Aristophanes Lysistrata 886

Lysistrata. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Λυσιστράτη Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 870 focus
Translations (2)
Lysistrata (OCR draft) Experimental (English (Jack Lindsay). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 870 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 870 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

886. mvp-tlg0019-tlg007-sanjaya-com-eng1-43

Line 886

πολλῷ γεγενῆσθαι κἀγανώτερον βλέπειν·
The participle βλέπειν (accusative singular feminine of the present participle of βλέπω) functions as an adverbial modifier of manner or degree, dependent on the comparative adjective κἀγανώτερον. This construction, where a participle in the accusative agrees with a comparative adjective in the accusative (here implied by the ellipsis of the subject of the infinitive clause or functioning as a supplement to the comparative), is a distinctive feature of Attic comedy syntax. While comparatives often take genitives of comparison, the use of the accusative participle to intensify the comparative sense ('to be far more gentle in one's gaze') relies on the colloquial, fluid syntax characteristic of Aristophanic dialogue, contrasting with the more rigid constraints of High Attic prose. The particle γε here emphasizes the affirmative or concessive force of the statement, typical of the speaker's rhetorical strategy in this passage.