Aristophanes Wasps 430

ed. Eugene O'Neill, Jr.

Wasps. Aristophanes. ed. Eugene O'Neill, Jr.. New York. 1938.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Wasps (OCR draft) (English) (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Σφῆκες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 403-525 focus
Translations (1)
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 430 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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ὦ Μίδα καὶ Φρὺξ βοήθει δεῦρο καὶ Μασιντύα,
The address to 'Midas and Phryx' is a specific allusion to the myth of the Phrygian king Midas, whose wife and daughter (sometimes identified as Phrygia or a personification thereof) were transformed into a mule and a wolf, or in other versions, whose court was filled with absurdity. However, the inclusion of 'Phryx' alongside Midas here is highly irregular and likely a comic distortion or a specific reference to a lost play or a local cultic association known to the original audience but obscure today. This is not a standard mythological pairing and suggests Aristophanes is invoking a specific, perhaps local or now-lost, tradition for comic effect, rather than the well-known Midas of the golden touch.

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ὦ Κέκροψ ἥρως ἄναξ τὰ πρὸς ποδῶν Δρακοντίδη,
The vocative ἄναξ is metrically unusual in this position for the iambic trimeter of the parabasis, where a disyllabic form like κέκροπες would be expected; the hypermetric elision or synizesis required to accommodate ἄναξ as a single metrical unit suggests a deliberate archaizing or emphatic address, possibly invoking the specific ritual tone of the 'Kekropid' invocation found in other tragic and comedic parodies of civic identity.