193-396.
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193-396. First Episode. 193- 283. First Scene: Prometheus and the Coryphaeus. The scholiast says:
τὴν
ὑπόθεσιν (that is, the expo- sition of the events supposed to pre- cede the opening of the play)
βουλό-
μενος
διδάξαι,
τὸ
περίεργον (curiosity)
τοῦ
γυναικώδους
ήθους
προσέλαβεν (availed himself of, as a motive).
οὐκ
ἂν
γὰρ
ὁ
᾿Ὠκεανds (who enters later)
ἠξίωσεν
ἐρωτῆσαι
εἰδώς. The curiosity of the chorus is a natural conse- quence of their awakened sympathy. Still it is to be observed that Prome- theus on his part is moved to tell his story by the longing to unburden his heart to sympathizing friends (see 198). He needs only the request in order to comply at once. - The Pro- logue and this first scene of the first episode constitute the first act of the drama, which expounds the situation and prepares the way for the follow- ing dramatic development.
284-396.
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284-396. Second Scene of the First Episode. Oceanus, father of the Oceanids, enters (from the right), mounted upon a winged steed
(τετρασκελής
οἰωνός 395) like 285.
290 Pegasus. The scholiast understands a griffin, because of this word
οἰωνός, but
sea-gods, in older Greek art, are often seen riding on hippocamps or
sea-horses. The machine here used was the
αἰώρημα, a sort of crane with hanging ropes, by which persons could be swung aloft, moved through the air, and let down again. The scholiast remarks,
καιρὸν
δίδωσι
τῷ
χορῷ
καθήκασθαι
(καθιμᾶσθαι ?)
τῆς
μηχανῆς
᾿Ὠκεανὸς
ἐλθών·
ὑπερβολῇ
δὲ
ἐχρήσατο,
ὅπου
γε
Ὅμηρος
οὐκ
εἰσήγα-
γεν
᾿Ὠκεανὸν
εἰς
τὸν
σύλλογον
τῶν
θεῶν (on this cp. Il. xx. 7
οὔτε
τις
οὖν
Ποταμῶν
ἀπέην
νόσφ᾽
᾿Ὠκεανοῖο). The anapaests of Oceanus accompany the descent of the chorus from their chariot into the orchestra. - This scene and the second episode form the second act, the beginning of the action which leads to the catastrophe. See on 307 and 436.
301.
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301.
αὐτόκτιτα : cp.
αὐτοφυής,
αὐτό-
χυτος,
αὐτόρριζος,
αὐτόξυλος, etc. -
ἄντρα: cp. 133. –
σιδηρομήτορα: cp. Il. viii. 47
Ἴδην
μητέρα
θηρῶν, Asty- damas Frg. 6 (p. 780, Nauck)
οἰνομή-
τορ᾽
ἄμπελον. Scythia is appropriately called "mother of iron"; cp. Sept. 817
Σκύθῃ
σιδήρῳ, Suid.
Χάλυβες·
ἔθνος
Σκυθίας,
ἔνθεν
ὁ
σίδηρος
τίκτεται. According to Hesiod (Clem. Alex. Strom. i. 307) and Aristotle (Plin. H. N. vii. 57. 197) the art of casting
310. bronze was invented by the Scythians. Cp. 714 below.
303.
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303.
συνασχαλῶν
κακοῖς: see on
ftare. 161.
304.
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304.
δέρκου: refers back to
θεωρή-
σων. See on 119.-
θέαμα: in the sense of
θέαμα
δυσθέατον
ὄμμασι (69). Cp. Plut. Ages. 14
θέαμα
τοῖς
Ἕλλη-
σιν
ἦσαν. –
τόνδε : of the speaker. So
ὅδε
ὁ
ἀνήρ =
ἐγώ is frequent in tragedy.
306.
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306.
κάμπτομαι: first person, in spite of
τόνδε
τὸν
Διὸς
φίλον above. Cp. Od. ii. 40
οὐκ
ἑκὰς
οὗτος
ἀνὴρ
ὃς
λαὸν
ἤγειρα,
Il.
x. 88
γνώσεαι
᾿Ατρείδην
᾿Αγαμέμνονα,
τὸν
περὶ
πάν-
των
Ζεὺς
ἐνέηκε
πόνοισι
διαμπερές,
εἰς
ὅ
κ᾿
ἀυτμὴ
ἐν
στήθεσσι
μένῃ
καί
μοι
φίλα
γούνατ᾽
ὀρώρῃ, Soph.
Ο. С. 1329
τῷδ᾽
ἀνδρὶ
τοὐμοῦ
πρὸς
κασιγνήτου
τίσιν, ibid. 284
ἀλλ᾽
ὥσπερ
ἔλαβες
τὸν
ἱκέτην
ἐχέγγυον,
ῥύου
με
κἀκφύλασσε, Trach. 1080
ὁρᾶτε
τὸν
δύστηνον
ὡς
οἰκτρῶς
ἔχω, Eur. Cycl. 299
νόμος
δὲ
θνητοῖς
ἱκέτας
δέχεσθαι
ἀμφὶ
βουπόροισι
πηχθέντας
μέλη
ὀβε-
λοῖσι
νηδὺν
καὶ
γνάθον
πλῆσαι
σέθεν, Dem. xvIII. 79
οὐδαμοῦ
Δημοσθένη
γέγραφεν
οὐδ᾽
αἰτίαν
οὐδεμίαν
κατ᾿
ἐμοῦ. وه
οὐκ
307.
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307. Respecting this hortatory speech of Oceanus the scholiast re- marks:
σκόπησον
τὰ
τῶν
ῥητόρων
καλὰ
παρὰ
πρώτοις
εὐρεθέντα
τοῖς
τραγικοῖς. The speaker seeks to influence Pro- metheus by friendly warnings and ad- vice, but his warnings are of such sort that a proud nature like Prometheus's can only be confirmed by them in its resistance. –
ὁρῶ,
Προμηθεῦ: cp. 144.
308.
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308.
ποικίλῳ:
συνετῷ, Schol. So Hesiod calls Prometheus
ποικίλος,
αἰο-
λόμητις Theog. 510,
ποικιλόβουλος ibid. 521,
ἀγκυλομήτης ibid. 546,
πάντων
πέρι
μήδεα
εἰδώς ibid. 559,
πολύιδρις ibid. 616.- With
καίπερ
ὄντι
ποικίλῳ cp. Il. i. 577
μητρὶ
δ᾽
ἐγὼ
παράφημι
καὶ
αὐτῇ
περ
νοεούσῃ
πατρὶ
φίλῳ
ἐπίηρα
φέρειν
Διί.
309.
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309.
γίγνωσκε
σαυτόν:
γνῶθι
σαυ-
τόν,
ὡς
ὁ
ποιητὴς :
φράζεο,
Τυδείδη
καὶ
χάζεο
(ΙΙ.
ν. 440), Schol.
μεθάρμο-
σαι: cp. Eur. Alc. 1157
νῦν
γὰρ
με-
θηρμόσμεσθα
βελτίω
βίον
τοῦ
πρόσθεν.
315
310.
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310.
νέους: proleptic, =
ὥστε
νέους
εἶναι. Cp. Eur. Iph.
Α. 343
μεταβαλὼν
ἄλλους
τρόπους.
311.
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311.
τεθηγμένους: for the meta- phor cp. Sept. 715
τεθηγμένον
τοί
μ'
οὐκ
ἀπαμβλυνεῖς
λόγῳ, Soph. Ai. 584
γλῶσσά
σου
τεθηγμένη.
312.
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312.
ῥίψεις: hurl forth.
Cр. 932,
Αg. 1068
οὐ
μὴν
πλέω
ῥίψασ' (flinging to waste)
ἀτιμασθήσομαι, Eur. Alc. 679
νεανίας
λόγους
ῥίπτων
ἐς
ἡμᾶς.
314.
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314.
παιδιάν: cp. Terent. Eun. 300 ludum iocumque dicet fuisse illum alterum, praeut huius rabies quae dabit.
317.
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317.
ἀρχαῖα :
old-fashioned;
ср.
Ar.
Νub. 984
ἀρχαῖά
γε
καὶ
Διπολιώδη
καὶ
τεττίγων
ἀνάμεστα, Cic. Philipp. i. 10. 25 neglegimus ista et ni- mis antiqua et stulta duci- mus.
319.
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319.
τἀπίχειρα : properly “hand- money”
(τὰ
ὑπὲρ
τὸν
μισθὸν
διδόμενα
τοῖς
χειροτέχναις, Hesych.). Here
320
325
it means wages, as in Ar. Vesp. 581
ταύτης
ἐπίχειρα, Plat. Rep. 608 c
τὰ
μέγιστα
ἐπίχειρα
ἀρετῆς
καὶ
προκεί-
μενα
ἆθλα. Cp. Soph. Ant. 820
οὔτε
ξιφέων
ἐπίχειρα
λαχοῦσα. On the sen- timent the scholiast remarks,
γνωμικῶς
δέ
φησι. Cp. 329, Pind. Ol. i. 85
ἀκέρ-
δεια
λέλογχεν
θαμινὰ
κακαγόρους, Eur. Bacch. 385
ἀχαλίνων
στομάτων
ἀνόμου
τ᾽
ἀφροσύνας
τὸ
τέλος
δυστυχία, Frg. 5
εἰ
μὴ
καθέξεις
γλῶσσαν,
ἔσται
σοι
κακά.
320.
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320.
ταπεινός: sc.
εἶ. See on 42. –
εἴκεις
κακοῖς: cp. 179, Soph. Ant. 471
δηλοῖ
τὸ
γέννημ᾽
ὠμὸν
ἐξ
ὠμοῦ
πατρὸς
τῆς
παιδός·
εἴκειν
δ᾽
οὐκ
ἐπίστα-
ται
κακοῖς.
321.
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321.
δé: can stand as fourth word when the three foregoing words form one idea, or belong very closely to- gether (thus preposition, article, and noun, here and 381). For the thought cp. Pers. 531
μὴ
καί
τι
πρὸς
κακοῖσι
προσθῆται
κακόν, Soph. Phil. 1265
μῶν
τί
μοι
νέα
πάρεστε
πρὸς
κακοῖσι
πέμπον-
τες
κακά,
Ο.
Τ. 667
εἰ
κακοῖς
κακὰ
προσάψει
τοῖς
πάλαι
τὰ
πρόσφατα, Phil- emon, Meineke Frag. Com. IV. p. 34
κακὰ
πρὸς
τοῖς
κακοῖσιν
οὗτος
ἕτερα
συλλέγει.
323.
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323.
πρὸς
κέντρα
κῶλον
ἐκτενεῖς : paraphrase of the proverb
πρὸς
κέντρα
λακτίζειν
(κέντρον = stimulus, goad for driving oxen and horses). Cp. Ag. 1624
πρὸς
κέντρα
μὴ
λάκτιζε,
μὴ
πταίσας
μογῆς, Pind. Pyth. ii. 173
ποτὶ
κέντρον
δε
τοι
λακτιζέμεν
τελέθει
ὀλισθηρὸς
οἶμος, Eur. Bacch. 795
θύοιμ᾽
ἂν
αὐτῷ
μᾶλλον
ἢ
θυμούμενος
πρὸς
κέντρα
λακτί-
ζοιμι
θνητὸς
ὢν
θεῷ, Frg. 607
πρὸς
κέν-
τρα
μὴ
λάκτιζε
τοῖς
κρατοῦσί
σου.
324.
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325.
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325.
πειράσομαι
ἐάν
δύνωμαι: cp.. Il. xviii. 601
πειρήσεται,
αἴκε
θέῃσιν, xiii. 806
ἐπειρᾶτο,
εἴ
πώς
οἱ
εἴξειαν, Plat. Leg. 638
ε
πειρώμενος,
ἂν
ἄρα
δύνωμαι
δηλοῦν. GMT. 489.
327.
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327.
λαβροστόμει: cp. Soph. Ai. 1147
τὸ
σὸν
λάβρον
στόμα.
ΙΙ. xxiii. 474
λαβρεύεαι.
328.
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328.
ἢ
οὐκ: synizesis of these par- ticles is especially frequent. See Krüger II. § 13, 6, 2. –
ἀκριβῶς : here = exceedingly. Hesych.
ἀκριβῶς ·
ἄκρως. For the characteristic pleonasm, cp. 944, Pers. 794
τοὺς
ὑπερπόλλους
ἄγαν, Il. vii. 39
οἰόθεν
οἷος, 97
αἰνόθεν
αἰνῶς. –
περισσόφρων : see on 308.
329.
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329.
προστρίβεται: a blunt meta- phor. Cp. Ar.
Εq. 5
πληγὰς
ἀεὶ
προσ-
τρίβεται
τοῖς
οἰκέταις.
330
335
330.
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330 ff.
ζηλῶ
σε: thou art to be en- vied, thou canst thank fortune. –
καὶ
τετολμηκώς : having so much as of fered. For
καί cp. 197, for
τετολμηκώς 381. Prometheus means, "one might expect that the mere disposition to show me sympathy would bring Zeus's displeasure on you."
πάντων gives no good sense; Weil writes
πόνων
μετα-
σχεῖν (cp. 274), following the scholion
ἐμοὶ
συναλγῶν. The sense would be best satisfied by
τούτων
μετασχεῖν. –
ἔασον: let it be, have done, as in Soph.
Ο. C. 593
ὅταν
μάθης
μου,
νουθέτει,
τὰ
νῦν
δ᾽
ἔα. Cp. the phrase
ἔα
τοῦτο.