Aristophanes Clouds 627

ed. F. W. Hall, ed. William M. Geldart

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Clouds. Aristophanes. ed. F. W. Hall, ed. William M. Geldart. Oxford. 1906.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Νεφέλαι (Greek) (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.)

Translations (2)
Clouds Perseus (Aristophanes. The Comedies of Aristophanes, Vol. I. Hickie, William James, translator. Bohn: London, 1853.) — 627 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 627 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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Line 640

ὑπʼ ἀλφιταμοιβοῦ παρεκόπην διχοινίκῳ.
The noun ἀλφιταμοιβός ('flour-exchanger' or 'meal-barterer') is a hapax legomenon in Aristophanes, constructed as a compound of ἄλφιτον (barley-meal) and μοιβός (exchange). Its usage here is not merely descriptive of a baker but satirically precise: in the context of the Clouds' education, Strepsiades is being depicted as a man of such meager means that his only economic interaction involves the barter of basic grain, a detail that underscores the play's critique of the sophists' corruption of even the most humble tradesmen. The compound's formation follows a pattern of comic neologism where the -μοιβός suffix (from μοιβή, exchange) is applied to a commodity to denote the agent of its trade, a linguistic device Aristophanes employs to generate humor through hyper-specificity.

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Line 651

κατʼ ἐνόπλιον, χὠποῖος αὖ κατὰ δάκτυλον.
The phrase χὠποῖος is a colloquial contraction of καὶ ποῖος, where the elision of the initial kappa in καὶ before the omega of ποῖος is marked by the rough breathing on the resulting combination. This specific elision, creating the form χὠ-, is a hallmark of Aristophanic comic diction and reflects the rapid, conversational tempo of the dialogue, distinguishing it from the more formal elisions found in tragedy or prose.