Aristophanes Birds 1373

ed. F. W. Hall, ed. William M. Geldart

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Birds. Aristophanes. ed. F. W. Hall, ed. William M. Geldart. Oxford. 1906.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ὄρνιθες (Greek) (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.)

Translations (3)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 1373 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1373 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1377. mvp-tlg0019-tlg006-sanjaya-com-eng1-89

Line 1377

ἀσπαζόμεσθα φιλύρινον Κινησίαν.
The verb ἀσπαζόμεσθα is here used in the sense of 'to greet' or 'to welcome' a person, rather than the more common 'to embrace' or 'to kiss'. In the context of the Birds, the chorus of birds is addressing the human character Kinesias (or a figure associated with him), and the use of the present middle/passive form with a personal object is characteristic of this specific usage in comedy, where the physical act of greeting is metaphorically extended to a verbal welcome or a mock embrace in the presence of the audience. This usage is distinct from the more formal or ritualistic uses found in tragedy or epic.