Aristophanes Clouds 438

Clouds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Νεφέλαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 478-509 focus
Translations (2)
Clouds Perseus (Aristophanes. The Comedies of Aristophanes, Vol. I. Hickie, William James, translator. Bohn: London, 1853.) — 437 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 437 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

438. mvp-tlg0019-tlg003-sanjaya-com-eng1-30

Line 438

διὰ τοὺς ἵππους τοὺς κοππατίας καὶ τὸν γάμον ὅς μʼ ἐπέτριψεν.
The phrase τοὺς ἵππους τοὺς κοππατίας is a specific, satirical reference to the 'Koppas' horses, a notorious group of young Athenian aristocrats (including the son of the poet Sophocles, Sophocles the Younger, and others) who rode in the procession of the Panathenaia but were known for their extravagant, ostentatious behavior and association with the 'new education' (sophistry). The term κοππατίας is a rare, comic coinage, likely derived from κόππος (a type of horse or a slang term for a horseman), used here to mock their pretension and the specific social faction they represented. This is not a generic reference to horses but a pointed allusion to the political and cultural tensions of the late 5th century BCE regarding the education of the youth and the influence of the sophists, a central theme in the play's critique of Socrates and the 'new learning.'