Q. Horatius Flaccus Satires 2.7

Christopher Smart (Translator), ed. Theodore Alois Buckley

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Satires. Q. Horatius Flaccus. Christopher Smart (Translator), ed. Theodore Alois Buckley. New York. 1863.

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Current edition Perseus

Satires (English) (Horace. The Works of Horace. Vol. II. Smart, Christopher, translator. Buckley, Theodoore Alois, editor. New York: Harper and Brothers, 1862.)

Editions (1)
Satyrarum libri Perseus (Horace. The Works of Horace. Vol. II. Smart, Christopher, editor. Philadelphia: J. Whetham, 1836.) — 2.7 focus

Notes on the current edition

Satires

1.
The particular design of the Saturnalia was to represent that equality, which reigned among mankind in the reign of Saturn, when they lived according to the laws of nature, without distinction of conditions. Horace here introduces a slave, asserting that a wise man alone is free, and that real liberty consists in not obeying our passions, or being enslaved to vice. He boldly reproaches his master with his faults and follies. His reasoning is so natural, sensible, and pressing, that Horace, not being able to answer him, at last loses his temper, and is obliged to make use of menaces to silence him.
2.
Frugi quod sit satis; hoc est.
The common people have always imagined that persons of eminent merit do not live so long as others. From thence the proverb, "Too witty to live long."
3.
Laeva Priscus inani.
Before the time of Horace it was infamous to wear more than one ring, and when they began to wear more, they carried them only on the left hand, which was less exposed to public view, as if they would seem ashamed of such marks of effeminacy.
4.
Vertumnis natis iniquis.
Vertumnus presided over the regular seasons of the year, established by the laws of nature. Priscus was therefore born in despite of the god, because all his changes were an effect of oddness and whim. Horace multiplies this god, Vertumni, from the different forms under which he was represented.
5.
Davus calls his master a judge, because Augustus had granted him the privilege of wearing a ring and a robe, called Angusticlavium. Thus he was in some measure incorporated into the body of Roman knights, whom Augustus appointed to determine civil causes. By "Dama" he means a mere slave.
6.
Uri virgis.
The people who sold themselves to a master of gladiators, engaged in a form or bond, called auctoramentum, to suffer every thing, sword, fire, whips, chains, and death. They were then received into the profession, and styled auctorati. From thence the terms came to be used for all kinds of infamous engagements.
7.
Vindicta was a rod, which the lictor laid on the head of a person whom the praetor made free. Plautus calls it
festuca
. (Mil. 961)
8.
Nam sive vicarius.
The Romans generally had a master-slave in every family, servus atriensis, and all other slaves were called by one common name, vicarii. The first, who commands, is not less a slave than those who obey.
9.
Teres atque rotundus.
The metaphor is taken from a globe, and our vices are those inequalities which stop us in our course of virtue.
10.
Pausias was a famous flower-painter. Lucullus gave a thousand crowns for a picture, in which he drew his mistress Glycera sitting, and making a wreath of flowers. He was a contemporary of Apelles.
11.
Masters of gladiators hung the pictures of their best champions, such as Fulvius, Rutuba, or Placideianus, at the door of the house where they fought.
12.
Accedes opera.
Opera for servus. Slaves who were employed in tilling their lands were generally chained, so that the threat was enough to alarm Davus, and end the conversation.