Aeschylus Eumenides 24

Anna Swanwick (Translator)

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APOLLO
And bade him seek as suppliant this shrine.

Eumenides. Aeschylus. Anna Swanwick (Translator). London. 1886.

Sponsored by University of Leipzig.

Funding provided by European Social Fund Saxony.

Current edition Experimental

Eumenides (OCR draft) (English) (Eumenides. Anna Swanwick, 1886.)

Provisional text from uncorrected OCR; expect errors.

Editions (12)
Εὐμενίδες First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 1-142 focus
Εὐμενίδες Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 1-142 focus
Εὐμενίδες (1518 edition; OCR draft) Experimental (Aeschylus, Eumenides, 1518 edition. VLM-assisted OCR with native lineation and automated correspondence to the Smyth edition.) — 34 focus
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Guilielmus Dindorfius, 1882.) — 34 focus
ἡ δεινὰ λέξαι, δεινὰ δ᾽ ὀφθαλμοῖς δρακεῖν,
πάλιν μ᾽ ἔπεμψεν ἐκ δόμων τῶν Λοξίου,
35
ὡς μήτε σωκεῖν μήτε μ᾽ ἀκταίνειν βάσιν·
τρέχω δὲ χερσὶν, οὐ ποδωκείᾳ σκελῶν·
δείσασα γὰρ γραῦς οὐδὲν, ἀντίπαις μὲν οὖν.
ἐγὼ μὲν ἕρπω πρὸς πολυστεφῆ μυχόν·
ὁρῶ δ᾽ ἐπ᾽ ὀμφαλῷ μὲν ἄνδρα θεομυσῆ
40
ἕδραν ἔχοντα προστρόπαιον, αἵματι
στάζοντα χεῖρας καὶ νεοσπαδὲς ξίφος
ἔχοντ᾽ ἐλάας θ᾽ ὑψιγέννητον κλάδον,
λήνει μεγίστῳ σωφρόνως ἐστεμμένον,
ἀργῆτι μαλλῷ· τῇδε γὰρ τρανῶς ἐρῶ.
45
πρόσθεν δὲ τἀνδρὸς τοῦδε θαυμαστὸς λόχος
εὕδει γυναικῶν ἐν θρόνοισιν ἥμενος.
οὔτοι γυναῖκας, ἀλλὰ Γοργόνας λέγω,
οὐδ᾽ αὖτε Γοργείοισιν εἰκάσω τύποις.
εἶδόν ποτ᾽ ἤδη Φινέως γεγραμμένας
50
δεῖπνον φερούσας· ἄπτεροί γε μὴν ἰδεῖν
αὗται, μέλαιναι δ᾽ ἐς τὸ πᾶν βδελύκτροποι·
ῥέγκουσι δ᾽ οὐ πλατοῖσι φυσιάμασιν·
ἐκ δ᾽ ὀμμάτων λείβουσι δυσφιλῆ λίβα·
καὶ κόσμος οὔτε πρὸς θεῶν ἀγάλματα
55
φέρειν δίκαιος οὔτ᾽ ἐς ἀνθρώπων στέγας.
τὸ φῦλον οὐκ ὄπωπα τῆσδ᾽ ὁμιλίας,
οὐδ᾽ ἥτις αἷα τοῦτ᾽ ἐπεύχεται γένος
τρέφουσ᾽ ἀνατὶ μὴ μεταστένειν πόνον.
τἀντεῦθεν ἤδη τῶνδε δεσπότῃ δόμων
60
αὐτῷ μελέσθω Λοξίᾳ μεγασθενεῖ.
ἰατρόμαντις δ᾽ ἐστὶ καὶ τερασκόπος
καὶ τοῖσιν ἄλλοις δωμάτων καθάρσιος.
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Gottfried Hermann, 1852.) — 34 focus
δεινὰ λέξαι, δεινὰ δ᾽ ὀφθαλμοῖς δρακεῖν,
35
πάλιν μ' ἔπεμψεν ἐκ δόμων τῶν Λοξίου,
ὡς μήτε σθένειν μήτε μ' ἀκταίνειν βάσιν·
τρέχω δὲ χερσίν, οὐ ποδωκίᾳ σκελῶν·
δείσασα γὰρ γραῦς οὐδέν, ἀντίπαις μὲν οὖν.
ἐγὼ μὲν ἕρπω πρὸς πολυστεφῆ μυχόν·
40
ὁρῶ δ᾽ ἐπ' ὀμφαλῷ μὲν ἄνδρα θεομυσῆ
ἕδραν ἔχοντα, προςτρόπαιον, αἵματι
στάζοντα χεῖρας, καὶ νεοσπαδὲς ξίφος
ἔχοντ', ἐλαίας θ' ὑψιγέννητον κλάδον,
λῆνῃ μεγίστῃ σωφρόνως ἐστεμμένον,
45
ἀργῆτι μαλλῷ, τῇδε γὰρ τρανῶς ἐρῶ.
πρόσθεν δὲ τἀνδρὸς τοῦδε θαυμαστὸς λόχος
εὕδει γυναικῶν ἐν θρόνοισιν ἥμενος.
οὔτοι γυναῖκας, ἀλλὰ Γοργόνας λέγω·
οὐδ᾽ αὖτε Γοργείοισιν εἰκάσω τύποις·
50
εἶδόν ποτ᾽ ἤδη Φινέως γεγραμμένας
δεῖπνον φερούσας· ἄπτεροί γε μὴν ἰδεῖν
αὗται, μέλαιναι δ᾽ ἐς τὸ πᾶν βδελύκτροποι·
ῥέγκουσι δ᾽ οὐ πλαστοῖσι φυσιάμασιν·
55
ἐκ δ᾽ ὀμμάτων λείβουσι δυςφιλῆ λίβα·
καὶ κόσμος οὔτε πρὸς θεῶν ἀγάλματα
ΕΥΜΕΝΙΔΕΣ (OCR draft) Experimental (ΕΥΜΕΝΙΔΕΣ. Paul Mazon, 1920-1925.) — 34 focus
Ἦ δεινὰ λέξαι, δεινὰ δ᾽ ὀφθαλμοῖς δρακεῖν
πάλιν μ' ἔπεμψεν ἐκ τόπων τῶν Λοξίου,
35
ὡς μήτε σωκεῖν μήτε μ' ἀκταίνειν στάσιν βάσιν,
τρέχω δὲ χερσίν, οὐ ποδωκίᾳ -κεία σκελῶν·
δείσασα γὰρ γραῦς οὐδέν, ἀντίπαις μὲν οὖν.
Ἐγὼ μὲν ἔρπω πρὸς πολυστεφῆ μυχόν,
ὁρῶ δ' ἐπ' ὀμφαλῷ μὲν ἄνδρα θεομυσῆ -μυσῆι -μισῆ
40
ἕδραν ἕδρας ἔχοντα -τι προστρόπαιον, αἵματι
στάζοντα χεῖρας καὶ νεοσπαδὲς ξίφος
ἔχοντ' ἐλαίας θ' ὑψιγέννητον κλάδον
λήνει μεγίστῳ σωφρόνως ἐστεμμένον,
ἀργῆτι μαλλῷ· τῇδε γὰρ τρανῶς ἐρῶ.
45
Πρόσθεν δὲ τἀνδρὸς τοῦδε θαυμαστὸς λόχος
εὕδει γυναικῶν ἐν θρόνοισιν ἥμενος·
οὔτοι γυναῖκας, ἀλλὰ Γοργόνας λέγω·
οὐδ᾽ αὖτε Γοργείοισιν εἰκάσω τύποις·
εἶδόν ποτ' ἤδη ποτ' εἶδον Φινέως γεγραμμένας
50
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Arthur Sidgwick, 1887.) — 34 focus
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. N. Wecklein, 1885.) — 34 focus
ἢ δεινὰ λέξαι, δεινὰ δ᾽ ὀφθαλμοῖς δρακεῖν
πάλιν μὲ ἔπεμψεν ἐκ δόμων τῶν Λοξίου,
35
ὡς μήτε σωκεῖν μήτε μὲ ἀκταίνειν βάσιν·
τρέχω δὲ χερσίν, οὐ ποδωκείᾳ σκελῶν·
δείσασα γὰρ γραὺς οὐδέν, ἀντίπαις μὲν οὖν.
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Martin L. West, 1990.) — 34 focus
ἦ δεινὰ λέξαι, δεινὰ δ᾽ ὀφθαλμοῖς δρακεῖν
πάλιν μ᾽ ἔπεμψεν ἐκ δόμων τῶν Λοξίου,
35
Aeschyli Eumenides (OCR draft) Experimental (Aeschyli Eumenides. Ulrich von Wilamowitz-Moellendorff, 1914.) — 34 focus
δεινὰ λέξαι δεινὰ δ᾽ ὀφθαλμοῖς δρακεῖν
πάλιν μ᾽ ἔπεμψεν ἐκ δόμων τῶν Λοξίου,
35
ὡς μήτε σωκεῖν μήτε μ᾿ ἀκταίνειν στάσιν·
τρέχω δὲ χερσίν, οὐ ποδωκείαι σκελῶν·
δείσασα γὰρ γραῦς οὐδέν, ἀντίπαις μὲν οὖν.
ἐγὼ μὲν ἕρπω πρὸς πολυστεφῆ μυχόν,
ὁρῶ δ᾽ ἐπ᾿ ὀμφαλῶι μὲν ἄνδρα θεομυσῆ
40
ἕδρας ἔχοντα προστρόπαιον, αἵματι
στάζοντα χεῖρας καὶ νεοσπαδὲς ξίφος
ἔχοντ᾽ ἐλαίας θ᾽ ὑψιγέννητον κλάδον,
Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by F. A. Paley, 1885.) — 34 focus
ἢ δεινὰ λέξαι δεινὰ δ᾽ ὀφθαλμοῖς δρακεῖν
πάλιν μ᾿ ἔπεμψεν ἐκ δόμων τῶν Λοξίου,
35
ὡς μήτε σωκεῖν μήτε μ᾿ ἀκταίνειν βάσιν·
τρέχω δὲ χερσὶν, οὐ ποδωκίᾳ σκελῶν·
δείσασα γὰρ γραῦς οὐδέν· ἀντίπαις μὲν οὖν.
ἐγὼ μὲν ἕρπω πρὸς πολυστεφῆ μυχόν.
ὁρῶ δ᾽ ἐπ᾿ ὀμφαλῷ μὲν ἄνδρα θεομυσή
40
ἕδραν ἔχοντα προστρόπαιον, αἵματι
στάζοντα χεῖρας, καὶ νεοσπαδὲς ξίφος
ἔχοντ᾽, ἐλαίας θ᾽ ὑψιγέννητον κλάδον
λήνει μεγίστῳ σωφρόνως ἐστεμμένον,
ἀργῆτι μαλλῷ. τῇδε γὰρ τρανῶς ἐρῶ.
45
πρόσθεν δὲ τἀνδρὸς τοῦδε θαυμαστὸς λόχος
εὕδει γυναικῶν ἐν θρόνοισιν ἥμενος.
οὔτοι γυναῖκας, ἀλλὰ Γοργόνας λέγω·
οὐδ᾽ αὖτε Γοργείοισιν εἰκάσω τύποις·
εἶδόν ποτ᾽ ἤδη Φινέως γεγραμμένας
50
δεῖπνον φερούσας· ἄπτεροί γε μὴν ἰδεῖν
αὗται, μέλαιναι δ᾽ ἐς τὸ πᾶν βδελύκτροποι·
ῥέγκουσι δ᾽ οὐ πλατοῖσι φυσιάμασιν·
ἐκ δ᾽ ὀμμάτων λείβουσι δυσφιλῆ λίβα·
καὶ κόσμος οὔτε πρὸς θεῶν ἀγάλματα
55
φέρειν δίκαιος, οὔτ᾽ ἐς ἀνθρώπων στέγας.
τὸ φῦλον οὐκ ὄπωπα τῆσδ᾽ ὁμιλίας,
οὐδ᾽ ἥτις αἷα τοῦτ᾽ ἐπεύχεται γένος
τρέφουσ᾽ ἀνατὶ μὴ μεταστένειν πόνον.
τἀντεῦθεν ἤδη τῶνδε δεσπότῃ δόμων
60
αὐτῷ μελέσθω Λοξίᾳ μεγασθενεῖ.
ἰατρόμαντις δ᾽ ἐστὶ καὶ τερασκόπος,
καὶ τοῖσιν ἄλλοις δωμάτων καθάρσιος.
Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by Friedrich Blass, 1907.) — 34 focus
Ἦ δεινὰ λέξαι, δεινὰ δ᾽ ὀφθαλμοῖς δρακεῖν,
πάλιν μ᾽ ἔπεμψεν ἐκ δόμων τῶν Λοξίου,
35
ὡς μήτε σωκεῖν μήτε μ᾿ ἀκταίνειν βάσιν·
τρέχω δὲ χερσίν, οὐ ποδωκείᾶι σκελῶν·
δείσασα γὰρ γραῦς οὐδέν, ἀντίπαις μὲν οὖν.
ἐγὼ μὲν ἕρπω πρὸς πολυστεφῆ μυχόν·
ὁρῶ δ᾽ ἐπ᾿ ὀμφαλῶι μὲν ἄνδρα θεομυσῆ
40
ἕδραν ἔχοντα προστρόπαιον, αἵματι
στάζοντα χεῖρας καὶ νεοσπαδὲς ξίφος
ἔχοντ᾽ ἐλάιας θ᾽ ὑψιγέννητον κλάδον,
λήνει μεγίστωι σωφρόνως ἐστεμμένον,
ἀργῆτι μαλλῶι· τῆιδε γὰρ τρανῶς ἐρῶ.
45
πρόσθεν δὲ τἀνδρὸς τοῦδε θαυμαστὸς λόχος
εὕδει γυναικῶν ἐν θρόνοισιν ἥμενος.
οὔτοι γυναῖκας, ἀλλὰ Γοργόνας λέγω,
οὐδ᾽ αὖτε Γοργείοισιν εἰκάσω τύποις.
εἶδόν ποτ᾽ ἤδη Φινέως γεγραμμένας
50
δεῖπνον φερούσας· ἄπτεροί γε μὴν ἰδεῖν
αὗται, μέλαιναι δ᾽, ἐς τὸ πᾶν βδελύκτροποι·
ῥέγκουσι δ᾽ οὐ πλατοῖσι φυσιάμασιν·
ἐκ δ᾽ ὀμμάτων λείβουσι δυσφιλῆ λίβα·
καὶ κόσμος οὔτε πρὸς θεῶν ἀγάλματα
55
φέρειν δίκαιος οὔτ᾽ ἐς ἀνθρώπων στέγας.
τὸ φῦλον οὐκ ὄπωπα τῆσδ᾽ ὁμιλίας,
οὐδ᾽ ἥτις αἷα τοῦτ᾽ ἐπεύχεται γένος
τρέφουσ᾽ ἀνατεὶ μὴ μεταστένειν πόνον.
τἀντεῦθεν ἤδη τῶνδε δεσπότηι δόμων
60
αὐτῶι μελέσθω Λοξίαι μεγασθενεῖ.
ἰατρόμαντις δ᾽ ἐστὶ καὶ τερασκόπος
καὶ τοῖσιν ἄλλοις δωμάτων καθάρσιος.
Translations (10)
Eumenides Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1926. (Modernized by Perseus.)) — 1-140 focus
The Eumenides (OCR draft) Experimental (The Eumenides. Theodore Alois Buckley, 1849.) — 34 focus
Certainly things dreadful to tell, and dreadful to behold with eyes have sent me back from the abodes of Loxias, so that I neither have strength, nor can uplift my steps: but I run with my hands, not by swiftness of legs; for an affrighted old woman is nothing, like a child [in strength]. I creep, indeed, towards the shrine of many garlands 3
, and I behold at the marble navel stone 4
a man under the curse 5
of god, sitting as a suppliant, with his hands dripping with blood, and hold­ ing a newly-drawn 1
sword, and a high-grown branch of olive, wreathed decorously with much 2
wool, with a white fleece: for so I will clearly declare. But before this man a wondrous troop of women sleeps seated in the seats; by no means women, but Gorgons I call them; nor again will I liken them to Gorgon forms 3
, [for] I have seen once on a time [the Harpies] painted, carrying off the food of Phineus; but these are wingless to behold, and black, abominable in kind. And they snore with breathings not to be approached, and from their eyes they distil hateful violence 4
. And their dress is fit to wear neither at the images of gods, nor within the dwellings of men. I have not beheld the tribe of this sisterhood; nor [do I know] what land can boast of having nourished this race with impunity, so as not to groan on account of its troubles. Let what ensues now be a care to the ruler of these abodes mighty Loxias himself: but he is healing-seer and diviner and purifier of abodes 5
to others. The interior of the temple, with the tripod and omphalus, is disclosed, and ORESTES is dis­ covered sitting on the omphalus, the chorus of FURIES sleeping on seats around him. APOLLO standing by his side, and HERMES in the background 1
.
LES EUMÉNIDES (OCR draft) Experimental (LES EUMÉNIDES. Paul Mazon, 1920-1925.) — 34 focus
Ah! horrible à dire, horrible à voir de ses yeux le spec-
tacle qui me rejette hors du temple de Loxias — si horrible que me voici là impuissante, incapable de me tenir droite, et que mes mains courent seules, pour mes jambes alourdies. Une vieille qui prend peur est sans force; ou, plutôt, ce n'est qu'une enfant. J'allais vers le lieu saint,
encombré d'offrandes, quand je vois près de l'Ombilic 1 , un homme chargé d'une souillure, accroupi en suppliant, les mains dégouttantes de sang, avec une épée frais sortie d'une blessure, et un long rameau d'olivier, dévotement
entouré d'un épais réseau de bandelettes — une vraie toison blanche, le mot sera plus clair. En face de l'homme, une troupe étrange de femmes dort, assise sur les sièges. Mais que dis-je, des femmes? Des Gorgones plutôt... Et encore, non! ce n'est pas l'aspect des Gorgones que je rappro-
cherai du leur... J'ai bien vu naguère, en peinture, les
The Furies (OCR draft) Experimental (The Furies. Robert Potter, 1779.) — 34 focus
Things horrible to tell, and horrible
To fight, have forc'd me from the fane again:
Trembling with fear my lax limbs ill ſupport
My frame, ſave that my hands with eager graſp
Uphold my ſinking weakness as I paſs.
50
As to the ſhrine with many' a garland crown'd
I bend my age-enfeebled ſteps, beneath
The central dome I ſee a man abhorr'd
By the juſt Gods, a ſuppliant it ſhou'd ſeem,
For ſuch his poſture; but his hands are ſtain'd
55
With blood; in one he holds a new-drawn ſword,
High in the other crown'd with ample wreaths
An olive branch, with wreaths of ſnowy wool
Handſomely wrought: thus far I ſpeak aſſur'd.
Before him lies a troop of hideous women
60
Stretch'd on the feats, and ſleeping; yet not women,
But Gorgons rather, nor the Gorgon form
Exactly repreſenting, as I have ſeen them
Drawn by the painter's imitative pencil,
Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 34 focus
Ahi! terribile a dire, e piú terribile
a vederlo, mi scaccia uno spettacolo
fuor dal tempio del Nume!
Io non ho forze
45
piú: non mi reggo piú: sovra le palme
io mi trascino, e non sui piedi.
Aeschylus, Eumenides: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Eumenides: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 34 focus
Certè grauia dicere, & grauia uidere,
Rurſus me miſit ex æde Loxiæ.
35
Vt neq; poſset, neq; attollere ſeditionem.
Curro manibus, non uelocitate crurium.
Verita enim uetula nihil contraria filio quidem.
Ego quidem repo ad multicoronatum antrum,
Video enim in umbilico quidem uirum Deo inuiſo
40
Sedem habentem pollutum ſanguine,
Pandentem manus, & recenter strictum enſem
Habentem, oliuæq;
alte genitum ramum,
Lana maxima coronatum modeſtè.
45
Candida ualde, manifeſtè huic dicam.
Ante uirum hunc mirabilis manipulus
Dormit mulierum in ſolijs ſedens.
Non mulieres, ſed Gorgonas dico.
Neq; rurſus Gorgijs aſsimilabo formis.
50
Vidi aliquando depictas Phinei
Prandium ferentes celeres uisu: tamen
Ipſæ, nigræ enim omnino execratæ ſunt.
Stertunt uerò non fictis flatibus
Ex oculis ſtillant inimicam uiolentiam.
55
Et ornatus, neq; ad deorum ſtatua:s
Ferre dignus, neq;
ad hominum domos.
Amicitiam non uidi huius conuerſationis.
Neq; ulla terra hoc optat genus
60
Alens impune, neq; lugere laborem.
Hinc iam domino domuum hæc
Ipſi ſint curæ Loxiæ fortiſsimo,
Medicouates eſt & prodigiorum ſpeculator.
Et alijs domorum purgatio.
65
Aeschylus, Die Eumeniden: German translation (OCR draft) Experimental (Aeschylus, Die Eumeniden: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 34 focus
Aus Phoibos' Hause jagt ein Anblick mich zurück,
35 den Augen grau'nvoll, grau'nvoll zu beschreiben auch.
Mir schwinden meine Sinne, wanken meine Knie,
die Arme fliegen zitternd, doch der Fuſs ist steif.
Das Alter wird vor Schrecken hilflos, wird zum Kind.
Ein tret' ich in das kranzbehang'ne Heiligtum,
40 da seh' ich einen Menschen nah dem Nabelstein.
Schutzflehend sitzt er und entweiht den heil'gen Ort.
Blut trieft von seinen Händen, die das nackte Schwert
noch halten und des Ölbaums hochgewachs'nen Zweig,
den keusch ein weithin wallendes Gewand verhüllt,
45 die weiſse Wollenbinde, deutlich sag' ich so.
Vor diesem Menschen aber auf den Stühlen sitzt
und schläft von Weibern eine wundersame Schar,
nein, Weiber nicht, Gorgonen mögen's eher sein
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, The Furies — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 34 focus
Things fell to speak of, fell for eyes to see,
Have sped me forth again from Loxias' shrine,
45
With strength unstrung, moving erect no more,
But aiding with my hands my failing feet,
Unnerved by fear. A beldame's force is naught—
Is as a child's, when age and fear combine.
For as I pace towards the inmost fane
50
Bay-filleted by many a suppliant's hand,
Lo, at the central altar I descry
One crouching as for refuge—yea, a man
Abhorred of heaven; and from his hands, wherein
A sword new-drawn he holds, blood reeked and fell:
55
A wand he bears, the olive's topmost bough,
Twined as of purpose with a deep close tuft
Of whitest wool. This, that I plainly saw,
Plainly I tell. But lo, in front of him,
Crouched on the altar-steps, a grisly band
60
Of women slumbers—not like women they,
But Gorgons rather; nay, that word is weak,
Nor may I match the Gorgons' shape with theirs!
Such have I seen in painted semblance erst—
Winged Harpies, snatching food from Phineus' board,—
65
But these are wingless, black, and all their shape
The eye's abomination to behold.
Fell is the breath—let none draw nigh to it—
Wherewith they snort in slumber; from their eyes
Exude the damned drops of poisonous ire:
70
And such their garb as none should dare to bring
To statues of the gods or homes of men.
I wot not of the tribe wherefrom can come
So fell a legion, nor in what land Earth
Could rear, unharmed, such creatures, nor avow
75
That she had travailed and had brought forth death.
But, for the rest, be all these things a care
Unto the mighty Loxias, the lord
Of this our shrine: healer and prophet he,
Discerner he of portents, and the cleanser
80
Of other homes—behold, his own to cleanse!
[ The scene opens, disclosing the interior of the temple: Orestes clings to the central altar; the Furies lie slumbering at a little distance; Apollo and Hermes appear from the innermost shrine.
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 34 focus
Ha, Gräuel auszusprechen, Gräuel anzuschau'n!
Es treibt mich wieder aus Apollons Haus zurück,
35
Daß mir die Glieder brechen, daß mein Schritt erstarrt;
Die Hände, nicht die schnellen Füße, tragen mich.
Schreck macht die Greisin nichtig, ja dem Kinde gleich.
Ich schleiche hin zum vielbekränzten Heiligthum;
Und sizen seh' ich einen fluchbeladnen Mann
40
Am Nabelsteine, der um Sühne fleht, von Blut
Die Hände triefend, und ein frischgezücktes Schwert,
Auch eines Delbaums hochgewachsnen Zweig zur Hand,
Den sorgsam rings die reichgewundne Flocke kränzt,
Das weiße Wollband; also leg' ich's deutlich dar.
45
Und vor dem Mann liegt eine wunderſame Schaar
Von Frauen schlummernd auf die Sessel hingestreckt.
Nicht Frauen wahrlich, nein, Gorgonen nenn' ich sie;
Doch auch Gorgonenbildern gleicht ihr Aeußres nicht.
Wohl auf Gemälden sah ich einst, die raschbeschwingt
50
Das Mahl des Phineus raubten; aber flügellos
Sind diese, schwarz, entseylich, daß mir's Grauen wedt.
Tiefschnarchend haucht ihr Odem unnahbaren Hauch,
Und aus den Augen träufeln sie graunvolles Gift.
Gewand umhüllt die Glieder, wie sich nicht geziemt
55
Vor Götterbildern oder in der Menschen Haus.
Genossen dieses Stammes sah mein Auge nie,
Noch mag ein Land sich rühmen, solch unholde Brut
Straflos zu nähren, ohne Nachgefühl des Weh's.
Das Weit're sei dem Fürsten dieses Heiligthums
60
Selbst heimgestellt, dem hochgewalt'gen Loxias!
Wahrsagerarzt und Zeichendeuter ist er ja,
Und kann die Häuser Andrer auch entsündigen.
(Die Seherin geht ab. Man erblickt das Innere des delphischen Heilig. thums, in demselben auf Sesseln umher den Chor der Erinnyen. Apollon tritt mit Orestes aus dem Hintergrunde des Tempels.)
English (Smyth; revised Bannon and Nagy, CHS) (OCR draft) Experimental (CHS Primary Sources revision of Herbert Weir Smyth’s translation by Cynthia Bannon and Gregory Nagy, with transliterated Greek terms tagged and aligned to the Smyth edition.)

No corresponding passage available

Commentary

Commentary on Aeschylus: Eumenides (Aeschylus. Eumenides. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1887.)

24. Βρόμιος , a common title of Bacchus. Aeschylus in glorifying Delphi fixes there the scene of the great vengeance of Bacchus on Pentheus. [Pentheus, king of Thebes, forbade and tried to prevent the worship of Bacchus; but the god drove mad with Bacchic frenzy the women, including Agaue Pentheus' mother, and they tore the king in pieces.] Euripides in the Bacchae makes Kithairon (between Attica and Boeotia) the scene, and Schol. says that Aeschylus himself also follows this tradition in the lost play Ξαντρίαι.

Critical apparatus to Eumenides (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Eumenides.) focus

mvp-comment-19-1 Βρόμιος ἔχει τὸν χῶρον: βρόμιος δ' έχει Ven. Flor. G. Ald. Turn. et haud dubie etiam Farn. Non est d'in M. Rob. Erravit autem qui addidit. Aeschylus enim ne in primo quidem pede anapaestum admisit, qui sola positione esset anapaestus, praeter hos duos versus, Pers. 338. ἑκατὸν δὲς ἦσαν, et Ag. 487. ὑπατός τε χώρας Ζεύς, ubi excusatio est ex quadam necessitate. Hic autem non dubito quin versus ante hunc exciderit. Quare lacunae signa posui. χώρων Rob.

Commentary on the Eumenides (OCR draft) (Brief English notes on Aeschylus' Eumenides by F. A. Paley, 1885.) focus

mvp-comment-12-1 These verses, which somewhat interrupt the narrative, and the last of which is metrically faulty, are perhaps the interpolation of an early hand. The Schol. observes that the scene of Pentheus' death was not Parnassus, but Cithaeron. It has been proposed (by Weil) to insert v. 20 after v. 26, which, supposing the above lines to be genuine, would be an improvement. It is remarkable that the Schol. briefly says καλοῦσα φροιμιάζομαι. Cf. Ag. 1325 .

Selected scholia accompanying Blass's Eumenides (OCR draft) (The mixed Greek, Latin, and German scholia register printed with Friedrich Blass's 1907 edition, aligned to O. L. Smith's later recensional editions.) focus

mvp-comment-14-1 διὸ εἶπε δαιμόνων ἀναστροφή.“

Wecklein’s commentary on Eumenides (1888; German; OCR draft) (Explanatory commentary, pp. 251–322; HW42J8 and HXJHA8 OCR collated, with missing comparison pages 294–295 explicitly marked. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

mvp-comment-1-1 Wecklein 1888, p. 251

mvp-comment-1-2 Prolog, wenn man das Erwachen der Erinyen 140-178 als Parodos und das zweite Erscheinen derselben 244-275 als Epiparodos gelten läfst. Andernfalls müfste man den Prolog bis zum eigentlichen Auftreten des Chors als der wirklichen Parodos, also 1-243 rechnen. Die Pythia, welche als Greisin (38) sich auf einen Stab stützt, kommt (durch eine Seitenthüre der Hinterwand) aus einem Nebenraume des Tempels zum Haupteingange desselben und verrichtet vor dem Eintritt ein Gebet (30 f.). Sie hat die χρηστηρία ἐσθής wie Kasandra in Agamemnon (zu Ag. 774 ). Gut bemerkt der Schol. :

φαίνεται ἐπὶ σκηνῆς τὸ μαντεῖον· η δὲ προφῆτις πρόεισιν ἐπικλήσεις, ὡς ἔθος, τῶν θεῶν ποιησομένη, ἀπροόπτως τε ἰδοῦσα τὰς Ἐρινύας κύκλῳ τοῦ Ὀρέστου καθευδούσας πάντα μηνύει τοῖς θεαταῖς, οὐχ ὡς διηγουμένη τὰ ὑπὸ τὴν σκηνήν, τοῦτο γὰρ νεωτερικὸν Εὐριπίδειον, ὑπὸ δὲ τῆς ἐκπλήξεως τὰ θορυβήσαντα αὐτὴν καταμηνύουσα φιλοτέχνως
(d. h. die Exposition ist nicht unvermittelt wie bei Euripides, sondern wohl motiviert). τὰ δὲ πρῶτα εὐχαὶ καὶ ἐπικλήσεις θεῶν, ἵνα ἀπὸ τῶν εὐφημοτέρων ἄρξηται ἡ προφῆτις (in der That breitet das Gebet der Priesterin über den Anfang eine weihevolle Stimmung aus). οἰκονομικῶς δὲ οὐκ ἐν ἀρχῇ διώκεται Ὀρέστης, ἀλλὰ τοῦτο ἐν μέσῳ τοῦ δράματος κατατάττει, ταμιευόμενος τὰ ἀκμαιότατα ἐν μέσῳ.

mvp-comment-18-1 Wecklein 1888, p. 254

mvp-comment-18-2 Βρόμιος: man glaubte öfter nächtlicher Weile Fackelglanz auf dem Parnafs wahrzunehmen, der von der Nachtfeier des Dionysos herrühren sollte. Soph. Ant. 1125 , Eur. Ion 716, 1125 , Phoen. 226, Aristoph. Frö. 1211 .

Commentary (Arthur Sidgwick, 1887) (OCR draft) (Arthur Sidgwick's commentary on the Eumenides, aligned to the canonical Greek text.) focus

Βρόμιος , a common title of Bacchus. Aeschylus in glorifying Delphi fixes there the scene of the great vengeance of Bacchus on Pentheus. [Pentheus, king of Thebes, forbade and tried to prevent the worship of Bacchus; but the god drove mad with Bacchic frenzy the women, including Agaue Pentheus' mother, and they tore the king in pieces.] Euripides in the Bacchae makes Kithairon (between Attica and Boeotia) the scene, and Schol. says that Aeschylus himself also follows this tradition in the lost play Ξαντρίαι.