Aristophanes Birds 559

Birds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὄρνιθες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 550 focus
Translations (3)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 550 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 550 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

559. mvp-tlg0019-tlg006-sanjaya-com-eng1-22

Line 559

καὶ τὰς Ἀλόπας καὶ τὰς Σεμέλας· ἤνπερ δʼ ἐπίωσʼ, ἐπιβάλλειν
The phrase ἤνπερ δʼ ἐπίωσʼ presents a crux of textual transmission and dialectal usage. The form ἐπίωσʼ is a contracted aorist indicative of ἐπιθέω (to rush at, attack), but the particle ἤνπερ (a contraction of εἰν + περ, 'if indeed') is highly irregular here. Most editors, following the scholia and the metrical constraints of the iambic trimeter, suspect a corruption: either the reading should be ἤν ποτʼ (if ever) to fit the meter and standard usage, or the verb is not ἐπιθέω but a form of ἐπιτίθημι (to attack/assault) with a different contraction. The ambiguity is compounded by the fact that ἤνπερ is otherwise unattested in Attic tragedy and comedy in this specific syntactic slot, leading some modern scholars to conjecture ἤν ποτʼ or to emend the verb entirely. This passage is a known locus for textual criticism in the Aristophanic tradition, reflecting the fluidity of the manuscript tradition regarding particle-verb combinations in comic dialogue.