Aristophanes Birds 1373

ed. Eugene O'Neill, Jr.

Birds. Aristophanes. ed. Eugene O'Neill, Jr.. New York. 1938.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Birds (OCR draft) (English) (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὄρνιθες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1373 focus
Translations (2)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1373 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1377. mvp-tlg0019-tlg006-sanjaya-com-eng1-89

Line 1377

ἀσπαζόμεσθα φιλύρινον Κινησίαν.
The verb ἀσπαζόμεσθα is here used in the sense of 'to greet' or 'to welcome' a person, rather than the more common 'to embrace' or 'to kiss'. In the context of the Birds, the chorus of birds is addressing the human character Kinesias (or a figure associated with him), and the use of the present middle/passive form with a personal object is characteristic of this specific usage in comedy, where the physical act of greeting is metaphorically extended to a verbal welcome or a mock embrace in the presence of the audience. This usage is distinct from the more formal or ritualistic uses found in tragedy or epic.