N. Wecklein Agamemnon 945.comm-945

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Agamemnon. N. Wecklein. . 2026-09-06.

Current edition Experimental

Wecklein’s commentary on Agamemnon (1888; German; OCR draft) (German) (Explanatory commentary, pp. 30–140; Iowa and Harvard OCR collated conservatively. Unresolved OCR and provisional reference mappings are explicitly marked.)

Provisional text from uncorrected OCR; expect errors.

Editions (8)
Ἀγαμέμνων First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 975-1033 focus
Ἀγαμέμνων Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 975-1033 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Guilielmus Dindorfius, 1882.) — 944 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Gottfried Hermann, 1852.) — 944 focus
ΑΓΑΜΕΜΝΩΝ (OCR draft) Experimental (ΑΓΑΜΕΜΝΩΝ. Paul Mazon, 1920-1925.) — 944 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. N. Wecklein, 1885.) — 944 focus
ἀλλ᾽ εἰ δοκεῖ σοι ταῦθ', ὑπαί τις ἀρβύλας
935
λύοι τάχος, πρόδουλον ἔμβασιν ποδός,
καὶ τοῖσδέ μ' ἐμβαίνονθ᾽ ἁλουργέσιν θεῶν
μή τις πρόσωθεν ὄμματος βάλοι φθόνος·
πολλὴ γὰρ αἰδὼς σωματοφθορεῖν ποσὶν
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Martin L. West, 1990.) — 944 focus
ἀλλ᾽ εἰ δοκεῖ σοὶ ταῦθ᾽, ὑπαί τις ἀρβύλας
λύοι τάχος, πρόδουλον ἔμβασιν ποδός·
945
καὶ τοῖσδέ μ’ ἐμβαίνονθ᾽ ἁλουργέσιν θεῶν
μή τις πρόσωθεν ὄμματος βάλοι φθόνος.
πολλὴ γὰρ αἰδὼς δωματοφθορεῖν ποσίν
φθείροντα πλοῦτον ἀργυρωνήτους θ' ὑφάς.
τούτων μὲν οὕτω· τὴν ξένην δὲ πρευμενῶς
950
τήνδ᾽ εἰσκόμιζε· τὸν κρατοῦντα μαλθακῶς
θεὸς πρόσωθεν εὐμενῶς προσδέρκεται.
ἑκὼν γὰρ οὐδεὶς δουλίωι χρῆται ζυγῶι·
αὕτη δέ, πολλῶν χρημάτων ἐξαίρετον
ἄνθος, στρατοῦ δώρημ᾽ ἐμοὶ ξυνέσπετο.
955
ἐπεὶ δ’ ἀκούειν σοῦ κατέστραμμαι τάδε,
εἶμ᾽ εἰς δόμων μέλαθρα πορφύρας πατῶν.
Aeschyli Agamemnon (OCR draft) Experimental (Aeschyli Agamemnon. Ulrich von Wilamowitz-Moellendorff, 1914.) — 944 focus
Translations (9)
Agamemnon Perseus (Aeschylus. The poetical works of Robert Browning, Volume 13. Browning, Robert, translator; Berdoe, Edward, editor. London: Smith, Elder and Co., 1889.) — 975-1028 focus
The Agamemnon (OCR draft) Experimental (The Agamemnon. Theodore Alois Buckley, 1849.) — 944 focus
Well, if thou will have it so, let some one loose quickly my sandals, that do service to the treading of my foot, lest some envy from the eyes of the gods afar smite me as I trample in these sea-grained vestments, for 'tis great shame to waste my substance, by spoiling with my feet my wealth, and tissues bought with silver. Thus much for this ; but do thou with kindness conduct within this stranger maid : God from afar graciously regards him that is mild in victory. For no one willingly submits to the yoke of slavery. But she, choice flower of many possessions, gift of the army, hath accompanied me. Since then I have been reduced to submit to thee in this, I will go into the halls of my palace, treading on purple.
AGAMEMNON (OCR draft) Experimental (AGAMEMNON. Paul Mazon, 1920-1925.) — 944 focus
la victoire.
Agamemnon (OCR draft) Experimental (Agamemnon. Robert Potter, 1779.) — 944 focus
If ſuch thy will, haſte ſome one, from my feet
Unlooſe these high-bound buſkins,
leſt ſome God
Look down indignant, if with them I preſs
These veſts ſea-tinctur’d: Shame it were to ſpoil
1075
With unclean tread their rich and coſtly texture.
Of these enough. This ſtranger, let her find
A gentle treatment: from high Heav’n the God
Looks with an eye of favour on the victor
That bears his high ſtate meekly;
1080
for none wears
Of his free choice the yoke of ſlavery.
And ſhe, of many treaſures the prime flow’r
Selected by the troops, has follow’d me.
Well, ſince I yield me vanquiſh’d by thy voice,
1085
I go, treading on purple, to my houſe.
Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 944 focus
Poi che tu vuoi cosí, presto, i calzari
servi del piede mi disciolga alcuno :
ché qualche invidioso occhio di Nume
non mi colpisca da lontano, mentre
sulla porpora incedo.
1100
Assai vergogna
per me sarebbe calpestare, struggere
questi tappeti, compri a peso d'oro,
e rovinar la casa mia. Ma basta.
Indica Cassandra.
Questa straniera accogli or nella casa
1105
benignamente: ché da lunge il Nume
benigno mira chi soave impera:
poi che al giogo servil nessuno piegasi
per suo volere.
E' questo il fiore eletto
1110
fra molti beni, è il dono dell' esercito,
e m' ha seguito.
Or via, poi che m' indussi
ad ascoltarti, nella casa entrare
debbo movendo il piè sovra la porpora.
1115
Scende dal carro e s'avvia sopra i tappeti.
Aeschylus, Agamemnon: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Agamemnon: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 944 focus
Aeschylus, Agamemnon: German translation (OCR draft) Experimental (Aeschylus, Agamemnon: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 944 focus
das dem verschlag'nen Schiffer unverhofft erscheint,
900 der Tag der Frühlingswonne nach dem Wintersturm,
945
das Quellgeriesel für den durst'gen Wandersmann —
was ist nicht alles köstlich, so's Erlösung bringt.
Ja, solches Preises halt' ich meinen Gatten wert,
und niemand leg' es mir als Übertreibung aus:
905 zu schwer hab' ich bisher gelitten. Trauter Freund,
950
so steige denn herunter von dem Wagensitz;
allein der Fuß, der Troia auf den Nacken trat,
darf nicht den Staub berühren.
Mägde, tummelt euch,
die Tücher breitet auf den Weg, wie ich befahl,
955
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, Agamemnon — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 944 focus
Then, if thou wilt, let some one stoop to loose
Swiftly these sandals, slaves beneath my foot:
1095
And stepping thus upon the sea's rich dye,
I pray, Let none among the gods look down
With jealous eye on me—reluctant all,
To trample thus and mar a thing of price,
Wasting the wealth of garments silver-worth.
1100
Enough hereof: and, for the stranger maid,
Lead her within, but gently: God on high
Looks graciously on him whom triumph's hour
Has made not pitiless. None willingly
Wears the slave's yoke—and she, the prize and flower
1105
Of all we won, comes hither in my train,
Gift of the army to its chief and lord.
—Now, since in this my will bows down to thine,
I will pass in on purples to my home.
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos, Band I, Agamemnon. Independent Donner line citations, Smyth card correspondence, twelve located textual notes and opening metrical facsimiles. Unfinished OCR proofreading and note attribution are documented in the review inventory.) — 944 focus
So löse, wenn du's also willst, ein Sklave schnell
Die Sohle mir, des Fußes treue Dienerin!
Daß nur der Neid aus eines Gottes Auge nicht
Fernher mich treffe, wandl' ich auf dem Purpur hier!
905
Ich fürchte sehr, daß meines Hauses Glück erbleicht,
Tritt solch' Gewebe reicher Pracht mein Fuß in Staub.
Genug-davon! (auf Kassandra deutend) Die fremde Jungfrau führe mir
Liebreich in's Haus ein! Auf den milden Herrscher sieht
Ein Gott aus fernen Himmelshöh'n huldreich herab.
910
Freiwillig fügt sich Keiner ja dem Sklavenjoch.
Die schönste Blum' aus reichen Schäßen ausgewählt,
Des Heeres Gabe, folgte sie nach Argos mir.
Nun weil ich folgsam deinem Wort mich beugen will,
Schreit' ich zum Königshause hin den Purpurpfad.
915

Commentary

Critical apparatus to Agamemnon (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Agamemnon.) focus

944-945. mvp-aeschylus-tlg0085-tlg005-hermann1852-appcrit-lat1-555

NA Farn. hoc ordine,
| ποτᾶται ἄμισθος ἀοιδά. | μαντιπολεῖ δ᾽ ἀκέλευστος. |

Wecklein’s commentary on Agamemnon (1888; German; OCR draft) (Explanatory commentary, pp. 30–140; Iowa and Harvard OCR collated conservatively. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

774-965. mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-439

drittes Epeisodion. 6* Der siegreiche Agamemnon erscheint auf einem Wagen. Zur Seite sitzt ihm Kasandra, als Seherin gekennzeichuet durch weifses Gewand, den χιτών ὀρθοστάδιος (Poll. IV 18, 119), über dem sie ein Netz von Wollenfäden ἄγρηνον (Poll. IV 18, 116, Hesych. u. d. W.) trägt (1269), dann durch Scepter und den mit Wolle umwickelten Lorbeerkranz, der um den Hals auf die Brust herabhängt (1264, Hom. A 15 und Schol. zu Aristoph. Plut. 39, vgl. Wieseler Zeitschr. f. d. Altertumsw. 1848 S. 108 f.). Über Purpurteppiche, die Klytämestra hinbreiten läfst, schreitet Agamemnon später in den Palast. So wird der tragische Eindruck durch den Kontrast des Glanzes und Glückes gesteigert. Die Anapäste recitiert der Chorführer.

945. mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-540

ἐξαίρετον: Hom. Β 227 πολλαὶ δὲ γυναῖκες εἰσὶν ἐνὶ κλισίῃς ἐξαίρετοι, Eur. Tro. 249 ἐξαίρετόν νιν ἔλαβεν ᾿Αγαμέμνων ἄναξ.