Aristophanes Frogs 1336a

Frogs. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Βάτραχοι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1309 focus
Translations (2)
Frogs (OCR draft) Experimental (English (Matthew Dillon). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1309 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1309 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1336a. mvp-tlg0019-tlg009-sanjaya-com-eng1-78

Line 1336a

μελανονεκυείμονα,
This hapax legomenon (or rare compound) appears in the description of Hades in the Frogs. The term is a compound of μέλας (black), νεκρός (dead), and εἴμων (robe/dweller). While the semantic components are transparent, the specific compound is a striking example of Aristophanic comic invention, likely coined to evoke the grim, shrouded atmosphere of the underworld in a way that is both descriptive and rhythmically suited to the iambic trimeter. The form εἴμων, usually meaning 'garment' or 'dweller', here functions as a substantive epithet for the realm or its inhabitants, creating a dense, allusive image of a 'black-robed-dead' place. This construction exemplifies the poet's tendency to create new compounds for metrical and comic effect, pushing the boundaries of Attic usage.