ORESTES
But am I with my mother one in blood?
Eumenides. Aeschylus. Anna Swanwick (Translator). London. 1886.
Sponsored by University of Leipzig.
Funding provided by European Social Fund Saxony.
Eumenides. Aeschylus. Anna Swanwick (Translator). London. 1886.
Sponsored by University of Leipzig.
Funding provided by European Social Fund Saxony.
Eumenides (OCR draft) (English) (Eumenides. Anna Swanwick, 1886.)
Provisional text from uncorrected OCR; expect errors.
No corresponding passage available
169. μάντις ὤν , i. e. ‘though a seer,' and thus the last who should have allowed pollution.
174. τόν , Orestes: for Epic form cp. 137, 357.
mvp-comment-64-1 ἐκνόμων σέβας: τόδ' ἐκνύμων σέβας M. G. Ven. τόδ᾽ ἐκ νόμων σέβας Ald. Rob. Turn. xvóμwr an ix róuor habeant Flor. Farn. ignoratur. In Opusc. VI. 2. p. 25. putabam scribendum esse izvóµws, valde. Nihil mutandum est, sed retinendum τόδ᾽ ἐκνόμων σέβας. Recte scholiastes τὸ τῶν ἱκετῶν σέβισμα καὶ δέημα οὐ μόνον τιμᾷ ὁ Ζεύς, ἀλλὰ καὶ σέβει, ὁρῶν αὐτὸ ὁρμώμενον προςηκούσῃ τύχῃ. Suidas et Zonaras ἐκνόμοις, παρανόμοις. Est autem afinitas quaedam vocabulorum scelere contaminatos significantium et eos qui ob hanc caussam supplices ad templa deorum accedunt. Sic oоçτóñάiç sceleratum significat, idque etiam in talibus locis, a quibus propria huius vocabuli significatio alienissima est, ut in hac ipsa fabula v. 236. 437. Vt hic ¿zróµwv ot- Bas, ita v. 433. oeuvòs noosíztwo dicitur. Significatur autem misericordiam non deesse sceleratis a fido comite adiutis.
mvp-comment-39-1
This verse is corrupt. The Scholium is in some way confused, but the words
ὁρῶν αὐτὸ ὁρμώμενον προσηκούσῃ τύχῃ suggest that he read
τόδ' εἰσορῶν γέρας. Or from the gloss
τὸ τῶν ἱκετῶν σέβισμα καὶ δέημα we might conjecture
τόδ' ἱκτήρων οι ἱκτόρων γέρας. We can hardly defend
σέβει σέβας, even if
ἐκνόμων meant
outlaws. Orestes here leaves the stage under the charge of Hermes, and Apollo retires, perhaps, into the adytum. After a brief pause the ghost of Clytemnestra rises through the trap-door called
ἀναπίεσμα, and rouses the slumbering Furies to inform them that their captive has escaped.
Schol.
mvp-comment-44-1 τὸ τῶν ἱκετῶν σέ-
mvp-comment-1-1 Wecklein 1888, p. 251
mvp-comment-1-2
Prolog, wenn man das Erwachen der Erinyen 140-178 als Parodos und das zweite Erscheinen derselben 244-275 als Epiparodos gelten läfst. Andernfalls müfste man den Prolog bis zum eigentlichen Auftreten des Chors als der wirklichen Parodos, also 1-243 rechnen. Die Pythia, welche als Greisin (38) sich auf einen Stab stützt, kommt (durch eine Seitenthüre der Hinterwand) aus einem Nebenraume des Tempels zum Haupteingange desselben und verrichtet vor dem Eintritt ein Gebet (30 f.). Sie hat die
χρηστηρία ἐσθής wie Kasandra in Agamemnon (zu
Ag. 774
). Gut bemerkt der
Schol.
:
mvp-comment-56-1 1
mvp-comment-56-2 Wecklein 1888, p. 259
mvp-comment-56-3
τὸ κηρύκων σέβας wie
Suppl. 715
mvp-comment-56-4 2
mvp-sidgwick-60-1-1 Zeus reveres this sanctity of outlaws, which comes to men from the fortune of fair escort; a rather obscure expression, but explained by the context: Zeus reveres the claim which outlaws have (on the pity of men), a claim which springs from the (divine) power which guides them: i. e. ‘Orestes, though an outlaw, will find pity since thou wilt guide him. [Wecklein reads τὸ κηρύκων (for τόδ᾽ ἐκ.), of Hermes: certainly much simpler, though perhaps unnecessary.]
mvp-sidgwick-60-2-1 [Apollo retires; Hermes leads Orestes out ; the stage is empty. Then from below the ghost of Klytaimnestra rises.]