Aristophanes Wasps 433

Wasps. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Σφῆκες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 403-525 focus
Translations (2)
Wasps (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 430 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 430 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

433. mvp-tlg0019-tlg004-sanjaya-com-eng1-13

Line 433

ὦ Μίδα καὶ Φρὺξ βοήθει δεῦρο καὶ Μασιντύα,
The address to 'Midas and Phryx' is a specific allusion to the myth of the Phrygian king Midas, whose wife and daughter (sometimes identified as Phrygia or a personification thereof) were transformed into a mule and a wolf, or in other versions, whose court was filled with absurdity. However, the inclusion of 'Phryx' alongside Midas here is highly irregular and likely a comic distortion or a specific reference to a lost play or a local cultic association known to the original audience but obscure today. This is not a standard mythological pairing and suggests Aristophanes is invoking a specific, perhaps local or now-lost, tradition for comic effect, rather than the well-known Midas of the golden touch.