Aristophanes Clouds 729

Clouds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Νεφέλαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 627-888a focus
Translations (2)
Clouds Perseus (Aristophanes. The Comedies of Aristophanes, Vol. I. Hickie, William James, translator. Bohn: London, 1853.) — 731 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 731 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

729. mvp-tlg0019-tlg003-sanjaya-com-eng1-51

Line 729

κἀπαιόλημʼ.
The form κἀπαιόλημʼ is a highly irregular contraction of κἀπαιόλημαι (or κἀπαιόλημαι), where the final -αι is elided before the enclitic -μʼ. This specific morphological form, often appearing in the comic meter to resolve metrical constraints, is a crux for editors; some manuscripts read κἀπαιόλημαι, while others (like the Venetus) preserve the contracted form, which creates a textual variant regarding the intended phonetic realization and the exact verb form (perfect vs. perfect with reduplication). The semantic force is 'and I have been made to smell' or 'I have caught a whiff,' with the prefix ἐπι- (contracted to ε- before the vowel) implying a sudden or intrusive perception, a usage characteristic of Aristophanic comedy where bodily functions and sensory perceptions are exaggerated for comic effect.