Aristophanes Ecclesiazusae 354

ed. F. W. Hall, ed. William M. Geldart

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Ecclesiazusae. Aristophanes. ed. F. W. Hall, ed. William M. Geldart. Oxford. 1907.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ἐκκλησιάζουσαι (Greek) (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.)

Translations (2)
Ecclesiazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 354 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 354 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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Line 356

μῶν ἣν Θρασύβουλος εἶπε τοῖς Λακωνικοῖς;
The anaphoric use of the relative pronoun ἣν (accusative feminine singular) here refers back to the specific, previously mentioned speech or decree (implied by the context of the play's plot regarding the women's assembly) rather than a generic noun. The construction εἶπε τοῖς Λακωνικοῖς alludes to a specific historical event where Thrasybulus, the Athenian democratic leader, negotiated with the Spartans (Lacedaemonians) following the overthrow of the Thirty Tyrants in 403 BCE. The use of the aorist indicative εἶπε rather than a perfect or pluperfect emphasizes the specific, completed utterance of that historical moment, which is being invoked as a precedent for the current political maneuvering of the women in the play.

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καὶ δῆτα πολὺν ἡ μίλτος ὦ Ζεῦ φίλτατε
The phrase ὦ Ζεῦ φίλτατε is a rare and marked vocative construction. While ὦ Ζεῦ is standard, the superlative adjective φίλτατε (most dear/favorite) in the vocative directly addressing Zeus is highly unusual in Aristophanes. Typically, Zeus is addressed with terms like Διὸς πάτερ, ὦ Ζεῦ, or ὦ μέγιστε. The use of the superlative φίλτατε here creates a jarring, ironic intimacy, characteristic of the play's subversion of religious and social norms, where the speaker (Praxagora) treats the god with a familiarity that borders on the presumptuous, fitting the chaotic atmosphere of the Ecclesiazusae.