128-192.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-99
128-192. Parodos. It is com- matic, that is, divided between actor and chorus. The chorus enter in a winged car
(ὄχῳ
πτερωτῷ 135,
κραι-
πνόσυτον
θᾶκον 279), moved by the- atrical machinery. The car, advancing from the right side, has gradually approached Prometheus. It is seen by the spectators while still invisible to Prometheus, who can only look straight before him. At 124 the chorus are already very near, and they hear the words of 127
(φοβερόν). - The
᾿Ωκεανίδες are daughters of Oceanus and Tethys; see Hesiod Theog. 362. Hesiod (ibid. 346) enum- erates
forty-one by name, and adds
πολλαί
γε
μέν
εἶσι
καὶ
ἄλλαι,
τρὶς
γὰρ
χίλιαί
εἰσι
τανύσφυροι
Ωκεανῖναι. Aes- chylus's chorus consisted of twelve persons. The first strophe gives the motive of the chorus for coming; this is what an unknown grammarian (in the hypothesis to the Persians) calls '
παροδικά,
ὅτε
λέγει (sc.
ὁ
χορός)
δι᾽
ἣν
αἰτίαν
πάρεστιν.' - The rhythms (
ῥυθμὸς
᾿Ανακρεόντειός
ἐστι
κεκλασμένος
πρὸς
τὸ
θρηνητικόν, Schol.) are in keeping with the sorrowful tone of the composition (see 144 ff.); they
are furthermore especially appropri- ate to a female chorus.
176.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-133
176.
χαλάσῃ: sc.
με. Here tran- sitive, but intransitive in 58 and 179. Cp.
λωφᾶν 27.
180.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-134
180.
ἐλευθεροστομεῖς : cp.
λαβρο-
στομεῖν 327,
θρασυστομεῖν Suppl. 203,
χαριτογλωσσεῖν 294 below.
181.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-135
181.
ἐρέθισε: see on 135. The tri- brach in the third foot here consists of three syllables which belong in one word; this is admissible only in the melic trimeter. See on 162 and on 2. The aorist as in
ἐγέλασα,
ἥσθην,
ἀπέπτυσα (1070 below). Krüger I, § 53, 6, 3; GMT. 60;
Н. 842,
182.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-136
182 f.
δέδια ...
πᾶ
πότε: see on
184.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-137
184. At 100 above, the figure is that of daybreak after darkness; here of reaching land after a stormy and perilous voyage. -
ἀκίχητα: an epic word. Cp. Il. xvii. 75
ἀκίχητα
διώκων.
185.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-138
185.
ἀπαράμυθον : with long a- priv- ative. So, in epic poetry,
ἀθάνατος,
ἀκάματος, from the necessities of the metre.
ἀθάνατος kept this measure- ment throughout, even in Attic po- etry.