Aristophanes Lysistrata 1180b

Lysistrata. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Λυσιστράτη Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1189 focus
Translations (2)
Lysistrata (OCR draft) Experimental (English (Jack Lindsay). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1189 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1189 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1180b. mvp-tlg0019-tlg007-sanjaya-com-eng1-61

Line 1180b

τοῖσι γῶν ναὶ τὼ σιὼ
The sentence is a colloquial oath and vocative address in the Laconian (Spartan) dialect, distinct from the standard Attic Greek of the rest of the play. Key features include the Doric dative plural article τοῖσι (Attic τοῖς), the Doric vocative form ναὶ (often Attic ναί), and the specific Laconian forms γῶν (for γῶν or γῶν = γυνή/γυναικῶν contextually, here likely a dialectal contraction or form for 'women' or 'ladies' as a vocative plural) and σιὼ (the Laconian vocative plural of σύ, meaning 'you', contrasting with Attic σῶς or σῦν). This represents a deliberate stylistic choice by Aristophanes to characterize the Spartan women's distinct linguistic identity and to parody their perceived roughness or archaic speech patterns.