Aristophanes Peace 547

Peace. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Εἰρήνη Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 657-728 focus
Translations (2)
Peace (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 551 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 551 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

547. mvp-tlg0019-tlg005-sanjaya-com-eng1-6

Line 547

κατέπαρδεν ἄρτι τοῦ ξιφουργοῦ ʼκεινουί.
The phrase τοῦ ξιφουργοῦ refers to the 'sword-maker' or 'armorer,' a term that appears in Aristophanic comedy to denote a specific type of artisan often associated with the chaotic mobilization of the citizenry or the absurdity of war production. In this context, the verb κατέπαρδεν (aorist active indicative of καταπαρδάω, 'to make a pounce upon' or 'to pounce down on') suggests a sudden, predatory action by the subject (likely Hermes or a similar divine figure in the immediate context of the play) against the sword-maker. The construction with the genitive τοῦ ξιφουργοῦ is notable for its directness and the use of the verb in a metaphorical sense, highlighting the dramatic tension between the divine intervention and the human figure of the armorer.