Aristophanes Frogs 1059

Frogs. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Βάτραχοι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1045 focus
Translations (2)
Frogs (OCR draft) Experimental (English (Matthew Dillon). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1045 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1045 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1059. mvp-tlg0019-tlg009-sanjaya-com-eng1-50

Line 1059

μεγάλων γνωμῶν καὶ διανοιῶν ἴσα καὶ τὰ ῥήματα τίκτειν.
The participle τίκτειν ('to bring forth') functions as a complementary infinitive dependent on the implied verb of 'producing' or 'generating' understood from the context of the preceding clause (likely referring to the tragic poet's style). This construction, where a transitive verb of 'bringing forth' takes a direct object (μεγάλων γνωμῶν καὶ διανοιῶν) and a complementary infinitive expressing the action of the object, is a distinctive Aristophanic usage that personifies abstract concepts ('great thoughts and plans') as the offspring of the poet's rhetoric. The phrase ἴσα καὶ τὰ ῥήματα ('equal even to the words') creates a syntactic tension: is ἴσα modifying the thoughts/plans themselves as being 'equal' to the words, or is it a predicate adjective with the infinitive, suggesting the 'birth' of thoughts is equal to the 'birth' of words? The genitive absolute construction is absent here, relying instead on a compressed comparative structure typical of the play's satirical tone regarding the 'greatness' of Euripides' new-fangled vocabulary versus traditional tragic diction.