Aristophanes Thesmophoriazusae 1055

Thesmophoriazusae. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Θεσμοφοριάζουσαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1056 focus
Translations (2)
Thesmophoriazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1056 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1056 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1055. mvp-tlg0019-tlg008-sanjaya-com-eng1-35

Line 1055

νέκυσιν ἐπὶ πορείαν.
The phrase 'νέκυσιν ἐπὶ πορείαν' presents a syntactic and semantic tension characteristic of Aristophanic comedy. The dative plural 'νέκυσιν' ('to the dead') functions as a dative of direction or purpose, yet it is coupled with 'ἐπὶ πορείαν' ('on a journey'), a phrase typically reserved for the living. This oxymoron encapsulates the central conceit of the play's prologue: the chorus of women, disguised as men and pretending to be dead or in mourning, are actually embarking on a 'journey' to the Thesmophoria, blurring the boundary between the world of the dead and the living. The construction is not merely a standard dative of reference but a deliberate rhetorical device highlighting the absurdity of the situation.