Aristophanes Wasps 502

Wasps. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Σφῆκες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 526-728 focus
Translations (2)
Wasps (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 488 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 488 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

502. mvp-tlg0019-tlg004-sanjaya-com-eng1-18

Line 502

ἤρετʼ εἰ τὴν Ἱππίου καθίσταμαι τυραννίδα.
The particle ἤρετ' (ἦ ἄρεν) introduces a rhetorical question expecting a negative answer, functioning here as a sarcastic challenge to the logic of the preceding argument. The verb καθίσταμαι is used in the middle voice with a direct object (τὴν τυραννίδα) in the accusative, a construction that emphasizes the actor's active role in establishing or assuming the office, contrasting with the passive sense often associated with τυραννίς. This specific syntactic choice underscores the absurdity of the claim that Philocleon is voluntarily installing a tyranny, a central theme in the play's satire of democratic and tyrannical power dynamics.