Aristophanes Thesmophoriazusae 1007

Thesmophoriazusae. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Θεσμοφοριάζουσαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1001 focus
Translations (2)
Thesmophoriazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1001 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1001 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1007. mvp-tlg0019-tlg008-sanjaya-com-eng1-30

Line 1007

πέρʼ ἐγὼ ʼξινίγκι πορμός, ἴνα πυλάξι σοι.
The sentence presents a notorious crux of textual criticism and dialectal phonology. The text as transmitted in the manuscripts (often cited as 'πέρ' ἐγὼ ʼξινίγκι πορμός, ἴνα πυλάξι σοι') is widely regarded as corrupt or heavily distorted by comic distortion. The phrase 'ἐγὼ ʼξινίγκι πορμός' (literally 'I am an ox-nickel stone' or similar nonsense) has no coherent meaning in standard Attic or the expected Doric of the chorus. Scholars such as Kock, Mastronarde, and others have proposed various emendations, including readings involving 'ξυλίνγην' (wooden) or 'ἐξινίγκω' (I am driven out), but the exact wording remains a subject of debate due to the heavy comic distortion of the Doric dialect used by the chorus of women. The phrase 'ἴνα πυλάξι σοι' similarly suffers from dialectal compression and potential corruption, with 'πυλάξι' possibly representing a Doric form of 'πυλῶν' (gates) or a metaphorical 'locks', but the syntactic connection to the preceding clause is obscured by the textual corruption.