Chorus
'Tis ours men-slayers from their homes to chase.
Eumenides. Aeschylus. Anna Swanwick (Translator). London. 1886.
Sponsored by University of Leipzig.
Funding provided by European Social Fund Saxony.
Eumenides. Aeschylus. Anna Swanwick (Translator). London. 1886.
Sponsored by University of Leipzig.
Funding provided by European Social Fund Saxony.
Eumenides (OCR draft) (English) (Eumenides. Anna Swanwick, 1886.)
Provisional text from uncorrected OCR; expect errors.
No corresponding passage available
mvp-comment-39-1 εἶδόν ποτ᾽ ἤδη: εἶδόν ποτ' ἤδη M. G. Ald. Rob. Τurn. εἶδόν ποτ᾽ εἶδον Ven. Flor. Farn. Ante hunc versum Wakefieldius et Northmorus versum excidisse putarunt, scholiis eam suspicionem adiuvare visis. Scholiastae in codice M. ad v. 50. haec est adnotatio, nullo praemisso lemmate, ἀλλ᾽ οὐδ᾽ Αρπυίας αὐτὰς λέγω. εἶδον γὰρ αὐτὰς ἐν γραφῇ πτερωτάς. At non potest ex isto scholio versus restitui qualem confinxit Wakefieldius, metro laborantem, aut qualem Schutzius, metri vitio carentem. Excidisse videntur ante versum 52. plures versus, in quibus sacerdos dixerat, cur terrificae illae mulieres non viderentur esse Gorgones, et deinde Harpyias nominaverat. V. Opusc. VI. 2. p. 20. Dindorfio post haec verba, εἶδόν ποτ᾽ ἤδη, lacunam statuenti assensus est Linwoodius. De ea re ambigi potest: illud certum est, mancam esse sacerdotis orationem.
mvp-comment-1-1 Wecklein 1888, p. 251
mvp-comment-1-2
Prolog, wenn man das Erwachen der Erinyen 140-178 als Parodos und das zweite Erscheinen derselben 244-275 als Epiparodos gelten läfst. Andernfalls müfste man den Prolog bis zum eigentlichen Auftreten des Chors als der wirklichen Parodos, also 1-243 rechnen. Die Pythia, welche als Greisin (38) sich auf einen Stab stützt, kommt (durch eine Seitenthüre der Hinterwand) aus einem Nebenraume des Tempels zum Haupteingange desselben und verrichtet vor dem Eintritt ein Gebet (30 f.). Sie hat die
χρηστηρία ἐσθής wie Kasandra in Agamemnon (zu
Ag. 774
). Gut bemerkt der
Schol.
:
mvp-comment-34-1 Wecklein 1888, p. 256
mvp-comment-34-2
γεγραμμένας d. i. gemalte weibliche Wesen. Ähnlich
Eur. Ion 209
mvp-sidgwick-39-1-1 If this line is right the substantive is understood: [Monsters] have I seen ere now in a picture, snatching the feast of Phineus, i.e. the Harpies.
mvp-sidgwick-39-2-1 The Harpyiae are in Homer simply the spirits of the storm who are said to have carried off those who disappear suddenly (e. g. Od. 1. 241). The story is told by later writers as follows: Phineus, king of Thrace, being falsely told that his sons were conspiring to corrupt their stepmother, put out their eyes. The gods in wrath blinded him, and sent loathsome monsters, the Harpies, to snatch away his banquet. The best known account is Vergil's, Aen. 3. 212.
mvp-sidgwick-39-3-1 [Herm. and others thinking the omission of the subst. too harsh, suppose a line lost; but it would be difficult to write one which would not separate δεῖπνον too much from Φινέως. Schol. plainly had our text.]