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πόλιν εὖ πράσσουσαν bei χαίρειν wie Soph. Αi. 136 σὲ μὲν εὖ πράσσοντ᾽ ἐπιχαίρω, Eur. Hipp. 1339 τοὺς γὰρ εὐσεβεῖς θεοὶ θνῄ- σκοντας οὐ χαίρουσι, Rhes. 390 χαίρω δέ σ᾿ εὐτυχοῦντα, Hom. Ν 352 ἤχθετο γάρ ῥα Τρωσιν δαμναμένους. An die Stelle eines zweiten Parti- zips, welches sich auf δακρύεσθαι bezöge, tritt ein selbständiger Satz.

Seven Against Thebes. N. Wecklein. . .

Current edition Experimental

Commentary (N. Wecklein, 1902; German; OCR draft) (German) (Seven Against Thebes, explanatory commentary pp. 15–100. Single-witness OCR; source readings and all reference placements require scan review.)

Provisional text from uncorrected OCR; expect errors.

Editions (7)

Ἑπτὰ ἐπὶ Θήβας First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 822-956 focus

Χορος

ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι¹

δαίμονες, οἳ δὴ Κάδμου πύργους²

τούσδε ῥύεσθε,

πότερον χαίρω κἀπολολύξω
825

πόλεως ἀσινεῖ †σωτῆρι . .,³

ἢ τοὺς μογεροὺς καὶ δυσδαίμονας

ἀτέκνους κλαύσω πολεμάρχους;

οἳ δῆτ᾽ ὀρθῶς κατ᾽ ἐπωνυμίαν

καὶ⁴ πολυνεικεῖς
830

ὤλοντ᾽ ἀσεβεῖ διανοίᾳ.

832

str. 1

Χορος

ὦ μέλαινα καὶ τελεία

γένεος Οἰδίπου τ᾽ ἀρά,

κακόν με καρδίαν⁵ τι περιπίτνει κρύος.

ἔτευξα τύμβῳ μέλος
835

Θυιὰς ὥς, αἱμοσταγεῖς⁶

νεκροὺς κλύουσα δυσμόρως⁷

θανόντας: ἦ δύσορνις ἅ-

δε ξυναυλία δορός.

840

ant. 1

Χορος

ἐξέπραξεν, οὐδ᾽ ἀπεῖπεν
840

πατρόθεν εὐκταία φάτις:

βουλαὶ δ᾽ ἄπιστοι Λαΐου διήρκεσαν.

μέριμνα δ᾽ ἀμφὶ πτόλιν:

θέσφατ᾽ οὐκ ἀμβλύνεται.

ἰὼ πολύστονοι, τόδ᾽ εἰρ-
845

γάσασθ᾽ ἄπιστον: ἦλθε δ᾽ αἰ-

ακτὰ πήματ᾽ οὐ λόγῳ.

τάδ᾽ αὐτόδηλα, προῦπτος⁸ ἀγγέλου λόγος:

διπλαῖ μέριμναι, διδυμάνορα⁹

κάκ᾽ αὐτοφόνα, δίμοιρα τέ-
850

λεια τάδε πάθη. τί φῶ;—

τί δ᾽ ἄλλο γ᾽ ἢ πόνοι πόνων

δόμων ἐφέστιοι;—

ἀλλὰ γόων,¹⁰ ὦ φίλαι, κατ᾽ οὖρον

ἐρέσσετ᾽ ἀμφὶ κρατὶ πόμπιμον χεροῖν
855

πίτυλον, ὃς αἰὲν δι᾽ Ἀχέροντ᾽ ἀμείβεται,

μελάγκροκον ναῦν ἄστολον¹¹ [ναύστολον¹²] θεωρίδα,

τὰν ἀστιβῆ ʼπόλλωνι, τὰν ἀνάλιον,

πάνδοκον εἰς ἀφανῆ τε χέρσον.¹³
860

ἀλλὰ γὰρ ἥκουσ᾽ αἵδ᾽ ἐπὶ πρᾶγος

πικρὸν Ἀντιγόνη τ᾽ ἠδ᾽ Ἰσμήνη,

θρῆνον ἀδελφοῖν: οὐκ ἀμφιβόλως

οἶμαί σφ᾽ ἐρατῶν ἐκ βαθυκόλπων

στηθέων ἥσειν ἄλγος ἐπάξιον.
865

ἡμᾶς δὲ δίκη πρότερον φήμης

<τῶνδε κλυούσας¹⁴>

τὸν δυσκέλαδόν θ᾽ ὕμνον Ἐρινύος

ἀχεῖν¹⁵ Ἀίδα τ᾽

ἐχθρὸν παιᾶν᾽ ἐπιμέλπειν.
870

ἰώ. δυσαδελφόταται πασῶν ὁπόσαι

στρόφον ἐσθῆσιν περιβάλλονται,

κλαίω, στένομαι, καὶ δόλος οὐδεὶς

μὴ ʼκ φρενὸς ὀρθῶς με λιγαίνειν.

875

str. 1

Χορος

ἰὼ ἰὼ δύσφρονες,
875

φίλων ἄπιστοι καὶ κακῶν ἀτρύμονες,

δόμους πατρῴους¹⁶ ἑλόν-

τες μέλεοι σὺν αἰχμᾷ.¹⁷

Χορος

μέλεοι δῆθ᾽ οἳ μελέους θανάτους

ηὕροντο δόμων ἐπὶ λύμῃ.
880
881

ant. 1

Χορος

ἰὼ ἰὼ δωμάτων

ἐρειψίτοιχοι¹⁸ καὶ πικρὰς μοναρχίας

ἰδόντες, ἤδη διήλ-

λαχθε σὺν σιδάρῳ.¹⁹
885

Χορος

κάρτα δ᾽ ἀληθῆ πατρὸς Οἰδιπόδα

πότνι᾽ Ἐρινὺς ἐπέκρανεν.

888

str. 2

Χορος

δι᾽ εὐωνύμων τετυμμένοι,

τετυμμένοι δῆθ᾽,

ὁμοσπλάγχνων τε πλευρωμάτων
890

²⁰

αἰαῖ δαιμόνιοι,

αἰαῖ δ᾽ ἀντιφόνων

<δὴ²¹> θανάτων ἀραί.

διανταίαν λέγεις [πλαγὰν²²] δόμοισι καὶ
895

σώμασιν πεπλαγμένους, [ἐννέπω²³]

ἀναυδάτῳ μένει

ἀραίῳ τ᾽ ἐκ πατρὸς

<οὐ²⁴> διχόφρονι πότμῳ.

900

ant. 2

Χορος

διήκει δὲ καὶ πόλιν στόνος,
900

στένουσι πύργοι,

στένει πέδον φίλανδρον: μενεῖ

κτέανα τάδ᾽²⁵ ἐπιγόνοις,

δι᾽ ὧν αἰνομόροις,

δι᾽ ὧν νεῖκος ἔβα
905

καὶ θανάτου τέλος.

ἐμοιράσαντο δ᾽ ὀξυκάρδιοι

κτήμαθ᾽, ὥστ᾽ ἴσον λαχεῖν.

διαλλακτῆρι δ᾽ οὐκ
ἀμεμφεία²⁶ φίλοις,

οὐδ᾽ ἐπίχαρις Ἄρης.
910
911

str. 3

Χορος

σιδαρόπλακτοι²⁷ μὲν ὧδ᾽ ἔχουσιν,

σιδαρόπλακτοι δὲ τοὺς μένουσι,

τάχ᾽ ἄν τις εἴποι, τίνες;

τάφων πατρῴων λαχαί.

δόμων μάλ᾽ ἀχάεσσ᾽²⁸ ἰὰ τοὺς
915

προπέμπει δαϊκτὴρ γόος αὐ-

τόστονος, αὐτοπήμων,

δαϊόφρων,²⁹ οὐ φιλογαθής, ἐτύμως

δακρυχέων ἐκ³⁰ φρενός, ἃ

κλαιομένας μου μινύθει
920

τοῖνδε δυοῖν³¹ ἀνάκτοιν.

922

ant. 3

Χορος

πάρεστι δ᾽ εἰπεῖν ἐπ᾽ ἀθλίοισιν

ὡς ἐρξάτην πολλὰ μὲν πολίτας,³²

ξένων τε πάντων στίχας³³

πολυφθόρους ἐν δαΐ.
925

<ἰὼ> δυσαίων³⁴ σφ᾽³⁵ ἁ τεκοῦσα

πρὸ πασᾶν³⁶ γυναικῶν ὁπόσαι

τεκνογόνοι κέκληνται.

παῖδα τὸν αὑτᾶς πόσιν αὑτᾷ θεμένα

τούσδ᾽ ἔτεχ᾽, οἱ δ᾽ ὧδ᾽ ἐτελεύ-
930

τασαν ὑπ᾽ ἀλλαλοφόνοις

χερσὶν ὁμοσπόροισιν.

933

str. 4

Χορος

ὁμόσποροι δῆτα καὶ πανώλεθροι,³⁷

διατομαῖς ἀφίλοις,³⁸

ἔριδι μαινομένᾳ,
935

νείκεος ἐν τελευτᾷ.

Χορος

πέπαυται δ᾽ ἔχθος, ἐν δὲ γαίᾳ

ζόα φονορύτῳ³⁹

μέμικται: κάρτα δ᾽ εἴσ᾽ ὅμαιμοι.

πικρὸς λυτὴρ νεικέων ὁ πόντιος
940

ξεῖνος ἐκ πυρὸς συθεὶς

θηκτὸς σίδαρος: πικρὸς δὲ χρημάτων

κακὸς δατητὰς Ἄρης ἀρὰν πατρῴ-

αν⁴⁰ τιθεὶς ἀλαθῆ.

945

ant. 4

Χορος

ἔχουσι μοῖραν λαχόντες, ὦ⁴¹ μέλεοι,⁴²
945

διοδότων⁴³ ἀχέων:

ὑπὸ δὲ σώματι γᾶς

πλοῦτος ἄβυσσος ἔσται.

Χορος

ἰὼ πολλοῖς ἐπανθίσαντες⁴⁴

πόνοισι γενεάν:
950

τελευταῖαι δ᾽⁴⁵ ἐπηλάλαξαν

Ἀραὶ τὸν ὀξὺν νόμον, τετραμμένου

παντρόπῳ φυγᾷ γένους.

ἕστακε δ᾽ Ἄτας τροπαῖον ἐν πύλαις,

ἐν αἷς ἐθείνοντο, καὶ δυοῖν κρατή-
955

σας ἔληξε δαίμων.

957

Ἑπτὰ ἐπὶ Θήβας Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1922.) — 822-956 focus

Χορός

ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι

δαίμονες, οἳ δὴ Κάδμου πύργους

τούσδε ῥύεσθε,

πότερον χαίρω κἀπολολύξω
825

πόλεως ἀσινεῖ σωτῆρι . .,

ἢ τοὺς μογεροὺς καὶ δυσδαίμονας

ἀτέκνους κλαύσω πολεμάρχους;
830

οἳ δῆτʼ ὀρθῶς κατʼ ἐπωνυμίαν

καὶ πολυνεικεῖς

ὤλοντʼ ἀσεβεῖ διανοίᾳ.

833

Χορός

ὦ μέλαινα καὶ τελεία

γένεος Οἰδίπου τʼ ἀρά,

κακόν με καρδίαν τι περιπίτνει κρύος.

ἔτευξα τύμβῳ μέλος
835

Θυιὰς αἱματοσταγεῖς

νεκροὺς κλύουσα δυσμόρως

θανόντας· ἦ δύσορνις ἅ-

δε ξυναυλία δορός.

840

Χορός

ἐξέπραξεν, οὐδʼ ἀπεῖπεν
840

πατρόθεν εὐκταία φάτις·

βουλαὶ δʼ ἄπιστοι Λαΐου διήρκεσαν.

μέριμνα δʼ ἀμφὶ πτόλιν·

θέσφατʼ οὐκ ἀμβλύνεται.

ἰὼ πολύστονοι, τόδʼ ἠρ-
845

γάσασθʼ ἄπιστον· ἦλθε δʼ αἰ-

ακτὰ πήματʼ οὐ λόγῳ.

848

Χορός

τάδʼ αὐτόδηλα, προῦπτος ἀγγέλου λόγος·

διπλαῖ μέριμναι, διδυμάνορα

κάκʼ αὐτοφόνα, δίμοιρα τέ-
850

λεια τάδε πάθη. τί φῶ;

τί δʼ ἄλλο γʼ ἢ πόνοι πόνων

δόμων ἐφέστιοι;

ἀλλὰ γόων, ὦ φίλαι, κατʼ οὖρον

ἐρέσσετʼ ἀμφὶ κρατὶ πόμπιμον χεροῖν
855

πίτυλον, ὃς αἰὲν διʼ Ἀχέροντʼ ἀμείβεται

τὰν ἄστολον μελάγκροκον ναύστολον θεωρίδα,

τὰν ἀστιβῆ Ἀπόλλωνι, τὰν ἀνάλιον

πάνδοκον εἰς ἀφανῆ τε χέρσον.
860

ἀλλὰ γὰρ ἥκουσʼ αἵδʼ ἐπὶ πρᾶγος

πικρὸν Ἀντιγόνη τʼ ἠδʼ Ἰσμήνη,

θρῆνον ἀδελφοῖν· οὐκ ἀμφιβόλως

οἶμαί σφʼ ἐρατῶν ἐκ βαθυκόλπων

στηθέων ἥσειν ἄλγος ἐπάξιον.
865

ἡμᾶς δὲ δίκη πρότερον φήμης

τὸν δυσκέλαδόν θʼ ὕμνον Ἐρινύος

ἰαχεῖν Ἀίδα τʼ

ἐχθρὸν παιᾶνʼ ἐπιμέλπειν.
870

ἰώ, δυσαδελφόταται πασῶν ὁπόσαι

στρόφον ἐσθῆσιν περιβάλλονται,

κλαίω, στένομαι, καὶ δόλος οὐδεὶς

μὴ ʼκ φρενὸς ὀρθῶς με λιγαίνειν.

875

Χορός

ἰὼ ἰὼ δύσφρονες,
875

φίλων ἄπιστοι καὶ κακῶν ἀτρύμονες,

δόμους πατρῴους ἑλόν-

τες μέλεοι σὺν αἰχμᾷ.

μέλεοι δῆθʼ οἳ μελέους θανάτους

εὕροντο δόμων ἐπὶ λύμῃ.
880

881

Χορός

ἰὼ ἰὼ δωμάτων

ἐρειψίτοιχοι καὶ πικρὰς μοναρχίας

ἰδόντες, ἤδη διήλ-

λαχθε σὺν σιδάρῳ.
885

κάρτα δʼ ἀληθῆ πατρὸς Οἰδιπόδα

πότνιʼ Ἐρινὺς ἐπέκρανεν.

888

Χορός

διʼ εὐωνύμων τετυμμένοι,

τετυμμένοι δῆθʼ,

ὁμοσπλάγχνων τε πλευρωμάτων
890

αἰαῖ δαιμόνιοι,

αἰαῖ δʼ ἀντιφόνων

θανάτων ἀραί.

διανταίαν λέγεις πλαγὰν δόμοισι καὶ
895

σώμασιν πεπλαγμένους, ἐννέπω

ἀναυδάτῳ μένει

ἀραίῳ τʼ ἐκ πατρὸς

οὐ διχόφρονι πότμῳ.

900

Χορός

διήκει δὲ καὶ πόλιν στόνος,
900

στένουσι πύργοι,

στένει πέδον φίλανδρον· μένει

κτέανα δʼ ἐπιγόνοις,

διʼ ὧν αἰνομόροις,

διʼ ὧν νεῖκος ἔβα
905

καὶ θανάτου τέλος.

ἐμοιράσαντο δʼ ὀξυκάρδιοι

κτήμαθʼ, ὥστʼ ἴσον λαχεῖν.

διαλλακτῆρι δʼ οὐκ

ἀμεμφεία φίλοις,

οὐδʼ ἐπίχαρις Ἄρης.
910

911

Χορός

σιδαρόπλακτοι μὲν ὧδʼ ἔχουσιν,

σιδαρόπλακτοι δὲ τοὺς μένουσι,

τάχʼ ἄν τις εἴποι, τίνες;

τάφων πατρῴων λαχαί.

ὅδʼ ἁμῶν μάλʼ ἀχέτας τοὺς
915

προπέμπει δαϊκτὴρ γόος αὐ-

τόστονος, αὐτοπήμων,

δαϊόφρων δʼ·, οὐ φιλογαθής, ἐτύμως

δακρυχέων ἐκ φρενός, ἃ

κλαιομένας μου μινύθει
920

τοῖνδε δυοῖν ἀνάκτοιν.

922

Χορός

πάρεστι δʼ εἰπεῖν ἐπʼ ἀθλίοισιν

ὡς ἐρξάτην πολλὰ μὲν πολίτας,

ξένων τε πάντων στίχας

πολυφθόρους ἐν δαΐ.
925

δυσδαίμων σφιν ἁ τεκοῦσα

πρὸ πασᾶν γυναικῶν ὁπόσαι

τεκνογόνοι κέκληνται.

παῖδα τὸν αὑτᾶς πόσιν αὑτᾷ θεμένα

τούσδʼ ἔτεχʼ, οἱ δʼ ὧδʼ ἐτελεύ-
930

τασαν ὑπʼ ἀλλαλοφόνοις

χερσὶν ὁμοσπόροισιν.

933

Χορός

ὁμόσποροι δῆτα καὶ πανώλεθροι,

διατομαῖς οὐ φίλοις,

ἔριδι μαινομένᾳ,
935

νείκεος ἐν τελευτᾷ.

πέπαυται δʼ ἔχθος, ἐν δὲ γαίᾳ

ζόα φονορύτῳ

μέμεικται· κάρτα δʼ εἴσʼ ὅμαιμοι.

πικρὸς λυτὴρ νεικέων ὁ πόντιος
940

ξεῖνος ἐκ πυρὸς συθεὶς

θακτὸς σίδαρος· πικρὸς δὲ χρημάτων

κακὸς δατητὰς Ἄρης ἀρὰν πατρῴ-

αν τιθεὶς ἀλαθῆ.

945

Χορός

ἔχουσι μοῖραν λαχόντες οἱ μέλεοι
945

διοδότων ἀχθέων·

ὑπὸ δὲ σώματι γᾶς

πλοῦτος ἄβυσσος ἔσται.

ἰὼ πολλοῖς ἐπανθίσαντες

πόνοισι γενεάν·
950

τελευταῖαι δʼ ἐπηλάλαξαν

Ἀραὶ τὸν ὀξὺν νόμον, τετραμμένου

παντρόπῳ φυγᾷ γένους.

ἕστακε δʼ Ἄτας τροπαῖον ἐν πύλαις,

ἐν αἷς ἐθείνοντο, καὶ δυοῖν κρατή-
955

σας ἔληξε δαίμων.

Ἑπτὰ ἐπὶ θήβας (OCR draft) Experimental (Ἑπτὰ ἐπὶ θήβας. Guilielmus Dindorfius, 1882.) — 822 focus

ΧΟ.

ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι

δαίμονες, οἳ δὴ Κάδμου πύργους

τούσδε ῥύεσθε **,

πότερον χαίρω κάπολολύξω
825

πόλεως ἀσινεῖ σωτῆρι τύχᾳ,

ἢ τοὺς μογεροὺς καὶ δυσδαίμονας

ἀτέκνους κλαύσω πολεμάρχους;

οἳ δῆτ' ὀρθῶς κατ' ἐπωνυμίαν

καὶ πολυνεικεῖς
830

ὤλοντ᾽ ἀσεβεῖ διανοίᾳ.

Ἑπτὰ ἐπὶ θήβας (OCR draft) Experimental (Ἑπτὰ ἐπὶ θήβας. Gottfried Hermann, 1852.) — 822 focus

Χορὸς Παρθένων

ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι

Χορὸς Παρθένων

δαίμονες, οἳ τούςδε ῥύεσθε

Κάδμου πύργους,

πότερον χαίρω κἀπολολύξω
805

σωτῆρι πόλεως ἀσινείᾳ,

ἢ τοὺς μογεροὺς καὶ δυςδαίμονας

ἀτέκνους κλαύσω πολεμάρχας;

οἳ δῆτ᾽ ὀρθῶς κατ' ἐπωνυμίαν

¹ καὶ πολυνεικεῖς
810

ὤλοντ᾽ ἀσεβεῖ διανοίᾳ.

στρ. α'.

ΕΠΤΑ ΕΠΙ θΗΒΑΣ (OCR draft) Experimental (ΕΠΤΑ ΕΠΙ θΗΒΑΣ. Paul Mazon, 1920-1925.) — 822 focus

ΧΟΡΟΣ

Ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι πολισσοῦχοι

δαίμονες, οἳ δὴ Κάδμου πύργους

τούσδε ῥύεσθαι ἐθελήσατε ῥύεσθε,

πότερον χαίρω κἀπολολύξω
825

πόλεως ἀσινεῖ Σωτῆρι ;

ἢ τοὺς μογεροὺς καὶ δυσδαίμονας

ἀτέκνους κλαύσω πολεμάρχους,

οἳ δῆτ' ὀρθῶς κατ' ἐπωνυμίαν

καὶ πολυνεικεῖς
830

ὤλοντ' ἀσεβεῖ διανοίᾳ ;

Ἑπτὰ ἐπὶ θήβας (OCR draft) Experimental (Ἑπτὰ ἐπὶ θήβας. N. Wecklein, 1885.) — 822 focus

ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι

δαίμονες, οἳ δὴ Κάδμου πύργους

τούσδε ῥύεσθε,

πότερον χαίρω κἀπολολύξω
810

πόλεως ἀσινεῖ σωτῆρι,

ἢ τοὺς μεγαλοὺς καὶ δυσδαίμονας

ἀτέκνους κλαύσω πολεμάρχους;

οἱ δῆτ᾽ ὀρθῶς κατ᾽ ἐπωνυμίαν

καὶ πολυνεικεῖς
815

ὤλοντ᾽ ἀσεβεῖ διανοίᾳ.

Aeschyli Septem contra Thebas (OCR draft) Experimental (Aeschyli Septem contra Thebas. Ulrich von Wilamowitz-Moellendorff, 1914.) — 822 focus

ΧΟΡΟΣ

ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι

δαίμονες, οἳ δὴ Κάδμου πύργους

(ἐθελήσατε) τούσδε ῥύεσθαι,

πότερον χαίρω κἀπολολύξω

πόλεως ἀσινεῖ σωτῆρι,
825

ἢ τοὺς μογεροὺς καὶ δυσδαίμονας

ἀτέκνους κλαύσω πολεμάρχους;

Testim.:

817 Steph. Βyz. Σκύθαι Σκύθης σίδηρος cf. ad Prom. 2.

Apparatus Criticus

[ἐκεῖθι κεῖσθον... φράσον.] κεῖσθον κῆλθον β. μὲn ἀλλ᾽ ὅμως φρ. β. δ᾽ οὐn ἀλλ᾽ ὁ. delevi versum distributum inter personas ita ut voluit qui verbum finitum supplebat. quo facto versus insequentes personis tribuebantur quibus non conveniunt, 813 Nuntii nota addebatur. qui vero 810 integrum choro dabat, κῆλθον substituit ἠναίροντ᾽ ἀνήρηντ᾽ ἅμα ἅμα ἄγαν ἄγαν ἄγαν ἅμα αὐτὸς δ᾽ αὐτός γ᾽ γάρ δακρύεσθαι δακρύσασθαι πράσσουσαν πράττουσαν ταφῆι τάφωι δυσπότμως δυσπότμους corr. Headlam βασιλέοιν βασιλείοιν -λέων ὁμοσπόροιν ὁμοσπόρων πέπωκεν πέπωκεν πέπτωκεν γαῖ γᾶν a. F (sic) [πόλις ... φόνωι]. distichon del. Butler alii, compositum ab histrione in locum v. 815-19, in quibus commune sepulcrum contra exodum suam promitti non ferebat πολιοῦχοι πολισ(σ)οῦχοι corr. Pauw (ἐθελήσατε) ex. gr. supplevi ῥύεσθαι ῥύεσθαι ῥύεσθε πότερον πότερα corr. P2 πόλεως τῆι πολ. σωτῆρι σωτηρίαι paroemiacus spon- diacus non attrectandus cf. Pers. 32, Suppl. 8, Ag. 366. ceterum cf. 224; ἀσινεῖ de persona salvatoris cogitari vetat, cf. E. Fränkel Indog. Forsch. 32, 107 sqq. κλαύσω κλαύσω δή πολεμάρχους πολεμάρχας

ΧΟ.

οἳ δῆτ᾽ ὀρθῶς κατ᾿ ἐπωνυμίαν

(κλεινοί τ᾽ ἐτέως) καὶ πολυνεικεῖς

ὤλοντ᾽ ἀσεβεῖ διανοίαι. ξ
830

Translations (8)

Seven Against Thebes Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1922. (Modernized by Perseus.)) — 822-955 focus

Chorus

O great Zeus and the divine powers that guard our city, you who indeed protect these walls of Cadmus,

should I rejoice and shout in triumph for the unharmed safety of the city, or should I lament our leaders in war,
825

now wretched, ill-fated and childless? Indeed, in exact accordance with their name and as men of much strife, they have perished through their impious intent.
830

833

Chorus

O black curse on the family, Oedipus’ curse, now brought to fulfillment! A chill of horror falls about my heart.

In frenzy like a maenad I make my song for the grave as I hear of their corpses dripping with blood, how they died through the workings of cruel fate. This song of the spear, sung to the flute, is indeed born of an ill omen.¹
835

840

Chorus

The curseful utterance of their father has done its work and not fallen short. Laius’ plans, made in disobedience, have kept their force. I am anxious for our city; divine decrees do not lose their edge. The funeral procession with the bodies of the brothers comes into view.
840

Chorus

O bringers of immense grief, you have done in this a deed beyond belief, yet lamentable troubles have indeed come.
845

848

The events are self-evident; the messenger’s report is plain to see. Twofold is our distress—double disaster

of kindred murder, this double suffering has come to fulfillment. What shall I say? What else indeed than that sorrow born of sorrows surround this house’s hearth?
But sail upon the wind of lamentation, my friends,
850

and about your head row with your hands’ rapid stroke in conveyance of the dead,² that stroke which always causes the sacred slack-sailed, black-clothed ship to pass over Acheron to the unseen land where Apollo does not walk,
855

the sunless land that receives all men.
But here come Antigone and Ismene to do their bitter duty, the dirge over their brothers both. With all sincerity, I think, will they
860

pour forth their fitting grief from their lovely, deep-bosomed breasts. But it is right for us, before their singing, to cry out the awful hymn of the Erinys and thereafter
865

sing the hated victory song of Hades.
Ah, sisters most unfortunate in your kin of all women who clasp their girdle about their robes, I weep, I groan, and there is no feigning in the shrill cries that come straight from my heart.
870

875

Chorus

Ah, pity you senseless men, whom friends could not persuade and evils could not wear down! To your misery you have captured your father’s house with the spear.
875

Chorus

To their misery, indeed,

they found a miserable death in the outrage done their house.
880

881

Ah, you brothers who were poised to cast over the walls of your home and looked—to your sorrow—for sole rule, now you have been

reconciled by the iron sword.
The great Erinys of your father Oedipus has fulfilled it all truly.
885

888

Chorus

Pierced through your left sides, pierced indeed—

through those sides that were born from one womb! Ah, strange ones! Ah, the curses that demand death for death!
890

Right through, as you say, were they struck, with blows to house and body by an unspeakable wrath and by the doom, called down by their father’s curse, which they shared without discord.
895

900

Chorus

Groaning spreads throughout the city, too: the walls groan; the land that loves its sons groans. But for those who come after them there remains their property, on which account the strife
900

of those terrible-fated men came to fulfillment in death.
In their haste to anger they apportioned their property so that each has an equal share. To those who loved them their reconciler is not blameless,
905

nor is Ares agreeable.
910

911

Chorus

Under strokes of iron they are come to this, and under strokes of iron there await them—what, one might perhaps ask—shares in their father’s tomb.³

Our shrill, heart-rending wail goes with them—product of lamentation and pain felt of its own accord—a wail from a distressed mind, joyless, pouring forth tears from a heart
915

that wastes away as I weep for these two princes.
920

922

Chorus

Over these poor men it can be said that they did much to harm our citizens and also the ranks of all the foreigners

who died in abundance in the fighting.
Ill-fated beyond all women who are called by the name of mother is she who bore them. After she made her own child her own husband,
925

she gave birth to these sons, who have thus ended their lives with kindred hands giving death for death.
930

933

Chorus

Of the same seed, in truth, they were utterly destroyed in unloving divisions,

in maddened discord, in the ending of their strife.
Their hatred has ceased. Their life has been mingled in the blood-soaked earth. Now truly their blood is one.
935

Ruthless is that which resolved their strife, the stranger from across the sea, sharpened iron rushed from the fire. Ruthless, too, was Ares, the cruel divider of their property, who made their father’s curses come true.
940

945

Chorus

They hold in misery their allotted portion of god-given sorrows. Beneath their corpses there will be boundless wealth of earth.
Ah, you have wreathed
945

your race with many troubles! In the final outcome the Curses have raised their piercing cry, now that the family is turned to flight in all directions. A trophy to Ruin now stands at the gate
950

where they struck each other and where, having conquered them both, the divine power stayed its hand.
955

The Seven against Thebes. (OCR draft) Experimental (The Seven against Thebes.. Theodore Alois Buckley, 1849.) — 822 focus

Oh mighty Jove! and tutelary divinities of our city ye that do in very deed protect these towers of Cadmus, am I to rejoice and raise a joyous hymn to the saviour of our city, the averter of mischief, or shall I bewail the miserable and ill-fated childless commanders, who, in very truth, correctly, according to their name , full of rancour, have perished in impious purpose?

LES SEPT CONTRE THÈBES (OCR draft) Experimental (LES SEPT CONTRE THÈBES. Paul Mazon, 1920-1925.) — 822 focus

grand Zeus, ô dieux maîtres de Thèbes, qui avez daigné défendre les remparts de Cadmos !
Dois-je me réjouir et saluer d'une clameur pieuse le Sauveur ¹, qui de tout mal a préservé cette cité ? Ou pleurer ses chefs de guerre, douloureux et misérables, privés de postérité,
Qui, pour justifier strictement leur nom, en vrais « chercheurs de querelles » ², ont péri dans un désaccord sacrilège ?

Animé.

LE CHŒUR

The Seven Chiefs against Thebes (OCR draft) Experimental (The Seven Chiefs against Thebes. Robert Potter, 1779.) — 822 focus

O Jove supreme,

And all ye Gods that guard this state,

Shou'd I the joyful Pæan raise,

And celebrate your praise?

930

Your guardian care, propitious pow'rs,

Preserv'd our walls, preserv'd our tow'rs!

Or bid the solemn, doleful strain

Lament the chiefs, the brothers slain;

A mournful theme;

935

Thro' mad ambition's impious pride

Childless, unbless'd, in youth's warm tide

Fall'n, fall'n by too severe a fate?

STROPΗΕ.

Eschilo, I Sette a Tebe: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, I Sette a Tebe: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 822 focus

Oh tu, Giove supremo, e voi, Dèmoni

910

protettori di Tebe, che salve

queste mura di Cadmo serbate,

debbo adesso allegrarmi, e di giubilo

levar grida, perché senza danno

salva fu la città! Debbo piangere

915

la sciagura dei miseri principi

senza prole perduti.

Or davvero

i lor nomi convennero all'opere:

ché perîr per l'insana follía.
920
1 Strofe.

Aeschylus, Septem ad Thebas: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Septem ad Thebas: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 822 focus

O magne Iupiter, patroni dij,

Qui iam has turres Cadmi defenditis:

Vtrum gaudebo & canam Peana pro urbis innocuo
775

Seruatore, aut laborioſos & infælices

Orbos flebo duces?

Qui uidelicet recte iuxta denominationes & contentiones

Perierunt impiamentè. q tetra,& adimpleta

Generis Oedipi execratio, malus meum cor
780

English (E. D. A. Morshead, 1908) (OCR draft) Experimental (Aeschylus, Seven against Thebes — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 822 focus

O mighty Zeus and guardian powers,
830

The strength and stay of Cadmus' towers!

Shall I send forth a joyous cry,

Hail to the lord of weal renewed?

Or weep the misbegotten twain,

Born to a fatal destiny?
835

Each numbered now among the slain,

Each dying in ill fortitude,

Each truly named, each child of feud?

German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 822 focus

O gewaltiger Zeus und o Schirmer der Stadt,

Ihr Unsterblichen, hier für Kadmos' Burg
795

Als Hüter bestellt!

Wie? Soll ich mich freu'n und jubl' ich der Stadt

Leidwendendem Retter den Dank zu?

Ach, oder bewein' ich der Feldherrn Loos,

Die kindlos starben im Leide?
800

Die wahrhaft nun, wie der Name verhieß,

An Zwietracht reich,

Austilgt ruchlose Verblendung?

Strophe.

Notes on the current edition

Seven Against Thebes

1. Single-witness OCR: uncollated. Source layout and readings require scan review; automatic flags are not exhaustive.

2. Reference placement provisional: 1885 correspondence corroborated by source Greek on this page. Verify the printed source numbering and note scope against the scan.

Commentary

Critical apparatus to Seven Against Thebes (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Seven Against Thebes.) focus

785-801. mvp-aeschylus-tlg0085-tlg004-hermann1852-appcrit-lat1-854

Quae post versum 784. sequuntur, valde perturbata sunt. Ea in omnibus libris hoc ordine scripta leguntur,

Α. πόλις σέσωσται, βασιλέες δ᾽ ὁμόσποροι ἄνδρες τεθνᾶσιν ἐκ χερῶν αὐτοκτόνων. Χ. τίνες; τί δ᾽ εἶπας; παραφρονῶ φόβῳ λόγου. Α. φρονοῦσα νῦν ἄκουσον, Οἰδίπου γένος. Χ. οι γὼ τάλαινα, μάντις εἰμὶ τῶν κακῶν. Α. οὐδ᾽ ἀμφιλέκτως μὴν κατεσποδημένοι. Χ. ἐκεῖθι κἦλθον; βαρέα δ᾽ οὖν ὅμως φράσον. Α. οὕτως ἀδελφαῖς χερσὶν ἠναίροντ᾽ ἄγαν. Χ. οὕτως ὁ δαίμων κοινὸς ἦν ἀμφοῖν ἅμα. Α. αὐτὸς δ᾽ ἀναλοῖ δῆτα δύςποτμον γένος. τοιαῦτα χαίρειν καὶ δακρύεσθαι πάρα πόλιν μὲν εὖ πράσσουσαν, οἱ δ᾽ ἐπιστάται, δισσώ στρατηγώ, διέλαχον σφυρηλάτῳ Σκύθῃ σιδήρῳ κτημάτων παμπησίαν. ἕξουσι δ᾽ ἣν λάβωσιν ἐν ταφῇ χθονός, πατρὸς κατ᾽ εὐχὰς δυςπότμους φορούμενοι. πόλις σέσωσται· βασιλέοιν δ᾽ ὁμοσπόροιν πέπωκεν αἷμα γαῖ᾽ ὑπ᾽ ἀλλήλων φόνῳ

. Difficile dictu fortasse videbitur, unde tanta oriri perturbatio potuerit. Factam tamen esse, neque ista hoc ordine scribi ab Aeschylo potuisse, manifestum est. Persequar singula. Primus horum versuum,

πόλις σέσωσται, βασιλέες δ' ὁμόσποροι

, qui infra paene iisdem litteris repetitur, hac ipsa repetitione suspicionem vitii movet. Magis etiam eo, quod nuntio contra morem tragicorum hic duo versus tribuuntur, quum chorus uno interrogaverit. Itaque Porsonus hunc versum uncis inclusit, ut nuntius hoc uno versu responderet,

ἄνδρες τεθνᾶσιν ἐκ χερῶν αὐτοκτόνων

. Sed rectius Porsonus illum versum non hic, sed infra eiecisset. Illo enim loco perabsurdum est, quae modo clare dicta erant, his verbis iterari,

πόλις σέσωσται· βασιλέοιν δ᾽ ὁμοσπόροιν πέπωκεν αἷμα γαῖ ὑπ' ἀλλήλων φόνῳ

. Quod credas non latuisse librarium, qui codicem Vit. scripsit, vel alium, quem hic secutus est: tribuit enim hos versus nuntio, quum ea, quae inde a verbis

τοιαῦτα χαίρειν

procedunt, choro adscripsisset, similiterque in Lipsiensi ad illum versum

τοιαῦτα χαίρειν

chori nomen adscriptum est, hic autem versus

πατρὸς κατ' εὐχάς

cum duobus sequentibus nuntio tributi sunt. Contra choro interroganti

τί δ' ἐστὶ πρᾶγος νεόκοτον πόλει παρόν;

quid potuit aptius responderi quam

πόλις σέσωσται

? Quid autem ineptius fuisset quam, ubi nuntius respondisset

ἄνδρες τεθνᾶσιν ἐκ χερῶν αὐτοκτόνων

, chorum subiicere

τίνες; τί δ᾽ εἶπας; παραφρονῶ φόβῳ λόγου

, et mox, quod prorsus absurdum esset,

μάντις εἰμὶ τῶν κακῶν

? Non magis reliqua sana sunt. Illa quidem,

φρονοῦσα νῦν ἄκουσον, Οἰδίπου γένος

, poeta tragicus non posuisset sic ut oratio explenda esset ex praegressis nuntii verbis, sed ut e sequentibus. Huic versui,

οἳ 'γὼ τάλαινα, μάντις εἰμὶ τῶν κακῶν

, non subiecisset illa, quae sunt confirmantis ante dicta, non rem novam afferentis,

οὐδ᾽ ἀμφιλέκτως μὴν κατεσποδημένοι

, sed apertis verbis dixisset mortui sunt. Nec posuisset ista,

ἐκεῖθε κἦλθον

, nisi proxime praegresso, quo referrentur. Nam si aliquam vim esse in his verbis volumus, sententia haec sit necesse est, eo igitur pervenerunt, ut mutua caede se interimerent? Quid porro hoc est, quod his verbis,

βαρέα δ' οὖν ὅμως φράσον

, respondet nuntius

οὕτως ἀδελφαῖς χερσὶν ἠναίροντ' ἄγαν

? Id vero non narrantis est et ad chori interrogationem respondentis, sed sortem fratrum conquerentis: quare, ut brevius dicam, non nuntii est, sed chori. Denique nihil frigidius fingi potuit, quam eodem modo a choro, si praecedens versus nuntii est, iterari

οὕτως ὁ δαίμων κοινὸς ἦν ἀμφοῖν ἅμα

. Haec igitur tam foede depravata ita mutare ausus sum, ut res ipsa, ut mos tragicorum, ut Aeschyli ingenium postulare videbantur. Iam enim metuenti choro, ne aliud urbi malum immineat, respondet nuntius, ut et hac sollicitudine liberet chorum, et, quid acciderit, narrare incipiat,

πόλις σέσωσται βασιλέοιν δ᾽ ὁμοσπόροιν

. Praesagiens mala chorus respondet

τίνων, τί δ᾽ εἶπας, παραφρονῶ φόβῳ λόγου

. Ad haec nuntius, nominatim, de quibus loquatur, indicaturus, adhuc suspensa oratione,

φρονοῦσα νῦν ἄκουσον, Οἰδίπου γένους

. Jam certius rem intelligit chorus:

οι 'γώ τάλαινα, μάντις εἰμὶ τῶν κακῶν

. Tum vero nuntius concludit orationem,

πέπωκεν αἷμα γαῖ᾽ ὑπ' ἀλλήλων φόνῳ

. Ibi chorus, facinoris atrocitate exhorrescens, apertius etiam sibi narrari rem postulat:

ἐκεῖθι κἦλθον; βαρέα δ᾽ οὖν ὅμως φράσον

. Respondet ergo non ambigue nuntius,

ἄνδρες τεθνᾶσιν ἐκ χερῶν αὐτοκτόνων

. Inde chorus, rem paene incredibilem secum reputans,

οὕτως ἀδελφαῖς χερσὶν ἠναίροντ᾽ ἄγαν

. Confirmat id nuntius:

οὐδ᾽ ἀμφιλέκτως μὴν κατεσποδημένοι

. Iterum chorus, eadem cogitatione occupatus,

οὕτως ὁ δαίμων κοινὸς ἦν ἀμφοῖν ἅμα

. Quae iterum denique confirmat nuntius. Non dubito, qui sensum habent tragicorum lectione bene subactum, re diligenter considerata facile ad meam sententiam perductum iri. Origo autem tantae perturbationis, si ad levem, sed eum satis certum errorem attenderis, patebit planissime. In antiquo illo libro, ex quo nostri codices ducti sunt, librarii negligentia omissus fuerat hic versus,

πέπωκεν αἷμα γαῖ᾽ ὑπ᾽ ἀλλήλων φόνῳ

. Quem versum librarius una cum illo versu, ad quem haec verba referebantur,

πόλις σέσωσται· βασιλέοιν δ᾽ ὁμοσπόροιν

, adiecit in fine huius colloquii, signis quibusdam monens, ad quem ille locum pertineret. Signis illis, ut saepe factum est, neglectis, grammaticus aliquis emendationem aggressus, neque suspicatus duos illos versus alieno loco positos esse, quum omne colloquium chori cum nuntio videret esse perturbatissimum (et quam perturbatum videri debuerit, facile intelliget, qui totum hunc locum, uti nobis emendatus est, legere volet versu illo omisso), grammaticus igitur versus in alium ordinem redegit, simulque genitivos

βασιλέοιν δ᾽ ὁμοσπόροιν

τίνων

γένους

, qui non habebant quo referrentur, in nominativos mutavit.

800. mvp-aeschylus-tlg0085-tlg004-hermann1852-appcrit-lat1-869

ἐν ταφῇ Μ. G. Vit. Ald. Turn.

ἐν τάφῳ

Par. F.K. L. Ask. A. Rob.

ἐν σαφῇ

Lips. Omittit has voces Par.E. χθόνα Libri

χθονός

. Brunckius scribendum putabat

χθόνα

, usus argumento inani, quod χθονός non haberet unde regatur. Necessaria tamen illa emendatio est meritoque recepta a Blomfieldio, quia sensus non potest alius esse, quam tantum illos patriae terrae esse habituros, quantum sepulcro sufficiat: quae sententia iam supra prolata erat a choro v. 712.

χθόνα ναίειν διαπήλας, ὁπόσαν καὶ φθιμένοισιν κατέχειν, τῶν μεγάλων πεδίων ἀμοίρους

. Sophocles Oed. Col. v. 789.

ἔστιν δὲ παισὶ τοῖς ἐμοῖσι τῆς ἐμῆς χθονὸς λαχεῖν τοσοῦτον, ἐνθανεῖν μόνον

800

Commentary (N. Wecklein, 1902; German; OCR draft) (Seven Against Thebes, explanatory commentary pp. 15–100. Single-witness OCR; source readings and all reference placements require scan review.) focus

777-806. mvp-aeschylus-tlg0085-tlg004-wecklein1902-com-ger1-521

drittes Epeisodion: ein Bote meldet die Katastrophe, den Wechselmord der beiden Brü- der. Schol. ἄγγελος ὁ καὶ πρότερον ἀπαγγείλας περὶ τῆς τῶν Ἀργείων ἐφόδου, οὗτος καὶ νῦν ἀπαγγέλλει τὴν ἀδελφοκτονίαν. Daß es der gleiche sein soll, ergibt sich aus 782 f.

800. mvp-aeschylus-tlg0085-tlg004-wecklein1902-com-ger1-535

⁴

N. Wecklein Seven Against Thebes 800.comm-800

Search the Perseus Catalog for:

Current edition Experimental

Χορος

ἰὼ ἰὼ δύσφρονες,
875

φίλων ἄπιστοι καὶ κακῶν ἀτρύμονες,

δόμους πατρῴους¹⁶ ἑλόν-

τες μέλεοι σὺν αἰχμᾷ.¹⁷

Χορος

μέλεοι δῆθ᾽ οἳ μελέους θανάτους

ηὕροντο δόμων ἐπὶ λύμῃ.
880
881

Χορος

ἰὼ ἰὼ δωμάτων

ἐρειψίτοιχοι¹⁸ καὶ πικρὰς μοναρχίας

ἰδόντες, ἤδη διήλ-

λαχθε σὺν σιδάρῳ.¹⁹
885

Χορος

κάρτα δ᾽ ἀληθῆ πατρὸς Οἰδιπόδα

πότνι᾽ Ἐρινὺς ἐπέκρανεν.

888

Χορος

ὁμόσποροι δῆτα καὶ πανώλεθροι,³⁷

διατομαῖς ἀφίλοις,³⁸

ἔριδι μαινομένᾳ,
935

νείκεος ἐν τελευτᾷ.

Χορος

ἔχουσι μοῖραν λαχόντες, ὦ⁴¹ μέλεοι,⁴²
945

διοδότων⁴³ ἀχέων:

ὑπὸ δὲ σώματι γᾶς

πλοῦτος ἄβυσσος ἔσται.

Χορός

ἰὼ ἰὼ δωμάτων

ἐρειψίτοιχοι καὶ πικρὰς μοναρχίας

ἰδόντες, ἤδη διήλ-

λαχθε σὺν σιδάρῳ.
885

κάρτα δʼ ἀληθῆ πατρὸς Οἰδιπόδα

πότνιʼ Ἐρινὺς ἐπέκρανεν.

Χορὸς Παρθένων

ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι

Testim.:

Apparatus Criticus

ΧΟ.

οἳ δῆτ᾽ ὀρθῶς κατ᾿ ἐπωνυμίαν

(κλεινοί τ᾽ ἐτέως) καὶ πολυνεικεῖς

ὤλοντ᾽ ἀσεβεῖ διανοίαι. ξ
830

Chorus

The curseful utterance of their father has done its work and not fallen short. Laius’ plans, made in disobedience, have kept their force. I am anxious for our city; divine decrees do not lose their edge. The funeral procession with the bodies of the brothers comes into view.
840

Chorus

O bringers of immense grief, you have done in this a deed beyond belief, yet lamentable troubles have indeed come.
845

Chorus

Ah, pity you senseless men, whom friends could not persuade and evils could not wear down! To your misery you have captured your father’s house with the spear.
875

Chorus

To their misery, indeed,

they found a miserable death in the outrage done their house.
880

Ah, you brothers who were poised to cast over the walls of your home and looked—to your sorrow—for sole rule, now you have been

reconciled by the iron sword.
The great Erinys of your father Oedipus has fulfilled it all truly.
885

LE CHŒUR

STROPΗΕ.

Or davvero

i lor nomi convennero all'opere:

ché perîr per l'insana follía.
920
1 Strofe.

Vtrum gaudebo & canam Peana pro urbis innocuo
775

Seruatore, aut laborioſos & infælices

Orbos flebo duces?

Qui uidelicet recte iuxta denominationes & contentiones

Perierunt impiamentè. q tetra,& adimpleta

Generis Oedipi execratio, malus meum cor
780

Notes on the current edition

Commentary

Stable identifiers

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Current edition Experimental

Χορος ἰὼ ἰὼ δύσφρονες, 875 φίλων ἄπιστοι καὶ κακῶν ἀτρύμονες, δόμους πατρῴους 16 ἑλόν- τες μέλεοι σὺν αἰχμᾷ. 17

Χορος μέλεοι δῆθ᾽ οἳ μελέους θανάτους ηὕροντο δόμων ἐπὶ λύμῃ. 880 881

Χορος ἰὼ ἰὼ δωμάτων ἐρειψίτοιχοι 18 καὶ πικρὰς μοναρχίας ἰδόντες, ἤδη διήλ- λαχθε σὺν σιδάρῳ. 19 885

Χορος κάρτα δ᾽ ἀληθῆ πατρὸς Οἰδιπόδα πότνι᾽ Ἐρινὺς ἐπέκρανεν. 888

Χορος ὁμόσποροι δῆτα καὶ πανώλεθροι, 37 διατομαῖς ἀφίλοις, 38 ἔριδι μαινομένᾳ, 935 νείκεος ἐν τελευτᾷ.

Χορος ἔχουσι μοῖραν λαχόντες, ὦ 41 μέλεοι, 42 945 διοδότων 43 ἀχέων: ὑπὸ δὲ σώματι γᾶς πλοῦτος ἄβυσσος ἔσται.

Χορός ἰὼ ἰὼ δωμάτων ἐρειψίτοιχοι καὶ πικρὰς μοναρχίας ἰδόντες, ἤδη διήλ- λαχθε σὺν σιδάρῳ. 885 κάρτα δʼ ἀληθῆ πατρὸς Οἰδιπόδα πότνιʼ Ἐρινὺς ἐπέκρανεν.

Χορὸς Παρθένων ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι

Testim.:

Apparatus Criticus

ΧΟ. οἳ δῆτ᾽ ὀρθῶς κατ᾿ ἐπωνυμίαν (κλεινοί τ᾽ ἐτέως) καὶ πολυνεικεῖς ὤλοντ᾽ ἀσεβεῖ διανοίαι. ξ 830

Chorus The curseful utterance of their father has done its work and not fallen short. Laius’ plans, made in disobedience, have kept their force. I am anxious for our city; divine decrees do not lose their edge. The funeral procession with the bodies of the brothers comes into view. 840

Chorus O bringers of immense grief, you have done in this a deed beyond belief, yet lamentable troubles have indeed come. 845

Chorus Ah, pity you senseless men, whom friends could not persuade and evils could not wear down! To your misery you have captured your father’s house with the spear. 875

Chorus To their misery, indeed, they found a miserable death in the outrage done their house. 880

Ah, you brothers who were poised to cast over the walls of your home and looked—to your sorrow—for sole rule, now you have been reconciled by the iron sword. The great Erinys of your father Oedipus has fulfilled it all truly. 885

LE CHŒUR

STROPΗΕ.

Or davvero i lor nomi convennero all'opere: ché perîr per l'insana follía. 920 1 Strofe.

Vtrum gaudebo & canam Peana pro urbis innocuo 775 Seruatore, aut laborioſos & infælices Orbos flebo duces? Qui uidelicet recte iuxta denominationes & contentiones Perierunt impiamentè. q tetra,& adimpleta Generis Oedipi execratio, malus meum cor 780

Notes on the current edition

Commentary

Stable identifiers

Χορος

ἰὼ ἰὼ δύσφρονες,
875

φίλων ἄπιστοι καὶ κακῶν ἀτρύμονες,

δόμους πατρῴους¹⁶ ἑλόν-

τες μέλεοι σὺν αἰχμᾷ.¹⁷

Χορος

μέλεοι δῆθ᾽ οἳ μελέους θανάτους

ηὕροντο δόμων ἐπὶ λύμῃ.
880
881

Χορος

ἰὼ ἰὼ δωμάτων

ἐρειψίτοιχοι¹⁸ καὶ πικρὰς μοναρχίας

ἰδόντες, ἤδη διήλ-

λαχθε σὺν σιδάρῳ.¹⁹
885

Χορος

κάρτα δ᾽ ἀληθῆ πατρὸς Οἰδιπόδα

πότνι᾽ Ἐρινὺς ἐπέκρανεν.

888

Χορος

ὁμόσποροι δῆτα καὶ πανώλεθροι,³⁷

διατομαῖς ἀφίλοις,³⁸

ἔριδι μαινομένᾳ,
935

νείκεος ἐν τελευτᾷ.

Χορος

ἔχουσι μοῖραν λαχόντες, ὦ⁴¹ μέλεοι,⁴²
945

διοδότων⁴³ ἀχέων:

ὑπὸ δὲ σώματι γᾶς

πλοῦτος ἄβυσσος ἔσται.

Χορός

ἰὼ ἰὼ δωμάτων

ἐρειψίτοιχοι καὶ πικρὰς μοναρχίας

ἰδόντες, ἤδη διήλ-

λαχθε σὺν σιδάρῳ.
885

κάρτα δʼ ἀληθῆ πατρὸς Οἰδιπόδα

πότνιʼ Ἐρινὺς ἐπέκρανεν.

Χορὸς Παρθένων

ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι

ΧΟ.

οἳ δῆτ᾽ ὀρθῶς κατ᾿ ἐπωνυμίαν

(κλεινοί τ᾽ ἐτέως) καὶ πολυνεικεῖς

ὤλοντ᾽ ἀσεβεῖ διανοίαι. ξ
830

Chorus

The curseful utterance of their father has done its work and not fallen short. Laius’ plans, made in disobedience, have kept their force. I am anxious for our city; divine decrees do not lose their edge. The funeral procession with the bodies of the brothers comes into view.
840

Chorus

O bringers of immense grief, you have done in this a deed beyond belief, yet lamentable troubles have indeed come.
845

Chorus

Ah, pity you senseless men, whom friends could not persuade and evils could not wear down! To your misery you have captured your father’s house with the spear.
875

Chorus

To their misery, indeed,

they found a miserable death in the outrage done their house.
880

Ah, you brothers who were poised to cast over the walls of your home and looked—to your sorrow—for sole rule, now you have been

reconciled by the iron sword.
The great Erinys of your father Oedipus has fulfilled it all truly.
885

Or davvero

i lor nomi convennero all'opere:

ché perîr per l'insana follía.
920
1 Strofe.

Vtrum gaudebo & canam Peana pro urbis innocuo
775

Seruatore, aut laborioſos & infælices

Orbos flebo duces?

Qui uidelicet recte iuxta denominationes & contentiones

Perierunt impiamentè. q tetra,& adimpleta

Generis Oedipi execratio, malus meum cor
780