Aristotle Poetics 21.17

Theodore Alois Buckley (Translator)

Current edition Experimental

The Poetic of Aristotle (Theodore Alois Buckley) (OCR draft) (English) (Theodore Alois Buckley's English translation, first published in 1850 and represented from the Henry G. Bohn 1857 printing; corrected against a second OCR and aligned to the Kassel reference passage sequence.)

Provisional text from uncorrected OCR; expect errors.

Editions (4)
Περὶ ποιητικῆς (OCR draft) (Aristotle, Poetics. Immanuel Bekker, editor, Aristotelis Opera, volume 2. Oxford: Oxford University Press, 1837.) — 21 focus
Περὶ ποιητικῆς (OCR draft) Perseus (Aristotle, De arte poetica liber. Rudolf Kassel, editor. Oxford: Clarendon Press, 1965. Reference edition for passage alignment.) — 21 focus
Poetics, Greek text (Ingram Bywater, 1909) (OCR draft) Experimental (Ingram Bywater's Greek text of Aristotle's Poetics, published in 1909.) — 21 focus
Poetics, Greek text (Franz Ritter, 1839) (OCR draft) Experimental (Franz Ritter's 1839 Greek edition, corrected against OCR of the represented copy and aligned to the conventional Perseus chapter-and-subchapter sequence.) — 21 focus
Translations (13)
Poetics (W. H. Fyfe) (OCR draft) Perseus (William Hamilton Fyfe's English translation of Aristotle's Poetics, Loeb Classical Library, 1939 printing.) — 21 focus
Arabic Poetics (Badawī edition, 1953) (OCR draft) (The ancient Arabic translation of Aristotle's Poetics in ʿAbd al-Raḥmān Badawī's 1953 edition.) — 21 focus
Poetics (S. H. Butcher, 1911) (OCR draft) Experimental (S. H. Butcher's English translation from Aristotle's Theory of Poetry and Fine Art, fourth edition, 1911.) — 21 focus
Aristotle on the Art of Poetry (Ingram Bywater, 1909) (OCR draft) Experimental (Ingram Bywater's English translation of Aristotle's Poetics, published in 1909.) — 21 focus
Poetics (Thomas Twining, 1789) (OCR draft) Experimental (Thomas Twining's English translation of Aristotle's Poetics, published in 1789 and aligned to the Kassel reference passage sequence.) — 21.17 focus
An INVENTED word, is a word never before used by any one, but coined by the Poet himself; for such, it appears, there are; as EPNYTAI 1 for KEPATA, horns, or APHTHP 2 for IEPEYΣ, a priest.
The Poetic of Aristotle (Henry James Pye, revised 1792) (OCR draft) Experimental (Henry James Pye's revised 1792 English translation, corrected against the 1788 first edition, aligned to the Kassel reference edition, and supplied with a selective apparatus of substantive 1788 readings.) — 21.17 focus
A word is lengthened or shortened, either by using a long vowel instead of a short one or by inserting an additional syllable; or on the other hand by taking any thing away either from the word itself
Poetica Latine conversa (Franciscus Ritter, 1839) (OCR draft) Experimental (Franz Ritter's Latin translation, corrected against OCR of the represented copy and aligned to the conventional Perseus chapter-and-subchapter sequence.) — 21 focus
La poëtique d'Aristote (André Dacier, 1692) (OCR draft) Experimental (André Dacier's French translation of Aristotle's Poetics, published in 1692.) — 21.17 focus
Le nom inventé eſt celuy que le Poëte crée luy-même, comme quand au lieu de dire κέρατα, des cornes, il dit ἐρνύτας, des branches, & au lieu de dire ἱερέα, un Sacrificateur, il dit ὀρητήρα, c'est-à-dire, un homme qui fait des prieres.
Poetica d'Aristotile (Bernardo Segni, 1549) (OCR draft) Experimental (Bernardo Segni's 1549 Florentine Italian translation, aligned to the Kassel reference passage sequence.) — 21 focus
De poetica (Antonio Riccobono, 1587) (OCR draft) Experimental (Antonio Riccobono's Latin translation, first published in 1587; text represented from Immanuel Bekker's 1831 edition.) — 21 focus
De arte poetica liber (William of Moerbeke, ca. 1277) (OCR draft) Experimental (William of Moerbeke's medieval Latin translation, represented by the 1953 Aristoteles Latinus edition.) — 21 focus
Arabic Poetics (Abū Bishr Mattā; Tkatsch edition) (OCR draft) Experimental (The Arabic translation attributed to Abū Bishr Mattā, edited by Jaroslaus Tkatsch in 1928 and aligned to the Kassel reference passage sequence.) — 21 focus
Arabic Poetics (Abū Bishr Mattā; Tkatsch edition, unaligned) (OCR draft) Experimental (Tkatsch's edition of the medieval Arabic translation in its original, unaligned segmentation.) — 21 focus

Commentary

Commentary on the Poetics (Ingram Bywater, 1909) (OCR draft) (Ingram Bywater's English commentary on Aristotle's Poetics.) focus

17. mvp-aristotle-comment-778

πεποιημένον. A πεποιημένον ὄνομα is a word coined by the poet for the occasion, and in this respect unlike the words hitherto considered (the κύριον ὄνομα, the γλῶττα, and the μεταφορά), which are parts of an already existing vocabulary. Such coining of new words was termed ὀνοματοποιία ( Volkmann, Rhetorik p. 425). καλούμενον: comp. 21, 1458a 6 ὀνομαζομένου.

17. mvp-aristotle-comment-779

b 34 τίθεται. For the middle comp. H. A. 7. 12, 588 a 9
διὸ καὶ τὰ ὀνόματα τότε τίθενται, ὡς πιστεύοντες ἤδη μᾶλλον τῇ σωτηρίᾳ
. — Rhet. 3. 13, 1414 b 15 :
δεῖ δὲ εἰδός τι λέγοντα καὶ διαφορὰν ὄνομα τίθεσθαι
.
δοκεῖ γὰρ ἔνια εἶναι τοιαῦτα
is a parenthesis giving a reason for the instances that come after it; comp. 25, 1460b 24, and the note on Eth. N. 5. 1, 1129 a 29 in my Textual Criticism of the Nic. Ethics p. 43; also Kühner, Gr. Gr. 2 p. 853.

17. mvp-aristotle-comment-780

35 ἐρνύγας, scil. καλεῖ or λέγει, to be understood from τίθεται in the preceding line; comp. Top. 6. 2, 140 a 3 (quoted on b 25), Rhet. 3. 3, 1406 a 7 (quoted on b 4), and Eth. N. 6. 7, 1141 a 9
τὴν δὲ σοφίαν ἔν τε ταῖς τέχναις τοῖς ἀκριβεστάτοις τὰς τέχνας ἀποδί- δομεν, οἷον Φειδίαν λιθουργὸν σοφὸν καὶ Πολύκλειτον ἀνδριαντοποιόν [scil. λέγομεν]
. We do not know where Aristotle found the word, and there is no evidence for the form of the nom. sing.; the correction of Victorius, ἔρνυγας, assumes it to have been ἔρνυξ, like ἄντυξ; but it is just as likely that it was ἐρνύγη. An explanation of the word survives in Hesychius:
ἔρνυτας [sic] ἔρνη. βλαστήματα, κλάδοι
. The form in Hesychius, with a τ instead of a γ, has been defended by Meineke as the acc. pl. of a Cretan word ἔρους (= ἔρνος) supposed to be implied in Ἐπιρνύτιος, a Cretan name for Zeus according to Hesychius s. v. (see note in M. Schmidt's ed.). Aristotle's view of it, however, is that it is a coined word, not a γλῶττα as a Cretan word would be; it is to be remembered too that he shows himself elsewhere (25, 1461a 14) not wholly unfamiliar with the Cretan dialect.

17. mvp-aristotle-comment-781

ἀρητῆρα. The reference is no doubt to the use of the word in Il. 1. 11
οὕνεκα τὸν Χρύσην ἠτίμασεν ἀρητῆρα
. Hesychius has the same explanation:
ἀρητῆρα· ἱερέα
.

Remarques sur la poëtique d'Aristote (André Dacier, 1692) (OCR draft) (André Dacier's French commentary on Aristotle's Poetics.) focus

20. mvp-aristotle-comment-504

21.17 20. Le nom inventé eſt celuy que le Poëte, &c.] 1

21. mvp-aristotle-comment-505

21.17 21. Le nom inventé est celuy que le Poëte crée luy-même, & qui étoit auparavant inconnu.] 2

Commentary on the Poetics (Thomas Twining, 1789) (OCR draft) (Thomas Twining's notes on Aristotle's Poetics, aligned to the Kassel reference edition.) focus

190. mvp-aristotle-comment-190

NOTE 190. P. 109.

21.17 AN INVENTED WORD, &C.Between this and the preceding definition Aristotle must have placed that of
Κοσμος
the ornament, or ornamental word. That it was purposely passed over by him is hardly credible. This is, most probably, one of the lamentable
διαβρωματα
that Strabo talks of. 1 The commentators differ widely as to the meaning of
κοσμος
. Castelvetro says, the word admits, here, of five different senses, which he sets up, like nine-pins, for the pleasure of knocking them all down. — The only reasonable account of the matter seems to be that given by Dacier from Victorius . It seems clear enough, that what Aristotle here calls
κοσμος
, is included, at least, under what he calls
ὀικειον
in the Rhetoric. For he says, at the end of the next chapter (cap. xxii.) speaking of those species of words that are used in prose, that they are these three,
το κύριον
, και
μεταφορα
, και
ΚΟΣΜΟΣ
: and in the Rhetoric, after referring to the very enumeration of words in this chapter, and setting aside such as he calls poetical, (i. e.
γλωτται, διπλα ὀνοματα
, &c.) he says,
το δε κυριον, και το ΟΙΚΕΙΟΝ, και μεταφοραι, μοναι χρησιμοι προς την των ψίλων λόγων λεξιν· παντες γαρ μεταφοραις διαλεγονται, και τοις ΟΙΚΕΙΟΙΣ, και τοις κυρίοις
. 2
And these
ὀικεια ὀνοματα
, again, seem plainly synonymous with
ἐπιθετα
, mentioned presently after: —
δει δε και τα ἐπιθετα και τας μεταφ. κ. τ. λ.
— By
ὀικεια
and
ἐπιθετα
, Aristotle seems to have expressed the genus, of which,
κοσμος
, the ornamental or embellishing epithet, was a species. But as he has not, by any means, explained himself fully, nor given any definition either of
ὀικειον
or
ἐπιθετον
, the mist which he has left upon this subject must remain. I shall only remark, that the word
κοσμος
is once, (and I think but once,) used by him in his Rhetoric, apparently in the same sense as in this chapter. For, speaking of the propriety of diction, and its correspondence to the subject, he observes, that "an ornament should not be applied to a mean word; for this," says he, "has the appearance of burlesque; which is the case with Cleophon , who has used expressions of this sort as ridiculous, as it would be to talk of an "AUGUST fig-tree." 3 The word
κοσμος
here, and the example by which he explains it, seem to prove, that
κοσμος
, in the treatise on Poetry, means such an epithet as embellishes or elevates the thing to which it is applied. For I do not imagine that the term includes what the Grammarians call perpetual epithets, such as
"humida vina,"
γαλα λευκον
, &c. because Aristotle expressly says, that the
κοσμος
is used in common speech: now these redundant epithets are banished, both by him, and by Quintilian , even from oratory; much more from ordinary discourse. 4
It may be objected, as it has been objected by Piccolomini (p. 337) , that, as an epithet may, at the same time, be a foreign word, a metaphorical, an extended, or of any of the other sorts, it could not be enumerated by Aristotle as a distinct species of words among the rest. But the truth is, that he is not there enumerating so many distinct species of words, which exclude each other, but only a number of distinct properties of words, several of which may subsist together in the same word. Thus, an extended word may, manifestly, be, at the same time, a metaphorical, or a foreign word, or both: a metaphorical word may be, also, an invented, extended, altered word, &c. But none of these words can be, at the same time,
κυρια
, common words; and the only exclusive distinction that Aristotle intended, is between the common word, and the others; all of which are words, on some account or other, uncommon.

Commentarius in Aristotelis Poeticam (Franciscus Ritter, 1839) (OCR draft) (Ritter's Latin commentary, extracted from the 1839 volume, divided by Ritter's chapters and sections, and linked to the corresponding Perseus reference subsections.) focus

9. mvp-aristotle-comment-155

Ritter, cap. 21 § 9

πεποιημένον - ἀρητῆρα: πεποιημένον est factum fictumque a poeta. eiusmodi verba novata appellat Cicero de Orat. III, 38, 154. novantur autem verba quae ab eo qui dicit ipso gignuntur ac fiunt. pro exemplis ibidem affert expectorare, versutiloquus, incurviscere. - δοκεῖ γὰρ ἔνια εἶναι τοιαῦτα: dubitat, et recte quidem, utrum eiusmodi voces scriptoris ingenio an usui antiquo et obsoleto tribuat. οἷον τὰ κέρατα ἔρνυγας. κτλ. quemadmodum cornua ramulos et sacerdotem precatorem. recte ab Hermanno observatum est ἔρνυξ eiusdem esse significationis atque ἔρνος, sed formatum ut ἄντυξ. Bekkerus cum antiquis editoribus ἐρνύγας dedit, nominativum ἐρνύγη accipiens, non ἔρνυξ. Hesychius et Favorinus : ἐρνύ) τας (sic), ἔρνη, βλαστήματα, κλάδους. hoc vocabulum ex cyclico quodam carmine sumptum videtur. ἀρητὴρ Homeri est Il. A. 94. Е. 78.