Aristophanes Birds 310

ed. F. W. Hall, ed. William M. Geldart

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Birds. Aristophanes. ed. F. W. Hall, ed. William M. Geldart. Oxford. 1906.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ὄρνιθες (Greek) (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.)

Translations (3)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).) — 310 focus
Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 310 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 310 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

313. mvp-tlg0019-tlg006-sanjaya-com-eng1-11

Line 313

τί τί τί τί τί τί τί τί· τίνα λόγον ἄρα ποτὲ
The sevenfold repetition of τί at the beginning of the sentence functions as a hyperbolic expression of exasperation or bewilderment, a comedic device characteristic of Aristophanic parody of tragic style. This specific instance mirrors the opening of Aeschylus's Agamemnon (τί δ' ἔστιν;) or the repetitive interrogatives in Euripides, here exaggerated to the point of absurdity to mock the tragic hero's rhetorical self-importance. The repetition is not a scribal error but a deliberate metatheatrical gesture, signaling the play's engagement with tragic convention through grotesque amplification.