Plautus Rudens 3.3

Henry Thomas Riley (Translator)

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Rudens. Plautus. Henry Thomas Riley (Translator). London. 1913.

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Current edition Perseus

Rudens, or The Fisherman's Rope (English) (Plautus. The Comedies of Plautus, Volume 2. Riley, Henry Thomas, translator. London: G. Bell and Sons, Ltd., 1913.)

Editions (1)
Rudens Perseus (Plautus. Plauti Comoediae, Volume 2. Leo, Friedrich, editor. Berlin: Weidmann, 1896.) — 3.3 focus

Notes on the current edition

Rudens, or The Fisherman's Rope

1. The inner side: Signo intumo may either mean the statue in the most distant and sacred recess, or the inner side of the statue, to which spot they had retired for safety.
2. Trust me: At the same time he is afraid to go in. Palaestra sees this, and taunts him with being brave—in words only.
3. In reality: Re, in reality, in contradistinction to words.
4. End of sentence is part of line 686 in the Latin.
5. Your bulwarks: Moenia. Madame Dacier supposes that these words refer to the walls of a court in front of the Temple, represented on the stage with an altar in the middle, the walls being breast high, which Trachalio compares to entrenchments.
6. Not so well attended to: Bene lautum. There is a joke intended in the use of these words, which may signify either quite tidy or properly arranged; or, on the other hand, well washed, neglect of which certainly could not be imputed to them, by reason of their recent shipwreck.
7. Born from a shell: He alludes to the birth of Venus, who was said to have sprung from the sea in a shell. He also seems to joke upon the destitute state of the young women, and to call them mere shells. An indelicate construction has been, by some, put upon the use of the word conchas, while others think it refers to the use made by women of shells, for holding their paints, perfumes, and cosmetics, and that he means thereby to reproach Venus for having allowed them to lose all their property. This, however, seems to be a rather far-fetched notion.