Aristophanes Clouds 355

Clouds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Νεφέλαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 356-477 focus
Translations (2)
Clouds Perseus (Aristophanes. The Comedies of Aristophanes, Vol. I. Hickie, William James, translator. Bohn: London, 1853.) — 356 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 356 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

355. mvp-tlg0019-tlg003-sanjaya-com-eng1-23

Line 355

καὶ νῦν γʼ ὅτι Κλεισθένη εἶδον, ὁρᾷς, διὰ τοῦτʼ ἐγένοντο γυναῖκες.
The clause ὅτι Κλεισθένη εἶδον employs the conjunction ὅτι with the aorist indicative to introduce a causal clause meaning 'since I saw Cleisthenes' or 'now that I have seen Cleisthenes.' This usage of ὅτι for 'since' or 'now that' (often with the indicative) is a specific feature of Aristophanic comic style, contrasting with the more common causal use of γάρ or the causal participle construction found in Attic prose. The specific reference to Cleisthenes (likely the son of Hegesistratus, a contemporary figure known for his effeminate dress and association with Socrates in the play) grounds the abstract complaint about the rise of women in a concrete, contemporary political and social event, serving as the immediate catalyst for the Chorus's observation.