Aristotle Poetics 25.18

Theodore Alois Buckley (Translator)

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For the word πλέων is ambiguous. Or objections may be answered from the custom of diction; as when wine is called κεκραμένον, mixed17; whence has been said, Greaves of new-wrought tin. And those that work on iron are called braziers18. Whence Ganymede is said To pour out wine for Jove 19; II. 20. though the gods do not drink wine. But this may also be metaphorically said. 1 It is necessary, however,

Poetics. Aristotle. Theodore Alois Buckley (Translator). London. 1857.

Current edition Experimental

The Poetic of Aristotle (Theodore Alois Buckley) (OCR draft) (English) (Theodore Alois Buckley's English translation, first published in 1850 and represented from the Henry G. Bohn 1857 printing; corrected against a second OCR and aligned to the Kassel reference passage sequence.)

Provisional text from uncorrected OCR; expect errors.

Editions (4)
Περὶ ποιητικῆς (OCR draft) (Aristotle, Poetics. Immanuel Bekker, editor, Aristotelis Opera, volume 2. Oxford: Oxford University Press, 1837.) — 25 focus
Περὶ ποιητικῆς (OCR draft) Perseus (Aristotle, De arte poetica liber. Rudolf Kassel, editor. Oxford: Clarendon Press, 1965. Reference edition for passage alignment.) — 25 focus
Poetics, Greek text (Ingram Bywater, 1909) (OCR draft) Experimental (Ingram Bywater's Greek text of Aristotle's Poetics, published in 1909.) — 25 focus
Poetics, Greek text (Franz Ritter, 1839) (OCR draft) Experimental (Franz Ritter's 1839 Greek edition, corrected against OCR of the represented copy and aligned to the conventional Perseus chapter-and-subchapter sequence.) — 25 focus
Translations (13)
Poetics (W. H. Fyfe) (OCR draft) Perseus (William Hamilton Fyfe's English translation of Aristotle's Poetics, Loeb Classical Library, 1939 printing.) — 25 focus
Arabic Poetics (Badawī edition, 1953) (OCR draft) (The ancient Arabic translation of Aristotle's Poetics in ʿAbd al-Raḥmān Badawī's 1953 edition.) — 25 focus
Poetics (S. H. Butcher, 1911) (OCR draft) Experimental (S. H. Butcher's English translation from Aristotle's Theory of Poetry and Fine Art, fourth edition, 1911.) — 25 focus
Aristotle on the Art of Poetry (Ingram Bywater, 1909) (OCR draft) Experimental (Ingram Bywater's English translation of Aristotle's Poetics, published in 1909.) — 25 focus
Poetics (Thomas Twining, 1789) (OCR draft) Experimental (Thomas Twining's English translation of Aristotle's Poetics, published in 1789 and aligned to the Kassel reference passage sequence.) — 25.18 focus
3. To ACCENT: as the following passage
The Poetic of Aristotle (Henry James Pye, revised 1792) (OCR draft) Experimental (Henry James Pye's revised 1792 English translation, corrected against the 1788 first edition, aligned to the Kassel reference edition, and supplied with a selective apparatus of substantive 1788 readings.) — 25.18 focus
and that Icadius and not Icarius, was the name of his father-in-law.
Poetica Latine conversa (Franciscus Ritter, 1839) (OCR draft) Experimental (Franz Ritter's Latin translation, corrected against OCR of the represented copy and aligned to the conventional Perseus chapter-and-subchapter sequence.) — 25 focus
La poëtique d'Aristote (André Dacier, 1692) (OCR draft) Experimental (André Dacier's French translation of Aristotle's Poetics, published in 1692.) — 25.18 focus
Il arrive auſſi quelquefois, qu'on répond ſolidement aux Cenſures des Critiques, par un ſeul changement de ton ou d'accent, & c'eſt ainſi qu'Hippias de Thaſos a ſauvé Homere ſur cet endroit, où Jupiter envoye un Songe à Agamemnon, car on l'accuſoit d'avoir fait dire un menſonge par Jupiter, & cette accuſation ſeroit tres bien fondée s'il étoit vray que Jupiter dît, nous luy accordons une grande gloire; mais en changeant l'accent on trouve qu'il commande ſeulement au Songe de luy promettre cette gloire, & cela eſt bien different.
Poetica d'Aristotile (Bernardo Segni, 1549) (OCR draft) Experimental (Bernardo Segni's 1549 Florentine Italian translation, aligned to the Kassel reference passage sequence.) — 25 focus
De poetica (Antonio Riccobono, 1587) (OCR draft) Experimental (Antonio Riccobono's Latin translation, first published in 1587; text represented from Immanuel Bekker's 1831 edition.) — 25 focus
De arte poetica liber (William of Moerbeke, ca. 1277) (OCR draft) Experimental (William of Moerbeke's medieval Latin translation, represented by the 1953 Aristoteles Latinus edition.) — 25 focus
Arabic Poetics (Abū Bishr Mattā; Tkatsch edition) (OCR draft) Experimental (The Arabic translation attributed to Abū Bishr Mattā, edited by Jaroslaus Tkatsch in 1928 and aligned to the Kassel reference passage sequence.) — 25 focus
Arabic Poetics (Abū Bishr Mattā; Tkatsch edition, unaligned) (OCR draft) Experimental (Tkatsch's edition of the medieval Arabic translation in its original, unaligned segmentation.) — 25 focus

Notes on the current edition

Poetics

1. 15. Contraries.

Commentary

Commentary on the Poetics (Ingram Bywater, 1909) (OCR draft) (Ingram Bywater's English commentary on Aristotle's Poetics.) focus

18. mvp-aristotle-comment-1016

1461a22 κατὰ δὲ προσῳδίαν, scil. δεῖ λύειν (or διαλύειν), understood from 9 τὰ δὲ πρὸς τὴν λέξιν ὁρῶντα δεῖ διαλύειν. κατά means 'by reference to', as in κατὰ τὸ ἔθος τῆς λέξεως in 27; it is the equivalent of the instrumental dative we find elsewhere in the context (see on 10) with λύειν (or διαλύειν). Προσῳδία with Aristotle comprises accent, breathing, and quantity—all the elements in the spoken word which in the ancient mode of writing were left to be supplied by the reader. For accent as a form of προσῳδία see Soph. el. 4, 166b1 (v. infra on 23); 21, 177b ; and 23, 179a14 . Breathing is distinctly said to come under this head in Soph. el. 20, 177b3
τὸ ὄρος καὶ ὅρος τῇ προσῳδίᾳ λεχθὲν σημαίνει ἕτερον. ἀλλ᾽ ἐν μὲν τοῖς γεγραμμένοις ταὐτὸν ὄνομα, ὅταν ἐκ τῶν αὐτῶν στοιχείων γεγραμμένον ᾖ καὶ ὡσαύτως, κἀκεῖ δ᾽ ἤδη παράσημα ποιοῦνται, τὰ δὲ φθεγγόμενα οὐ ταὐτά.
That quantity also was regarded by Aristotle as a part of προσῳδία may be inferred from the position of μήκει καὶ βραχύτητι in the enumeration in 20, 1456b32 (v. Schmidt, Beitr. zur Gesch. der Grammatik p. 188). His idea of προσῳδία, therefore, agreed with that of Choeroboscus (Scholia in Dionys. Thracis art. gramm. p. 124 Hilgard), ἰστέον δὲ ὅτι ἐν ταῖς προσῳδίαις τρία ἐστὶν εἴδη· ἔστι γὰρ τόνος, χρόνος, πνεῦμα (comp. Egger, Apollonius Dyscole p. 29, and Schmidt, l. c. p. 185).

18. mvp-aristotle-comment-1017

1461a22_2 Ἱππίας. The view of Sengebusch (Hom. Diss. prior p. 206) is that he lived in the second half of the fifth century, and may perhaps be identified with the Hippias of Thasos mentioned by Lysias (13. 54 and 61) as one of the victims of the Thirty Tyrants. Schrader (Porphyr. in Il. p. 413) doubts whether there is any sufficient evidence for this date.

18. mvp-aristotle-comment-1018

1461a22_3 δίδομεν δέ οἱ. The parallel in Soph. el. 4, 166b1 (v. on 23) shows that δίδομεν δέ οἱ εὖχος ἀρέσθαι was the reading in Aristotle's Homer in Il. 2. 15 , where our existing vulgate has Τρώεσσι δὲ κήδε᾽ ἐφῆπται; the reference too in the parenthesis, ὥσπερ Ἱππίας ἔλυεν ὁ Θάσιος, shows that Hippias must have had the same reading before him. It is clear that we have in this instance at any rate 25. 1461a20-23 337 1461a22 a real variant, and not one of Aristotle's misquotations. δίδομεν δέ τοι εὖχος ἀρέσθαι occurs in Il. 21. 297 , but in a context very unlike that of Il. 2. 15. The deceptive dream of Agamemnon in Il. 2. 8 sqq. had been criticized by Plato Rep. 382 E , as making Zeus a deceiver; and it was felt to be a difficulty by several of the grammarians (v. Porphyr. in Il. l. c. p. 23 Schr.). As the half-line δίδομεν δὲ οἱ εὐχος ἀρέσθαι seems to credit Zeus with a direct lie, this was doubtless the difficulty which Aristotle and Hippias thought to remove by the artifice of reading ΔΙΔΟΜΕΝ not as δίδομεν, but as διδόμεν, i. e. as an infinitive in the sense of an imperative, so as to shift the actual falsehood from Zeus himself to the Dream-god (comp. Wolf, Prolegomena ad Hom. p. 128 ed. Peppmüller).

18. mvp-aristotle-comment-1019

1461a23 τὸ μὲν οὐ καταπύθεται ὄμβρῳ: Il. 23. 327
ἔστηκε ξύλον αὖον ὅσον τ᾿ ὄργυι ὑπὲρ αἴης, ἢ δρυὸς ἢ πεύκης· τὸ μὲν οὐ καταπύθεται ὄμβρῳ.
Our text of Homer embodies the suggestion of Hippias, οὐ for οὗ. The objection to the older mode of reading the word was probably this, that the statement was against scientific truth, oak and pine being held to be among the woods least liable to rot through moisture ( Theophr. H. P. 5. 4, 3 ). The view of Hippias is given with greater fullness in Soph. el. 4, 166b1 : παρὰ δὲ τὴν προσῳδίαν ἐν μὲν τοῖς ἄνευ γραφῆς διαλεκτικοῖς οὐ ῥᾳδιον ποιῆσαι λόγον, ἐν δὲ τοῖς γεγραμμένοις καὶ ποιήμασι μᾶλλον, οἷον καὶ τὸν Ὅμηρον ἔνιοι διορθοῦνται πρὸς τοὺς ἐλέγχοντας ὡς ἀτόπως εἰρηκότα “τὸ μὲν οὐ καταπύθεται ὄμβρῳ”. λύουσι γὰρ αὐτὸ τῇ προσῳδίαν λέγοντες τὸ ΟΥ ὀξύτερον. καὶ τὸ περὶ τὸ ἐνύπνιον τοῦ Ἀγαμέμνονος, ὅτι οὐκ αὐτὸς ὁ Ζεὺς εἶπεν “δίδομεν δέ οἱ εὐχος ἀρέσθαι”, ἀλλὰ τῷ ἐνυπνίῳ ἐνετέλλετο διδόναι. On this passage Alexander, or rather Michael Ephesius (p. 33 Wallies), has a comment which, besides serving to explain the passage in the Soph. el., is not without interest for the history of the early criticisms on Homer:
τινὲς οὖν ἐκάκιζον τὸν Ὅμηρον, περισπωμένως τὸ οὐ ἀναγινώσκοντες καὶ λέγοντες ἄτοπόν τι αὐτὸν εἰρηκέναι διὰ τοῦτο, ὡς λέγοντα δῆθεν ὅτι τοῦ ξύλου ἐκείνου ... τὶ μὲν κατασήπεται τὶ δὲ οὐ κατασήπεται· εἰ γὰρ μὴ καὶ τοῦτο ἐδήλωσεν ἐναργῶς, τὸ τὶ δὲ οὐ κατασήπεται λέγουσιν ἄντικρυς δηλοῦσθαι διὰ τοῦ εἰρημένου, τοῦ “οὗ τὸ μὲν καταπύθεται”.... ἐπιδιορθοῦται δὲ τούτους [εν τῷ περὶ Ποιητικῆς], ὡς αὐτὸς Ἀριστοτέλης ἐν τῇ Ρητορικῇ [read with Vahlen, ἐν τῷ περὶ Ποιητικῆς] φησιν, Ἱππίας ὁ Θάσιος μὴ περισπωμένως ἀναγινώσκων τὸ οὐ ἀλλ᾽ ἀποφατικῶς, ὅπερ αὐτὸς ὀξύτερον εἴρηκεν, ἵνα ᾖ τὸ λεγόμενον ὡς ἡ πεύκη τὸ δένδρον οὐ καταπύθεται ὄμβρῳ .... τὸ δ᾽ ἕτερον [scil. παράδειγμα] τὸ ἐπαγόμενον, τὸ περὶ τὸ ἐνύπνιον τοῦ Ἀγαμέμνονος, φησι τὸν Δία εἰπεῖν τὸ “ δίδομεν δὲ οἱ εὐχος ἀρέσθαι”, οὐδαμοῦ κεῖται ἐν τῇ Ἰλιάδι . εἰσὶν οὖν τὰ ῥήματα τοῦ Διὸς πρὸς τὸν ὄνειρον ὅτι βὰς ταῦτα εἶπε τῷ Ἀγαμέμνονι ὅτι δίδομεν αὐτῷ πάντες οἱ θεοὶ τὴν νίκην. φασὶν οὖν οἱ ταῦτα λέγοντες ὡς ἐνταῦθα ἁμαρτάνει ὁ ποιητὴς εἰσάγων τὸν Δία διαλεγόμενον ταῦτα τῷ ὀνείρῳ καὶ τρόπον τινὰ ψευδόμενον, ὅπερ οὐκ ἔστι θεοῦ. οἱ γοῦν ἐπιδιορθούμενοι τοῦτόν φασιν ὡς οὐ τῷ Ἀγαμέμνονι ὁ Ζεὺς ἔλεγε τὸ εὐχος δοθῆναι ἀλλὰ τῷ ὀνείρῳ κατὰ τοῦ Ἀγαμέμνονος· ἀναγινώσκουσι δὲ οὕτως, “δίδομεν δὲ οἱ”, ἀντὶ τοῦ σοί, τῷ ὀνείρῳ. ἔστι δὲ καὶ τοῦτο ψεῦδος· ὁ γὰρ αὐτὸς νοῦς ἐστι κἂν ὁ τόνος ἀναβιβασθείη κἂν περισπασθείη ἡ ἀντωνυμία ἡ οἱ. ποῦ γοῦν [ οὖν] ἐστιν ἡ ἁμαρτία; ἢ οὐκ εἰς τὸ “ δέ οἱ” ἀλλ᾽ εἰς τὸ “δίδομεν”. εἰ γοῦν [? μὲν οὖν] τὸ “ δίδομεν δέ οἱ εὐχος ἀρέσθαι” ἀναγνῷ τις τὸν τόνον θεὶς εἰς τὸ δι τὸν Δία ποιεῖ ψευδόμενον, ὡς ὑπισχνούμενον διδόναι τὴν νίκην καὶ μὴ εἰς ἔργον ἐξάγοντα τὴν ὑπόσχεσιν· εἰ δὲ εἰς τὸ δο τὸν τόνον θεὶς ἀναγνῷ τὸ ἑξῆς, καὶ τὸν Δία τοῦ ψεύδεσθαι ἀπολύσει, καὶ τῷ Ὁμήρῳ περιποιήσεται τὸ ἀνέγκλητον, ὡς τοῦ Διὸς λέγοντος τῷ ὀνείρῳ καὶ ἐπιτάττοντος διδόμεναι αὐτὸν τὸν ὄνειρον τὸ εὐχος τῷ Ἀγαμέμνονι καὶ μὴ αὐτοῦ τοῦ Διός. καὶ γοῦν ὁ ὄνειρος ὑπισχνεῖται τῷ Ἀγαμέμνονι τὸ εὐχος καὶ ψεύδεται, καὶ οὐχ ὁ Ζεὺς αὐτός.
It will be observed that in the explanation of Il. 23. 328 in the Soph. el. the negative οὐ is said to be distinguished from the pronoun οὗ by being pronounced ὀξύτερον, i. e. ὀξυτόνως. This takes us back to a time when οὐ was oxytone wheresoever it occurs ( comp. Kühner, Gr. Gr. 1. 1 p. 331 ), as it was held to be by more than one of the grammarians: Herodian p. 504 Lentz
τὰ εἰς οῦ περισπῶνται, πανταχοῦ, ἀγχοῦ, καὶ τὰ λοιπὰ πλὴν τοῦ [? τὸ] ἰδού τὸ δεικτικόν, ἰου τὸ σχετλιαστικόν, καὶ οὗ τὸ ἀρνητικόν· τοῦτο δὲ καὶ ἐν τῇ συνεπείᾳ ὀξύνεται.
1461a24

Remarques sur la poëtique d'Aristote (André Dacier, 1692) (OCR draft) (André Dacier's French commentary on Aristotle's Poetics.) focus

34. mvp-aristotle-comment-630

25.18 34. Il arrive auſſi quelquefois qu'on répond ſolidement aux Cenſures des Critiques par un ſeul changement de ton ou d'ac-cent; & c'est ainsi qu Hippias de Thasos a fauve Homere ſur cet endroit, où Jupiter envoye un Songe à Agamemnon; car on l'accuſoit d'avoir fait dire un mensonge par Jupiter.] 1

Commentary on the Poetics (Thomas Twining, 1789) (OCR draft) (Thomas Twining's notes on Aristotle's Poetics, aligned to the Kassel reference edition.) focus

244. mvp-aristotle-comment-244

NOTE 244. P. 127.

25.18
ΔΙΔΟΜΕΝ δέ οἱ εὖχος ἀρέσθαι.
Καὶ τὸ περὶ τὸ ἐνύπνιον τὸ Ἀγαμέμνονθ’, ὅτι ΟΥΚ ΑΥΤΟΣ ὁ Ζεὺς εἶπεν, "δίδομεν δέ οἱ εὖχος ἀρέσθαι," ἀλλὰ ΤΩΙ ΕΝΥΠΝΙΩΙ ΕΝΕΤΕΛΛΕΤΟ διδόναι.
— De Soph. Elench. p. 284, ed. Duval. — This clearly confirms the common explanation, which makes Hippias substitute
διδόμεν
, the infinitive, (for
διδόμεναι
,) used imperatively, instead of
δίδομεν
, the first person plural of the present tense. A very curious solution this. Jupiter tells no lie. He only orders the dream to lie for him:
"Ce qui est très different,"
says Dacier ;
"car alors le mensonge ne vient pas de Jupiter, il vient du songe."
— Dacier tells us also, that this hemistich, which does not appear in our copies of Homer, was altered,
"par une fraude pieuse."
1 I cannot see any great piety in the fraud; because nothing appears to be added to the impiety of the passage by the words objected to, or to be taken from it, by the suppression of them. If the words were in Aristotle's Homer, they were probably in Plato's also. Yet, in the passage at the end of the second book of his Republic, where he alludes to this part of Homer, he, very properly, takes no notice of these words, but censures the whole circumstance, of Jupiter's being represented as sending such a deceitful dream: —
τὴν τοῦ ἐνυπνίου ΠΟΜΠΗΝ ὑπὸ Διὸς τῷ Ἀγαμέμνονι
. 2 The theology, indeed, of this charming writer, was of a very different complexion from that of Hippias, or of Dacier. —
Κομιδῇ ἄρα ὁ ΘΕΟΣ ἁπλοῦν καὶ ἀληθὲς, ἔν τε ἔργῳ, καὶ ἐν λόγῳ· καὶ οὔτε αὐτὸς μεθίσταται, οὔτε ἄλλους ἐξαπατᾷ, οὔτε κατὰ φαντασίας, οὔτε κατὰ λόγους, οὔτε κατὰ σημείων πομπὰς, οὔθ’ ὕπαρ, οὐδ’ ὄναρ.
3

245. mvp-aristotle-comment-245

NOTE 245. P. 127.

25.18
Τὸ μὲν ΟΥ καταπύθεται ὄμβρῳ.
This correction, also, of Hippias, is somewhat more explicitly mentioned, De Soph. Elench. p. 284. The passage was censured as absurd, (
ὡς ἀτόπως εἰρηκότα
) by those critics who read
οὗ
. 4 But what the absurdity was, we are not told by Aristotle. His com- mentators tell us, that it consisted in first calling the post
"dry,"
αὖον
, and then saying
"where it was rotted by rain."
I cannot say I comprehend this. Are rottenness and dryness, as Beni very well asks, incompatible? — Nor is it clear, what construction, or what sense, was given to the passage, by those who read
οὗ
, instead of
οὐ
. — But the reader will hardly thank me for detaining him with a dissertation upon a rotten post.

Commentarius in Aristotelis Poeticam (Franciscus Ritter, 1839) (OCR draft) (Ritter's Latin commentary, extracted from the 1839 volume, divided by Ritter's chapters and sections, and linked to the corresponding Perseus reference subsections.) focus

11. mvp-aristotle-comment-194

Ritter, cap. 25 § 11

κατὰ δὲ προσῳδίαν ( δεῖ λύειν), ὥσπερ Ἱππίας ἔλυεν ὁ Θάσιος τὸ “ δίδομεν δέ οἱ” καὶ “ ιὸ μὲν οὐ καταπύθεται ὄμβρῳ”: vir iste tanta lectionis copia doctrinaque tumet, ut nonnisi fastigia rerum leviter attingat; et hoc quidem loco ita se contraxit, ut quae voluit dicere vix perciperemus, nisi auxilio veniret verus Aristoteles qui in Elenchis sophisticis c. 4. p. 166 b 3. haec scripsit: οἷον καὶ τὸν Ὅμηρον ἔνιοι διορθοῦνται πρὸς τοὺς ἐλέγχοντας ὡς ἀτόπως εἰρηκότα “ τὸ μὲν οὐ 9) καταπύθεται ὄμβρῳ.” λύουσι γὰρ αὐτὸ τῇ προσῳδίᾳ, λέγοντες τὸ “ οὗ” ὀξύτερον, καὶ τὸ περὶ τὸ ἐνύπνιον τοῦ ᾿Αγαμέμνονος, ὅτι οὐκ 9) Bekkerus pro οὐ dedit o ὗ et paulo post o ὔ pro o ὗ, a libris suis praeter consuetudinem bis deficiens ad coniecturas, nisi quod secundo loco ou inesse codici C (Coisliniano 330) ex silentio eius colligere licet. sed illi scripturae et sententia repugnat et locus Poeticae quem tractamus, ut omittam neutiquam hoc verisimile videri, turpe illud vitium ( τὸ μὲν οὖ) ante Hippiam Thasium in vulgatis Homeri exemplis resedisse, eundemque hominem priore loco ineptissimas quidem argutias agitasse, alterum autem emendavisse sapientissime. quod o ὗ prae οὐ ὀξύτερον vocatur, id mirum videri non debet: nam o ὗ accentu acuto gravique simul feritur ( δύ), οὐ sine accentu profertur. Bekkerum alioqui satis cautum deceptum esse puto iis quae Alexander Aphrodisiensis et falso et perturbate ad h. 1. conseribillavit. vid. Scholia in Aristot. tom. I. p. 299 b 33 ed. Brandis. αὐτὸς ὁ Ζεὺς εἶπεν “ δίδομεν δὲ οἱ εὖχος ἀρέσθαι,” ἀλλὰ τῷ ἐνυπνίῳ ἐνετέλλετο διδόναι. his adiuti possumus explicare quid Hippias Thasius (non ille Eleus) in Homeri verbis tentaverit, id quod adhuc non satis perspexerunt neque interpretes neque Wolfius in Prolegomenis ad Hom. p. CLXVII sq. Iuppiter igitur Somnio mandavit ut Agamemnoni diceret δίδομεν δὲ οἱ εὖχος ἀρέσθαι. sed hic hexametri exitus nusquam in Iliade locum habere potuit nisi in Iovis ad Somnium mandato B. 8-15, neque tamen illic usquam comparet. quid igitur statuemus? utrum versum aliquem excidisse dicemus. ex nostris exemplaribus, an in vetere quadam Iliadis recensione, quam Aristoteles versaverit, hoc hemistichium in versu 15. inventum fuisse, ubi iam illud Τρώεσσι δὲ κήδε᾽ ἐφῆπται substitutum legimus? hoc alterum cum alii crediderunt, tum Wolfius 1. c. qui hoc indicio erectus (p. CLXVIII) exclamat adeo mutatus est textus noster. ego neutrum admittam, sed eandem explicandi viam ingrediar qua paulo ante (§. 10) verum repperi. Hippias igitur ἀποριῶν et λύσεων acute excogitandarum cupidus id fraudis commisit ut versum Iliadis B. 15. Ἥρη λισσομένη· Τρώεσσι δὲ κήδε᾽ ἐφῆπται suo arbitrio et suo dolo sic mutatum exhiberet Ἥρη λισσομένη· δίδομεν δὲ οἱ εὖχος ἀρέσθαι. ipsum illud hemistichium una vocula immutata sumpsit ex Iliad. Φ. 297. δίδομεν δέ τοι εὖχος ἀρέσθαι. iam in loco sic reformato Hippias id reprehendit ( ἐπετίμησε) quod Iuppiter manifesto mendacio animum Agamemnonis deciperet, quod vitium ut a love optimo maximo defenderet, ille astute διδόμεν pro δίδομεν legendum praecepit et hunc infinitivum imperativi vices sustinere voluit, ut Iuppiter mandaret "concedas vero 10) ei (Agamemnoni) gloriam sibi parare". - Alter locus pertinet ad Iliadis F. 328. 10) Wolfius l. c., secutus Paccium ad Organon p. 485., non satis recte scripsit "sed Hippias. verbum δίδομεν mutavit in δε .. ἕστηκε ξύλον αὖον ὅσον τ᾽ ὄργυι᾽ ὑπὲρ αἴης, ἢ δρυὸς ἢ πεύκης, τὸ μὲν οὐ καταπύθεται ὄμβρῳ. cum hoc mirum falsumque videretur, aridum quercus vel abietis lignum imbre non putrescere, Hippias illud vitium removeri voluit pronomine o ὗ pro negatione οὐ substituto, ut verborum intellectus hice prodiret "una eius (ligni) pars, ea scilicet quae super terram eminet, imbre putrescit. iam in utroque loco agnosces hominem futilissime argutantem, concedesque a Wolfio 1. c. inconsiderate scribi "si Hippias primus olim vulgatum οὗ (immo οὐ vulgatum erat) expulit, ... facile intelligitur, quam turpia vitia haeserint in exemplis huius aetatis. sed de illis plura licet suspicari quam scire." apage suspiciones ex eiusmodi fontibus haustas.