Eumenides. Aeschylus. . 2026.
Εὐμενίδες (1518 edition; OCR draft) (Greek) (Aeschylus, Eumenides, 1518 edition. VLM-assisted OCR with native lineation and automated correspondence to the Smyth edition.)
Provisional text from uncorrected OCR; expect errors.
No corresponding passage available
918. ῎Αρης . is specially mentioned, no doubt because of the Areiopagos, the scene of the latter half of the play.
929.
κατανασσαμένη
, middle,
housing in my city. 11. 932, 933. The MSS. read
Now τούτων here must refer to the Furies, as αὗται above and τάσδε below: and consequently βαρέων must be wrong, as (1) it is the wrong gender: (2) even if we suppose (with D.) a fem. form βαρεῶν, it clearly is the wrong sense. What Aeschylus means to say is,
He who incurs the wrath of the Furies meets with unexpected calamity: the sins of his fathers bring him into their power.
ὁ δὲ μὴ κύρσας βαρέων τούτων
οὐκ οἶδεν ὅθεν πληγαὶ βιότου.
964. ἐπιβριθής , lit. weighing down upon, falling heavily on: i. e. grievous .
1034. παῖδες ἄπαιδες , the MSS. reading, could hardly mean childless children, which seems pointless: it might mean evil children, like vᾶes ἄναες: but the real objection to any such word as ἄπαιδες is that here the words in which the Chorus are addressed are specially reverent and honourable. It is best to reject it and then we get rid also of τύχᾳ τε, meaningless and unmetrical, at the end of 1. 1037.
mvp-comment-487-1 Wecklein 1888, p. 314
mvp-comment-487-2 Kommos. Der Chor erfleht oder weissagt alles Gute (Wachstum und Gedeihen der Früchte und Herden Gesundheit des Volkes und bürgerliche Eintracht Wohlwollen und Segen der Götter) für Athen und wird darob von Athena belobt und geehrt. · ξυνοικίαν: zu 836.
mvp-comment-488-1 Wecklein 1888, p. 314
mvp-comment-488-2 καὶ entspricht nicht dem folgenden τέ, sondern heifst,,auch, sogar".
῎Αρης . is specially mentioned, no doubt because of the Areiopagos, the scene of the latter half of the play.