Septuaginta, Exodus, ed. Henry Barclay Swete, 38

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Καὶ ἐποίησεν Βεσελεὴλ τὴν κιβωτόν,

καὶ κατεχρύσωσεν

ἴῳ καθαρῷ ἔσωθεν καὶ ἔξωθεν.

καὶ ἐχώνευσεν αὐτῇ
τέσσαρες δακτυλίους χρυσοῦς, δύο ἐπὶ τὸ κλίτος τὸ ἱν καὶ δύο ἐπὶ τὸ κλίτος τὸ δεύτερον,

εὐρεῖς τοῖς διωστῆρσιν ὥστε αἴρειν

αὐτὴν ἐν αὐτοῖς.

καὶ ἐποίησεν τὸ ἱλαστήριον ἐπάνωθεν τῆς

κιβωτοῦ ἐκ χρυσίου,

καὶ τοὺς δύο χερουβεὶμ χρυσοῦς·

χεροὺβ

ἕνα ἐπὶ τὸ ἄκρον τοῦ ἱλαστηρίου καὶ χεροὺβ ἕνα ἐπὶ τὸ ἄκρον τοῦ ἱλαστηρίου τὸν δεύτερον,

σκιάζοντα ταῖς πτέρυξιν αὐτῶν ἐπὶ τὸ

ἱλαστήριον.

Καὶ ἐποίησεν τὴν τράπεζαν τὴν προκειμένην

ἐκ χρυσίου καθαροῦ,

καὶ ἐχώνευσεν αὐτῇ τέσσαρες δακτυλίους,

δύο ἐπὶ τοῦ κλίτους τοῦ ἑνὸς καὶ δύο ἐπὶ τοῦ κλίτους τοῦ δευτέρου, εὐρεῖς ὥστε αἴρειν τοῖς διωστῆρσιν ἐν αὐτοῖς.

κα τοὺς

διωστῆρας τῆς κιβωτοῦ καὶ τῆς τραπέζης ἐποίησεν, καὶ κατε- χρύσωσεν αὐτοὺς χρυσίῳ.

καὶ ἐποίησεν τὰ σκεύη τῆς τραπέζης,

τά τε τρύβλια καὶ τὰς θυίσκας καὶ τοὺς κυάθους καὶ τὰ σπόνδια, ἐν οἷς σπείσει ἐν αὐτοῖς, χρυσᾶ.

Καὶ ἐποίησεν τὴν λυχνίαν ἢ

φωτίζει χρυσῆν,

στερεὰν τὸν καυλόν, 18 Καὶ τοὺς καλαμίσκους ἐξ

ἀμφοτέρων τῶν μερὼν αὐτῇς·

ἐκ τῶν καλαμίσκων αὐτῆς οἱ βλαστοὶ
¹ ἐξέχοντες, τρεῖς ἐκ τούτου καὶ τρεὶς ἐκ τούτου, ἐξισούμενοι ἀλλήλοις· ²

καὶ λαμπάδια αὐτῶν ἅ ἐστιν ἐπὶ τῶν ἄκρων, καρυωτὰ ἐξ αὐτῶν· καὶ τὰ ἐνθέμια ἐξ αὐτῶν, ἵνα ὧσιν ἐπ’ αὐτῶν οἱ λύχνοι καὶ τὸ ἐνθέμιον τὸ ἕβδομον ἀπ’ ἄκρου τοῦ λαμπαδίου ἐπὶ κορυφῆς

ἄνωθεν, στερεὸν ὅλον χρυσοῦν·

καὶ ἑπτὰ λύχνους ἐπ’ αὐτῆς χρυσοῦς, καὶ τὰς λαβίδας αὐτῆς χρυσᾶς, καὶ τὰς ἐπαρυστρίδας ³
αὐτῶν χρυσᾶς.

Οὖτος περιηργύρωσεν τοὺς στύλους, καὶ

ἔχων εὗσεν τῷ στύλῳ δακτυλίους χρυσοῦς, καὶ ἐχρύσωσεν τοὺς μο- χλοὺς χρυσίῳ, καὶ κατεχρύσωσεν τοὺς στύλους τοῦ καταπετάσματος
χρυσίῳ, ὑσί ᾦ, καὶ ἐποίησεν τὰς ἀγκύλας Χρυσδς.

οὗτος ἐποίησεν καὶ τοὺς κρίκους τῆς σκηνῆς χρυσοῦς, καὶ τοὺς κρίκους τῆς αὐλῆς καὶ κρίκους εἰς τὸ ἐκτείνειν τὸ κατακάλυμμα ἄνωθεν χαλκοῦς.

οὖτος ἐχώνευσεν τὰς κεφαλίδας τὰς ἀργυρᾶς τῆς σκηνῆς, καὶ τὰς κεφαλίδας τὰς χαλκᾶς τῆς θύρας τῆς σκηνῆς, καὶ τὴν πύλην τῆς αὐλῆς· καὶ ἀγκύλας ἐποίησεν τοῖς στύλοις ἀργυρᾶς ἐπὶ τῶν ⁴
στύλων• οὗτος περιηργύρωσεν αὐτάς. 20

οὖτος ἐποίησεν καὶ

τοὺς πασσάλους τῆς αὐλῆς χαλκοῦς.

οὖτος ἐποίησεν τὸ θυστα- στήριον τὸ χαλκοῦν ἐκ τῶν πυρείων τῶν χαλκῶν, ἃ ἦσαν τοῖς

ἀνδράσιν τοῖς καταστασιάσασι μετὰ τῆς Τόρε συναγωγῆς.

οὖ- τος ἐποίησεν πάντα τὰ σκεύη τοῦ θυσιαστηρίου, καὶ τὸ πυρεῖον αὐτοῦ καὶ τὴν βάσιν καὶ τὰς φιάλας καὶ τὰς κρεάγρας χαλκᾶς.

οὖτος ἐποίησεν τῷ θυσιαστηρίῳ παράθεμα, ἔργον δικτυωτὸν
κάτωθεν τοῦ πυρείου ὑπὸ αὐτὸ ἕως τοῦ ἡμίσους αὐτοῦ· (5,6) καὶ ἐπέθηκεν αὐτῷ τέσσαρες δακτυλίους ἐκ τῶν τεσσάρων μερῶν τοῦ
παραθέματος τοῦ θυσιαστηρίου χαλκοῦς, (7) τοῖς μοχλοῖς εὐρεῖς

ὥστε αἴρειν ἐν αὐτοῖς τὸ θυσιαστήριον. (29)

οὖτος ἐποίησεν τὸ ⁵⁶ ἔλαιον τῆς χρίσεως τὸ ἅγιον καὶ τὴν σύνθεσιν τοῦ θυμιάματος, καθαρὸν ἔργν μυρεψοῦ. 8

οὗτος ἐποίησεν τὸν λουτῆρα χαλκοῦν

⁷ καὶ τὴν βόσιν αὐτοῦ χαλκῆν ἐκ τῶν κατόπτρων τῶν νηστευσασῶν αἳ ἐνήστευσαν παρὰ τὰς θύρας τῆς σκηνῆς τοῦ μαρτυρίου, ἐν ᾗ ἡμέρᾳ ἔπηξεν αὐτήν·

καὶ ἐποίησεν τὸν λουτῆρα, ἵνα νίπτωνται
⁸ ἐξ αὐτοῦ Μωσῆς καὶ Ἀαρὼν καὶ οἱ υἱοὶ αὐτοῦ τὰς χεῖρας αὐτῶν

καὶ τοὺς πόδας, 32 εἰσπορευομένων αὐτῶν εἰς τὴν σκηνὴν τοῦ
μορτυρίου· ἢ ὅταν προσπορεύωνται πρὸς τὸ θυσιαστήριον λειτουργεῖν, ἐνίπτοντο ἐξ αὐτοῦ, καθάπερ συνέταξεν Κύριος τῷ Μωυσῇ.

Exodus. Septuaginta. ed. Henry Barclay Swete. Germany. 2015.

Current edition First1KGreek

Ἔξοδος (Greek) (Septuaginta. The Old Testament in Greek According to the Septuagint. Volume 1: Genesis-IV Kings. Swete, Henry Barclay, editor. Cambridge: Cambridge University Press, 1901.)

Translations (1)

Exodus Perseus (World English Bible. Revision of the American Standard Version of 1901. Rainbow Missions, Inc., 2000-2024.) — 38 focus

He made the altar of burnt offering of acacia wood. It was square. Its length was five cubits, its breadth was five cubits, and its height was three cubits.

He made its horns on its four corners. Its horns were of one piece with it, and he overlaid it with brass.

He made all the vessels of the altar, the pots, the shovels, the basins, the flesh-hooks, and the fire pans. He made all its vessels of brass.

He made for the altar a grating of a network of brass, under the ledge around it beneath, reaching halfway up.

He cast four rings for the four ends of brass grating, to be places for the poles.

He made the poles of acacia wood, and overlaid them with brass.

He put the poles into the rings on the sides of the altar, with which to carry it. He made it hollow with planks.

He made the basin of brass, and its base of brass, out of the mirrors of the ministering women who ministered at the door of the tent of meeting.

He made the court: for the south side southward the hangings of the court were of fine twined linen, one hundred cubits;

their pillars were twenty, and their sockets twenty, of brass; the hooks of the pillars and their fillets were of silver.

For the north side one hundred cubits, their pillars twenty, and their sockets twenty, of brass; the hooks of the pillars, and their fillets, of silver.

For the west side were hangings of fifty cubits, their pillars ten, and their sockets ten; the hooks of the pillars, and their fillets, of silver.

For the east side eastward fifty cubits.

The hangings for the one side were fifteen cubits; their pillars three, and their sockets three;

and so for the other side: on this hand and that hand by the gate of the court were hangings of fifteen cubits; their pillars three, and their sockets three.

All the hangings around the court were of fine twined linen.

The sockets for the pillars were of brass. The hooks of the pillars and their fillets were of silver; and the overlaying of their capitals, of silver; and all the pillars of the court were filleted with silver.

The screen for the gate of the court was the work of the embroiderer, of blue, purple, scarlet, and fine twined linen. Twenty cubits was the length, and the height in the breadth was five cubits, like to the hangings of the court.

Their pillars were four, and their sockets four, of brass; their hooks of silver, and the overlaying of their capitals, and their fillets, of silver.

All the pins of the tent, and around the court, were of brass.

This is the amount of material used for the tent, even the Tent of the Testimony, as they were counted, according to the commandment of Moses, for the service of the Levites, by the hand of Ithamar, the son of Aaron the priest.

Bezalel the son of Uri, the son of Hur, of the tribe of Judah, made all that Yahweh commanded Moses.

With him was Oholiab, the son of Ahisamach, of the tribe of Dan, an engraver, and a skillful workman, and an embroiderer in blue, in purple, in scarlet, and in fine linen.

All the gold that was used for the work in all the work of the sanctuary, even the gold of the offering, was twenty-nine talents, and seven hundred thirty shekels, after the shekel of the sanctuary.

The silver of those who were numbered of the congregation was one hundred talents, and one thousand seven hundred seventy-five shekels, after the shekel of the sanctuary:

a beka a head, that is, half a shekel, after the shekel of the sanctuary, for everyone who passed over to those who were numbered, from twenty years old and upward, for six hundred three thousand five hundred fifty men.

The one hundred talents of silver were for casting the sockets of the sanctuary, and the sockets of the veil; one hundred sockets for the one hundred talents, a talent for a socket.

Of the one thousand seven hundred seventy-five shekels he made hooks for the pillars, overlaid their capitals, and made fillets for them.

The brass of the offering was seventy talents, and two thousand four hundred shekels.

With this he made the sockets to the door of the tent of meeting, the brazen altar, the brazen grating for it, all the vessels of the altar,

the sockets around the court, the sockets of the gate of the court, all the pins of the tent, and all the pins around the court.

Notes on the current edition

Exodus

1. AF 19 Μωυση | Δευιτων AF 20 οὐρείου] οὐρίου B b οὐρὶ AF | pr τῆς F | Μωυση AF 21 Αχισαμαχ AF Ι τῆς φυλῆς] om τῆς AF Ι αρχιτεκτονησεν F | τὰ ῥαφιδευτὰ] om τὰ AF Ι ποικιλτικα] ποικιλτὰ AF XXXVIII 1 κιβωτον] + δύο πήχεων καὶ ἥμισυς τὸ μῆκος ἀύτης κα πήχεως καὶ τὸ πλάτος αυτης καὶ πήχεως καὶ ἥμισυς τὸ ὕψος ἀύτης· Α 2 ἔξωθεν] ἐποίησεν ἀυτὴ κυμάτιον χρυσοῦν κύκλω AF 3 τέσσαρας B b ΑF + ἔπι τὰ τέσσερα μέρη ἀύτης AF 4 ευρος] εὖρος Α | διωρτηρσιν Β* (διωστ. Β ab) 5 επανωθεν) ανωθεν AF | χρυσίου] + καθαροῦ AF 6 και τοὺς δύο χερουβειμ] καὶ ἐποίησεν δύο Χερουβειν AF 6–7 χρυσοὺς· χερουβ ενα...κ χερουβ Β a mg sup 7 χεροῖν ἔνα 1°] Pr καὶ Α Ι του ἱλαστηρίου 1°] + τὸ ἐν AF | του ἱλαστηρίου ’τον δεύτερον του δευτέρου B* (?) ab)] τὸ δεύτερον του ἱλαστηρίου AF 8 σκιάζοντας F | ταῖς πτέρ’. ἀυτῶν] + κάτα πρόσωπον ἀυτῶν Α 10 τέσσαρας AF | δακτυλίους] + χρυσοὺς AF corr χρύσου F*) | ἔπι (bis)] + δακτυλιους AF | επι του ενος] επι το κλιτος το εν AF επι του κλιτους του δευτερου] επι το κλιτος το δευτερον AF | διωρτηρσιν B* (διωστ. B a διωρστ. Β b vid) 11 Χρυστω] + καθαρω Α 12 om τε Α | αις Α | σπείσεις Α

2. B

3. ΧΧVI)

4. (ΧVIII)

5. 16 α] ο B | ἄκρων] + ἀυτῶν AF | om ἐξ ° Α ἱ ἐπ’ ἀυτῶν οἱ λύχνοι] οἱ λύχνοι AP εξ ἀυτῶν Α οἱ λ. ἐπ’ ἀυτῶν F Ι ἀπ’ (Β* et b vid ἐπ’ B a) ἄκρου] του ἔ ἄκρου Α τὸ ἐπ’ ἄκρου F | κορύφης] pr τῆς AF 17 λυχνους] + ἀυτὴ AF | αυτων] AF 18 τὼ στυλω] τοῖς στύλοις AF 19 om καὶ 1° AF | κρίκους 1 Α | ἐκτείνειν] ἐκτίνειν AF | τὸ κατακάλυμμα (B a? b? καταxαλλυμα B*) ἄνωθεν τὸ κατακάλυμμα Α ἄνωθεν τὸ καταπέτασμα F 20 τῆς τοῖς στύλοις sup ras A a om A* vid F Ι καὶ τὰς κεφα|λιδας sup ras A a | τῆς θύρας] τῆ θύρα F | τὴν πύλην] τῆ πύλη AF | ἐποίησαν Α | om τοῖς στύλοις AF Ι ἀυτὰς] αὐτοὺς AF 21 ἐποίησεν] + τοὺς πασσάλους τῆς σκήνης AF 22 τὸ χαλκοῦν] om τὸ Α | ἤσαν] ἢν AF Ι καταστασιασασιν AF 23 καὶ τὸ πυρεῖον αὐτοῦ καὶ τὴν βάσιν] καὶ τὴν βάσιν αὐτοῦ καὶ τὸ πυρεῖον αὐτοῦ Α τὴν β. αὐτοῦ καὶ τὸ π. αὐτοῦ F 24 παράθεμα] περίθεμα AF Ι δικτυωτὸν] δακτυλιωτον F Ι του πυρείου B* vid A b F] τὸ πυρεῖον B a [ὕποαὐτὸ] εἰς αὐτὸ Α ὐπ’ αὐτὸ F I τέσσαρας B a? b? AF Ι εὐρεῖς τοῖς μοχλοῖς AF Ι τὸ θυσ. ἐν αὐτοῖς AF

6. B

7. (XXX

8. (XL)

Septuaginta Exodus 38

ed. Henry Barclay Swete

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