Aristophanes Frogs 1346

Frogs. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Βάτραχοι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1370 focus
Translations (2)
Frogs (OCR draft) Experimental (English (Matthew Dillon). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1370 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1370 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1346. mvp-tlg0019-tlg009-sanjaya-com-eng1-79

Line 1346

ἐγὼ δʼ ἁ τάλαινα προσέχουσʼ ἔτυχον
The phrase προσέχουσ' ἔτυχον presents a notable syntactic feature where the aorist of τυγχάνω ('to happen', 'to meet') governs a present participle (προσέχουσ' from προσέχω). While τυγχάνω often takes an infinitive or accusative with infinitive, the construction with a participle, particularly one indicating an attendant circumstance or simultaneous action ('happening to be paying attention'), is less common and requires attention to the aspectual interplay: the present participle emphasizes the ongoing nature of the action at the moment of the 'chance' encounter, rather than the action itself being the object of the chance. This specific usage highlights the colloquial, dramatic rhythm of Aristophanic dialogue, where the syntax mirrors the immediacy of the character's realization.