Aristophanes Frogs 1246

Frogs. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Βάτραχοι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1251 focus
Translations (2)
Frogs (OCR draft) Experimental (English (Matthew Dillon). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1251 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1251 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1246. mvp-tlg0019-tlg009-sanjaya-com-eng1-64

Line 1246

τὸ ληκύθιον γὰρ τοῦτʼ ἐπὶ τοῖς προλόγοισί σου
The phrase ἐπὶ τοῖς προλόγοισί σου employs a specific comedic pun: while the physical object (a lekythos) is being placed 'upon' or 'at the head of' the prologues as a metaphorical capstone or reward, the idiom ἐπὶ τοῖς + dative can also imply 'in addition to' or 'on top of' the preceding arguments, suggesting that the speaker's previous words have been merely a prelude to this final, perhaps absurd, action. Furthermore, the use of the archaic dative plural form προλόγοισί (rather than the later προλόγοις) is a deliberate archaism characteristic of the comic chorus's meter and style, distinguishing the choral voice from the iambic trimeter of the dialogue.