Aristophanes Clouds 1099

Clouds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Νεφέλαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1105-1112 focus
Translations (2)
Clouds Perseus (Aristophanes. The Comedies of Aristophanes, Vol. I. Hickie, William James, translator. Bohn: London, 1853.) — 1105 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1105 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1099. mvp-tlg0019-tlg003-sanjaya-com-eng1-81

Line 1099

τοὺς εὐρυπρώκτους· τουτονὶ
The phrase τοὺς εὐρυπρώκτους is a notorious crux at Clouds 960. The adjective εὐρυπρώκτους (wide-hipped) is unique to this passage in Aristophanes, though it alludes to a known comic stereotype of the 'broad-hipped' Socratics or philosophers, contrasting with the 'thin-hipped' (συνωπώκτους) of the preceding line in some manuscripts. The textual tradition is divided: some mss. read εὐρυπρώκτους, others εὐρυπρωκτίους or even εὐρυπρωκτίοις, and the scholia suggest a possible corruption from εὐρυπρωκτίους (wide-hipped ones) to a form that might have been misread or emended. The demonstrative τοῦτονὶ (this one here) refers to the specific figure being mocked, likely Strepsiades or a generic philosopher, but the exact referent is debated due to the surrounding context of the trial scene. The phrase is syntactically anomalous as a direct address or exclamation without a clear verb, suggesting a dramatic interruption or a fragmentary delivery.