Septuaginta, Exodus, ed. Henry Barclay Swete, 37

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8 1Καὶ ἐποίησαν τῇ σκηνῇ δέκα αὐλαίας· (9)

ὀκτὼ κα εἴκοσι μῆκος τῆς αὐλαίας τῆς μιᾶς· τὸ αὐτό ἠσαν πάσαις· καἰ τεσσάρων πηχῶν τὸ εὖρος τῆς αὐλαίας τῆς μιᾶς.

καὶ ἐποίησεν

τὸ καταπέτασμα ἐξ ὑακίνθου καὶ πορφύρας καὶ κοκκίνου νενη- σμένου καὶ βύσσου κεκλωσμένης, ἔργον ὑφάντου χερουβείμ·

καὶ

ἐπέθηκαν αὐτὸ ἐπὶ τέσσαρες στύλους ἀσήπτους κατακεχρυσωμένους ἐν χρυσίῳ· καὶ αἱ κεφαλίδες αὐτῶν Χρυσαῖ, καὶ αἱ βάσεις αὐτῶν ¹

τέσσαρες ἀργυραῖ.

καὶ ἐποίησαν τὸ καταπέτασμα τῆς θύρας ² τῆς σκηνῆς τοῦ μαρτυρίου ἐξ ὑακίνθου καὶ πορφύρας καὶ κοκκίνου νενησμένου καὶ βύσσου κεκλωσμένης, ἔργον ὑφαντὸν τοῦ χερου-

καὶ τοὺς τοὺς στύλους αὐτῶν πέντε καὶ τοὺς κρίκους·

καὶ τὰς κεφαλίδας αὐτῶν κατεχρύσωσαν χρυσίῳ, καὶ αἱ βάσεις αἱ πέντε ³

Χαλκαῖ. (9)

Καὶ ἐποίησαν τὴν αὐλήν· τὰ πρὸς λίβα, ἱστία

τῆς αὐλῆς ἐκ βύσσου κεκλωσμένης ἑκατὸν ἐφ’ ἑκατόν·

καὶ

οἱ στῦλοι αὐτῶν εἴκοσι, καὶ αἱ βάσεις αὐτῶν εἴκοσι.

καὶ τὸ κλίτος τὸ πρὸς βορρᾶν ἑκατὸν ἐφ’ ἑκατόν, καὶ τὸ κλίτος τὸ πρὸς νότον ἑκατὸν ἐφ’ ἑκατόν· καὶ οἱ στῦλοι αὐτῶν εἴκοσι, καὶ

αἱ βάσεις αὐτῶν

καὶ τὸ κλίτος τὸ πρὸς θάλασσαν αὐλαῖαι πεντήκοντα πήχεων· στῦλοι αὐτῶν δέκα, καὶ § αἱ βάσεις αὐτῶν

δέκα.

τὸ καὶ τὸ κλίτος τὸ πρὸς ἀνατολὰς πεντήκοντα πήχεων,

τὸ κατὰ νώτου

καὶ οἱ στῦλοι αὐτῶν τρεῖς, καὶ αἱ βάσεις

αὐτῶν τρεῖς.

καὶ ἐπὶ τοῦ νώτου τοῦ δευτέρου ἔνθεν καὶ ἔνθεν κατὰ τὴν πύλην τῆς αὐλῆς αὐλαῖαι ἑκατὸν πεντήκοντα

πήχεων· στῦλοι αὐτῶν τρεῖς, καὶ αἱ βάσεις αὐτῶν τρεῖς.

πὰσαι

αὐλαῖαι τῆς σκηνῆς ἐκ βύσσου κεκλωσμένης·

καὶ αἱ βάσεις τῶν στύλων αὐτῶν χαλκαῖ, καὶ αἱ ἀγκύλαι αὐτῶν ἀργυραῖ, καὶ αἱ κεφαλίδες αὐτῶν περιηργυρωμέναι ἀργυρίῳ, καὶ οἱ στῦλοι περιηργυρωμένοι ἀργυρίῳ, πάντες οἱ στῦλοι τῆς αὐλῆς.

καὶ τὸ καταπέτασμα τῆς πύλης τῆς αὐλῆς ἔργον ποικιλτοῦ ἐξ αἰ πορφύρας καὶ κοκκίνου νενησμένου καὶ βύσσου κεκλωσμένης, εἴκοσι πήχεων τὸ μῆκος, καὶ τὸ ὕψος καὶ τὸ εὖρος

πέντε πήχεων, ἐξισούμενον τοῖς ἱστίοις τῆς αὐλῆς·

καὶ οἱ στῦλοι τέσσαρες, καὶ αἱ βάσεις αὐτῶν τέσσαρες Χαλκαῖ, καὶ αὐτῶν ἀργυραῖ, καὶ αἱ κεφαλίδες αὐτῶν περιηργυρωμέναι

ἀργυρίῳ.

καὶ αὐτοὶ περιηργυρωμένοι ἀργυρίῳ, καὶ πάντες οἱ ⁴⁵ πάσσαλοι τῆς αὐλῆς κύκλῳ χαλκοῖ.

αὕτη ἡ σύνταξις τῆς

σκηνῆς τοῦ μαρτυρίου, καθὰ συνετάγη Μωσῇ, τὴν λειτουργίαν εἶναι τῶν Λευειτῶν διὰ ’Ιθαμὰρ τοῦ υἱοῦ Ἀαρὼν τοῦ ἱερέως.

καὶ

Βεσελεὴλ ὁ τοῦ οὐρείου ἐκ φυλῆς Ἰούδα ἐποίησεν καθὰ συνέταξεν κύριος τῷ Μωσῇ,

καὶ Ἐλιὰβ ὁ τοῦ Ἀχισαμὰκ ἐκ τῆς φυλῆς

Δάν, ὃς ἠρχιτεκτόνησεν τὰ ὑφαντὰ καὶ τὰ ῥαφιδευτὰ καὶ ποι· κιλτικά, ὑφᾶναι τῷ κοκκίνῳ καὶ τῇ βύσσῳ.

Exodus. Septuaginta. ed. Henry Barclay Swete. Germany. 2015.

Current edition First1KGreek

Ἔξοδος (Greek) (Septuaginta. The Old Testament in Greek According to the Septuagint. Volume 1: Genesis-IV Kings. Swete, Henry Barclay, editor. Cambridge: Cambridge University Press, 1901.)

Translations (1)

Exodus Perseus (World English Bible. Revision of the American Standard Version of 1901. Rainbow Missions, Inc., 2000-2024.) — 37 focus

Bezalel made the ark of acacia wood. Its length was two and a half cubits, and its breadth a cubit and a half, and a cubit and a half its height.

He overlaid it with pure gold inside and outside, and made a molding of gold for it round about.

He cast four rings of gold for it, in its four feet; even two rings on its one side, and two rings on its other side.

He made poles of acacia wood, and overlaid them with gold.

He put the poles into the rings on the sides of the ark, to bear the ark.

He made a mercy seat of pure gold. Its length was two and a half cubits, and a cubit and a half its breadth.

He made two cherubim of gold. He made them of beaten work them, at the two ends of the mercy seat;

one cherub at the one end, and one cherub at the other end. He made the cherubim of one piece with the mercy seat at its two ends.

The cherubim spread out their wings on high, covering the mercy seat with their wings, with their faces toward one another. The faces of the cherubim were toward the mercy seat.

He made the table of acacia wood. Its length was two cubits, and its breadth was a cubit, and its height was a cubit and a half.

He overlaid it with pure gold, and made a gold molding around it.

He made a border of a handbreadth around it, and made a golden molding on its border around it.

He cast four rings of gold for it, and put the rings in the four corners that were on its four feet.

The rings were close by the border, the places for the poles to carry the table.

He made the poles of acacia wood, and overlaid them with gold, to carry the table.

He made the vessels which were on the table, its dishes, its spoons, its bowls, and its pitchers with which to pour out, of pure gold.

He made the lampstand of pure gold. He made the lampstand of beaten work. Its base, its shaft, its cups, its buds, and its flowers were of one piece with it.

There were six branches going out of its sides: three branches of the lampstand out of its one side, and three branches of the lampstand out of its other side:

three cups made like almond-blossoms in one branch, a bud and a flower, and three cups made like almond-blossoms in the other branch, a bud and a flower: so for the six branches going out of the lampstand.

In the lampstand were four cups made like almond-blossoms, its buds and its flowers;

and a bud under two branches of one piece with it, and a bud under two branches of one piece with it, and a bud under two branches of one piece with it, for the six branches going out of it.

Their buds and their branches were of one piece with it. The whole thing was one beaten work of pure gold.

He made its seven lamps, and its snuffers, and its snuff dishes, of pure gold.

He made it of a talent of pure gold, with all its vessels.

He made the altar of incense of acacia wood. It was square: its length was a cubit, and its breadth a cubit. Its height was two cubits. Its horns were of one piece with it.

He overlaid it with pure gold, its top, its sides around it, and its horns. He made a gold molding around it.

He made two golden rings for it under its molding crown, on its two ribs, on its two sides, for places for poles with which to carry it.

He made the poles of acacia wood, and overlaid them with gold.

He made the holy anointing oil and the pure incense of sweet spices, after the art of the perfumer.

Notes on the current edition

Exodus

1. Α 28 ἐπωμίδος (επωμειδος B*) Β b] + κατωθεν αὐτοῦ κάτα πρόσωπον κάτα τὴν συμβολὴν ἄνωθεν τῆς συνυφῆς τῆς ἐπωμίδος Α 29 om ἴνα μη...επωμιδος Β* (hab B ab mg inf A ) 31 ὤιαν Α Ι ἀδιάλυτον] διάλυτον Α 34 κωδων χρυσοὺς καὶ ροισκος ἔπι τὸ λῶμα του ὕπο sup ras pl litt A a? 36 κί’ τὰ περισκελη κέλῃ ἐκ βύσσου B ab mg Ι τὰ περισκ.] om τὰ Α 39 γράμματα] pr τὰ Α | 40 επεθηκαν] a sup ras A a XXXVII 2 A vid | πάσαι Α | πήχεων A vid Ι εὖρος sup ras Ba 3 ὑφαντὸν Α Ι βειν Α 4 τέσσαρες 1°] τέσσαρας B b A Ι om ἐν Α

2. B

3. (VIII)

4. 5 om τῆς θύρας A* (ταπετασμα| τῆς θύρας in mg et sup ras Α a?) | AF ὑφάντου Α | του χ.] Χερουβεὶν Α 6 καὶ τοὺς στυλους] pr καὶ τοὺς χερουβειν Α | κρικους] + ἀυτῶν Α Ι τὰς κε κεφαλας ἀυτῶν κη τὰς ψαλίδας ἀυτῶν Α Ι αἰ αἰ πέντε χαλκαῖ] αἰ β. ἀυτῶν πέντε χαλκαῖ B a τὰς β. ἀυτῶν πεν 7 λίβα sup ras Aa 8 εἴκοσι 2°] + χαλκαῖ Α 9—12 πρὸς β ἀυτῶν τρεῖς sup ras Aa 9 om καὶ τὸ κλίτος τὸ πρὸς νότον ἐκ. ἐφ’ ἐκ. Α εἴκοσι 2°] + χαλκαῖ Α a 10 πρὸς] κάτα A a Ι om πήχεων A a Ι αἰ βάσεις] om αἰ Aa 11 τὸ κάτα νώτου] τὰ κάτα ν. A a pr ἱστία πέντε καὶ δέκα πήχεων A a F 13 om ἕκατον AF | πεντήκοντα] πέντε καὶ δέκα AF | στυλοι] pr καὶ οἱ AF 14 αυλαιαι τῆς σκηνης] πύλαι αἰ τῆς αὔλης Α αυλαιαι τῆς αὔλης F 15 om αυ- των 1° AF I πάντες] pr καὶ Α 16 καταπέτασμα] κατακάλυμμα AF | om F | πηχῶν 1° F 17 χαλκαῖ] λκ sup ras i lit Α? Ι αγκυλαι] pr αἰ Α

5. B

Septuaginta Exodus 37

ed. Henry Barclay Swete

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