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[The exterior of the Shrine at Delphi (see note on 63): the priestess comes forward and speaks.]
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[1-63. PROLOGUE. The priestess calls on all the gods connected with the shrine, then goes in, and returns terrified, describing the sight within, a blood-stained murderer on the central stone, and the dreadful Furies sleeping round.]
πρεσβεύω
.
I honour most; the superlative sense practically contained in the word accounts for gen. θεῶν. πρεσβεύω is rather a favourite word of Aeschylus. So line 21 Παλλὰς πρεσβεύεται,
has chief honour,
Cho. 488
πρῶτον τόνδε πρεσβεύσω τάφον,
as here,
Ag. 1300
ὁ δ᾽ ὕστατος τοῦ χρόνου πρεσβεύεται,
is first in respect of time,
Cho. 631
κακῶν πρεσβεύεται,
is first of horrors.
πρωτόμαντιν
. The Earth was naturally regarded as
most ancient of gods: and prophetic, perhaps because the ancient shrines of prophecy were so often caverns or mysterious chasms (e. g. Delphic chasm, the Sibyl's cave, the cave of Trophonios, etc.). Pausanias tells us (10.5.5) that the Delphians affirmed their oracle to have originally belonged to the Earth. And
Prom. 209
we have Γαῖα and θέμις prophesying to Prometheus.
ἐκ δὲ τῆς
,
after her; τῆς common Epic use of art. for demonst. frequent in Aesch., ἐκ τοῦ, ἐν δὲ τῷ, ἢ τοῖσιν ἢ τοῖς, etc.
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The dramatic particle δή probably here merely anticipates ὡς λόγος τις.
μητρός
, mother of Themis; not the general meaning
Mother Earth. It is a striking evidence of the fluctuating character of these genealogies that the poet elsewhere (
Prom. 209
) speaks of Earth and Themis as the same;
one form of many names.
ἕζετο
with acc. Cf.
Ag. 183
σέλμα σεμνὸν ἡμένων, 664 ναῦν ἐφέζετο.
λάχει
,
lot; vivid poetic for
in the third place,
third in order.
θελούσης
, οὐδὲ πρὸς βίαν τινός,
with her good will, neither in despite of any. Aeschylus uses this stately emphasis because he is following (or inventing) a different story from what was apparently the received version: for Pindar says (quoted by Schol.) that
Apollo by force occupied Pytho: and
Eurip. (Iph. Τ. 1259) says,
Apollo came and took away Themis daughter of Earth from the divine oracles.
But this savage and doubtless older story was not suitable to the poet's purpose: the sanctity and dignity of the oracle (ideas which are required for the plot) are averse from such violence.
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The Titans were according to the oldest story six sons and six daughters of Ouranos and Gaia: the author of the Theogony gives the list (Hes. Theog. 134), mentioning both Themis and Phoibe. According to same ancient source (Theog. 403) Phoibe (by Koios the Titan) was mother of Leto, hence grandmother of Phoibos; and so by custom gave the infant Phoibos both
a birthday gift (7), and his name (8).
ἥ
,
she. Epic demonstrative use of ὅς, surviving in ἢ δ᾽ ὅς, ὃς δ᾽
ἔφη
(
said he).
δίδωσι
,
gives it, the oracle.
γενέθλιον δόσιν
. There were two birth-festivals at Athens-the ἀμφιδρόμια, when the infant was carried round the hearth on the seventh (or fifth day), and the δεκάτη,
tenth-day festival, when it was named and formally recognised by the father. On both occasions, especially the latter, presents were given.
παρώνυμον
,
made like to hers.
λίμνη
, the circular or rather oval tarn in the north of the island, often referred to by ancient writers (
Eur. Ion 167
,
Iph. Taur. 1104
, Herod. 2. 170, etc.), and apparently connected with the birth of Apollo.
χοιράς
,
's back,hog lit., i.e.
ridge or
rock, of Mount Kynthos.
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The
ship-frequented shores of Pallas are Attica, regarded as specially the land of Pallas Athene.
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Delphi is called
the shrine of Parnassus as being at the foot of that Mountain.
ll. 13, 14
. The Athenians are called, in Aeschylus' grand style, 'the sons of Hephaistos, hewers of the road, making tame the wild land.' There was a
sacred way from Athens to Delphi, and Athenian tradition evidently affirmed that it had been made of old by Athenians for Apollo. The Schol. mentions an interesting ceremonial, plainly a survival, bearing on this tradition, that when Athens sent a mission to Delphi, the sacred ambassadors were preceded by men with axes. (The Boeotian Pindar, on the other hand, makes Apollo start from Tanagra in Boeotia, according to the Schol.).
παῖδες Ἡφαίστου
, because Hephaistos was father of Erichthonios, mythical king of Athens. The title is peculiarly appropriate to the
hewers of the way, as Hephaistos was the god who invented many of the tools and the arts of civilised life.
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Making tame, i, e. evidently clearing and settling; not only (as Schol.) from robbers.'
Δελφός
, the king and eponymous' hero of Delphians.
κτίζω
, properly
to build, a favourite word of Aeschylus, often used as a stately synonym for
to make: e.g.
Pers. 289
εὐνίδας ἔκτισσαν,
Cho. 1060
ἐλεύθερόν σε κτίσει,
Eum. 714 μηδ᾽ ἀκαρπώτους κτίσαι.
προφήτης
,
the spokesman, the
interpreter of Zeus. So he says in a fragment (79) Ζεὺς ἐγκαθίει Λοξίᾳ θεσπίσματα. So Verg. A. 3. 251
Quae Phoebo pater omnipotens, mihi Phoebus Apollo Praedixit.
Παλλὰς προναία
,
Pallas of the precincts; the name of a temple of Athena near the great sanctuary of Apollo at Delphi. It is mentioned by Herodotus in this form (
προνηΐη)
l. 92
, and there exist two Delphic inscriptions containing it (ΠΡΟΝΑΙA): but it seems to have been afterwards corrupted into πρόνοια, the shape in which the name of Athena at Delphi appears in Demosthenes (780), Aeschines (Ctes. 69), and Pausanias (10.8.7). Some people suppose two Delphic Athenas, προναία and πρόνοια: but this, though possible, is hardly likely. The learned Alexandrine poet Callimachus (250 B.C.) has the old form (προναίην, quoted by Schol.).
Κωρυκίς
. The Korykian cavern was a remarkable cave high up in Parnassus, seven miles from Delphi: the cavern contains two large chambers 100 and 200 feet long respectively: it was the refuge of the Delphians in the Persian invasion (Herod. 8. 36), and more than once when their country was invaded. It was sacred to Pan and the nymphs.
φίλορνις
,
loved of birds, using the shelter for roosting and building.
φἀναστροφή
,
abode, haunt. The verb ἀναστρέφεσθαι is common for
to be engaged in,
to live ; ἐν φανερῷ, ἐν ᾿Αργει, ἐν μέσῳ, ἐν ξυμμαχίᾳ, etc. (versari Latin).
Βρόμιος
, a common title of Bacchus. Aeschylus in glorifying Delphi fixes there the scene of the great vengeance of Bacchus on Pentheus. [Pentheus, king of Thebes, forbade and tried to prevent the worship of Bacchus; but the god drove mad with Bacchic frenzy the women, including Agaue Pentheus' mother, and they tore the king in pieces.] Euripides in the Bacchae makes Kithairon (between Attica and Boeotia) the scene, and Schol. says that Aeschylus himself also follows this tradition in the lost play Ξαντρίαι.
οὗτε
, Epic form of rel. common in Aeschylus. (
ὅστε
Pers. 297
, αἵτε Eum. 1024,
ἐξ οὗτε
Pers. 762
,
ἅτε
Cho. 615
, etc.)
λαγὼ δίκην
,
like a hare, i. e. they tore him as dogs a hare. [Scholiast's int.
crouching like a hare is frigid and absurd.] Notice absence of caesura;
Ag. 943
,
Cho. 493
.
Πλειστός
, a small river south of Delphi: Apollonius (2.711) speaks of
Korykian nymphs daughters of Pleistos.
Ποσειδώνος
: there was an altar of Poseidon at Delphi. [There were various old traditions about Poseidon having once possessed Delphi and exchanged it for other places, which may be connected with his worship there.]
τέλειον
,
the fulfiller: so
Ag. 973
Ζεῦ Ζεῦ τέλειε, τὰς ἐμὰς εὐχὰς τέλει.
Abridged
, but quite intelligible, expression for 'May I find this time better response than I found in my former entrances to the shrine.'
τυχεῖν με
, acc. inf. of prayer, common constr. with or without δός or
δοῖεν
(Cho. 307
,
O. C. 868
, etc.). For acc. ἄριστα with τυχεῖν, cf.
Ag. 1228
.
πάρ'
,
are here, for πάρεισιν, is commonly read here. But it is more natural to take παρά as a preposition; and it is quite easy to understand
are come.
ἴτων
, rare form for ἰόντων ος ἴτωσαν.
μαντεύεσθαι
. is used both of
prophesying and
consulting the god, or
getting a prophecy. Here both would suit, but the former is the sense in which Aeschylus uses the word elsewhere.
ὡς ἄν
,
according as, indef. relat.
use. [She passes into the temple, and there is a pause : then she comes out horror-stricken and half fainting.]
δεινά
. is nom. λέξαι and δρακεῖν epex. inf. after the adj.
Things terrible to tell of, terrible to behold have sent me back, etc.
ὥς
, Epic for ὥστε, common in Trag., esp. in Aeschylus (e.g.
Ag. 358, 546, 575, 665, 1381
).
σωκεῖν
,
to be strong.
ἀκταίνω
, a unique word of which the meaning is disputed. The Schol. and old lexicons give (1)
to uplift, or
be uplifted. (2)
to exult,
prance (γαυριᾶν),
leap violently (ἀτάκτως πηδᾶν). The sense however requires, not, 'I can't move violently, but rather
I can hardly move at all: it is best therefore to take ἀκταίνω,
to lift. βάσιν,
my step: this is a correction in the best MS., all the texts reading στάσιν, (which is perhaps possible, and then
to uplift my standing would mean
to stand upright;) but βάσιν is easier and far more likely.