Aristophanes Wealth 1156

Wealth. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Πλοῦτος Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1171 focus
Translations (2)
Wealth (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1171 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1171 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1156. mvp-tlg0019-tlg011-sanjaya-com-eng1-31

Line 1156

Ἑρμῆν παλιγκάπηλον ἡμᾶς δεῖ τρέφειν;
The compound adjective παλιγκάπηλος (paligkápēlos) is a hapax legomenon in Aristophanes, appearing only here in the surviving corpus. It is a rare formation combining παλίν ('again' or 'back') with κάπηλος ('huckster' or 'retailer'), effectively meaning 'a huckster who turns back' or 'a double-dealing merchant.' In this context, Chremylus uses it to describe Hermes not merely as a liar, but as a figure who repeatedly reverses his stance or deals in falsehoods, reflecting the play's central theme of economic instability and the capricious nature of divine favor. The term's novelty here underscores the satirical intensity of the accusation against the god.