀντιπάλῳ δράκοντι ἀντὶ τοῦ ὑπὸ τοῦ ἀντιπάλου δράκοντος, ὡς Ἀχιλῆϊ δαμασθείς (Il. 22. 55). Or (2) δυσχείρωμα may be taken to mean the act rather than the object of victory (cp. O. Τ. 560, θανασίμῳ χειρώματι), and the sense may be, Such din of war encompassed him, issuing in a hard-won victory for the serpent matching his foe. In this case it will make little difference to read the genitive. Or, (3) if the genitive is read (Wecklein), the words may be taken in yet another way: Such din of war harassed him from behind, the hard-to-be-subdued might of the serpent, who was a match for his foe. The genitive is given as an alternative reading by the 1st hand of L, and is supported by V (Ven. 468). But the dative is alone recognised by the Scholiast.

124. mvp-comment-76-2 The δράκων is certainly the emblem of Thebes, and the eagle and snake are in conflict, as in Il. 12. 201, foll., where also the serpent struggles and escapes : ὁ δ᾽ οὔπω λήθετο χάρμης, | κόψε γὰρ αὐτὸν ἔχοντα κατὰ στήθος παρὰ δειρὴν | ἰδνωθεὶς ὀπίσω· ὁ δ᾽ ἀπὸ ἕθεν ἧκε χαμάζε, κ.τ.λ. Hor. Carm. 4. 4, 11, Nunc in reluctantes dracones | Egit amor dapis atque pugnae.

129. mvp-comment-77-1 πολλῷ ῥεύματι προσνισσομένους Coming on in full proud stream. Like a great river filling its banks.

130. mvp-comment-78-1 χρυσοῦ καναχῆς ὑπερόπτης] Despiser of the clank of gold. Cp. Aesch. Agam. 776, τὰ χρυσόπαστα δ᾽ ἐσθλὰ σὺν πίνῳ χερῶν | παλιντρόποις ὄμμασιν | λιπούσ', ὅσια προσέβα: S. c. T. 481-485. The Scholiast, who wrote καὶ τὴν τοῦ χρυσοῦ φαντασίαν ὑπερβεβηκότας τῇ ἰδίᾳ ὑπεροψίᾳ, seems to have read ὑπερόπτας, which appears in the margin of some copies. The ὑπεροψία of his interpretation may have given rise to ὑπεροπτίας, as in conjunction with this it has suggested ὑπεροπλίαις, (Vauvillers, who compares II. 1. 205). Musgr. and Böckh are contented with ὑπεροπτείας, abstr. noun of ὑπερόπτης, gen. with ῥεύματι, In floods of supercilious pride.

131. mvp-comment-79-1 παλτῷ ῥιπτεῖ πυρί (1) Hurls down with brandished thunderbolt. Or possibly (2) ῥιπτεῖ is a more emphatic substitute for βάλλει = Smites from afar. The word παλτῷ suggests the zig-zag flicker of the lightning.

131. mvp-comment-79-2 βαλβίδων .. ἀλαλάζαι As, having reached the topmost goal, he was eager to raise the cry of victory. βαλβίδες are the end of the race-course, metaphorically applied here to the top of the wall to which Capaneus had climbed, and so receiving the epithet ἄκρων.

131. mvp-comment-79-3 βαλβίδων may be also taken as abl. gen, with ῥιπτεῖ, and only resumed with ἄκρων. But this is questionable.

133. mvp-comment-80-1 The subject of ὁρμῶντα (Capaneus) is anticipated from the following lines, viz. ὅς, κ.τ.λ.

134. mvp-comment-81-1 ἀντιτύπᾳ This conj. of Porson has been generally received. He fell upon the earth, that smote him again; i.e. He fell with a shock. The Scholia explain ἀντίτυπα, which is against metre.

134. mvp-comment-81-2 τανταλωθείς Swung. As if the scale that had been the lightest had suddenly become the heaviest. Cp. Hom. Il. 22. 212, ῥέπε δ᾽ Ἕκτορος αἴσιμον ἦμαρ, | ᾤχετο δ᾽ εἰς Ἀἰδαο.

135. mvp-comment-82-1 πυρφόρος With the fire in his hand, with which he had threatened the town. O. C. 1318: Aesch. S. c. T. 422, ff.

135. mvp-comment-82-2 ὁρμᾷ Observe the tautology after ὁρμῶντ', supra.

136-137. mvp-comment-83-1 Had breathed against us in frenzy with blasts of malignant winds. Cp. infra 929-930: O. C. 612 and note: Aesch. S. c. T. 115, πνοαῖς Ἄρεος.

138. mvp-comment-84-1 εἶχε δ᾽ ἄλλᾳ τὰ μέν· κτ.λ.] This was in one direction: whilst on other men terrible fortune was dispensed by mighty Ares rushing on them like a steed harnessed upon our right hand. For the use of ἔχω with the locative adv., see L. and S. s. v. ἔχω, Β. 11. Ι. The reading in the text is suggested by that of V (Ven. 468), a MS. of the 13th century, which, together with many obvious corruptions, has preserved some good readings. See on O. T. 1526. This MS. reading is curiously near the conj. of Musgrave, εἶχε δ᾽ ἄλλᾳ τὰ δείν᾽. The epithet, as read in the text, may be suggested by a forefeeling of what is coming. Even the end of Capaneus is less awful than that of Eteocles and Polynices (144 ff.). Hermann's reading, εἶχε δ᾽ ἄλλᾳ μὲν ἄλ | λᾳ· τὰ δ᾽ ἐπ᾿ ἄλλοις, makes good enough sense; Plat. Rep. 2. 369 Β, οὕτω δὴ ἄρα παραλαμβάνων ἄλλος ἄλλον ἐπ᾿ ἄλλου, τὸν δ᾽ ἐπ᾿ ἄλλου χρείᾳ : but the synaphea between the cretics and the choriambi is questionable. And the same objection applies to Wecklein's εἶχε δ' ἄλλᾳ τὰ τοῦδ᾽· | ἄλλα δ᾽ ἐπ᾿ ἄλλοις.

140. mvp-comment-85-1 δεξιόσειρος The War-god taking part with Thebes and bounding hither and thither over the plain is compared to the σειραῖος ἵππος, whose free action was so important at critical moments in the chariot-race. Cp. El. 721-722, δεξιὸν δ᾽ ἀνεὶς | σειραῖον ἵππον εἶργε τὸν προσκείμενον: Aesch. Agam. 841-842, μόνος δ' Οδυσσεύς, ὅσπερ οὐχ ἑκὼν ἔπλει | ζευχθείς ἕτοιμος ἦν ἐμοὶ σειραφόρος. The reading δεξιόχειρος is probably erroneous. It is acknowledged as a variant by the Scholiast.

141. mvp-comment-86-1 Capaneus, who is one of the seven adversaries, is already disposed of. But the general description in 141-143, is only preparatory to the chief statement, 144-147, from which, however, the chorus pass quickly, as they approach it with aversion. What is of the best omen must be kept to the front. For ἴσοι πρὸς ἴσους, cp. Hdt. 9. 49, ἴσοι πρὸς ἴσους ἄριθμον μαχεσόμεθα.

142-143. mvp-comment-87-1 'Left the tribute of their brazen panoplies to Zeus, who turns the battle.'

144-147. mvp-comment-88-1 Neither could despoil the other, since both were slain. And the citizens could not dedicate to Zeus arms polluted with kindred blood.

145. mvp-comment-89-1 αὑτοῖν i. e. ἀλλήλοιν: ἑαυτούς, ἀλλήλους. Hesych.

146. mvp-comment-90-1 δικρατεῖς λόγχας στήσαντε Having pointed their two spears, of which either was victorious. The spears are not hurled, as commonly in the Iliad, but held firmly as the combatants rush at each other. Cp. Hom. Il. 4. 307 (quoted by Donaldson), ὃς δέ κ᾿ ἀνὴρ ἀπὸ ὧν ὀχέων ἕτερ᾽ ἅρμαθ' ἵκηται | ἔγχει ὀρεξάσθω, ἐπεὶ ἢ πολὺ φέρτερον οὕτως.

147. mvp-comment-91-1 'Both have their portion in mutual death: i.e. Each strove for sole inheritance, but they share equally-in a death;' which each has given and each has received. See on l. 57. The spirit of the words is the same as those of Aesch. S. c. T. 726 ff.: O. C. 790.

149. mvp-comment-92-1 ἀντιχαρεῖσα Exchanging looks of joy. Cp. χαίρειν γέλωτι, Χen. Cyr. 8.1.33.

149. mvp-comment-92-2 Θήβη, as in Pindar, is the personification of Θήβαι, for which it is used consistently throughout this play. Cp. Od. 7. 80, εὐρυάγυιαν Ἀθήνην.

150. mvp-comment-93-1 ἐκ μὲν δὴ πολέμων .. λησμοσύvav Turning from the present wars, appoint ye forgetfulness of them. For the pleonastic use of ἐκ, see Essay on Language § 19. p. 27. The reading θέσθαι, which has good MS. authority and preserves the metrical correspondence with l. 137, is retained by some editors as an infinitive for imperative. Cp. infr. 1142, μολεῖν. For the expression, cp. Eur. Phoen. 1584,5, ὡς ὥρα τάφου | μνήμην τίθεσθαι.

153. mvp-comment-94-1 παννυχίοις Cp. Ο. Τ. 1090: Aesch. Ag. 23, 24. καὶ χορῶν κατάστασιν | πολλῶν ἐν Ἄργει τῆσδε συμφορᾶς χάριν.

153. mvp-comment-94-2 ὁ Θήβας δ'. . ἄρχοι And let Bacchus, Thebe's God. who shakes the earth (with revelry), lead on the dance. Schol. ὁ Θήβας Βακχεῖος, ὁ Θηβαγενὴς Διόνυσος, ὁ τῆς Θήβης πολίτης, ὁ ἐλελίχθων, ἄρχοι τῆς χορείας. See Essay on Language § 9. p. 11.

156. mvp-comment-95-1 The metre requires either the addition of one (or three) anapaests or the omission of νεοχμός. Dindorf's supposition that νεοχμός νεαραῖσι has grown in some way out of νεοχμοῖσι is in itself probable enough, but the omission of some word like *ἄρχων after βασιλεύς is equally so. The spectator is thus reminded that Creon is young in power.

157-158. mvp-comment-96-1 νεαραῖσι .. συντυχίαις In consequence of the recent god-sent fortune. These words are to be joined with the whole sentence, though chiefly with ἐρέσσων. Creon's accession, his coming, and the counsel which he brings, all follow closely on the events of the war. The question is, what is that counsel?

159. mvp-comment-97-1 τίνα δή This is preferable to τινὰ δή, which Aldus printed from Ven. 467 (V3).

159. mvp-comment-97-2 On ἐρέσσων = Moving, Advancing. see Essay on Language p. 87, and cp. Aj. 251, τοίας ἐρέσσουσιν ἀπειλάς.

160-161. mvp-comment-98-1 ὅτι. προὔθετο That he hath appointed. ὅτι gives the reason of the question.

160. mvp-comment-99-1 σύγκλητον Specially convened. The word is used, after the analogy of the σύγκλητος ἐκκλησία at Athens, for an assembly specially summoned by the στρατηγός. λέσχη is less formal than βουλή. Cp. Ο. C. 166.

161. mvp-comment-100-1 προὔθετο The middle voice implies that Creon had summoned the elders of his own motion. So καλέσσατο of Achilles in Il. 1. 54.

162. mvp-comment-101-1 κοινῷ κηρύγματι πέμψας Having cited us by a message sent to us all.

162. mvp-comment-101-2 κοινῷ = Inclusive. πέμψας] i. e. στείλας πομποῖσιν, as Creon expresses himself in ll. 164-165. 162-210. Creon's first error is not mere self-will, but an excessive zeal for the honour of the state, to which all private feelings must give way (183-184, 187-190). His spirit of self-assertion is however already felt, esp. in ll. 173, 191, 207-10. And the unconsciousness of one young in power is shown in the self-inculpating words in ll. 175-177. He characteristically dwells on the virtue of loyalty (165-169, 209-210) and the crime of rebellion (199-202): and his passionate nature is betrayed by the exaggerated expression in l. 208. Cp. O. T. 216 ff. and note. The frequent occurrence of the Ist personal pronoun is a significant feature of both these speeches.

162. mvp-comment-101-3 τὰ μὲν δὴ πόλεος As for the state. This form of expression suits the introduction of a subject before the form of sentence is determined. πόλιν, rather than τὰ πόλεος, is the object of σείσαντες and ὤρθωσαν.

162. mvp-comment-101-4 ἀσφαλῶς Unharmed, = ἄνεν τοῦ σφαλῆναι,

163. mvp-comment-102-1 ὥρθωσαν Have righted the vessel of the state.

165-166. mvp-comment-103-1 τὰ Λαΐου. κράτη Knowing that you ever duly reverenced the enthroned authority of Laius. Λαΐου is governed by θρόνων κράτη taken as one word, θρόνων being added to supplement κράτη. σέβοντας and μένοντας, infr. 166, 169, are imperfects = ὅτι ἐσέβετε .. ἐμένετε,

167. mvp-comment-104-1 ὤρθου Kept on a safe course: i. e. Governed prosperously. The word recalls the happiness of the first period of Oedipus' rule. Cp. Plat. Men. P. 99 C, ᾗ οἱ πολιτικοὶ ἄνδρες χρώμενοι τὰς πόλεις ὀρθοῦσιν : Phaedr. 244 B. 168-169. ἀμφὶ .. φρονήμασιν]. Ye still remained loyal to their issue with unshaken minds. ἀμφί, Surrounding, as ready to defend. The apodosis is made to suit the latter protasis, ἐπεὶ διώλετο, and that of the former protasis, ἡνίκ' . . πόλιν (viz. ἐκείνῳ ὁμοίως πειθομένους οι the like), is thus absorbed.

167. mvp-comment-104-2 κείνων . . παῖδας i. e. Sons of Oedipus and grandsons of Laius.

172. mvp-comment-105-1 αὐτόχειρι Fratricidal. See Essay on Language p. 91.

174. mvp-comment-106-1 γένους κατ᾿ ἀγχιστεῖα By privilege of being nearest in kindred (ὡς ἀγχιστεύων) to the dead. Cp. πρωτεία, etc.

175. mvp-comment-107-1 παντὸς ἀνδρός Of any man, and therefore of me.

176. mvp-comment-108-1 ψυχήν. . φρόνημα.. γνώμην As observed in the Essay on Language pp. 91-3, the opposition between these words is chiefly formal. So far as there is any difference between them, ψυχήν is mind, or nature, φρόνημα, spirit, or way of thinking, (cp. infr. 207), and γνώμην, judgment or meaning.

176-177. mvp-comment-109-1 πρὶν ἂν ἀρχαῖς.. φανῇ “Until he be seen in his true colours through being tried in office and administration.' According to the saying of Bias, ἀρχὴ τὸν ἄνδρα δείξει (Arist. Eth. Nic. 5. 1. 16). There is an allusion to the detection of spurious coin through wear. Cp. Aesch. Ag. 390-392, κακοῦ δὲ χαλκοῦ τρόπον | τρίβῳτε καὶ προσβολαῖς | μελαμπαγὴς πέλει | δικαιωθείς (where Herm. says, 'Vereor autem ne non de lapide Lydio loquatur poeta, sed aes adulterinum dicat, quod usu tritum amisso falso splendore cognoscitur'): Hdt. 7. 10, ὥσπερ τὸν χρυσὸν τὸν ἀκήρατον, αὐτὸν μὲν ἐπ᾿ ἑαυτοῦ οὐ διαγινώσκομεν, ἐπεὰν δὲ

178. mvp-comment-110-1 ἐμοὶ γάρ The connection is not strictly logical. γάρ explains not the difficulty of discerning the difference between rulers, but the essential point on which the difference turns. In setting forth this, Creon also declares the spirit of his own policy. He is feeling his way with the elders, of whose submission he is not perfectly sure, and beats about the bush before coming to the point with them. Hence he repeats the same thought in different words.

178-183. mvp-comment-111-1 The sentiment of these lines is closely parallel to Plat. Legg. 9. 856 B, ὃς ἂν ἄγων εἰς ἀρχὴν ἄνθρωπον δουλῶται μὲν τοὺς νόμους, ἑταιρείας δὲ τὴν πόλιν ὑπήκοον ποιῇ, καὶ βιαίως δὲ πᾶν τοῦτο πράττων καὶ στάσιν ἐγείρων παρανομῇ· τοῦτον δὴ διανοεῖσθαι δεῖ πάντων πολεμιώτατον ὅλῃ τῇ πόλει, τὸν δὲ κοινωνοῦντα μὲν τῶν τοιούτων μηδενί, τῶν μεγίστων δὲ μετέχοντα ἀρχῶν ἐν τῇ πόλει, λεληθότα τε ταῦτα αὐτὸν ἢ μὴ λεληθότα, δειλίᾳ δ᾽ ὑπὲρ πατρίδος αὑτοῦ μὴ τιμωρούμενον, δεῖ δεύτερον ἡγεῖσθαι τὸν τοιοῦτον πολίτην κακῇ.

180. mvp-comment-112-1 ἐγκλείσας Locked up. Cp. Shakespeare, Richard II, 1. 3,

Within my mouth you have engaoled my tongue, | Doubly portcullised with my teeth and lips.
Infr. 505, εἰ μὴ γλῶσσαν ἐγκλείσαι φόβος.

182. mvp-comment-113-1 μείζον᾽.. ἀντί Essay on Language § 19. p. 27. Cp. Od. 7. 216, στυγερῇ ἐπὶ γαστέρι κύντερον.

183. mvp-comment-114-1 οὐδαμοῦ λέγω Plat. Gorg. 456 C, οὐδαμοῦ ἂν φανῆναι, supr. 32. 184 ff. Having shown what makes the good and bad ruler, Creon declares his own intentions, first generally, and then (192 ff.) with reference to Eteocles and Polynices. γάρ implies that his opinion will be proved by his acts. In both statements (178-183, 184-190) the stress is laid on the duty of renouncing friendship with the public enemy (182-183, 187-188), which is the ground of the present edict, Polynices being presumably Creon's private friend: supr. 174.

186. mvp-comment-115-1 στείχουσαν ἀστοῖς Menacing my people. Cp. supr. l. 10: Aesch. Prom. 1089-1090, τοιάδ᾽ ἐπ᾿ ἐμοὶ ῥιπὴ Διόθεν, | τεύχουσα φόβον, στείχει φανερῶς. For the dative, Essay on Language § 12. p. 18.

187. mvp-comment-116-1 δυσμενή χθονός Who is my country's foe. The genitive avoids the awkwardness of two datives, χθονί and ἐμαυτῷ, coming close together.

189-190. mvp-comment-117-1 She it is who preserves us, and we make friends only while she carries us in the course of public safety; i. e. The friendship that is made against the interest of the state is hollow and insecure. Cp. Thuc. 2. 60: (Pericles loq.) ἐγὼ γὰρ ἡγοῦμαι πόλιν πλείω ξύμπασαν ὀρθουμένην ὠφελεῖν τοὺς ἰδιώτας, ἢ καθ᾿ ἕκαστον τῶν πολιτῶν εὐπραγοῦσαν, ἀθρόαν δὲ σφαλλομένην, κ.τ.λ.: Zaleuc. ap. Stob. (Mullach, p. 543), πόλις γὰρ εὖ ἀγομένη μεγίστη ὄρθωσίς ἐστι, καὶ ἐν τούτῳ πάντα ἔνι, καὶ τούτου σωζομένου πάντα σώζεται καὶ τούτου φθειρομένου πάντα διαφθείρεται: Shakespeare. King John, 3. 1, Pand.

All form is formless, order orderless, | Save what is opposite to England's love.
On the change of pronouns (ἥδε.. ταύτης), see Essay on Language § 22. p. 32. The article in τοὺς φίλους points the reference to ll. 182-183.

191. mvp-comment-118-1 τοιοίσδε νόμοισι By such principles as these. Cp. infr. 908, τίνος νόμου δὴ ταῦτα πρὸς χάριν λέγω;

192. mvp-comment-119-1 ἀδελφὰ τῶνδε i. e. In full accord with them. Cp. Plat. Rep. 4. 421 C, ἆρ᾽ οὖν .. καὶ τὸ τούτου ἀδελφὸν δύξω σοι μετρίως λέγειν; Lys. 2. 64, ἀδελφὰ τὰ βουλεύματα τοῖς ἔργοις : Ο. C. 1262, ἀδελφὰ . . τούτοισιν.

193. mvp-comment-120-1 τῶν ἀπ᾿ Οιδίπου For the pleo- 190 195 200 nastic use of the preposition, see above 150, 182, and notes.

195. mvp-comment-121-1 πάντ᾿ ἀριστεύσας δορί After proving himself in all ways the bravest in the war. For the aor., cp. Hdt. 9. 74, alib.

196. mvp-comment-122-1 τὰ πάντ᾽ ἐφαγνίσαι ‘Το add all sacred offerings.'

199. mvp-comment-123-1 θεοὺς τοὺς ἐγγενεῖς The gods of his race; i. e. Those honoured by the Cadmeans. The gods of the race also include the ancestors of the race. Infr. 938, θεοὶ προγενεῖς.

201. mvp-comment-124-1 πρῆσαι κατάκρας The city (γῆν = πόλιν) is thought of as the main object of the verb.

201. mvp-comment-124-2 ἠθέλησε δ' The correspondence of clauses (with μέν and δέ) is not perfect, the antithesis being due to afterthought.

201. mvp-comment-124-3 αἵματος .. πάσασθαι ‘Το repast him with blood of his own kin.' The expression suits the Epic colouring of the whole speech.

202. mvp-comment-125-1 τοὺς δέ The rest; i. e. Those not slain, as implied in the opposition το αἵματος κοινοῦ πάσασθαι. 203.

202. mvp-comment-125-2 ἐκκεκήρυκται Musgrave's correction has been generally adopted, lopted, and is probably right. The impersonal verb gives absoluteness to the expression. Wolff construes the inf. with λέγω in 198 (deleting the comma after τοῦδε), and Wecklein reads λέγω for τάφῳ. The slight corruption is probably due to a reminiscence of supr. 27.